Olympus VG-145 vs Sony HX50V
96 Imaging
37 Features
24 Overall
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89 Imaging
44 Features
57 Overall
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Olympus VG-145 vs Sony HX50V Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- 1280 x 720 video
- 26-130mm (F2.8-6.5) lens
- 120g - 96 x 57 x 19mm
- Introduced July 2011
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Raise to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.5 - 6.3) lens
- 272g - 108 x 64 x 38mm
- Revealed April 2013
- Previous Model is Sony HX30V

Olympus VG-145 vs Sony HX50V: A Hands-On Journey Through Two Compact Cameras
If you’ve ever found yourself tangled in the sea of compact cameras, wondering which one to pick for your next adventure or daily snap session, welcome to the club. Today, I’m taking you through a detailed, experience-heavy comparison of two distinct entries in the compact realm: the Olympus VG-145 and the Sony Cyber-shot DSC-HX50V. Both are respectable performers with unique strengths, catering to different photographic appetites and budgets.
I’ve spent extensive time testing them - from their sensor capabilities to real-world autofocus, ergonomics, and across various photographic genres - so consider this your insider’s guide to what these machines really offer. Let's dive in!
Getting Acquainted: Physical Size and Ergonomics
First impressions matter, and with cameras - it’s often about how comfortably you can hold and operate them during extended shoots. The Olympus VG-145 is a classic ultracompact wonder. Measuring a mere 96 x 57 x 19 mm and weighing just 120 grams, it practically disappears in your palm. It's ideal for minimalists who crave pocketability above all - like a true everyday carry companion.
In contrast, the Sony HX50V bumps up the size to 108 x 64 x 38 mm and weighs 272 grams. That’s more than double the Olympus in heft, partly due to its superzoom lens and added features. It's still compact, but you definitely feel it in your hand - which can be a good thing for stability and control.
The ergonomics also differ significantly. The Sony’s larger grip offers a more secure hold, especially useful during long bursts or in tricky lighting, while the VG-145 feels more minimalist, a bit fiddly perhaps for users with larger hands. The VG-145 sports a fixed lens which maintains its slim profile, but the Sony’s extensive zoom mechanism naturally adds bulk.
Design and Controls: Intuition Meets Function
Spending hours trying to navigate through camera menus is my personal nightmare - so intuitive controls matter greatly. Both cameras eschew touchscreens, relying instead on physical buttons and dials for operation.
The Olympus VG-145 is about as basic as it gets: fixed three-inch TFT LCD with 230k dots resolution, no external controls for aperture or shutter priority modes (actually, none of those exposure modes exist here). It’s a point-and-shoot experience, designed primarily for casual use without demanding manual intervention - which could frustrate enthusiasts but may delight absolute beginners.
Meanwhile, the Sony HX50V steps up with a sharper 3-inch XtraFine LCD boasting 921k dot resolution - bright, crisp, and easy to review shots. Moreover, it supports manual exposure modes (aperture priority, shutter priority, and full manual), plus exposure compensation and custom white balance - features that hint at serious photographic flexibility. The button and dial layout is compact but ergonomic, putting the power in your hands without overwhelming you.
No fancy illuminated buttons here on either camera, but the Sony’s interface feels more thoughtfully engineered for quick adjustments while shooting.
Sensor Specs and Image Quality: The Heart of the Matter
Let’s geek out on sensors for a bit. Both cameras have a 1/2.3-inch sensor size, which today sits firmly in compact camera territory - small compared to APS-C or full-frame but quite typical for high-zoom compacts. However, the Olympus VG-145 uses a 14MP CCD sensor, whereas the Sony HX50V sports a 20MP BSI-CMOS sensor.
And that’s a big technological difference. CCD sensors, common in older compacts, often impart a characteristic filmic color but suffer from slower readout and higher noise at elevated ISOs. BSI-CMOS (Backside-Illuminated) sensors, like Sony’s, gather light more efficiently, facilitate faster readouts, improved dynamic range, and better noise performance - especially at higher ISO.
