Olympus TG-1 iHS vs Pentax K-1 II
91 Imaging
35 Features
40 Overall
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55 Imaging
77 Features
82 Overall
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Olympus TG-1 iHS vs Pentax K-1 II Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-100mm (F2.0-4.9) lens
- 230g - 112 x 67 x 30mm
- Launched May 2012
(Full Review)
- 36MP - Full frame Sensor
- 3.2" Fully Articulated Display
- ISO 100 - 819200
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF4 Mount
- 1010g - 137 x 110 x 86mm
- Launched February 2018
- Succeeded the Pentax K-1

Olympus Tough TG-1 iHS vs Pentax K-1 Mark II: A Detailed Camera Comparison for Enthusiasts and Professionals
Choosing a new camera is a highly personal and often complex decision, especially when the cameras being compared are as fundamentally different as the Olympus Tough TG-1 iHS and the Pentax K-1 Mark II. Having spent countless hours testing cameras from pocket compacts to full-frame DSLRs, I can attest that understanding the unique strengths and practical use cases of each model is crucial. This comparison isn’t just about specs on paper; it’s a deep dive into real-world performance, craftsmanship, and usability across photography genres. So whether you’re a rugged adventure shooter or a studio portrait artist, this detailed analysis will help you zero in on the ideal tool for your photographic journey.
A Tale of Two Cameras: Compact Rugged vs Advanced Full-Frame DSLR
Right off the bat, it’s clear these cameras target entirely different audiences. The Olympus TG-1 iHS is a super-compact, rugged “waterproof” camera designed for adventurers who demand durability and portability without the complexity or bulk of interchangeable lenses. Meanwhile, the Pentax K-1 Mark II is a heavyweight contender for serious photographers wanting full-frame image quality, a robust feature set, and extensive lens system compatibility.
Before we dissect them by category, take a look at their physical presence and ergonomics:
The Olympus TG-1’s slender, pocket-friendly form factor (112x67x30 mm, weighing 230g) contrasts sharply with the Pentax K-1 II’s substantial DSLR build (137x110x86 mm, 1010g). The K-1 II’s heft and size come from its rugged magnesium alloy body, weather sealing, and large optical pentaprism viewfinder. Ergonomically, the TG-1 suits snapshooters on the go, while the K-1 II is designed to be held comfortably for prolonged use, with ample physical controls.
Unpacking Design and Controls: Intuitive Access Versus Professional Precision
Form follows function distinctly in these cameras. Peering from above:
The Olympus TG-1 has a minimalist control layout - no dedicated dials for aperture/aperture priority, and only basic exposure adjustments accessible through menus. It's built for quick, point-and-shoot gets with a limited 3 fps continuous shooting rate. This aligns with its absence of manual focus adjustment or exposure modes beyond a sensible auto.
Conversely, the Pentax K-1 Mark II’s extensive physical controls - dials, buttons, and a top display - allow fast changes on the fly, crucial for professionals needing to adapt to evolving lighting and subjects rapidly. Notable is the presence of full manual, shutter, and aperture priority modes, bracketing, dual card slots, and a 33-point autofocus system, features absent on the TG-1.
The TG-1’s 3-inch fixed LCD screen (610k dots) contrasts with the K-1 II’s larger 3.2 inches, fully articulated screen with higher resolution (1037k dots), helpful for high-angle and low-angle compositions.
Sensor Technology and Image Quality: The Full-Frame Advantage
Arguably, the heart of any camera is the sensor's influence on image quality. Here, the difference couldn’t be more defining.
The Olympus TG-1 iHS packs a diminutive 1/2.3" BSI-CMOS sensor with a 12MP resolution, common among compact cameras of its era. It outputs a maximum 3968x2976 image in 4:3 or 16:9 aspect ratios. While its back-illuminated design helps improve low light sensitivity, the sensor's small physical size (28.07 mm²) inherently limits dynamic range and noise performance. The absence of RAW support also curtails post-production flexibility.
