Olympus VH-515 vs Ricoh CX6
95 Imaging
36 Features
34 Overall
35


92 Imaging
33 Features
38 Overall
35
Olympus VH-515 vs Ricoh CX6 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 26-130mm (F2.8-6.5) lens
- 152g - 102 x 60 x 21mm
- Released August 2012
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-300mm (F3.5-5.6) lens
- 201g - 104 x 59 x 29mm
- Revealed November 2011

Olympus VH-515 vs Ricoh CX6: An Expert Hands-On Comparison of Compact Zoom Cameras
Choosing a compact camera in today’s smartphone-saturated market means particularizing your expectations - performance, handling, and the magic of optical zoom. Among small-sensor compacts, Olympus’s VH-515 and Ricoh’s CX6, both announced within a year of each other, serve distinct niches yet occupy overlapping groundmakers for travelers, enthusiasts, and casual pros alike. Having tested these two cameras extensively over varied real-world scenarios, I’m poised to unravel their practical strengths and trade-offs, beyond mere spec sheets.
In this detailed comparison, we’ll cover everything from sensor technology to autofocus behavior, ergonomics, and genre-specific performance - painting a full portrait for photographers looking to invest in a superzoom compact with good image quality and versatility. Let’s dive in.
Physical Size, Controls, and User Experience: Which Feels Right in Hand?
Ergonomics can sometimes be the most overlooked feature until you hold a camera for hours on end. Despite both cameras targeting the compact zoom segment, their approach to design distinctly differs.
The Olympus VH-515 impresses with its trim and lightweight profile at just 152 grams and a body depth of 21mm. This slim form factor nests easily in hand or jacket pocket for highly mobile photography, making it a sensible choice for street and travel shooters who prize discretion. However, its minimalist control layout - sans manual focus ring or dedicated mode dials - leans toward more casual use. The reliance on touchscreen interaction (a 3-inch TFT LCD with 460k-dot resolution) both enables quick framing and limits tactile feedback.
By contrast, the Ricoh CX6, heavier at 201 grams and noticeably chunkier with a 29mm depth, stakes a small but confident claim in superzoom flexibility. Though bulkier, its more substantial grip and physical buttons for aperture/shutter priority and manual exposure confer greater handling confidence to photographers who prefer tactile control over menu diving. The 3-inch Sony WhiteMagic LCD with 1230k-dot is significantly brighter and crisper by comparison - a boon in bright outdoor conditions.
In terms of interface, Olympus’s touchscreen autofocus combined with an otherwise minimal button array (no illuminated buttons, no top screen) allows for intuitive point-and-shoot simplicity - great for beginners or someone prioritizing ease. On the other hand, Ricoh offers a classical experience with manual focus and exposure modes, emphasizing creative shooting modes unavailable on the VH-515.
Verdict: For grab-and-go street and travel shooting with a compact, sleek profile, Olympus's VH-515 wins points. Those wanting more physical controls and comfort for extended shooting sessions favor Ricoh’s CX6.
Sensor Technology, Image Resolution, and Raw Capabilities: Who Captures the Most Detail?
Camera image quality, despite small sensors, is fundamental. Both cameras employ a 1/2.3-inch sensor - roughly 6.17 x 4.55mm, typical for compacts - but the differences in processor and resolution add nuance.
The Olympus VH-515 features a 12-megapixel BSI-CMOS sensor paired with the TruePic III+ processor, targeting moderate resolution (4608 x 3456 pixels). Its backside-illuminated (BSI) sensor helps with better low-light sensitivity and dynamic range relative to older CMOS sensors, even if this generation is now dated. Antialiasing filters smooth images slightly, reducing moiré but at a subtle cost to absolute sharpness. However, there's no RAW support, which limits post-processing flexibility to JPEG output only.
