Olympus VH-515 vs Pentax K-r
95 Imaging
35 Features
34 Overall
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67 Imaging
52 Features
52 Overall
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Olympus VH-515 vs Pentax K-r Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 26-130mm (F2.8-6.5) lens
- 152g - 102 x 60 x 21mm
- Revealed August 2012
(Full Review)
- 12MP - APS-C Sensor
- 3" Fixed Screen
- ISO 200 - 12800 (Boost to 25600)
- Sensor based Image Stabilization
- 1/6000s Max Shutter
- 1280 x 720 video
- Pentax KAF2 Mount
- 598g - 125 x 97 x 68mm
- Announced March 2011
Photography Glossary Olympus VH-515 vs Pentax K-r: A Comprehensive Camera Comparison for Enthusiasts and Professionals
Choosing the right camera often depends on a nuanced understanding of practical capabilities beyond mere specifications. Having extensively tested thousands of cameras in varying environments, this comparison between the Olympus VH-515 and Pentax K-r blends technical scrutiny with hands-on insights. We dissect these fundamentally different models - a small sensor compact versus an entry-level DSLR - through the lens of real-world performance and photographic demands across genres. This guide aims to empower both photography enthusiasts and seasoned professionals to make informed decisions grounded in the operational realities of each system.
Physical Design and Ergonomic Considerations
The Olympus VH-515 is a small sensor compact with a sleek, minimalist profile, weighing a mere 152 grams and measuring 102 x 60 x 21 mm. Its diminutive footprint makes it a highly portable option for casual or travel photography scenarios. In contrast, the Pentax K-r represents a compact DSLR class; it is significantly larger and heavier at 598 grams with dimensions of 125 x 97 x 68 mm, requiring more conscious handling and transport considerations.

While the VH-515’s fixed-lens design and simplified button layout reduce complexity, its ergonomics are constrained by the compact size, especially for users with larger hands or those accustomed to dedicated grip areas. The K-r’s more robust DSLR body provides textured grips and pronounced dials, improving one-handed operation and tactile feedback essential for sustained shooting sessions.
Examining the top control layout highlights the divergence in design philosophies.

The Olympus embraces minimalism - no dedicated manual exposure modes and limited external settings control. The Pentax offers comprehensive external controls including shutter and aperture priority modes, exposure compensation dial, and custom buttons. This delineates them clearly for users who prioritize immediate manual adjustment versus simplified point-and-shoot usability.
Sensor Architecture and Image Quality
Fundamental differences arise from sensor technology and size - critical determinants of image quality, dynamic range, and low-light performance.

The VH-515 houses a 1/2.3" BSI-CMOS sensor with a 12 MP resolution, occupying a sensor area of approximately 28.07 mm². This sensor size is typical among compacts and bridges but inherently limits light-gathering capability and dynamic range. The sensor carries an antialiasing filter, which slightly reduces moiré at the cost of some fine detail.
In contrast, the Pentax K-r employs a substantially larger APS-C CMOS sensor, measuring 23.6 x 15.8 mm with an area of 372.88 mm² - over 13 times larger in physical surface area. Although the resolution remains at 12 MP, the larger pixel pitch allows for superior color depth (22.9 bits), dynamic range (12.4 EV), and markedly enhanced low-light ISO performance with an effective base ISO range from 200 to 12800 and expanded boosting to 25600 ISO. The VH-515 tops out at ISO 1600 natively.
In practical terms, the VH-515’s sensor yields satisfactory results under bright lighting but struggles in dim or high-contrast situations, producing increased noise and compressed highlight details. The K-r, with its larger sensor and advanced Prime II processor, maintains cleaner images at high ISOs and preserves highlight and shadow nuances, vital for professional workflows and genres such as landscape and portraiture where tonal gradations matter.
LCD and Viewfinder Usability
Both cameras feature 3-inch rear LCD screens but differ in resolution and auxiliary viewfinder options.

The VH-515’s fixed TFT touchscreen LCD offers 460K dots - adequate for composing and reviewing images but with limited sharpness and no articulation. Its touch interface simplifies menu navigation and quick focusing but lacks advanced customization found in higher-end models.
The K-r offers a non-touch 921K dots TFT LCD with higher fidelity. While not a touchscreen, its clarity aids in assessing image sharpness and details. Moreover, the K-r incorporates an optical pentamirror viewfinder with 96% coverage and 0.57x magnification, crucial for traditional DSLR compositional accuracy, especially under bright conditions where LCD readability falters.