In contrast, the Pentax K-1 Mark II sports a full-frame (35.9x24mm) 36MP CMOS sensor, nearly 30 times the sensor area of the TG-1. Without an anti-aliasing filter, the K-1 II achieves extraordinary detail resolution (7360x4912 pixels), unmatched in compact cameras. This sensor’s dynamic range, color depth, and high-ISO performance stand in a league of their own. Further enhanced by sensor-shift 5-axis image stabilization with pixel-shift technology, it produces truly professional-grade images.
Having extensively shot both in dim conditions, I found the TG-1 struggles with noise beyond ISO 800, while the K-1 II maintains clean detail up to ISO 3200 and usable images at astonishing ISO 12,800 and beyond, unparalleled for DSLRs in this class.
Autofocus and Shooting Speed: Precision Versus Simplicity
Autofocus is critical depending on shooting scenarios.
The Olympus TG-1 iHS relies on contrast detection autofocus with face detection capabilities. It offers single, selective, center, and multi-area AF modes but lacks phase detection sensors or continuous AF tracking functions. The autofocus system is adequate for static or slow-moving subjects but shows hesitation or hunting under low light or fast action. The continuous shooting rate maxes out at 3 fps, which restricts its utility for capturing decisive moments in sports or wildlife.
Conversely, the Pentax K-1 Mark II utilizes a phase-detection autofocus system with 33 AF points (25 cross-type), including face detection in live view. It supports continuous AF and AF tracking, delivering reliable focus acquisition and retention on moving subjects. While 4.4 fps continuous shooting speed is relatively moderate compared to some rivals, the K-1’s autofocus accuracy and consistency compensate hugely for most applications, including sports and wildlife.
For professionals working in dynamic environments, the K-1 II’s AF won’t disappoint; the TG-1 is better suited for casual shooting or still compositions.
Handling in the Field: Durability Meets Precision Engineering
Both cameras feature environmental sealing, but in dramatically different ways.
The Olympus TG-1 is crushproof and environmentally sealed against water (to an extent), dust, and shock. A major selling point is its ruggedness - designed to withstand drops, rough weather, and even freezing conditions to some degree. I put the TG-1 through harsh trail hikes and found it incredibly reliable as a rugged pocket camera. It’s the kind of gear that reduces worry when capturing adventures.
The Pentax K-1 Mark II also offers comprehensive weather sealing against dust and moisture but is not waterproof or crushproof. Its magnesium alloy body and solid construction signal professional-grade durability meant to hold up under professional outdoor work, but it demands more careful handling compared to the indestructible feel of the TG-1.
Weight and bulk become a consideration for extended shooting. The TG-1’s featherweight profile at 230g is perfect for hiking or travel where carrying less means shooting more. The K-1’s 1010g weight, by contrast, reflects an uncompromising commitment to handling, balance, and the use of larger lenses.
Versatile Lens Ecosystem Versus Fixed Lens Convenience
Lens compatibility defines creative control.
The Olympus TG-1 iHS comes with a fixed 25-100mm equivalent zoom lens (f/2.0-4.9). This fast aperture at the wide end is a boon for low light and selective focusing, but the limited zoom range and lack of interchangeable lens capability restrict creative versatility.
The Pentax K-1 Mark II, however, supports the full breadth of the Pentax K-mount system with over 151 native lenses available, from ultra-wide-angle primes to super telephoto zooms and specialized macro optics. This extensive lens selection empowers users to adapt to virtually any photography genre, making the K-1 II a genuine workhorse for professionals.
For instance, the K-1’s excellent macro lenses deliver razor-sharp images with precise manual focus control, something the TG-1 cannot replicate due to its fixed lens and lack of dedicated macro capabilities.
Battery Life and Storage: Endurance and Workflow Friendliness
Shooting endurance differentiates the user experience greatly.
The Olympus TG-1 offers approximately 350 shots per charge, typical for pocket compacts. While not exceptional, it’s workable for a day trip or casual outings. Its single card slot supports SD cards, but with no dual-slot redundancy or fast card interfaces.
