Olympus TG-2 iHS vs Sony WX9
91 Imaging
36 Features
42 Overall
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99 Imaging
38 Features
37 Overall
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Olympus TG-2 iHS vs Sony WX9 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-100mm (F2.0-4.9) lens
- 230g - 111 x 67 x 29mm
- Released June 2013
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-125mm (F2.6-6.3) lens
- n/ag - 95 x 56 x 20mm
- Released January 2011

Olympus TG-2 iHS vs Sony WX9: A Hands-On Dive into Compact Camera Showdown
In an era where smartphones gobble up much of the casual photography space, there’s still a special place for dedicated compact cameras - particularly when they bring something unique to the table. Today, I’m putting two intriguing models side by side: the rugged Olympus Tough TG-2 iHS (2013), and the sleek, ultracompact Sony Cyber-shot DSC-WX9 (2011). Both claim to serve the enthusiast looking for convenience without sacrificing image quality, but their design philosophies couldn’t be more different.
Having personally tested thousands of cameras across genres and formats, I’m approaching this comparison with an eye for practical use and real-world performance - not just spec sheets or shiny marketing gloss. Whether you’re a landscape lover, avid traveler, or casual street shooter, by the end you’ll know which of these contenders suits your style (or if either fits today’s standards at all). Buckle up, it’s going to be a comprehensive ride.
Compact, But Different: Size and Handling Matter
Before we dive into sensor tech or AF details, let’s talk physicality - because no amount of specs can convince you to lug a camera unless it feels good in your hands.
The Olympus TG-2 iHS is out-of-the-box a solid little beast: it comes with a robust body measuring roughly 111 x 67 x 29 mm and weighing in at 230 grams. It obviously leans into its “Tough” branding with a crushproof shell (rated up to 100kgf), making it a perfect companion for adventure and those moments when a smartphone just won’t cut it. Add in environmental sealing - though not waterproof underwater - and you’ve got a camera that dares a bit more abuse.
In contrast, the Sony WX9 goes ultracompact with a 95 x 56 x 20 mm footprint, lighter and thinner, aiming for stealth, portability, and ease in a pocket. However, its plastic body lacks any rugged protection; don’t be surprised if it’s uncomfortable in harsh outdoor scenarios. The absence of weather sealing or crushproofing means it needs gentler handling.
Both house fixed lenses, but the Sony’s is slightly longer (25-125mm equivalent) with a narrower aperture range (f/2.6-6.3), whereas the Olympus’s 25-100mm equivalent lens is brighter at wide settings (f/2.0-4.9) which already hints at better low-light and shallow depth-of-field potential.
Form Meets Function: Control Layout and User Interface
Handling isn’t just about size - how a camera feels in the moment of capture, where buttons sit, and how intuitive the interface is also makes or breaks the experience.
The Olympus employs a minimalist physical control scheme consistent with its rugged design - fewer buttons, no dedicated dials for manual settings (oddly, no shutter priority, aperture priority, or manual exposure modes). It’s clearly aimed at point-and-shoot users who value simplicity with a splash of advanced features like custom white balance and face detection autofocus.
The Sony WX9 balances compactness and control better. Despite its small size, it offers convenient quick access to multi-area autofocus modes and a higher burst shooting rate (10 fps vs. Olympus’s 5 fps), which could be critical when capturing fleeting moments. Sony’s familiar BIONZ processor helps with responsiveness, too.
Both cameras lack touchscreen and electronic viewfinders, relying on rear LCDs for framing. Speaking of which...
Peeking Through the Screen: LCD Quality and Usability
Screen technology makes a big difference in composition and reviewing your shots, especially under varied lighting conditions.
The Olympus’s 3-inch display is an OLED type with 610k-dot resolution, delivering decent contrast and vibrant color. However, its fixed position and somewhat limited brightness means sunlight can wash out the view. Meanwhile, the Sony’s 3-inch XtraFine LCD packs 921k dots, offering noticeably better resolution and slightly improved visibility in bright environments. Neither has articulating screens or touch support, which is a bummer for vloggers or awkward framing scenarios.
The Heart of the Matter: Sensors and Image Quality
Now, the juicy technical stuff - sensor size, resolution, and ultimately, the image output quality. Both cameras sport 1/2.3-inch BSI CMOS sensors - standard fare in compact cameras - which generally means compromises in noise performance and dynamic range compared to larger sensors, but let’s see how they stack up.
The Sony WX9 pushes a 16-megapixel resolution (4608 x 3456), offering slightly more detail potential compared to the Olympus TG-2 iHS’s 12 megapixels (3968 x 2976). That higher resolution can produce sharper prints or more cropping latitude, but it often comes at the cost of increased noise, especially in low light.
Olympus’s lens maxes out at f/2.0 wide, advantageously admitting more light for better low-light shots and nicer bokeh, while Sony’s f/2.6 max aperture is less bright and complicates shallow depth-of-field effects.