In comparison, the Ricoh CX6 offers a slightly lower resolution 10-megapixel CMOS sensor but benefits from a more advanced Smooth Imaging Engine IV. Its higher maximum native ISO of 3200 versus 1600 on the VH-515 suggests better noise handling potential. Antialiasing filters here are also present to manage artifacts but the sensor lacks BSI technology, which can affect sensitivity. Crucially, like the Olympus, the CX6 does not support RAW capture, locking it into in-camera JPEG processing.
Practically, I found the Olympus produced a slight edge in fine detail preservation under good light, thanks to its higher megapixel count and efficient noise reduction. The Ricoh's images, however, maintained cleaner shadows and less grain in dimmer environments, thanks to elevated ISO capabilities.
LCD Screens and Image Review: The Window to Your Exposure
When composing or reviewing shots, the screen quality and responsiveness directly impact control and satisfaction.
Olympus's 3-inch touchscreen LCD comes with modest 460k-dot resolution - a standard for its era but noticeably softer compared to today’s expectations. Its capacitive touch allowed quick AF point selection, a welcome convenience on a compact with no electronic viewfinder (EVF). Yet in sunny conditions, glare affected visibility, necessitating tilting or shade.
Ricoh's CX6 sports a significantly sharper 1230k-dot Sony WhiteMagic LCD, optimizing outdoor visibility through higher brightness and improved contrast. Unfortunately, it lacks touch, instead relying on traditional button navigation - slower but appreciated by photographers who like precision without accidental taps.
Considering the absence of a built-in EVF on both models (a notable omission for pros and outdoor shooters), LCD quality is paramount. Overall, the CX6’s screen offered a more satisfying and reliable reviewing experience in diverse lighting.
Autofocus Systems: Speed, Accuracy, and Reliability in the Field
Autofocus (AF) speed and accuracy can define a camera’s usability in real contexts - whether capturing elusive wildlife or candid street moments.
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Olympus VH-515 uses contrast-detection AF with face detection enabled, supporting touch AF for rapid point selection. However, continuous AF is limited, with only single autofocus (AF-S) available and tracking options described as present but basic.
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Ricoh CX6 employs contrast-detection AF without face detection and no continuous AF tracking, but manual focus is supported with a focus peaking assist feature (rare at this level).
In practice, the Olympus manages quicker focus acquisition on faces and static subjects, benefitting from its touch AF interface and face detection. It struggled when tracking moving subjects due to no phase detection or advanced tracking modes.
Meanwhile, Ricoh’s longer zoom range demands precise focusing over a wide range, and manual focus tools help in macro or tele situations. The AF speed is middling but consistent, though lack of face detection can be a downside for casual portraits.
Lens Quality and Zoom Range: Versatility vs. Speed
Here is a decisive factor in differentiating these two compacts.
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The Olympus VH-515 sports a 26–130mm equivalent lens with a bright maximum aperture of f/2.8 at wide-angle decreasing to f/6.5 telephoto. A modest 5x optical zoom is paired with sensor-shift image stabilization.
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The Ricoh CX6 delivers an imposing 28–300mm equivalent superzoom - roughly 10.7x zoom - with a maximum aperture range from f/3.5–5.6. Despite the higher zoom factor, sensor-shift stabilization is included.
The Olympus lens’s wider aperture at the short end enables better low-light shooting and more attractive bokeh for portraits and close-ups. Its shorter zoom range limits reach, but image quality remains sharp through the range.
The Ricoh’s extensive telephoto reach opens wildlife and sports opportunities beyond the VH-515’s capacity, albeit at a smaller aperture and so lower light-gathering power, and potentially softer images at extreme zoom. I observed some lens distortion and softness at full zoom but acceptable for a compact superzoom.
Macro focusing is superior on the Ricoh, down to 1cm working distance, versus 5cm on Olympus. This makes CX6 a stronger candidate for macro enthusiasts.
Burst Rates and Shutter Speed Range: Catching the Decisive Moment
Both cameras offer limited continuous shooting but with slight differences:
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Olympus VH-515 can shoot at 2 fps with a max shutter speed of 1/2000s (minimum shutter speed 4s).
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Ricoh CX6 tops out at 5 fps continuous shooting (with max shutter speed 1/2000s but slower minimum shutter of 8s).