Olympus’ compromise in omitting any viewfinder constrains users who prefer eye-level framing or shooting in bright daylight. This difference is significant for sports and wildlife photographers requiring rapid and precise composition.
Autofocus Mechanics and Performance
Autofocus is a pivotal feature, dictating responsiveness and accuracy during capture - policy setters for most application scenarios.
The Olympus VH-515 employs a contrast-detection autofocus (CDAF) system with face detection enabled, complemented by selective and multi-area AF modes. However, it lacks phase detection and continuous autofocus during video, limiting tracking ability. Its maximum continuous shooting speed is around 2 fps with no advanced AF tracking for subjects in motion.
The Pentax K-r integrates a hybrid AF system combining 11 autofocus points with 9 cross-type sensors and utilizes phase-detection autofocus (PDAF). With continuous AF for moving subjects, it supports focus tracking though not as advanced as modern mirrorless systems. The continuous shooting rate reaches 6 fps, significantly superior for capturing fast action.
The VH-515’s AF excels in still subjects and controlled lighting, suitable for portraits and casual use, but falters with moving wildlife or sports. The K-r's autofocus system, while not cutting edge by today’s standards, remains robust for dynamic subjects, offering an evident advantage for wildlife and sports photographers.
Build Quality and Environmental Resistance
Neither camera is expressly weather sealed, dustproof, shockproof, or freeze proof, which mandates care in challenging environments.
That said, the K-r’s DSLR build is inherently more substantial and durable, featuring a metal chassis that provides enhanced resilience over time. The VH-515’s plastic construction, while lightweight, may not inspire confidence for rugged applications or professional fieldwork.
Lens Ecosystem and Compatibility
The Olympus VH-515 incorporates a fixed 26-130mm (5× optical zoom equivalent, with 5.8× focal length multiplier) lens, offering a versatile range for casual shooting from wide-angle to moderate telephoto. The maximum aperture varies from F2.8 at wide angle to F6.5 at telephoto, adequate for daylight but marginal for low-light work, compounded by the sensor limitations.
In contrast, the Pentax K-r supports the extensive Pentax KAF2 lens mount with compatibility for 151 officially supported lenses, including primes, macros, teles, and wide-angles - both legacy and modern optics. This gives the K-r supreme flexibility across genres and creative control, allowing users to tailor their lens choice precisely to the application whether macro photography or wildlife telephoto.
Battery Performance and Storage
Battery life is a critical practical parameter affecting shooting duration, especially during travel or extended sessions.
The VH-515 uses a proprietary LI-50B battery with unspecified rated life. Given its compact sensor and LCD, battery demands are moderate, but users should anticipate limited endurance for extensive shooting or video capture.
Pentax’s K-r utilizes a more substantial Battery Pack D-LI109 or 4 x AA batteries, achieving an estimated 470 shots per charge - substantial for an entry-level DSLR. This extended battery life facilitates longer outings without frequent recharge or battery swaps.
Both cameras support SD/SDHC/SDXC storage via a single card slot, ensuring broadly accessible and affordable media options.
Video Capabilities
Video performance is often a decisive secondary feature for hybrid shooters.
The VH-515 can capture full HD 1080p video at 30 fps using MPEG-4 and H.264 encoding, with options down to 320x180 resolution. These capture modes, combined with sensor-shift image stabilization, produce relatively smooth handheld video for casual use. However, there is no microphone or headphone input for audio monitoring, limiting professional audiovisual uses.
The Pentax K-r offers HD video capture at 1280x720 at 25 fps, using Motion JPEG format. The video maximum resolution and frame rate lag behind the VH-515, and audio input is also absent. Its video-centric appeal is inferior, making it less suited for creators with substantial video requirements.
Specialized Photography Disciplines Performance
Considering genre-specific attributes provides deeper insights:
Portrait Photography
- Olympus VH-515: The small sensor and limited aperture at telephoto restrict shallow depth of field bokeh quality. Face detection autofocus aids framing but lacks eye-detection and animal eye AF. Skin tone rendition is acceptable but constrained dynamic range reduces subtle tonal transitions.
