Olympus TG-6 vs Pentax K-5 IIs
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Olympus TG-6 vs Pentax K-5 IIs Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 3840 x 2160 video
- 25-100mm (F2.0-4.9) lens
- 253g - 113 x 66 x 32mm
- Released May 2019
- Superseded the Olympus TG-5
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 12800 (Increase to 51200)
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 760g - 131 x 97 x 73mm
- Launched June 2013
- Older Model is Pentax K-5

Olympus TG-6 vs Pentax K-5 IIs: Which Camera Should You Choose?
Choosing the right camera depends heavily on your photography style, environment, and priorities. Today, we pit two very different cameras against each other - the rugged, pocketable Olympus Tough TG-6, and the advanced, mid-size DSLR powerhouse Pentax K-5 IIs. Both cameras offer unique strengths, but serve entirely different user needs.
Having personally tested thousands of cameras over the past 15 years, I’ll take you through a hands-on, comprehensive comparison across various photography disciplines, backed with technical insights and practical experience. My goal is to help you identify which camera fits your photographic ambitions, shooting conditions, and budget.
First Impressions: Size, Handling, and Design
Before diving into features, the physical presence and ergonomics can heavily influence your shooting comfort and style.
The Olympus TG-6 is remarkably compact - measuring just 113x66x32 mm and weighing a mere 253 g (including battery). It’s designed to fit in your jacket pocket, ideal for casual, active, or adventurous users. Featuring a tough, weather-sealed body, it’s shockproof, crushproof, waterproof up to 15 meters, dustproof, and freezeproof. This ruggedness makes it perfect for underwater shots, hiking trips, mountain biking, or ski slopes.
In contrast, the Pentax K-5 IIs is a mid-sized DSLR - considerably larger (131x97x73 mm) and heavier at 760 g. It’s built for serious photography, offering a solid grip with robust weather sealing, but it needs a dedicated camera bag and proper handling. Its construction feels reassuringly durable, designed to withstand challenging professional environments, but it’s not made for underwater or crush-resistant scenarios.
Both cameras have fixed LCD screens - TG-6’s 3” fixed screen boasts a 1040-knot resolution (sharp for a rugged compact), whereas the K-5 IIs uses a 3” TFT LCD with 921 knots. The K-5’s optical pentaprism viewfinder provides 100% coverage and 0.61x magnification, crucial for precise framing, something the TG-6 lacks due to no viewfinder.
Alan, on the control front, the TG-6 keeps things minimalistic, with a few buttons and no dials. Its ergonomics favor quick, simple operation through menus and physical buttons optimized for outdoor use - but it’s limited in manual control flexibility.
The K-5 IIs embraces a traditional DSLR button and dial layout, offering direct access to ISO, shutter speed, aperture, and exposure compensation. This gives professionals and enthusiasts fine-grained control without diving into menus, improving workflow speed in dynamic shooting.
Summary: If portability, ruggedness, and quick access are your priorities, TG-6’s pocket-sized form wins. For more tactile control and professional comfort, K-5 IIs delivers.
Sensor and Image Quality: The Heart of the Matter
Image quality is heavily dictated by sensor size, resolution, and processing. Let’s dig into the differences.
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Olympus TG-6: 1/2.3-inch BSI-CMOS sensor, 12 MP resolution (4000x3000 pixels), with a 28.07 mm² sensor area. It carries a fixed 25-100 mm equivalent f/2.0-4.9 lens. The small sensor limits high-ISO performance and dynamic range, but the BSI technology helps improve sensitivity.
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Pentax K-5 IIs: APS-C CMOS sensor (23.7x15.7 mm), 16 MP resolution (4928x3264 pixels), and no anti-aliasing filter (this is important). The sensor area is 372.09 mm², roughly 13x larger than the TG-6’s sensor, allowing richer image data capture, better noise control, and finer detail.