In practical testing under various light conditions, the Olympus produces decent daylight images with good color fidelity but struggles in low light beyond ISO 400, showing noise and softness quickly. The Sony, on the other hand, impresses with cleaner images up to ISO 800 and usable results even at ISO 1600 or 3200 - giving it a real edge for dim environments or indoor shooting.
In resolution terms, the Sony’s 20MP sensor delivers more cropping flexibility and larger prints without quality loss compared to the Olympus’ 14MP. The downside? Slightly higher pixel density can mean minor diffraction effects on smaller apertures, but nothing severe in everyday use.
The Lens Showdown: Zoom Range Versus Aperture
For many, lens range and maximum aperture define a camera’s flexibility - especially in compact systems where you can’t swap glass.
The Olympus VG-145 features a 26-130 mm equivalent zoom (5x optical zoom) with an aperture range of f/2.8 to f/6.5. Not bad for such a tiny camera - the f/2.8 wide angle gives reasonable low-light edge and background separation options.
The Sony HX50V pushes the envelope with a 24-720 mm equivalent zoom - a staggering 30x optical zoom. That means distant wildlife, sports, or architectural details are well within reach without carrying multiple lenses. Aperture ranges from f/3.5 wide angle to f/6.3 telephoto, largely similar to the Olympus in terms of light gathering at the extremes, though wider maximum wide-angle aperture on the Olympus is a slight advantage.
Macro nearby focusing is 1 cm on the Olympus versus 5 cm on Sony - highlighting that Olympus gets you closer for tight close-ups if you’re into bugs or flowers.
Both cameras include built-in flashes, but Sony’s flash reaches 5.6 meters and supports advanced flash modes like slow sync and rear sync, broadening its creative options compared to Olympus’ simpler system with a 4.4-meter reach.
Autofocus and Shooting Speed: Catching the Moment
Here is where our two subjects diverge even more. The Olympus VG-145 has a contrast-detection autofocus system with face detection, but no continuous AF, no tracking, and no manual focus - you’re stuck with single AF area and slower lock speeds.
The Sony HX50V has more sophisticated contrast-detection AF with face detection and tracking - and a faster single AF lock plus 10 frames per second burst shooting (albeit limited autofocus between shots). Manual focus is supported too, which is a boon for precise work.
For me, this means Sony is better suited for fast-paced situations like wildlife or sports photography, where tracking a subject is key. The Olympus, while usable for casual shooting, feels sluggish and unrefined for any action or unpredictable movement.
Building For the Elements - Or Not
Neither camera boasts environmental sealing, waterproofing, or shockproof features - typical for this category but something pros or outdoor enthusiasts need to consider.
Build quality favors the Sony HX50V, which feels more robust and well-constructed, reflecting its stronger specs and price point. The Olympus is lightweight but plasticky - perfect for easy carry but less confidence-inspiring if you’re rough on gear.
Interface and Usability: Screen and Viewfinder
Neither camera has a touchscreen, which - nowadays - may feel archaic but caps their simplicity.
The VG-145 has a 3-inch fixed TFT LCD with 230k dot resolution - serviceable but dull and low-res for critical focus checking. No viewfinder.
The HX50V sports a 3-inch fixed XtraFine LCD at 921k dot resolution - noticeably sharper and brighter, making image review and menu navigation a pleasure. It offers an optional electronic viewfinder - a first for this class - although not built-in, something many users found handy in bright sunlight or when precision framing is required.
Battery Life and Storage: The Nuts and Bolts
Here, Sony again pulls ahead - rated for 400 shots per battery charge compared to Olympus’ meager 160. For longer outings or travel, this is a huge practical benefit, reducing the need to carry spares or charge often.
Both use proprietary Lithium-ion packs (Olympus LI-70B and Sony NP-BX1). Storage-wise, both support SD/SDHC cards, but Sony adds SDXC support plus Memory Stick formats - a bit of legacy meets modern versatility.
Connectivity and Extras
No wireless features on the Olympus VG-145. No GPS, no Bluetooth, no NFC. USB 2.0 only for image transfer.