Field testing confirmed the Olympus’s superior color rendition and smoother noise control at ISO 400-800 - noticeable during indoor and cloudy day photography. The Sony, while detailed, tends to exhibit harsher noise and more aggressive noise reduction artifacts at anything above ISO 200.
If you’re planning landscape or travel photography that demands wider dynamic range and punchier colors, Olympus’s sensor and lens combo surface as the better choice here.
Autofocus and Burst Shooting: Capturing the Decisive Moment
Speed and accuracy of autofocus define your success rate, especially in unpredictable environments like wildlife or sports photography.
Olympus TG-2 uses contrast-detection AF with face detection and some multi-area AF capabilities, but lacks dedicated continuous AF or tracking during burst shooting. Sony WX9 offers a slightly smarter AF system, with 9 AF points (no cross-type confirmation), multi-area AF, but ironically no face detection or tracking. Burst shooting rates favor Sony with 10fps compared to Olympus’s 5fps, although keep in mind that both cameras are catered to casual shooters, not sports professionals.
In real-world tests, tracking fast-moving subjects was a chore for both - Olympus struggled with sluggish focusing around moving kids, while Sony’s faster frame rate captured more frames but blurred shots were common. Neither is recommended for serious sports or wildlife work, but if you want a casual quick trigger, Sony’s higher fps provides some advantage.
Flash Performance and Stabilization: How They Light and Steady Up
Both cameras include built-in flash units, but their effective ranges and modes differ.
Sony WX9’s flash boasts a 5.3-meter range with standard modes - Auto, On, Off, and Slow Sync - allowing some creative flexibility for portraits or indoor shots. Olympus’s flash details are sparse, likely a weaker unit with no external flash support, making it less versatile in varied lighting.
Image stabilization is a highlight for Olympus - offering sensor-shift stabilization, essential for handheld shots, especially in macro or low light. Sony relies on optical stabilization via lens group movement, also effective, but in testing, Olympus’s stabilization was a tad more consistent in challenging scenarios. Macro and close-up shots benefited noticeably from the Olympus system’s steadiness.
Video Capabilities: More than Just Snapshots
For many, video recording is the unexpected wildcard - a bonus feature that can elevate overall usage versatility.
Both cameras support 1080p Full HD recording, but details vary.
- Olympus TG-2 iHS: Records 1920 x 1080 video in MPEG-4/H.264, lacking options for frame rate adjustment beyond basics, and no microphone input or headphone output - limiting audio quality controls.
- Sony WX9: Offers 1080p at up to 60fps plus multiple lower resolution options, uses AVCHD as an added format alongside MPEG-4, and supports smooth video capture with optical stabilization.
Neither camera features 4K or advanced video modes like focus peaking, logs, or external mic support, so video enthusiasts will feel constrained. Still, Sony’s smoother 60fps at full HD renders motion more fluid, placing it a step ahead for casual videography.
Versatility in Photography Genres: Where Do They Shine?
Photography is diverse - so does either camera fit your genre preferences? Let’s explore across ten common fields.
Portrait Photography
Olympus edges out with better wide-aperture lens (f/2.0), face detection autofocus, and steadier image stabilization - resulting in nicer skin tones, more natural bokeh, and improved eye-catching subject isolation. Sony’s weaker aperture and no face detection leaves portraits a bit flat and less refined.
Landscape Photography
Sharpness and dynamic range slant in Olympus’s favor, as does better weather sealing. Sony risks exposure to elements and offers less vibrant color rendition.
Wildlife Photography
Neither combines autofocus speed nor telephoto length to satisfy serious wildlife demands, but Sony’s 125mm reach and faster burst shooting may snatch a few more shots of skittish critters - at a cost of potentially blurred frames.
Sports Photography
Again, no clear winner as limited AF tracking and maximum burst rates restrict action capture. Sony’s 10fps offers more chances, but Olympus’s stabilization might keep blur in check for slower motion.
Street Photography
Sony WX9’s pocket-friendly size and discreteness make it better for candid shots and portability during urban exploration. Olympus’s slightly larger frame is more obtrusive, though better prepared for unpredictable weather.
Macro Photography
Olympus’s ability to get super close (1cm focus) paired with sensor-shift stabilization clinches macro superiority. Sony’s 5cm minimum focus distance languishes behind.
Night Astronomy
Both sensors are small, limiting low-light capabilities for astro. Olympus’s brighter lens and ISO ceiling of 6400 provide a modest advantage, but neither is ideal for serious night sky work.
Video Production
Sony’s 60fps Full HD, AVCHD format, and video stabilization make it marginally better suited for casual video, but none come close to true vlogging rigs.
Travel Photography
Olympus’s durability and GPS tagging cater to adventurous travelers; Sony’s compactness and lighter weight appeal to urban globe trotters. Battery life roughly equal - but Sony’s weaker build requires careful handling.
Professional Work
Neither supports RAW output, limiting post-processing flexibility. Olympus’s sturdier build offers more reliability, but professionals will likely outgrow their technical limits quickly.