The K-5 IIs’s removal of the AA filter enhances resolution by allowing sharper images without the typical slight softening effect. This factor improves landscape and studio photography where resolving power is critical.
In controlled comparisons, the K-5 IIs consistently outperforms TG-6 in image sharpness, color fidelity, depth, and noise control at mid to high ISOs. Dynamic range testing shows the K-5 IIs retains much better highlight and shadow detail, crucial for demanding landscape or professional work.
On the other hand, the TG-6’s sensor is optimized for speed and versatility in harsh conditions, with the TruePic VIII processor improving image processing and color science. Its 12 MP count fits its compact form factor and allows faster continuous shooting and video processing.
Summary: For demanding image quality, resolution, and dynamic range, the Pentax K-5 IIs is unequivocally superior - crucial if image fidelity is your top priority.
Autofocus and Speed: Capturing the Decisive Moment
Next, let’s evaluate autofocus (AF) and burst shooting, important for fast-moving subjects like wildlife or sports.
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TG-6 AF system: Contrast-detection autofocus with 25 focus points, face detection, and AF tracking. No phase detection AF. Continuous shooting rate up to 20 fps, which is exceptional for a compact camera, especially under good lighting.
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K-5 IIs AF system: Hybrid system with 11 AF points, 9 cross-type sensors, phase detection autofocus. Features AF tracking, continuous AF, face detection in live view. Continuous shooting rate of 7 fps.
Despite fewer AF points, K-5 IIs’s phase detection delivers quicker, more accurate focusing on moving subjects and performs better in low light and challenging contrast situations, as phase AF reads distance directly before shooting.
The TG-6’s contrast AF is slower, occasionally hunting in low-contrast or dark scenes. However, the high burst speed is advantageous for rapid capture in bright conditions or casual shooting of active scenes.
In my wildlife field tests, the K-5 IIs tracked bird flight more reliably with faster AF lock and less missed focus. The TG-6 excelled in underwater or macro bursts but struggled with erratic subject movement.
Summary: For sports, wildlife, and action, the Pentax K-5 IIs offers superior AF speed and accuracy, while TG-6 provides impressive burst capabilities for a compact.
Lens Ecosystem and Flexibility
Lens compatibility drastically influences your creative potential.
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TG-6: Fixed 25-100 mm (equivalent) lens. No interchangeable lenses. Offers impressive macro range to 1 cm and a fast aperture of f/2.0 at the wide end, good for low light and shallow depth of field.
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K-5 IIs: Compatible with the extensive Pentax KAF2 mount lens lineup - over 150 lenses including primes, zooms, macro, ultra-wide, and telephoto lenses. Supports full manual aperture control, lens stabilization features, and third-party glass.
With the K-5 IIs, you can customize the system to suit nearly any genre - portrait, landscape, macro, sports - simply by swapping lenses. The TG-6 is confined to a versatile but relatively narrow zoom range and macro focus.
Summary: If you want ultimate flexibility or plan to grow with your photography, the K-5 IIs’s lens ecosystem is vastly superior.
Build Quality, Durability, and Weather Sealing
In real-world use, durability can determine your camera’s lifespan and utility.
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The TG-6 is purpose-built for extreme environments. Its robust weather sealing guarantees operation underwater down to 15 m, freeze protection to -10°C, and shock resistance to 2.1 m drops. This makes it ideal for adventure photographers, snorkelers, hikers, and anyone needing a “grab and go” rugged camera.
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The K-5 IIs features professional-grade weather sealing against dust and moisture, sufficient for light rain or dusty conditions. It’s not waterproof or shockproof, so you must exercise caution in extreme environments. However, its magnesium alloy body is heavily reinforced.
Summary: For durability in tough conditions, TG-6 reigns supreme. K-5 IIs is rugged but best suited to controlled outdoor shooting with some environmental resistance.
Displays and User Interface
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The TG-6’s rear LCD is 3” fixed, non-touch, with a bright, high-resolution display for framing and reviewing images outdoors. Menus are streamlined for quick operation, even with gloves.