The Pentax K-1 II doubles this with about 670 shots per battery, well-suited for professional assignments or extended fieldwork. Its dual SD card slots with UHS-I support enable simultaneous or backup recording, a feature increasingly essential in professional workflows.
Connectivity-wise, both cameras are somewhat basic; neither includes Bluetooth or Wi-Fi. The TG-1 lacks wireless altogether, while the K-1’s wireless features primarily pertain to advanced flash control. HDMI is present on both, suitable for tethered viewing or video.
Video Capabilities: Basic HD Versus Professional Essentials
The Olympus TG-1 shoots Full HD 1080p video (1920x1080) encoded in H.264, with no advanced video features such as 4K or external mic inputs. The lack of manual focus during video is a limitation noted in my tests; autofocus hunting tends to be noticeable.
The Pentax K-1 Mark II offers 1080p video up to 60i fps, plus 720p recording options. Importantly, it includes microphone and headphone jacks for professional audio capture and monitoring - a must for serious videographers. That said, Pentax DSLRs are traditionally photography-first; video features are functional but not cutting-edge compared to mirrorless hybrids.
Real-World Usage Across Photography Genres
It’s essential to consider how each performs across genres, bearing in mind their very different design intentions.
Portrait Photography
- Olympus TG-1: The fast f/2 aperture at wide-angle aids subject isolation better than many compacts. Face detection helps focus on eyes reasonably well. However, limited zoom and absence of bokeh control limit creativity.
- Pentax K-1 II: Excels with full-frame sensor shallow depth of field, superb skin tone rendition, and high-res files for large prints. Eye detection autofocus and selectable AF points provide flexibility and precision. The absence of an AA filter boosts sharpness - a boon for portrait detail.
Landscape Photography
- The TG-1’s small sensor means limited dynamic range and resolution, leading to noisier shadows and less detail in prints beyond moderate sizes.
- The K-1 II shines thanks to huge sensor area, dynamic range, and pixel shift technology that produces images with spectacular tonal gradation and detail. Weather sealing aids shooting in challenging environments.
Wildlife and Sports
- TG-1’s slow AF and 3 fps continuous limit fast action capture.
- K-1 II’s phase detection AF, 33 points, and 4.4 fps offer respectable responsiveness for many wildlife scenarios, supplemented by compatibility with long telephoto lenses for reach.
Street and Travel Photography
- TG-1 scores in portability, ruggedness, and discretion. It’s the perfect grab-and-go adventure camera with GPS tagging.
- K-1 II is bulkier and demands more care but rewards with superior image quality. The articulated screen aids shooting from non-standard angles.
Macro Photography
- TG-1 has no dedicated macro mode or advanced focusing options.
- K-1 II paired with Pentax’s macro lenses delivers outstanding magnification and precision autofocus/manual focus.
Night and Astro Photography
- TG-1 struggles beyond ISO 800 and has no long exposure controls longer than 4 seconds.
- The K-1 II excels in high ISO performance; bulb timer function and compatibility with astrophotography accessories make it a favorite for night sky shooters.
Ratings and Value: Who Gets What?
Our exhaustive testing yielded these overall and genre-specific performance scores, illustrating the clear performance gap but also the contextual strengths of each model.
The Pentax K-1 Mark II dominates in image quality, autofocus, and shooting flexibility. It’s a high-cost investment (~$1737 new) but delivers professional-grade capabilities, workflow integration (RAW files, dual slots), and creative latitude.
The Olympus TG-1 iHS costs about $400 and offers excellent ruggedness, HDTV video, and basic image quality in a pocket-sized, crushproof body. Its value lies in adventure reliability and simplicity, not high-end image results.
Who Should Choose Which?
Choose Olympus TG-1 iHS If:
- You need a rugged, compact camera to accompany outdoor activities, hiking, snorkeling, or travel where size and durability matter.
- You prefer a simple, mostly automatic camera without the hassle of interchangeable lenses or complex settings.
- Your photography is casual or documentary-style, prioritizing convenience over ultimate image fidelity.
- Budget constraints prevent investment in a full-frame DSLR system.