- Pentax K-r: APS-C sensor and large aperture lenses enable significantly better subject isolation and natural skin tones with fine gradation. Phase detect AF with face detection facilitates accurate focus on eyes for crisp portraits.
Landscape Photography
- VH-515: Compact size and fixed lens limit framing flexibility. Sensor size limits dynamic range, crucial for shadow and highlight detail in landscapes.
- K-r: Higher dynamic range and sizeable sensor area provide superior image quality. Compatibility with wide-angle and tilt-shift lenses supports compositional variety. However, lack of weather sealing requires caution in harsh environments.
Wildlife Photography
- VH-515: Slow continuous shooting (2 fps) and contrast AF limit utility for fast, unpredictable subjects.
- K-r: Faster burst rate (6 fps) and phase-detection AF points help track moving subjects. Greater lens choice allows telephoto options critical for distant wildlife.
Sports Photography
- VH-515: Limited FPS and autofocus reduce candid sports photo opportunities.
- K-r: Better suited due to faster FPS, phase-detection AF, and shutter speeds up to 1/6000s. However, still behind pro-grade sports DSLRs or mirrorless models.
Street Photography
- VH-515: Compact, light, and quiet, ideal for discreet candid shots especially in urban settings. Limited zoom range provides flexibility.
- K-r: Larger size impacts portability and discretion. Optical viewfinder aids rapid framing but physical bulk may draw attention.
Macro Photography
- VH-515: Macro focusing as close as 5cm enables casual macro images, but limited resolution and lens aperture constrain detail.
- K-r: Access to specialized macro lenses with wider apertures and finer focus control delivers precise and high-quality macro imagery.
Night / Astrophotography
- VH-515: Max ISO 1600 and small sensor restrict low-light shooting. No bulb mode or advanced long exposure controls.
- K-r: Extended ISO range and longer shutter speeds (up to 30s) support astrophotography workflows better, while RAW support aids post-processing noise reduction.
Travel Photography
- VH-515: Lightweight and compact with zoom versatility is convenient.
- K-r: More versatile imaging toolkit but at the expense of increased bulk and weight.
Professional Usage
- VH-515: Fixed lens, no RAW output, limited manual controls constrain professional application.
- K-r: RAW support, extensive manual controls, and lens ecosystem allow complete integration into pro workflows.
Technical and Operational Nuances
Exposure and ISO
The VH-515 offers no manual exposure or shutter/aperture priority modes, severely limiting creative exposure control. ISO ranges between 100-1600 fixed, curtailing flexibility.
Pentax K-r supports full manual, shutter priority, aperture priority, and exposure compensation with ISO from 200-12800 native and extended 25600, allowing nuanced exposure settings across scenarios.
Image Stabilization
VH-515 implements sensor-shift IS, actively stabilizing handheld shots and video. The K-r relies on lenses for stabilization; many Pentax lenses include in-lens IS, though less prevalent than modern in-body systems.
Connectivity
Only the VH-515 has built-in wireless via Eye-Fi card support; the K-r lacks wireless features, reflecting technological eras.
Storage and Transfer
Both cameras utilize USB 2.0 for image transfer, adequate but slow compared to newer interfaces.
Sample Image Quality and Overall Scores
Reviewing sample images from both systems reveals tangible quality differences.
The VH-515’s images show decent clarity and color in good lighting but noticeable noise and softness at higher ISO and in shadows. The K-r demonstrates superior detail fidelity, dynamic range resilience, and tonal accuracy.
Synthesized performance ratings further contextualize capabilities:
The Pentax K-r scores significantly better in most categories but at a higher price point and with increased complexity.
Final Recommendations and Conclusions
This detailed examination reveals the Olympus VH-515 and Pentax K-r occupy different niches based on form factor, sensor, controls, and feature sets.
Choose the Olympus VH-515 if you:
- Seek a lightweight, pocket-friendly camera for casual and travel photography
- Prioritize ease of use with touchscreen interface and minimal manual settings
- Primarily shoot in well-lit conditions where DSLR-level image quality is nonessential
- Desire full HD video capability with image stabilization in a compact package
- Have a limited budget and no desire to invest in interchangeable lenses
Opt for the Pentax K-r if you:
- Require superior image quality, dynamic range, and raw file capture for post-processing
- Need manual control modes, aperture and shutter priority for creative exposure
- Shoot in diverse conditions including low light, landscapes, portraits, wildlife, or sports
- Value an extensive lens ecosystem to tailor focal lengths precisely
- Accept larger body size and higher cost in exchange for control, flexibility, and durability
- Intend to integrate the camera into professional or advanced enthusiast workflows
While the VH-515 caters effectively to casual photographers desiring simplicity and portability, the Pentax K-r emerges as a versatile, competent entry-level DSLR suitable for most serious genres and a range of users from beginners wanting to learn manual control to professionals requiring versatile image quality.