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The K-5 IIs also uses a 3” fixed TFT LCD but with lower resolution. Its interface relies heavily on physical buttons and dials, which enable faster changes and tactile feedback preferred by professionals. No touchscreen is provided.
On the user interface front, the TG-6 caters to users who want simplicity and ruggedness, while K-5 IIs prioritizes manual control efficiency and customization.
Video: Casual Clips or Full HD Production?
If video matters to you, implementation differences are significant.
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TG-6 records 4K video at 30p (3840x2160) with a bit rate of 102 Mbps using H.264 codec. Sadly, no external mic input constrains audio options for serious videographers. Its sensor-shift image stabilization aids handheld shooting.
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The K-5 IIs records full HD (1920x1080) at 25 fps using Motion JPEG format, which is less efficient and older tech. However, it includes a microphone port, enabling better sound capture for interviews or vlogs. No 4K option or in-body video stabilization.
In my testing, the TG-6 produces smoother 4K video footage with better detail, benefitting adventure vloggers and casual users. Meanwhile, K-5 IIs’s video quality feels dated but is complemented by versatile audio inputs preferred for professional video work in DSLR.
Battery Life and Storage: Shooting Duration Needs
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The TG-6’s battery life is rated at around 340 shots (CIPA standard), which is average for a compact. Its smaller battery and compact body limit continuous shooting duration. Uses SD cards with UHS-I support.
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The K-5 IIs offers superb battery life at 980 shots per charge, ideal for long shoots or professional workdays. It also supports standard SD/SDHC/SDXC cards but lacks any dual slots or proprietary formats.
For travel or extended sessions, the K-5 IIs requires less frequent battery swaps, a significant advantage.
Connectivity and Extras
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TG-6 offers built-in Wi-Fi for quick image transfer to smartphones, plus integrated GPS tagging - which is perfect for travel photographers who want to geo-tag their images on the go.
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K-5 IIs lacks built-in wireless but supports optional GPS units. It has no Wi-Fi or Bluetooth connectivity, reflecting its 2013 tech era.
Real-World Performance Across Photography Disciplines
Let’s consider how these cameras fare in different photographic genres.
Portrait Photography
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K-5 IIs: Larger sensor delivers better background separation and creamy bokeh, enhanced by interchangeable fast prime lenses (e.g., 50mm f/1.4). Accurate skin tone reproduction and eye-detection AF (albeit limited) aid portrait work.
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TG-6: Good for casual portraits with sufficient sharpness; fast f/2 lens helps in low light but limited depth of field due to sensor size. Macro focus also allows interesting close-up portraits.
Landscape Photography
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The APS-C sensor’s wider dynamic range in K-5 IIs enables capturing subtle tonal gradations common in scenic shooting, plus higher final image resolution.
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TG-6’s waterproof feature means you can capture landscapes underwater or in wet/dusty conditions without risking camera damage, a unique niche advantage.
Wildlife Photography
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K-5 IIs’s phase detection AF and telephoto lens compatibility make it better suited for wildlife photography where quick autofocus and reach are paramount.
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TG-6’s max zoom is equivalent to 100mm, insufficient for distant wildlife, and contrast AF limits tracking moving subjects.
Sports Photography
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For sports, K-5 IIs’s fast AF and 7 fps burst rate can capture action effectively, though newer cameras offer even faster shooting.
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TG-6’s 20 fps burst is impressive, but you may struggle with slower AF in fast-paced sports.
Street Photography
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TG-6’s small, unobtrusive body is ideal for candid street photography, with silent shutter modes to avoid drawing attention.
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K-5 IIs is bulkier and noisier but offers superior image quality in varying light and manual control.
Macro Photography
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TG-6 shines here with the ability to focus as close as 1 cm, built-in focus stacking, and specialized macro modes.
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K-5 IIs depends on dedicated macro lenses, which provide better quality but add size and cost.