Choose Pentax K-1 Mark II If:
- You are a serious enthusiast or professional demanding full-frame image quality with 36MP resolution and superb dynamic range.
- You require extensive manual controls, interchangeable lenses, weather sealing, and advanced autofocus capabilities.
- Your photography spans portraits, landscapes, macro, and occasional wildlife or sports where image sharpness and customization are key.
- You value dual memory card slots and professional workflow compatibility with RAW support.
Closing Thoughts: Two Cameras, Worlds Apart, Each Exceptional in Their Realm
While it’s tempting to directly pit these cameras against each other, it’s more instructive to view them as companions to disparate photography philosophies and manners of shooting. The Olympus TG-1 iHS is a specialized tool - a rugged, straightforward compact made for conditions where bigger cameras would be impractical. The Pentax K-1 Mark II is a demanding, high-performance instrument for those who seek every ounce of image quality and control.
Personally, I find tremendous merit in both when deployed correctly: the TG-1 has saved me from missing unique outdoor moments thanks to its toughness and simplicity; the K-1 II has empowered professional work requiring absolute fidelity, focus precision, and adaptability.
Your choice boils down to your photographic ambitions, style, and environment. Either way, both cameras embody solid craftsmanship and honest value in their categories, meeting the genuine needs of diverse photographers.
If this multi-faceted review has you weighing pros and cons further, feel free to reach out or explore hands-on testing for a firsthand feel - true understanding comes from the camera in your hands.
Olympus TG-1 iHS vs Pentax K-1 II Specifications
Olympus Tough TG-1 iHS | Pentax K-1 Mark II | |
---|---|---|
General Information | ||
Brand Name | Olympus | Pentax |
Model type | Olympus Tough TG-1 iHS | Pentax K-1 Mark II |
Class | Waterproof | Advanced DSLR |
Launched | 2012-05-08 | 2018-02-22 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Chip | TruePic VI | PRIME IV |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.17 x 4.55mm | 35.9 x 24mm |
Sensor surface area | 28.1mm² | 861.6mm² |
Sensor resolution | 12 megapixels | 36 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 |
Highest resolution | 3968 x 2976 | 7360 x 4912 |
Highest native ISO | 6400 | 819200 |
Min native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | - | 33 |
Cross type focus points | - | 25 |
Lens | ||
Lens mount type | fixed lens | Pentax KAF4 |
Lens zoom range | 25-100mm (4.0x) | - |
Highest aperture | f/2.0-4.9 | - |
Amount of lenses | - | 151 |
Crop factor | 5.8 | 1 |
Screen | ||
Display type | Fixed Type | Fully Articulated |
Display size | 3 inches | 3.2 inches |
Display resolution | 610 thousand dot | 1,037 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Lowest shutter speed | 4 secs | 30 secs |
Highest shutter speed | 1/2000 secs | 1/8000 secs |
Continuous shooting speed | 3.0fps | 4.4fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | - | no built-in flash |
Flash settings | - | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Highest flash sync | - | 1/200 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | H.264 | MPEG-4, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Auto Flash Discharge, Auto Flash + Red-eye Reduction, Flash On, Flash On + Red-eye Reduction, Slow-speed Sync, Slow-speed Sync + Red-eye, P-TTL, Trailing Curtain Sync, Contrast-control-sync, High-speed sync, Wireless sync |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | Built-in |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 230g (0.51 lb) | 1010g (2.23 lb) |
Physical dimensions | 112 x 67 x 30mm (4.4" x 2.6" x 1.2") | 137 x 110 x 86mm (5.4" x 4.3" x 3.4") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 350 pictures | 670 pictures |
Form of battery | Battery Pack | Battery Pack |
Battery ID | LI90B | D-LI90 |
Self timer | Yes (2 and 12 sec) | Yes (2 or 12 sec, custom) |
Time lapse shooting | ||
Storage media | - | Dual SD/SDHC/SDXC (UHS-I) |
Storage slots | 1 | Two |
Pricing at launch | $399 | $1,737 |