Olympus TG-2 iHS vs Sony A33
91 Imaging
36 Features
42 Overall
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67 Imaging
54 Features
80 Overall
64
Olympus TG-2 iHS vs Sony A33 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-100mm (F2.0-4.9) lens
- 230g - 111 x 67 x 29mm
- Announced June 2013
(Full Review)
- 14MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 12800 (Bump to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 500g - 124 x 92 x 85mm
- Released August 2010
- Replacement is Sony A35

Olympus TG-2 iHS vs Sony A33: A Hands-On Comparative Review for Enthusiasts and Professionals
In the ever-evolving world of digital photography, choosing the right camera can be daunting, especially when the options span such distinct categories as rugged compacts and entry-level DSLRs. Today, I’m bringing together two very different beasts - the Olympus Tough TG-2 iHS and the Sony SLT-A33 - and putting them through their paces. From sensor tech to real-world handling and across a spectrum of photography genres, I’ll unpack the nuances that determine which camera will best serve your creative and practical needs.
My impressions emerge not just from spec sheets but from extensive testing in varied conditions - urban streets, wildlife hideouts, dimly lit venues, and rugged landscapes. So, whether you’re an adventure travel photographer needing a device that laughs in the face of water and drops, or a budding DSLR shooter craving manual controls for portrait sessions, this deep dive aims to guide your decision confidently.
When Size and Ergonomics Matter: Comparing Physical Presence and Handling
Before clicking the shutter, the experience begins with how a camera feels in your hands. The size, weight, and button layout greatly influence how quickly you can respond to moments. Let’s look at how the TG-2 iHS and Sony A33 stack up in this essential area.
The Olympus TG-2 iHS is a compact powerhouse measuring 111 x 67 x 29 mm and weighing a mere 230 grams. Its design echoes its rugged intentions - a robust, crushproof shell designed to survive tough outdoor abuse without a need for extra casing. The contours favor a quick, confident grip, which comes in handy for swift shooting during high-action scenarios like waterfalls or kayaking expeditions.
In contrast, the Sony A33 is bulkier, a proper compact SLR-style body at 124 x 92 x 85 mm and 500 grams. It boasts a more pronounced hand grip and a heavier feel that DSLR enthusiasts often appreciate for stability, especially when paired with larger lenses. However, this bulk reduces pocketability - it’s a camera you carry intentionally, not casually.
Ergonomically, the TG-2’s splash-and-dust proofing also includes crushproof elements, ideal for extreme environments but compromises certain DSLR features like a viewfinder and advanced joystick controls. The A33’s SLR-style body offers more physical buttons and customizable dials, which seasoned photographers will find invaluable for manual control.
Verdict: For adventurers prioritizing ruggedness and portability, the TG-2 iHS provides an unmatched grip-and-go experience. For studio or disciplined outdoor shoots where control and optical comforts matter more, the Sony A33’s heft and button layout hold the advantage.
Design and Control Layout: Top-Down Usability
Let’s turn our attention to how both cameras manage physical controls on their top plates - an area often overlooked but critical in real-time shooting.
The TG-2 iHS’s minimalistic top layout aligns with its straightforward operation philosophy. You get an easily accessible shutter button, zoom rocker integrated for its fixed zoom lens, and a mode dial covering basic shooting modes, including underwater and macro presets. No frills, no confusion, just survival-focused simplicity.
The Sony A33’s top deck tells a different story, featuring dedicated dials for shutter speed, exposure compensation, and more. There’s also a hot shoe perfect for external flashes - a boon for studio photographers. Importantly, the A33 includes a bright electronic viewfinder alongside a high-resolution tilting screen, which we’ll deep dive into shortly.
While both cameras feature built-in flashes, the Sony’s versatility with flash modes and external flash compatibility makes it a more flexible workhorse for portrait and event photography where nuanced lighting control is critical.
Sensor Saga: Imaging Hardware and Quality Differences
For serious photographers, sensor size and technology directly influence image quality, dynamic range, and low-light performance. Here, the Olympus TG-2 iHS and Sony A33 reveal their true DNA.
The Olympus TG-2 iHS employs a 1/2.3-inch BSI-CMOS sensor, measuring 6.17 x 4.55 mm with a total surface area of roughly 28 mm². While compact sensors like this are common in rugged cameras, they inherently struggle with noise control and dynamic range compared to larger formats.
Its 12-megapixel resolution is respectable for a tough compact, delivering detailed output for web sharing and casual printing. Still, due to physical constraints, it lacks RAW shooting support, limiting high-level post-processing flexibility, especially in challenging lighting.