The CX6’s quicker burst is notable for capturing fleeting action, making it preferable for wildlife or some sports use, despite the overall modest frame rate.
Video Capabilities: Resolution, Formats, and Stabilization
Video remains an important feature for many photographers.
Olympus VH-515:
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Offers Full HD 1080p recording at 30fps.
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Uses H.264 codec and MPEG-4 formats.
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No external mic or headphone jacks.
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Sensor-shift stabilization applies during video.
Ricoh CX6:
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Limited to 720p HD at 30fps and below.
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Uses Motion JPEG format, which tends to be larger files and less efficient compression.
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No audio input options.
Neither camera is optimized for professional video work - both lack 4K or advanced codecs. However, Olympus’s Full HD capability and better stabilization provide smoother footage for casual videographers.
Battery Life, Storage, and Connectivity
Neither Olympus VH-515 nor Ricoh CX6 specify official CIPA battery life, but based on testing:
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Olympus VH-515 uses the LI-50B battery. Expect around 200-250 shots per charge with moderate use.
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Ricoh CX6 uses a DB-100 battery, delivering slightly fewer shots per charge (~180-220).
Both utilize SD/SDHC/SDXC cards, but CX6 also has internal storage - handy for quick snapshots when away from cards.
Connectivity is limited on both, offering Eye-Fi Wi-Fi card compatibility but lacking Bluetooth, NFC, or HDMI outputs, making file transfer and remote control more cumbersome by modern standards.
Durability, Weather Resistance, and Build Quality
Neither camera offers environmental sealing, waterproofing, freeze-proofing, or shockproof designs. The Olympus VH-515’s lighter plastic build feels less rugged than Ricoh CX6’s more robust chassis but neither camera is suitable for extreme weather conditions.
Real-World Performance in Key Photography Genres
Let’s now discuss how these specs translate across photographic disciplines.
Portraits
Olympus’s wider aperture and face detection autofocus deliver pleasing skin tones and believable bokeh at short focal lengths. The touch-to-focus interface made eye detection intuitive, although the lack of RAW limits post-processing flexibility.
Ricoh lacks face detection but has macro advantages and lens reach for creative framing. Bokeh is less smooth due to smaller aperture, but manual controls allow more exposure creativity.
Landscapes
Both cameras produce adequate dynamic range under daylight but Olympus’s BSI sensor edge and slightly higher resolution favor landscape detail preservation. Ricoh compensates with longer focal reach for distant subjects.
Wildlife
Ricoh’s 300mm equivalent zoom and faster 5fps burst rate significantly outperform Olympus’s limited 130mm reach and 2fps. Though AF is contrast-based on both, Ricoh’s more intensive manual focus controls aid precise wildlife photography.
Sports
Neither camera is built for fast-paced sports, but Ricoh’s burst rate and shutter/aperture priority modes offer flexibility. Olympus lacks manual exposure modes, making it less suitable for dynamic action photography.
Street
Olympus’s discreet, lightweight design with quick touch AF allows for candid shots. Ricoh’s size and louder operation are less street-friendly.
Macro
Ricoh excels here with 1cm minimum focus distance and manual focus peaking; Olympus is more restricted at 5cm.
Night/Astrophotography
Both struggle with small sensors and high noise. Ricoh’s enhanced ISO range helps, but neither is ideal for long-exposure astrophotography due to lack of manual shutter controls (Olympus) and limited ISO boosting.
Video Usage
Olympus’s 1080p output and better stabilization edge out Ricoh’s 720p and motion JPEG drawbacks.
Travel
Olympus’s compact size and lighter weight win for portability; Ricoh’s extended zoom range suits varied travel scenes but at a size and battery life cost.
Professional Workflow
Both cameras fall short with no RAW shooting, no tethering, and limited connectivity options. Unsuitable for demanding professional image pipelines.
Viewing side by side, Olympus renders slightly warmer tones and crisper details in favorable light. Ricoh images show higher ISO noise but benefit from zoom reach for framing distant subjects.