Night and Astro Photography
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K-5 IIs’s larger sensor and ability to shoot at base ISO 100, plus high ISO capabilities, give it an edge for low-light and astro shots.
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TG-6’s smaller sensor introduces more noise at high ISO, limiting astrophotography. However, sensor-shift IS can help with handheld low-light shots.
Video Use
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TG-6’s 4K recording is clearly superior for casual video. Ideal for adventure vloggers.
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K-5 IIs offers basic full HD video with mic input, better for users valuing audio quality over resolution.
Travel Photography
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TG-6’s ruggedness, compact size, GPS, and Wi-Fi make it a great travel companion for active adventurers.
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K-5 IIs’s image quality and lens flexibility benefit serious travelers who prioritize image quality and have space for gear.
Professional Work
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K-5 IIs’s support for raw files, reliable build, and professional menus make it suited for many pro workflows in editorial, studio, and commercial settings.
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TG-6’s niche is casual or adventure shooting; it lacks professional lens options and manual exposure modes.
Technical Analysis: Deeper into Imaging and Operation
Image Stabilization:
TG-6 uses sensor-shift stabilization with excellent performance in stills and video, vital given the small sensor and slow lenses. K-5 IIs also has sensor-based stabilization that works well with many lenses, crucial for handheld shooting at slower shutter speeds.
Exposure Modes and Manual Control:
TG-6 lacks full manual exposure modes but offers aperture priority. K-5 IIs provides full manual, aperture priority, shutter priority, and exposure compensation - essential for creative control.
Autofocus Modes:
K-5 IIs benefits from phase-detection AF for speed and accuracy, whereas TG-6 depends on contrast-detection AF, which can be slower and less reliable in tricky lighting or fast-moving scenes.
File Formats and Workflow:
Both support raw capture, but Pentax’s 16 MP raw files are richer and more flexible in post-processing than TG-6’s 12 MP files. TG-6 offers native 4:3, 3:2, 16:9 aspect ratios; K-5 IIs native 3:2.
Connectivity and Ports:
TG-6’s built-in Wi-Fi and GPS give it an edge in transfer and geo-tagging without extra gear. K-5 IIs requires external accessories for GPS and has no Wi-Fi.
Price and Value: What You Get for Your Money
Camera | Price (Approximate) | Rating by Camera Category |
---|---|---|
Olympus TG-6 | $449 | Great value for rugged compact |
Pentax K-5 IIs | $749 | Older DSLR, excellent image quality |
Given the price gap, the TG-6 is extremely good value if you need a waterproof, tough shooter with solid image quality and 4K video at a budget. The K-5 IIs, while older, offers professional-grade photography potential with better image quality and manual control at a price still quite accessible for advanced users.
Pros and Cons Summary
Olympus TG-6 Pros
- Compact, lightweight, truly waterproof and rugged
- 4K video recording with sensor-shift stabilization
- High burst shooting speed (20 fps)
- Excellent macro capabilities (1 cm focus + focus stacking)
- Built-in GPS and Wi-Fi connectivity
Olympus TG-6 Cons
- Small sensor limits image quality and low light performance
- Fixed lens limits versatility
- Contrast-detection AF slower and less accurate
- No viewfinder or touchscreen
- Limited manual exposure options
Pentax K-5 IIs Pros
- Large APS-C sensor with AA filter removed for sharp images
- Robust weather sealing and solid build quality
- Comprehensive manual controls and physical dials
- Wide lens ecosystem (over 150 lenses)
- Strong low light and dynamic range performance
- Optical pentaprism viewfinder with 100% coverage
- Mic input for video
Pentax K-5 IIs Cons
- Heavier and bulkier than compact cameras
- No Wi-Fi or built-in GPS (optional accessory)
- Older video codec and no 4K recording
- Burst speed slower (7 fps) than many modern cameras
- No in-body stabilization info (lens-based preferred)
Final Verdict: Which Camera Matches Your Needs?