By comparison, the Sony A33 sports a significantly larger APS-C sensor measuring 23.5 x 15.6 mm (about 366 mm²) - more than 13 times the surface area of the TG-2 iHS. The sensor delivers 14 megapixels with an anti-aliasing filter, striking a balance between resolution and moiré reduction.
The A33 offers RAW capture, crucial for professional workflows and creative control. With a native ISO range up to 12,800 and extension to 25,600, it handles low-light shots far better. DxO Mark scores (70 overall) confirm superior color depth, dynamic range, and low-light sensitivity compared to the smaller sensor.
Practical takeaway: For photographers prioritizing ultimate image quality, post-production latitude, and low-light prowess, the Sony A33’s APS-C sensor is the better tool. The TG-2 excels where convenience and toughness outweigh technical ambition.
Interface and Live View Experience: Screen and Viewfinders
How you interact with your camera during shooting profoundly affects enjoyment and efficiency. Both cameras provide different experiences based on their intended markets.
The Olympus TG-2 iHS features a fixed 3-inch OLED screen with 610k-dot resolution. This screen is bright and reasonably sharp, sufficient for framing and reviewing shots outdoors - the OLED technology helps with contrast and color fidelity. However, the fixed nature restricts compositional creativity, especially for low or high-angle photography.
Meanwhile, the Sony A33 offers a 3-inch fully articulating LCD screen at 921k-dot resolution, granting added flexibility for video work and awkward shooting angles. Moreover, the A33 incorporates a 1150k-dot electronic viewfinder with 100% coverage and 0.73x magnification. This EVF provides a crystal-clear, lag-minimized preview, invaluable when shooting in bright sunlight where LCD screens can wash out.
Touchscreen functionality is missing on both models - common for cameras that debuted before this feature became mainstream - but I found the physical buttons on the A33 offset the absence well for manual users.
Overall, Sony’s interface leans into creative flexibility, while the Olympus maintains simple, outdoor-optimized usability.
Shooting Speed, Autofocus, and Real-World Performance
Speed and focusing accuracy separate snapshots from decisive moments. How do these cameras perform when the action heats up?
The Olympus TG-2 iHS offers contrast-detection autofocus with face detection, center, selective, and multi-area modes. It supports limited AF tracking but no continuous autofocus during burst shooting. Continuous shooting caps at 5 frames per second (fps), which is decent for a compact but falls short for dynamic sports or wildlife sequences.
Sony’s SLT (Single-Lens Translucent) A33 takes advantage of its hybrid autofocus system combining phase-detection and contrast detection. With 15 AF points (3 cross-type), the autofocus is faster and more reliable under varied lighting. However, AF tracking isn’t supported as robustly as modern systems.
The A33 clocks faster continuous shooting at 7 fps with mechanical shutter, helping you capture fleeting sports moments or wildlife behavior snapshots.
However, it’s worth noting that the Sony uses a fixed translucent mirror, which can cause slight light loss - usually negligible but noticeable with fast prime lenses or in very low light.
In practice, I found the A33’s AF noticeably quicker and more accurate in mid-light conditions, especially when paired with SAM or SSM Sony lenses with fast, silent motors. The TG-2 struggled somewhat to lock focus quickly in dim or complex scenes, though its macro focusing down to 1 cm is impressive for close-up nature shots.
Versatility Across Photography Genres: Finding the Right Fit
Let’s pivot to genre-specific strengths, helping you match each camera’s capabilities to your style.
Portraiture
The Sony’s larger sensor and lens interchangeability provide better control over depth of field, enabling creamy bokeh to isolate subjects. Its external flash compatibility and built-in flash modes offer additional creative lighting options. Eye-detection autofocus assists in locking focus on faces reliably - a key asset for portraits.
The Olympus TG-2 iHS is limited by its fixed zoom (25-100 mm equivalent) and smaller sensor, making shallow depth of field portraiture challenging. However, its sharp lens and macro focus do produce pleasing close-ups in bright light.
Landscape
Sony’s superior dynamic range shines in capturing shadow and highlight detail in sweeping landscapes. The availability of countless lenses, including ultra-wide and tilt-shift options, extends creative horizons. The camera’s ruggedness is limited though - it lacks weather sealing.
TG-2 iHS is physically designed for outdoor rugged use, including crush resistance - great for harsh environments where protecting gear is paramount. But image quality and lens versatility lag behind for truly fine art landscape work.
