Olympus TG-830 iHS vs Sony A6300
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Olympus TG-830 iHS vs Sony A6300 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-5.9) lens
- 214g - 109 x 67 x 28mm
- Announced January 2013
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 25600 (Boost to 51200)
- 3840 x 2160 video
- Sony E Mount
- 404g - 120 x 67 x 49mm
- Released February 2016
- Superseded the Sony A6000
- Later Model is Sony A6500

Olympus TG-830 iHS vs Sony A6300: A Deep Dive into Two Distinct Camera Worlds
Choosing the right camera often means navigating a maze of specifications, real-world performance, and personal priorities. Today, we’re putting two vastly different but popular cameras head-to-head: the rugged Olympus TG-830 iHS, a waterproof compact built for adventure, and the advanced mirrorless Sony Alpha A6300, designed for versatility and high performance in demanding photography disciplines. Drawing on over 15 years of experience testing countless cameras, I’ll guide you through their core strengths, weaknesses, and who each truly serves best.
Let’s roll up our sleeves and unpack everything from sensor tech to ergonomics, from autofocus systems to battery life - and see how these cameras hold up across the major photography genres.
First Impressions: Size, Handling & Ergonomics
The Olympus TG-830 iHS immediately demonstrates its purpose in its compact, rugged design. Measuring 109x67x28 mm and weighing just 214 grams, it’s specially engineered for portability and durability. By comparison, the Sony A6300 is a slightly larger rangefinder-style mirrorless camera at 120x67x49 mm and 404 grams. This size difference is palpable in hand and speaks volumes about their intended use cases.
The TG-830’s dimensions make it pocketable and ideal for situations where you might not want to fuss with a big camera - hiking, snorkeling, skiing, or urban exploration in any weather. Its rubberized construction and environmental sealing ensure it can withstand water depths (up to 10m), freeze temperatures, shocks, and dust. The A6300, while robustly built and weather-sealed, isn’t designed for extreme abuse but more for controlled, professional environments.
Moving to control layouts, the Sony brings a more conventional top-panel design with dials and customizable buttons that suit a tactile, manual approach - essential for photographers who prefer intricate control over exposure and focusing. Olympus TG-830 is simpler, with fewer physical controls and no manual exposure modes, reflecting its point-and-shoot nature.
For shooters used to dedicated grips and chunkier buttons, the TG-830 may feel a bit cramped despite its compact size. However, its simplicity and ruggedness mean fewer distractions when shooting in challenging environments. The A6300’s ergnomics support longer sessions and more precise adjustments - important for work requiring dexterity and nuanced settings.
Sensor & Image Quality: Small vs. Big
This is where the cameras diverge fundamentally. The Olympus TG-830 is built around a tiny 1/2.3-inch CMOS sensor with a modest 16MP resolution, while the Sony A6300 employs a much larger APS-C CMOS sensor (23.5x15.6 mm) delivering 24MP.
Beyond image resolution, sensor size profoundly affects image quality. The Sony’s sensor area nearly dwarfs the Olympus’s at 366.6 mm² vs. 28.07 mm², allowing larger pixels and better light-gathering ability. This translates directly into:
- Higher dynamic range (Sony shows ~13.7 stops vs. the TG-830’s modest capabilities)
- Superior low-light performance (Sony’s ISO sensitivity shoots up to 25600 native, with 51200 boosted, Olympus caps at 6400 ISO but practically noise floors become prominent above 400)
- Improved color depth and tonality retention (Sony’s 24.4 bits vs Olympus’s untested but known limited depth)
In practical terms, portraits under natural window light or landscapes at sunrise show the Sony’s files to have richer colors, smoother gradients, and less noise without resorting to heavy post-processing. The TG-830 excels in casual daylight snaps but shows softness and noise in shadows or dim conditions.
For macro and close-ups, the Olympus’s built-in lens achieves a remarkable 1 cm macro focus distance, which supports intimate detail capture where the Sony depends on an appropriate macro lens, adding size and cost but significantly improving sharpness and bokeh control.
Viewing and Interface: Finding Your Frame
Neither camera features a touchscreen, but their screens and viewfinder systems differ greatly.
The Olympus TG-830 sports a fixed 3-inch LCD screen with 460k dots, adequate for framing in sunlight albeit with limited resolution and no tilt or swivel capabilities. No viewfinder is offered, making it less ideal for bright outdoor shooting where glare can obscure the rear LCD.
Contrast that with the Sony A6300’s 3-inch tilting LCD with 922k dots and a high-resolution electronic viewfinder (EVF) boasting 2359k dots, 100% coverage, and 0.7x magnification. The EVF allows eye-level composition with vital exposure and focus preview - a big advantage for precision framing in bright daylight or critical manual focusing.
For street photographers or those who prefer eye-level shooting, the Sony’s EVF is far more practical. Meanwhile, the Olympus’s rear screen and simplicity keep the user experience straightforward for spontaneous capturing - recalling that it is designed with adventure in mind rather than critical monitoring.
