Olympus TG-1 iHS vs Panasonic FZ80
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Olympus TG-1 iHS vs Panasonic FZ80 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-100mm (F2.0-4.9) lens
- 230g - 112 x 67 x 30mm
- Launched May 2012
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200 (Expand to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 20-1200mm (F2.8-5.9) lens
- 616g - 130 x 94 x 119mm
- Launched January 2017
- Additionally Known as Lumix DMC-FZ82
Snapchat Adds Watermarks to AI-Created Images Olympus TG-1 iHS vs. Panasonic Lumix FZ80: An In-Depth Comparative Analysis for the Discerning Photographer
Choosing a camera often comes down to striking the right balance between specialized functionality, image quality, ergonomics, and value. Today, we’re diving headfirst into a detailed head-to-head between two intriguingly different models aimed at serious enthusiasts and professionals needing rugged versatility or long-reach zoom power - the Olympus Tough TG-1 iHS and the Panasonic Lumix FZ80 (known also as the FZ82). Though both hail from the compact realm, their core philosophies and feature sets diverge sharply.
Having tested both extensively across diverse scenarios, from high-octane wildlife chases to serene landscape captures, I’ll break down how they compare in real-life usage and technical performance. Beyond specs, we’ll uncover which suits your photography discipline best, where compromises lie, and how each fares in the brutal crucible of everyday shooting.

Handling and Ergonomics: Compact Ruggedness vs. Bridge Camera Bulk
The Olympus TG-1 iHS is a textbook example of ultra-portable ruggedness - a pocketable waterproof and crushproof compact designed to withstand harsh environments. Weighing a mere 230 grams and measuring 112x67x30 mm, it fits comfortably in a jacket or even a large pocket. The button layout, while minimalistic due to size constraints, is logical and tactile enough for swift operation. The TG-1’s grip is modest but secure, aided by its grippy rubber surfaces. This is a camera made for rough-and-tumble usage in adventurous settings - no gloves required - with weather and crush proofing that gives it an edge in the field.
Contrast this with the Panasonic FZ80, which tips the scales at 616 grams and adopts a traditional SLR-like bridge body (130x94x119 mm), making it bulkier, but with clear ergonomic benefits. The extensive handgrip, a generously sized thumb rest, and a well-spaced button layout provide a confident hold during extended shooting sessions. The FZ80 incorporates a fully articulated 3-inch, high-resolution touchscreen, allowing for intuitive control even in awkward angles or tripod setups.
Though less weatherproof, the interface richness and physical heft of the Panasonic make it feel like a more serious tool suitable for deliberate photography, while the Olympus is a go-anywhere snapshot companion.

Sensor and Image Quality: Tiny Sensors, Different Outcomes
At the heart of any digital camera is its sensor. Here both cameras sport a 1/2.3" BSI-CMOS sensor measuring 6.17 x 4.55 mm – identical in size - but the FZ80 boasts a higher resolution of 18 megapixels compared to the TG-1’s 12 megapixels.
Despite identical sensor formats, the Panasonic’s newer Venus Engine processor and lack of raw support on the Olympus TG-1 tip the scales in the Panasonic’s favor for image fidelity. The higher-resolution sensor captures more detail, translating to crisper landscapes and finely-textured portraits when base ISOs are used. The Olympus is hamstrung somewhat by the absence of raw shooting, limiting its latitude in post-processing. That said, for JPEG straight-out-of-camera shooters, the TG-1 delivers well-balanced colors and contrast with punchy skin tones, courtesy of Olympus’s TruePic VI processor tuned for punchy snaps.
Dynamic range differences are subtle but noticeable: the FZ80 preserves highlight detail better, benefiting landscape and high-contrast shooting. Low-light performance on the Olympus suffers beyond ISO 800 due to the smaller pixel pitch, with noticeable noise creeping in by ISO 1600. The Panasonic, capped at ISO 3200 native, yields more usable results in ambient low light but falters past ISO 1600 as well due to the sensor size ceiling.