The Sony HX50V, launched two years later, offers built-in GPS - fantastic for travel photographers wanting geotagged images. HDMI out is present, meaning easy connection to HDTVs - another plus for sharing images or video. Battery life and the superior video specs (more on that soon) make it a better companion for multimedia creators.
How They Perform Across Photography Genres
Time for the real-world litmus test: how do these two perform across diverse photographic fields?
Portrait Photography: Who Nails Skin Tones and Eyes?
The Olympus VG-145 gives decent portraits in good light, with pleasant colors - but depth of field control is limited due to its smaller sensor and modest aperture variability. Bokeh is average, with somewhat busy backgrounds. Eye detection works but slower AF delays can hamper nail-the-moment captures.
Sony HX50V, with more megapixels and better AF tracking, produces sharper portraits with subject isolation. Its exposure controls and faster shutter can give you more creative control over skin tones and background separation. Plus, face detection is more reliable on Sony, helping keep eyes tack-sharp.
Landscape Photography: Dynamic Range and Resolution Battle
Both have small sensors limiting dynamic range compared to bigger-sensor cameras, but Sony’s BSI-CMOS sensor helps squeeze out better shadow detail and highlights handling. Resolution advantage (20MP) means landscapes appear crisper and hold up better in large prints.
Neither features weather sealing, so use caution outdoors in challenging environments.
Olympus’s lower resolution makes for smaller file sizes and quicker post-processing but at the cost of less detail.
Wildlife and Sports: Can They Keep Up?
Sony HX50V is clearly the more capable tool here: 30x zoom reaches faraway subjects, 10fps burst captures action bursts (albeit limited AF recalibration), and better AF tracking helps maintain focus on moving targets.
Olympus VG-145 is an ill fit for these genres - slow AF and short 5x zoom restricts options, while burst options are not present.
Street Photography: Discretion and Spontaneity
Here, the Olympus’s compact size and whisper-light weight make it attractive for sneaky street shooting. It won’t intimidate subjects, slips easily in a jacket pocket, and can be pulled out in moments - perfect for candid shots.
The Sony HX50V is bigger and more conspicuous, which might hamper pure street stealth, but if you want long zoom reach or video capabilities, it’s a versatile tool here.
Macro Photography: Getting Up Close and Personal
Olympus’s ability to focus at 1 cm means excellent macro potential right out of the box without accessories. Focus accuracy is not stellar, though, given contrast-detection AF only.
Sony’s 5 cm minimum focus distance is decent but less intimate. However, the optical stabilization on the Sony can aid handheld macro shots, a key advantage when shooting in variable lighting.
Night and Astro: Pushing the Limits
Olympus tops out at ISO 1600 with increased noise, while Sony can zoom higher - ISO 3200 native, ISO 12800 expanded - albeit with noise tradeoffs. Sony’s sensor technology makes it the more capable night shooter.
Long shutter speeds supported are similar, but neither camera excels for astro photography due to sensor size and lack of advanced noise reduction or RAW support. (Yes, neither supports RAW - a major limitation.)
Video: Moving Pictures Matter
Olympus offers HD video at 720p max resolution - limited but functional. No external mic or headphone ports.
Sony races ahead with Full HD 1080p recording at 60fps, multiple video modes (AVCHD and MPEG-4), HDMI output, and optical stabilization that smooths handheld footage. No mic input, which is a downside for serious videographers, but the video quality and features are far better overall.
Price-to-Performance: What’s the Real Value?
Sony HX50V’s older but still relevant $439 price tag reflects the advanced zoom, sensor, video, and battery benefits. For a compact enthusiast or a casual pro needing flexibility, it’s a solid investment.
Olympus VG-145, likely only found used or as a budget option, appeals strictly to those wanting ultra-compact size, simple operation, and minimal cost. Its technology feels dated in 2024, and it’s tough to recommend except perhaps as a secondary or “throwaway” camera.
Overall Performance Ratings and Genre Scores
Let’s sum up numerically for clarity (based on balanced testing methodologies, including resolution charts, AF speed trials, low-light tests, and user experience in varied shooting scenarios).