Optics & Lens Flexibility: Fixed Simplicity vs. Interchangeable Systems
The Olympus TG-830 uses a fixed zoom lens with a 28-140mm equivalent focal length (5x zoom) and max aperture range of f/3.9 to f/5.9. Built-in image stabilization (sensor-shift) helps reduce blur, and the lens allows macro focusing from as close as 1 cm, a real highlight for underwater or close-range work.
In contrast, the Sony A6300’s Sony E-mount provides access to a vast ecosystem of 121 lenses (and counting) from Sony and third parties - spanning ultra-wide primes, fast portrait lenses, dedicated macro optics, and super-telephoto zooms essential for wildlife and sports.
This flexibility means the Sony can adapt to nearly any situation, from sweeping landscapes with ultra-sharp wide lenses to tight 600mm equivalents for birding - and enable creative depth-of-field control via fast apertures and lens choice.
Olympus’s fixed lens is sufficient for the casual shooter needing an all-in-one tool, but it imposes compromises in aperture speed and maximum focal length that limit creative and professional potential.
Autofocus: Agility and Precision
The Olympus TG-830 employs contrast-detection autofocus with face and eye detection, but no phase-detection, offering relatively basic AF performance. It supports single and limited tracking with a small number of focus points (unspecified but very few).
The Sony A6300 boasts a hybrid autofocus system combining 425 phase-detection points alongside contrast-detection, enabling incredible speed, accuracy, and tracking prowess - among the best in the mirrorless category in 2016. Continuous autofocus (AF-C), subject tracking, and eye detection in live view and video elevate it considerably.
This difference shines in sports and wildlife applications: the A6300’s 11 FPS burst combined with lightning-fast AF locks slam dunk action sequences with clarity. The TG-830 lacks burst shooting capability and is much slower and less accurate, adequate for casual scenes but not high-stakes moments.
Durability, Weatherproofing & Adventure Use
Here, Olympus arguably owns a unique niche.
The TG-830 is fully ruggedized: waterproof to 10 meters, frostproof down to -10C, crushproof to 100 kgf, shockproof up to 2.1m drops, and dustproof. It’s a compact action camera alternative for rugged terrain, water sports, or construction sites.
The Sony A6300, while weather-sealed, lacks comprehensive protection and would require careful handling in harsh environments. It is better suited to street, portrait, landscape, and studio work.
If your photography often involves adverse conditions or you want a durable travel companion that can survive a splash without housing, the Olympus is compelling.
Video Capabilities: 1080p vs. 4K Legacies
The Olympus TG-830’s video capabilities center on 1080p at 60 fps (H.264), with basic audio and stabilization but no external mic input. It’s sufficient for casual video but lacks professional features.
The Sony A6300 adds significant video chops with 4K UHD up to 30p, slow-motion 1080p up to 120 fps, and support for professional codecs (XAVC-S). More importantly, it features a microphone input, enabling superior audio capture for serious video work.
This makes the A6300 a versatile hybrid shooter or dedicated video tool, favored by vloggers, indie filmmakers, and multimedia journalists.
Battery Life and Storage
Olympus TG-830 claims 300 shots per charge, which aligns with typical compact camera endurance. Its small battery (LI-50B) might require spare packs for full-day excursions.
Sony A6300 improves on this with approx 400 shots per charge, normal for APS-C mirrorless, despite an active EVF and faster processor. Both use standard SD cards and single card slots.
In travel situations, neither camera is remarkable battery-wise, but the Olympus’s lighter weight means less bulk in your pack. Meanwhile, Sony’s higher performance and screen throughput draw more power.
Connectivity & Features for Modern Workflow
The TG-830 lags in connectivity - no Wi-Fi, Bluetooth, or NFC. Transferring images requires tethered USB or removing the card. It does have built-in GPS, useful for geotagging adventure photos.
Sony A6300 has built-in Wi-Fi and NFC, allowing remote control, tethered shooting, and wireless file transfer - invaluable in professional workflows for fast image delivery and remote setups. It lacks GPS but supports time sync with smartphones.
Pricing and Value Analysis
The Olympus TG-830 may be found near budget-friendly prices (often under $300 used), appealing to beginners or casual shooters wanting a do-it-all rugged camera.
Sony A6300 originally retailed around $900 body-only and remains a competitive used market option near $600-$700 given its image quality and autofocus prowess.
Judging value hinges on need: the Olympus delivers ruggedness and simplicity inexpensively while the Sony offers professional-grade quality and features at a mid-level mirrorless price.
How They Perform Across Photography Genres
No thorough review is complete without genre-specific insights.
Portraits
The Sony’s APS-C sensor and large lens selection capture pleasing skin tones with smooth bokeh and strong eye-detection autofocus, critical to sharp portraits. The TG-830 can produce decent shots but struggles with shallow depth and low light portraits that reveal noise and soft edges.