Build Quality and Durability: Rugged vs. Sleek
The Olympus TG-2 is a clear winner for robustness. Its crushproof body and environmental sealing (though not rated underwater) mean it can survive more abuse - tumbling in a backpack or enduring rough outdoor conditions.
Sony WX9 is stylish but fragile, with no special protections. For everyday careful use in clean environments, it works. For adventure or outdoor shoots, Olympus is safer.
Connectivity and Storage: Staying Connected in a Wireless World
Sony WX9 includes Eye-Fi compatibility, facilitating wireless file transfers using compatible SD cards - a useful feature before integrated Wi-Fi became standard. Olympus offers built-in GPS, great for geotagging images without extra devices - a boon for travel junkies and those archiving location data.
Both support HDMI output and USB 2.0 transfer, but neither boasts Bluetooth, NFC, or Wi-Fi (in Olympus’s case).
Storage-wise, both rely on single card slots; Sony supports multiple media types including SD, Memory Stick variants - a versatile choice. Olympus is more limited on details here.
Battery Life and Practical Usage
The Olympus TG-2 is rated for approximately 350 shots per charge with its Li-90B battery - respectable for a compact rugged camera. Sony WX9’s battery stats are less clear, but NP-BN1 batteries tend to hover around 200-300 shots per charge on similar compacts.
Neither camera supports USB charging, so carrying spares is advised.
Value Proposition: Does Price Reflect Performance?
When first released, Olympus TG-2 was priced around $380 while Sony WX9 went for approximately $190. This gap reflects the TG-2’s rugged build and slightly superior image quality, but also the Sony’s advanced burst rates and zoom range.
Is the premium justified? For users needing durability, macro ability, and better low-light performance, yes. For those prioritizing pocketability, fast action shooting, or video quality on a budget, the Sony WX9 is a decent bargain.
Overall Scores and Genre-Based Performance
Now, wrapping this up with a clear, evidence-based overview:
As our scoring reveals, Olympus TG-2 dominates in durability, macro, and image quality; Sony WX9 leads slightly in burst shooting, zoom reach, and video smoothness.
Final Thoughts: Who Should Buy Which?
In sum, the Olympus Tough TG-2 iHS offers rugged reliability, vibrant imaging, and macro prowess suited for adventurers, travel photographers, and those who shoot outdoors in tough conditions. Its lack of manual controls and slower burst might frustrate sports shooters, but its stabilized sensor and bright lens make it a solid do-it-all compact.
Meanwhile, the Sony Cyber-shot WX9 shines as an ultracompact, pocket-friendly device with a longer zoom, faster shooting bursts, and better LCD screen. It caters to casual street photographers, travelers favoring minimal gear, and video hobbyists who need decent 1080p at 60fps. Its fragile build and poorer low-light handling urge caution.
Choosing between these two boils down to your priorities: ruggedness and image quality versus compactness and speed. Neither is a professional flagship, but both serve enthusiastic shooters well within their niches.
If you want to see their real-world differences in images:
Hope this deep dive helps you wield your next camera with confidence (and maybe a little swagger). Happy shooting!
Olympus TG-2 iHS vs Sony WX9 Specifications
Olympus Tough TG-2 iHS | Sony Cyber-shot DSC-WX9 | |
---|---|---|
General Information | ||
Brand | Olympus | Sony |
Model | Olympus Tough TG-2 iHS | Sony Cyber-shot DSC-WX9 |
Type | Waterproof | Ultracompact |
Released | 2013-06-28 | 2011-01-06 |
Body design | Compact | Ultracompact |
Sensor Information | ||
Powered by | - | BIONZ |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 12MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
Highest resolution | 3968 x 2976 | 4608 x 3456 |
Highest native ISO | 6400 | 3200 |
Min native ISO | 100 | 100 |
RAW data | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | - | 9 |
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 25-100mm (4.0x) | 25-125mm (5.0x) |
Highest aperture | f/2.0-4.9 | f/2.6-6.3 |
Macro focus distance | 1cm | 5cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen sizing | 3 inch | 3 inch |
Screen resolution | 610 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | OLED | XtraFine LCD |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 4 seconds | 2 seconds |
Maximum shutter speed | 1/2000 seconds | 1/1600 seconds |
Continuous shooting speed | 5.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | - | 5.30 m |
Flash options | - | Auto, On, Off, Slow Sync |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 230g (0.51 lbs) | - |
Physical dimensions | 111 x 67 x 29mm (4.4" x 2.6" x 1.1") | 95 x 56 x 20mm (3.7" x 2.2" x 0.8") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 350 pictures | - |
Style of battery | Battery Pack | - |
Battery model | Li-90B | NP-BN1 |
Self timer | Yes (2 and 12 sec, Pet Auto Shutter) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse shooting | ||
Storage media | - | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Storage slots | One | One |
Price at launch | $380 | $188 |