Wildlife
Here, autofocus speed and telephoto reach count. Sony’s AF system and higher frame rate offer better chances of sharp captures in fast action. With access to telephoto lenses (thanks to the Sony/Minolta Alpha mount), it’s a flexible wildlife shooter.
The Olympus, while rugged, lacks interchangeable lenses and has limited telephoto reach due to the 4x zoom. Its relatively slower AF makes it less ideal for dynamic wildlife outside macro insects or water critters.
Sports
Continuous shooting rates and accurate autofocus tracking are critical. The A33’s 7 fps burst is serviceable for entry sports photography, while the focus system handles moderate motion well. The lack of more sophisticated tracking AF may limit professional sports use.
The TG-2’s 5 fps is slower and AF less responsive, making it suboptimal for these fast-paced scenarios.
Street Photography
Compactness and discreteness win here. The TG-2 iHS is pocketable, weatherproof, and unobtrusive - perfect for street photographers who want to shoot in rain or dust without worry.
The A33, bulkier and louder with its mirror, is more noticeable, though the articulate screen affords creative angles. However, its larger sensor yields superior image quality for low-light street scenes.
Macro Photography
Olympus’ ability to focus down to 1 cm and sensor-shift stabilization tips scales heavily in its favor here. Sharp close-ups in nature or product shots are well within reach.
Sony A33 can do macro work with dedicated macro lenses but lacks the built-in convenience for quick macro shooting.
Night and Astro
Low noise at high ISO and exposure flexibility matter most. Sony’s native higher ISO range (up to 12,800) and RAW support provide better control for astrophotography and night scenes. The TG-2’s 1/2.3-inch sensor struggles above ISO 800; lack of RAW hinders noise reduction.
Video Capabilities
Both shoot Full HD at 1080p but with differing strengths:
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Olympus TG-2 iHS: Records 1080p at 30 fps in MPEG-4/H.264 with electronic image stabilization and a built-in mic but lacks external mic input. Handy for adventure vloggers needing simple, rugged video capture.
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Sony A33: Offers HD video up to 60 fps with AVCHD and MPEG-4 codecs, has a microphone input for better audio control, and the articulating screen supports versatile framing. Better suited for semi-professional videography.
Robustness, Weather Resistance, and Battery
The TG-2 iHS is waterproof (down to 15 meters), crushproof (up to 100 kgf), and freezeproof, designed for extreme conditions. It sports built-in GPS for geotagging - ideal for travel and adventure photographers.
The Sony A33 lacks environmental sealing and ruggedness. Its more traditional DSLR build is insulated from the elements but demands careful handling.
Battery life is comparable: Olympus claims around 350 shots per charge, Sony about 340. Both use proprietary lithium-ion packs; spare availability varies with age.
Lens Ecosystem and Expandability
Olympus’ TG-2 has a fixed zoom lens with an effective 25-100 mm equivalent range and fast f/2 aperture at wide end - a decent all-rounder for a tough compact, but no lens changes.
Sony A33 uses the Sony/Minolta Alpha mount, compatible with over 140 lenses from primes to zooms, including third-party options. This vast ecosystem provides exceptional flexibility, crucial for professionals or enthusiasts seeking creative latitude.
Connectivity and Storage
The Olympus TG-2 lacks wireless connectivity but includes built-in GPS and HDMI output for immediate geotagging and display.
Sony A33 supports Eye-Fi wireless cards (now less common), USB 2.0, and HDMI outputs. No Bluetooth or NFC, unsurprising for its 2010 design era.
Both cameras utilize single storage slots: TG-2’s slot type unspecified but supports SD cards. Sony accepts SD/SDHC/SDXC and Memory Stick formats, offering versatility.
Pricing and Value Perspective
At launch, the TG-2 iHS was about $380, while the Sony A33 came in around $230. Yet, on the secondhand market today, their value converges or fluctuates depending on condition and included accessories.
Considering build, sensor, and feature sets:
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The TG-2 justifies its price with extreme durability and simplicity.
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The Sony offers more photographic control and image quality for less but demands care and often additional investment in lenses.
Sample Image Showcase
To bring these specs and impressions alive, here are side-by-side sample shots from both cameras illustrating their color rendering, detail, and noise characteristics:
Notice how the Sony produces richer colors and retains detail even in shadow regions. The TG-2 images appear softer with less dynamic range, but hold up well for casual sharing and adventure documentation.
Final Scores: Objective Ratings Based on Testing
We compiled quantitative and qualitative performance metrics, factoring sensor quality, autofocus, build, ergonomics, and versatility.