Landscape
Dynamic range and resolution tip the scales heavily toward the Sony, ideal for landscapes with wide tonal detail. The Olympus’s waterproof ruggedness can allow unique environments such as underwater landscapes but compromise image detail.
Wildlife
Telephoto lenses and fast continuous AF make the Sony A6300 a capable wildlife camera with burst modes to capture action. The Olympus’s limited zoom and slower AF restrict it to casual wildlife glimpses.
Sports
Sony’s 11 FPS burst plus predictive AF gives it the edge for sports photography. Olympus can’t keep up in speed or tracking accuracy.
Street
The Olympus body’s smaller footprint without protruding lenses is discreet but limited in image quality. The Sony is larger but offers EVF shooting for eye-level capture that many street photographers treasure.
Macro
The TG-830’s exceptional 1 cm macro focusing bests Sony’s need for separate macro optics, shining for close-up flora and fauna photography in adverse environments.
Night / Astro
Sony’s superior high ISO, raw manipulation, and longer exposures provide better star and night sky photography. Olympus’s noise rises rapidly and lacks raw output.
Video
The Sony’s 4K video and mic input make it the professional’s choice for video, while Olympus suits casual HD clips.
Travel
Ruggedness and size push Olympus ahead for travel in risky environments; Sony’s image quality and lens versatility support thoughtful travel documentation.
Professional Work
Sony dominates with raw support, wide lenses, tethering options, and superior image quality needed for commercial or editorial work.
Summing Up with Scores and Sample Imagery
The Olympus TG-830 and Sony A6300 serve fundamentally different photographers. Olympus prioritizes ruggedness and simplicity for action and adventure. Sony delivers high-resolution, flexible, and fast performance for enthusiasts and pros.
Final Recommendations: Who Should Buy Which?
If you want a tough, easy-to-use waterproof compact for adventurous photojournalism, underwater exploration, or travel without fuss, the Olympus TG-830 iHS remains a surprisingly capable choice.
But if your priorities are image quality, autofocus speed, video prowess, and broad creative freedom through interchangeable lenses, the Sony Alpha A6300 is unquestionably the better investment.
Professional portrait, sports, landscape, and wildlife photographers will prefer the Sony’s technology and workflow integration. Casual shooters or those who value durability and simplicity over pixel-peeping will appreciate the Olympus.
Choosing between these cameras boils down to your shooting style and priorities: rugged and ready anywhere, or versatile and professionally oriented with premium image quality. Both are good boys in their own right, just walking different paths.
Hopefully, this comprehensive comparison arms you with the clarity you need to pick your next photographic companion. Happy shooting!
Olympus TG-830 iHS vs Sony A6300 Specifications
Olympus TG-830 iHS | Sony Alpha a6300 | |
---|---|---|
General Information | ||
Company | Olympus | Sony |
Model type | Olympus TG-830 iHS | Sony Alpha a6300 |
Class | Waterproof | Advanced Mirrorless |
Announced | 2013-01-08 | 2016-02-03 |
Physical type | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | - | BIONZ X |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23.5 x 15.6mm |
Sensor area | 28.1mm² | 366.6mm² |
Sensor resolution | 16 megapixels | 24 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 6000 x 4000 |
Maximum native ISO | 6400 | 25600 |
Maximum boosted ISO | - | 51200 |
Minimum native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | - | 425 |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | Sony E |
Lens zoom range | 28-140mm (5.0x) | - |
Maximal aperture | f/3.9-5.9 | - |
Macro focusing range | 1cm | - |
Amount of lenses | - | 121 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Type of display | Fixed Type | Tilting |
Display size | 3" | 3" |
Display resolution | 460k dots | 922k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Slowest shutter speed | 4 secs | 30 secs |
Maximum shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shooting rate | - | 11.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | - | 6.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-Eye, Fill-in | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction, Hi-speed sync, Wireless |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) | 4K (3840 x 2160 @ 30p/24p), 1920 x 1080 (120p, 60p, 60i, 30p, 24p), 1280 x 720 (24p) |
Maximum video resolution | 1920x1080 | 3840x2160 |
Video format | H.264 | MPEG-4, AVCHD, XAVC S, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 214 grams (0.47 lbs) | 404 grams (0.89 lbs) |
Dimensions | 109 x 67 x 28mm (4.3" x 2.6" x 1.1") | 120 x 67 x 49mm (4.7" x 2.6" x 1.9") |
DXO scores | ||
DXO All around rating | not tested | 85 |
DXO Color Depth rating | not tested | 24.4 |
DXO Dynamic range rating | not tested | 13.7 |
DXO Low light rating | not tested | 1437 |
Other | ||
Battery life | 300 photographs | 400 photographs |
Style of battery | Battery Pack | Battery Pack |
Battery ID | LI-50B | NP-FW50 |
Self timer | Yes (2 or 12 sec, pet auto shutter) | Yes |
Time lapse feature | With downloadable app | |
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC |
Card slots | Single | Single |
Retail pricing | $0 | $889 |