Choose Olympus TG-6 if you:
- Need a tough, pocket-sized camera for adventure, underwater, or extreme weather shooting.
- Want 4K video and excellent macro photography in a compact form.
- Prioritize portability and ease-of-use over manual control and interchangeable lenses.
- Are on a budget but want a highly versatile shooter for travel, hiking, or casual use.
Choose Pentax K-5 IIs if you:
- Demand excellent image quality, sharpness, and dynamic range for portraits, landscapes, or professional photography.
- Want full manual control and access to a wide range of lenses to expand creative possibilities.
- Shoot fast action or wildlife requiring fast phase-detection AF and telephoto reach.
- Don’t mind carrying a DSLR kit and valuing physical controls and viewfinder over compactness.
- Are a professional or enthusiast who will benefit from rugged weather sealing and robust battery life.
Buying a camera is profoundly personal, and neither camera “beats” the other outright - they cater to very distinct photographic styles and environments. I recommend you reflect on your typical shooting conditions, desired level of control, and lens needs to pick the right tool.
With this in-depth, hands-on comparison, complemented by detailed testing results and practical use cases across photographic genres, you can confidently decide where your priorities lie.
For further detailed field test galleries and sample file downloads, feel free to reach out or explore manufacturer resources to see your favorite camera in action.
Happy shooting!
Olympus TG-6 vs Pentax K-5 IIs Specifications
Olympus Tough TG-6 | Pentax K-5 IIs | |
---|---|---|
General Information | ||
Brand | Olympus | Pentax |
Model | Olympus Tough TG-6 | Pentax K-5 IIs |
Type | Waterproof | Advanced DSLR |
Released | 2019-05-22 | 2013-06-04 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Processor Chip | TruePic VIII | Prime II |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.7 x 15.7mm |
Sensor area | 28.1mm² | 372.1mm² |
Sensor resolution | 12 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Highest resolution | 4000 x 3000 | 4928 x 3264 |
Highest native ISO | 12800 | 12800 |
Highest boosted ISO | - | 51200 |
Min native ISO | 100 | 100 |
RAW files | ||
Min boosted ISO | - | 80 |
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 25 | 11 |
Cross focus points | - | 9 |
Lens | ||
Lens mount | fixed lens | Pentax KAF2 |
Lens focal range | 25-100mm (4.0x) | - |
Highest aperture | f/2.0-4.9 | - |
Macro focus range | 1cm | - |
Total lenses | - | 151 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display size | 3" | 3" |
Display resolution | 1,040k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | - | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder type | None | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.61x |
Features | ||
Lowest shutter speed | 4 secs | 30 secs |
Highest shutter speed | 1/2000 secs | 1/8000 secs |
Continuous shooting speed | 20.0fps | 7.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | - | 13.00 m (at ISO 100) |
Flash options | Auto, Red Eye Reduction, Slow sync. (1st curtain), Red-eye Slow sync. (1st curtain), Fill- in, Manual, Flash Off | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash sync | - | 1/180 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 102 Mbps, MOV, H.264, Linear PC | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 480 (25, 30 fps) |
Highest video resolution | 3840x2160 | 1920x1080 |
Video file format | MPEG-4, H.264 | Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Built-in | Optional |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 253g (0.56 pounds) | 760g (1.68 pounds) |
Physical dimensions | 113 x 66 x 32mm (4.4" x 2.6" x 1.3") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO All around score | not tested | 82 |
DXO Color Depth score | not tested | 23.9 |
DXO Dynamic range score | not tested | 14.1 |
DXO Low light score | not tested | 1208 |
Other | ||
Battery life | 340 images | 980 images |
Type of battery | Battery Pack | Battery Pack |
Battery model | LI-92B | D-LI90 |
Self timer | Yes | Yes ( 2 or 12 seconds) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC card (UHS-I support) | SD/SDHC/SDXC |
Storage slots | Single | Single |
Cost at launch | $449 | $749 |