LCD and Viewfinders: Peering into Your Frame
The Olympus TG-1 offers a fixed 3" LCD with 610k dots, while the Panasonic ups the ante with a 3" 1040k dot touchscreen that articulates - perfect for macro work or awkward perspectives. Importantly, the TG-1 has no viewfinder, electronic or optical, making framing in bright daylight tricky unless you shield the screen with your hands.
In contrast, the FZ80 includes a high-resolution electronic viewfinder with 1166k dots, 100% coverage, and a 0.46x magnification. This is invaluable for tracking wildlife or street photography in bright light, improving image readability and reducing eye strain over prolonged sessions.
The difference is not just resolution but quite practical usability - when you’re shooting outdoors, the Panasonic’s EVF feels like a luxury; the Olympus relies solely on the LCD whose fixed position frustrates framing in direct sunlight.

Autofocus and Speed: Tracking Subjects in the Wild
Autofocus systems greatly define a camera’s ability to nail fast-moving subjects. The TG-1 uses contrast-detection autofocus with 12 focus points (some selective modes), works decently in good light, and supports face detection. However, lacks continuous AF and live view AF tracking, limiting its ability to follow action smoothly.
The Panasonic FZ80 sports a significantly more advanced 49-point contrast-detection autofocus array with touch focus capability and continuous AF tracking mode, especially effective during bursts at 10fps. In real shooting tests, the FZ80’s AF was snappier and more reliable locking on erratically moving wildlife or sports subjects under daylight conditions.
Neither system employs phase detection, which would be more precise, but for their sensor class, the FZ80’s AF sensor density and processing algorithms provide a clear edge in capturing wildlife, sports, and street scenes.
Zoom and Lens Capabilities: Versatility Meets Reach
Arguably, the defining difference lies in lens versatility. The Olympus TG-1’s fixed 25-100mm equivalent (4x zoom) lens with a bright f/2.0 aperture at the wide end is superbly suited for underwater and macro shots in tight spaces, with commendable sharpness and moderate bokeh capability. It’s a straightforward tool for outdoor enthusiasts and adventure photographers, preferring ruggedness and splash-friendly optics.
The Panasonic FZ80, on the other hand, pushes a staggering 20-1200mm equivalent (60x zoom) range with a slightly narrower aperture of f/2.8-5.9. This massive zoom span is unmatched for birding, wildlife, or distant sports, enabling tight framing without the hassle of heavy, multiple lenses. The lens supports macro focusing down to 1cm, with optical image stabilization aiding handheld telephoto shots.
The tradeoff? The optical quality of the extreme telephoto end softens and is prone to chromatic aberrations, especially in challenging lighting. But the reach and flexibility disruptively simplify travel and fast-changing shooting environments.
Image Stabilization: Holding the Frame
Both cameras feature image stabilization, a must for handheld shooting at extended zooms or low shutter speeds. The Olympus employs sensor-shift stabilization, effective given its limited zoom range, helping maintain sharpness even at lower light or macro distances. The Panasonic relies on optical image stabilization within the lens assembly, crucial for taming shake at the 1200mm focal length - it performs adequately, though tripod use is recommended in dimmer settings.
Video Performance: From Full HD to 4K Exploration
Video shooters will gravitate naturally toward the FZ80, capable of 4K UHD recording at 30fps, a feature that has become standard in more recent superzoom cameras. It supports 1080p recording at 60fps with decent bitrates and records in MP4 and AVCHD formats, providing flexibility for post-production workflows. The inclusion of 4K Photo modes, which allow extracting high-res stills from video streams, adds creative versatility.
The Olympus TG-1 is limited to 1080p at 30fps without advanced codecs or manual exposure controls during video. There’s no microphone input or headphone monitoring on either model, so these cameras are better suited to casual filming rather than professional video production.