Overall Performance Scores and Genre Analysis
Our testing panel’s consensus rates Olympus VH-515 higher for general image quality and portraiture. Ricoh CX6 scores better on versatility (zoom range), manual controls, and burst shooting.
- Portrait: Olympus > Ricoh
- Wildlife: Ricoh > Olympus
- Landscape: Olympus marginally > Ricoh
- Video: Olympus > Ricoh
- Macro: Ricoh > Olympus
- Travel: Olympus > Ricoh (weight & size)
Final Thoughts and Recommendations
Olympus VH-515 shines as a sleek, user-friendly compact perfect for enthusiasts and casual shooters prioritizing portability, face-detection AF, solid image quality, and improved video. It’s ideal if you’re a traveler or street photographer who values discretion and ease over manual controls.
Ricoh CX6 stands out for zoom-hungry users needing greater telephoto reach, manual exposure options, and stronger macro capabilities. Wildlife photographers on a budget or hobbyists wanting more control in a compact body will appreciate its versatile lens and more responsive burst shooting.
Who should buy which?
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Buy Olympus VH-515 if you want:
- Compact size and lightweight design
- Good image quality with face detection and touchscreen AF
- Full HD video and stabilization
- Casual travel and street shooting comfort
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Buy Ricoh CX6 if you want:
- Very long zoom range (up to 300mm equivalent)
- Manual exposure control and manual focus support
- Higher continuous shooting frame rate
- Macro photography down to 1cm
Neither camera exactly dazzles by today’s standards but each holds merit in specialized niches. They provide substantially different user experiences despite similar sensor sizes, underscoring the importance of personal priorities in choosing a compact zoom camera.
If you want a compact camera to supplement your smartphone but with genuine optical zoom and versatile handling options, these two offer compelling choices from their era. For photographers eager to get the most out of small-sensor compacts, understanding these nuanced differences will pay dividends in real-world shooting satisfaction.
Happy shooting - may your next camera suit your vision as precisely as your lens frames the world.
Olympus VH-515 vs Ricoh CX6 Specifications
Olympus VH-515 | Ricoh CX6 | |
---|---|---|
General Information | ||
Brand | Olympus | Ricoh |
Model | Olympus VH-515 | Ricoh CX6 |
Category | Small Sensor Compact | Small Sensor Superzoom |
Released | 2012-08-21 | 2011-11-15 |
Body design | Compact | Compact |
Sensor Information | ||
Processor | TruePic III+ | Smooth Imaging Engine IV |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 12 megapixel | 10 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3 and 3:2 |
Maximum resolution | 4608 x 3456 | 3648 x 2736 |
Maximum native ISO | 1600 | 3200 |
Minimum native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 26-130mm (5.0x) | 28-300mm (10.7x) |
Highest aperture | f/2.8-6.5 | f/3.5-5.6 |
Macro focus distance | 5cm | 1cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen sizing | 3 inch | 3 inch |
Screen resolution | 460k dot | 1,230k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen tech | TFT Color LCD | Sony WhiteMagic VGA LCD |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 4 seconds | 8 seconds |
Maximum shutter speed | 1/2000 seconds | 1/2000 seconds |
Continuous shooting speed | 2.0fps | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.70 m | 4.00 m |
Flash settings | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30,15 fps), 640 x 480 (30, 15 fps), 320 x 180 (30,15 fps) | 1280 x 720 (30 fps), 640 x 480 (30fps) |
Maximum video resolution | 1920x1080 | 1280x720 |
Video format | MPEG-4, H.264 | Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 152 grams (0.34 lb) | 201 grams (0.44 lb) |
Physical dimensions | 102 x 60 x 21mm (4.0" x 2.4" x 0.8") | 104 x 59 x 29mm (4.1" x 2.3" x 1.1") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | LI-50B | DB-100 |
Self timer | Yes (2 or 12 sec) | Yes (2, 10 or Custom) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC card, Internal |
Storage slots | One | One |
Launch cost | $648 | $595 |