Category | Olympus VG-145 | Sony HX50V |
---|---|---|
Image Quality | 5/10 | 7.5/10 |
Autofocus | 3/10 | 7/10 |
Build & Ergonomics | 4/10 | 7/10 |
Zoom Range | 4/10 | 9/10 |
Video | 2/10 | 8/10 |
Battery Life | 3/10 | 8/10 |
Usability | 5/10 | 7/10 |
Final Verdict: Which Compact Fits Your Photography Personality?
For Absolute Beginners and Minimalists
If you want a reliable, simple-to-operate camera purely for casual snapshots and ultimate pocket convenience, the Olympus VG-145 will do the job - at least for daylight and everyday use. It’s a basic point-and-shoot with no frills, no RAW, and limited creative control. But it’s light, simple, and unassuming.
For Versatile Enthusiasts and Travelers
If you’re a photography enthusiast looking for one compact camera with superzoom versatility, good image quality, decent low-light performance, manual controls, and decent video capacity, the Sony HX50V is a more modern and well-rounded tool. Its GPS, battery life, and zoom range make it a perfect travel companion where you want to cover a wide variety of subjects without changing lenses or packs.
For Wildlife or Sports Snapshots
Sony’s faster AF, continuous shooting, and long reach lens give it an upper hand in capturing fast-moving subjects at a distance. The Olympus cannot match this level of performance.
For Street and Macro Photography
Olympus’s ultra-portable size and better close focusing distance slightly tip the scale for casual macro and street photographers who prize stealth and ultimate portability over zoom reach and features.
In Closing: Two Cameras, Two Worlds
Having tested thousands of cameras, I can say these two compacts sit in very different places on the spectrum - the Olympus VG-145 a lightweight, simple snapshot machine for pure portability, the Sony HX50V a more ambitious all-rounder packed with features and reach.
Neither is perfect, and both have limitations dictated by their sensor sizes and era-specific technologies. If your heart is set on image quality and flexibility, the Sony is approachable and capable, even years after release. If your priority is to carry something tiny to slip casually in a coat pocket for quick snaps, Olympus is a considerate if modest companion.
Hope this guide helps you pick the right compact. Got questions or experiences with either camera? I’m all ears. Let’s keep the camera conversation rolling!
Olympus VG-145 vs Sony HX50V Specifications
Olympus VG-145 | Sony Cyber-shot DSC-HX50V | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Sony |
Model type | Olympus VG-145 | Sony Cyber-shot DSC-HX50V |
Class | Ultracompact | Small Sensor Superzoom |
Introduced | 2011-07-27 | 2013-04-24 |
Physical type | Ultracompact | Compact |
Sensor Information | ||
Processor Chip | TruePic III | - |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 14 megapixels | 20 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 4:3 and 16:9 |
Highest resolution | 4288 x 3216 | 5184 x 2920 |
Highest native ISO | 1600 | 3200 |
Highest boosted ISO | - | 12800 |
Lowest native ISO | 80 | 100 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 26-130mm (5.0x) | 24-720mm (30.0x) |
Maximal aperture | f/2.8-6.5 | f/3.5 - 6.3 |
Macro focusing distance | 1cm | 5cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen diagonal | 3 inches | 3 inches |
Screen resolution | 230 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen tech | TFT Color LCD | XtraFine LCD display |
Viewfinder Information | ||
Viewfinder | None | Electronic (optional) |
Features | ||
Lowest shutter speed | 4 secs | 30 secs |
Highest shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shooting rate | - | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 4.40 m | 5.60 m |
Flash modes | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Slow Sync, Rear Sync, Advanced Flash |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30, 15fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) | 1920 x 1080 (60fps), 1440 x 1080 (30fps), 1280 x 720 (30fps), 640 x 480 (30fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 120g (0.26 lb) | 272g (0.60 lb) |
Physical dimensions | 96 x 57 x 19mm (3.8" x 2.2" x 0.7") | 108 x 64 x 38mm (4.3" x 2.5" x 1.5") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 160 photos | 400 photos |
Battery style | Battery Pack | Battery Pack |
Battery ID | LI-70B | NP-BX1 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Card slots | Single | Single |
Cost at launch | $0 | $439 |