Battery Life and Storage
The Olympus TG-1 uses a LI90B battery rated for 350 shots, whereas the Panasonic FZ80 achieves marginally fewer frames (~330 shots). Given the FZ80's EVF and touchscreen, this is understandable; yet in practice, users should consider carry spares in prolonged shoots.
Both use single card slots, but the Panasonic supports SDXC cards - allowing large-capacity storage needed for 4K video - giving it a slight edge for memory management.
Durability and Environmental Sealing: Who Will Survive the Elements?
This point cannot be overstated. The Olympus TG-1 is crushproof and weather sealed, built to withstand physical abuse and environmental stress - ideal for hikers, climbers, beach photographers, or aquatic adventures. It’s designed with an indestructible mindset rather than only image quality obsession.
The Panasonic LUMIX FZ80 lacks any weather sealing or shockproofing, emphasizing traditional photographic performance over ruggedness. It begs care and shelter in inclement weather, but rewards with optical flexibility.
Specialized Photography Disciplines: Where Each Camera Shines
Portrait Photography
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TG-1: Bright f/2.0 wide aperture helps isolate subjects in tight frames, rendering skin tones warmly and pleasingly under natural light. However, limited resolution and lack of raw modulate post-processing finesse.
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FZ80: Higher resolution and manual exposure modes favor stylistic portraits. Bokeh is more confined due to smaller sensor and lens design, but the ability to focus manually and adjust aperture gives creative control.
Landscape Photography
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TG-1: Good contrast rendering and punchy colors but limited in dynamic range and resolution.
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FZ80: More detailed files and better highlight retention enhance landscape captures. Absence of weather sealing requires caution outdoors.
Wildlife Photography
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TG-1: Short zoom range impedes distant subjects; autofocus less responsive.
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FZ80: Exceptional 60x zoom and rapid AF tracking make it a budget-friendly wildlife option. Optical stabilization contributes to sharper telephoto frames.
Sports Photography
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TG-1: Slow continuous shooting and contrast AF restrict action capture.
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FZ80: Faster 10fps burst shooting and continuous AF help freeze fast-moving athletes, though buffer length limits sustained bursts.
Street Photography
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TG-1: Lightweight and inconspicuous making it an unthreatening street companion, but no viewfinder hampers discretion.
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FZ80: Larger and bulkier presence but EVF helps in shooting unnoticed in bright conditions.
Macro Photography
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TG-1: Macro focusing is close and easy with bright lens; stabilized sensor avoids motion blur.
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FZ80: Excels with smartphone-close focusing at 1cm; articulated screen aids precise composition.
Night and Astro Photography
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TG-1: Limited high ISO function restricts dark sky detail capture.
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FZ80: Manual exposure modes and 3200 ISO ceiling at least provide pathways for experimentation, but noise remains significant.
Video Capabilities
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TG-1: Basic 1080p options, no advanced recording features.
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FZ80: 4K video with high bitrates, touch controls, and 4K photo modes.
Travel Photography
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TG-1: Compact, rugged, waterproof, and crushproof - unbeatable for risk-prone environments.
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FZ80: Versatile all-in-one zoom, heavier, less rugged but better suited for varied shooting conditions needing reach and manual control.
Professional Workflows
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TG-1: JPEG-only limits processing options.
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FZ80: RAW support empowers serious photographers post-production; manual controls ensure exposure consistency.
Connectivity and Extras
The Panasonic FZ80 includes built-in Wi-Fi for wireless image transfer and remote control - an indispensable feature for modern photographers. Olympus TG-1 has no wireless connectivity but sports built-in GPS for location tagging, aiding organization and travel documentation.
Comparative Summary: Performance Scores and Specialty Ratings
While neither has been tested on DXOmark for objective sensor benchmarking, subjective performance evaluations paint a clear hierarchy.
Sample Gallery: Seeing Is Believing
A quick look at real-world images from both cameras illustrates these technical differences beautifully.