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Sony A33 leads overall due to superior image quality, lens compatibility, and controls.
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Olympus TG-2 iHS scores high for weather sealing and ruggedness but trails behind in image fidelity and creative flexibility.
How They Stack Up Across Photography Styles
Let’s visualize performance across genres for a quick grasp of strengths:
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Portrait, Landscape, Wildlife, Night: Sony A33 clearly excels.
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Sports: Slight edge to Sony based on AF and burst speeds.
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Street, Macro, Travel: Olympus competitive or leading thanks to portability and ruggedness.
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Video: Sony offers better technical flexibility; Olympus better for rugged shooting scenarios.
Summary: Which Camera Should You Choose?
I’ll boil it down depending on your priorities:
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Choose Olympus TG-2 iHS if:
You’re an outdoor enthusiast or traveler needing a rugged, waterproof camera that can survive harsh conditions with no fuss. Its compact size, sharp lens for macro and outdoor shots, and GPS tagging make it ideal for adventure and street photographers who value durability over ultimate image quality. -
Choose Sony A33 if:
You seek better image quality, a larger sensor, manual controls, lens interchangeability, and solid video capabilities. It’s a good entry-level DSLR for portrait, landscape, wildlife, and low-light photography. Not ruggedized, it requires more care but rewards with creative growth potential.
Final Thoughts from the Field
Comparing the Olympus TG-2 iHS and Sony A33 is a fascinating lesson in trade-offs. One embraces toughness and simplicity; the other embraces control and image fidelity. Both deserve respect for addressing entirely different photographic challenges.
When I carried the TG-2 through wet rainforests and rocky coastlines, it survived where I feared others might fail. Meanwhile, the Sony A33 under my fingertips in studio and urban settings reminded me why sensor size and glass matter.
For enthusiasts and professionals alike, the choice comes down to weighing environment versus image ambition. This review unpacks those considerations with hard-earned insight - helping you choose the camera that truly fits your photographic journey.
Thank you for reading this extensive hands-on comparison. Feel free to ask questions or share your experiences with these cameras and their peers - it’s how we all learn and improve our craft.
Olympus TG-2 iHS vs Sony A33 Specifications
Olympus Tough TG-2 iHS | Sony SLT-A33 | |
---|---|---|
General Information | ||
Brand | Olympus | Sony |
Model type | Olympus Tough TG-2 iHS | Sony SLT-A33 |
Category | Waterproof | Entry-Level DSLR |
Announced | 2013-06-28 | 2010-08-24 |
Body design | Compact | Compact SLR |
Sensor Information | ||
Powered by | - | Bionz |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.5 x 15.6mm |
Sensor surface area | 28.1mm² | 366.6mm² |
Sensor resolution | 12 megapixel | 14 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 3:2 and 16:9 |
Full resolution | 3968 x 2976 | 4592 x 3056 |
Max native ISO | 6400 | 12800 |
Max boosted ISO | - | 25600 |
Minimum native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | - | 15 |
Cross type focus points | - | 3 |
Lens | ||
Lens support | fixed lens | Sony/Minolta Alpha |
Lens zoom range | 25-100mm (4.0x) | - |
Max aperture | f/2.0-4.9 | - |
Macro focusing distance | 1cm | - |
Number of lenses | - | 143 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen size | 3 inch | 3 inch |
Resolution of screen | 610k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | OLED | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 1,150k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.73x |
Features | ||
Lowest shutter speed | 4s | 30s |
Highest shutter speed | 1/2000s | 1/4000s |
Continuous shooting speed | 5.0 frames/s | 7.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | - | 10.00 m (@ ISO 100) |
Flash options | - | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Highest flash sync | - | 1/160s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Max video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 230 grams (0.51 lb) | 500 grams (1.10 lb) |
Dimensions | 111 x 67 x 29mm (4.4" x 2.6" x 1.1") | 124 x 92 x 85mm (4.9" x 3.6" x 3.3") |
DXO scores | ||
DXO All around rating | not tested | 70 |
DXO Color Depth rating | not tested | 22.8 |
DXO Dynamic range rating | not tested | 12.6 |
DXO Low light rating | not tested | 591 |
Other | ||
Battery life | 350 images | 340 images |
Style of battery | Battery Pack | Battery Pack |
Battery ID | Li-90B | NP-FW50 |
Self timer | Yes (2 and 12 sec, Pet Auto Shutter) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | - | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | Single | Single |
Pricing at launch | $380 | $230 |