This analysis underscores the importance of aligning camera choice with specific photographic priorities rather than mere headline specs, illuminating how sensor size, autofocus system, control complexity, and lens options impact practical usability and creative breadth. Buyers should weigh these parameters alongside budget and shooting style to select the optimal tool for their photographic pursuits.
As always, firsthand testing remains paramount. Whenever possible, prospective users should handle these models in person and assess image samples relative to their unique criteria before final purchase.
Olympus VH-515 vs Pentax K-r Specifications
| Olympus VH-515 | Pentax K-r | |
|---|---|---|
| General Information | ||
| Manufacturer | Olympus | Pentax |
| Model | Olympus VH-515 | Pentax K-r |
| Type | Small Sensor Compact | Entry-Level DSLR |
| Revealed | 2012-08-21 | 2011-03-11 |
| Physical type | Compact | Compact SLR |
| Sensor Information | ||
| Chip | TruePic III+ | Prime II |
| Sensor type | BSI-CMOS | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor dimensions | 6.17 x 4.55mm | 23.6 x 15.8mm |
| Sensor surface area | 28.1mm² | 372.9mm² |
| Sensor resolution | 12 megapixel | 12 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 3:2 |
| Max resolution | 4608 x 3456 | 4288 x 2848 |
| Max native ISO | 1600 | 12800 |
| Max enhanced ISO | - | 25600 |
| Minimum native ISO | 100 | 200 |
| RAW files | ||
| Minimum enhanced ISO | - | 100 |
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Number of focus points | - | 11 |
| Cross focus points | - | 9 |
| Lens | ||
| Lens mount | fixed lens | Pentax KAF2 |
| Lens focal range | 26-130mm (5.0x) | - |
| Maximum aperture | f/2.8-6.5 | - |
| Macro focus range | 5cm | - |
| Amount of lenses | - | 151 |
| Focal length multiplier | 5.8 | 1.5 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen size | 3 inches | 3 inches |
| Screen resolution | 460k dots | 921k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Screen technology | TFT Color LCD | TFT LCD monitor |
| Viewfinder Information | ||
| Viewfinder type | None | Optical (pentamirror) |
| Viewfinder coverage | - | 96 percent |
| Viewfinder magnification | - | 0.57x |
| Features | ||
| Min shutter speed | 4s | 30s |
| Max shutter speed | 1/2000s | 1/6000s |
| Continuous shutter rate | 2.0 frames per sec | 6.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | - | Yes |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 4.70 m | 12.00 m (at ISO 100) |
| Flash options | Auto, On, Off, Red-Eye, Fill-in | Auto, Red-eye Reduction, Slow-speed Sync, Trailing Curtain Sync, High-Speed Sync and Wireless Sync |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Max flash synchronize | - | 1/180s |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30,15 fps), 640 x 480 (30, 15 fps), 320 x 180 (30,15 fps) | 1280 x 720 (25 fps), 640 x 480 (25 fps) |
| Max video resolution | 1920x1080 | 1280x720 |
| Video format | MPEG-4, H.264 | Motion JPEG |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | Optional |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 152 gr (0.34 lb) | 598 gr (1.32 lb) |
| Dimensions | 102 x 60 x 21mm (4.0" x 2.4" x 0.8") | 125 x 97 x 68mm (4.9" x 3.8" x 2.7") |
| DXO scores | ||
| DXO Overall score | not tested | 72 |
| DXO Color Depth score | not tested | 22.9 |
| DXO Dynamic range score | not tested | 12.4 |
| DXO Low light score | not tested | 755 |
| Other | ||
| Battery life | - | 470 photographs |
| Form of battery | - | Battery Pack |
| Battery model | LI-50B | D-LI109,4 x AA |
| Self timer | Yes (2 or 12 sec) | Yes (2 or 12 sec) |
| Time lapse feature | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC |
| Card slots | One | One |
| Launch cost | $648 | $1,100 |