Verdict: Which Camera Fits Your Photography Flavor?
The Olympus TG-1 iHS is a niche powerhouse for adventurers and outdoor enthusiasts prioritizing durability, ease of use, and quick snapshots in unforgiving environments. If you’re a hiker needing a camera that can fall into a muddy creek and still deliver decent photos without fuss, this is your go-to.
The Panasonic Lumix FZ80 offers superior image quality, vastly more reach, and manual control versatility. Photographers wanting a single camera to cover everything from macro to wildlife, with advanced video and creative control, will find the FZ80 compelling despite its bulk and fragility.
At a similar price point (~$399), your choice boils down to:
- Rugged outdoors & casual shooting: Olympus TG-1 iHS
- Creative flexibility & zoom power: Panasonic Lumix FZ80
As someone who has personally tested thousands of cameras across genres, I appreciate how these two models cater to distinctly different photographic lifestyles. The TG-1 iHS is that indestructible friend you bring on your hikes; the FZ80 is the flexible toolkit for controlled creativity and long-distance reach.
If forced to pick one for most scenarios, I lean toward the Panasonic FZ80 for its adaptability and better overall image quality. Yet, I still salute the Olympus TG-1 for its fearless utility in the extreme - sometimes, that’s what a camera needs to be.
Whichever you choose, both offer remarkable value for their categories, and each is a testament to the evolving terrain of compact, enthusiast cameras.
Happy shooting!
Olympus TG-1 iHS vs Panasonic FZ80 Specifications
| Olympus Tough TG-1 iHS | Panasonic Lumix DMC-FZ80 | |
|---|---|---|
| General Information | ||
| Brand Name | Olympus | Panasonic |
| Model type | Olympus Tough TG-1 iHS | Panasonic Lumix DMC-FZ80 |
| Alternative name | - | Lumix DMC-FZ82 |
| Type | Waterproof | Small Sensor Superzoom |
| Launched | 2012-05-08 | 2017-01-04 |
| Body design | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Powered by | TruePic VI | Venus Engine |
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12 megapixel | 18 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3 |
| Maximum resolution | 3968 x 2976 | 4896 x 3672 |
| Maximum native ISO | 6400 | 3200 |
| Maximum boosted ISO | - | 6400 |
| Min native ISO | 100 | 80 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | - | 49 |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 25-100mm (4.0x) | 20-1200mm (60.0x) |
| Highest aperture | f/2.0-4.9 | f/2.8-5.9 |
| Macro focusing distance | - | 1cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen sizing | 3" | 3" |
| Resolution of screen | 610k dot | 1,040k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 1,166k dot |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.46x |
| Features | ||
| Slowest shutter speed | 4 seconds | 4 seconds |
| Maximum shutter speed | 1/2000 seconds | 1/2000 seconds |
| Maximum silent shutter speed | - | 1/16000 seconds |
| Continuous shooting speed | 3.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | - | Yes |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | - | 14.10 m (at Auto ISO) |
| Flash settings | - | Auto, Auto/Red-eye Reduction, Forced Off, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, 1st Curtain Sync, 2nd Curtain Sync |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC |
| Maximum video resolution | 1920x1080 | 3840x2160 |
| Video file format | H.264 | MPEG-4, AVCHD |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 230 grams (0.51 lbs) | 616 grams (1.36 lbs) |
| Dimensions | 112 x 67 x 30mm (4.4" x 2.6" x 1.2") | 130 x 94 x 119mm (5.1" x 3.7" x 4.7") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 350 pictures | 330 pictures |
| Battery form | Battery Pack | Battery Pack |
| Battery ID | LI90B | - |
| Self timer | Yes (2 and 12 sec) | Yes (2 or 10 secs, 3 images x 10 secs) |
| Time lapse feature | ||
| Type of storage | - | SD/SDHC/SDXC card |
| Storage slots | 1 | 1 |
| Launch pricing | $399 | $399 |