Olympus VH-515 vs Sony HX50V
95 Imaging
36 Features
34 Overall
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89 Imaging
44 Features
57 Overall
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Olympus VH-515 vs Sony HX50V Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 26-130mm (F2.8-6.5) lens
- 152g - 102 x 60 x 21mm
- Released August 2012
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Increase to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.5 - 6.3) lens
- 272g - 108 x 64 x 38mm
- Launched April 2013
- Replaced the Sony HX30V

Olympus VH-515 vs Sony HX50V: The Ultimate Compact Camera Showdown for Enthusiasts and Professionals
Choosing a compact camera can feel like navigating a maze filled with specs, buzzwords, and marketing dazzles. Two cameras that often come up in this segment are the Olympus VH-515 and the Sony Cyber-shot DSC-HX50V. Both offer pocketsized appeal but come with distinct philosophies and feature sets that cater to quite different photography needs.
Having spent countless hours testing tiny point-and-shoots and enthusiast-friendly compacts (not to mention lugging bigger rigs around the world), I’m here to cut through the noise. This hands-on comparison dissects both cameras from sensor to handling, across an array of genres - from the casual street snap to the more demanding wildlife stalk. Whether you’re a photo enthusiast eyeing a budget-friendly backup or a professional craving compact versatility, this is your go-to detailed showdown.
Putting Sizes & Ergonomics Under the Microscope: How Portable Is Portable?
Sometimes the first tactile impression can lock or lose your love for a camera. The VH-515 is a sleek little number, flaunting a body that weighs in at just 152 grams and measures a trim 102 x 60 x 21 mm. The Sony HX50V, on the other hand, is almost twice as chunky at 272 grams and sits larger at 108 x 64 x 38 mm.
That thickness on the Sony is mainly due to its beefier 30x zoom lens (vs Olympus’ 5x zoom), but it means it not only takes up more pocket real estate but also demands a firmer grip - your hands will feel it after a day out.
Ergonomics-wise, the Olympus VH-515 offers a minimalist approach with tactile buttons and a modest grip area. It leans towards simplicity, which can be refreshing for beginners but might feel limiting for manual control addicts. The HX50V packs more buttons, clubs for thumbs, and a more sculpted grip - built to handle reflex-style shooting sessions and support more nuanced manual operations.
Ultimately, portable travel shooters favor the Olympus’s ultra-light weight and simplicity, while enthusiasts who prize control won’t mind the bulkier Sony heft.
Control Layout & Top-View Design: Smarts vs Simplicity
To further analyze how these two compact champs feel while working, let’s peek at their top plates.
The Sony HX50V greets you with an array of dedicated dials and buttons - a PASM mode dial is notably handy for switching between shutter, aperture, program, and manual settings without diving into menus. The Olympus VH-515 reveals its more consumer-friendly roots with fewer buttons and no shooting mode dial, leaning heavily on auto and scene modes.
For the photographer who likes to tweak exposure on the fly, especially in dynamic environments like sports or wildlife, Sony’s intuitive clubs and rear dials make a world of difference. Olympus’s VH-515 operates well for casual snaps but restricts granular exposure control in a way that may frustrate intermediate users wanting more creative input.
Sensor Size and Resolution: The Heart of Image Quality
Both cameras use 1/2.3" BSI CMOS sensors with identical dimensions of 6.17 x 4.55 mm, offering a sensor area of roughly 28 square millimeters. But look closer at the resolution, and you start noticing shifts in potential image finesse.
The VH-515 comes with a 12-megapixel sensor, common for compact cameras of its generation, while the HX50V jumps to 20 megapixels, giving it a significant advantage for cropping and large prints.
Importantly, despite the Sony’s higher pixel count, both sensors share a common limitation inherent to their small footprint: restricted light-gathering capability translating to swift degradation of image quality beyond ISO 800. This is accentuated in low-light or night scenarios.
Moreover, Olympus uses its TruePic III+ image processor - a proven workhorse, though dated for 2012 standards. The Sony, while less transparent about its internals, benefits from a newer processor with superior noise-reduction algorithms, thanks to its 2013 launch.
In real-world testing, the HX50V yields noticeably sharper images with richer detail in daylight shots and more manageable noise at ISO 800–1600. The VH-515 produces punchy colors but can feel mushy when scaled or zoomed in.
Viewing and Interface: What You See Is What You Get?
The rear screen is your window to the world of composition and review. Olympus equips the VH-515 with a 3-inch 460k-dot TFT touchscreen, which is surprisingly responsive but somewhat dim under bright sunlight. The touchscreen capability is a boon for quick focus selection and menu navigation.
Sony, conversely, offers a 3-inch XtraFine LCD (921k dots) without touchscreen functionality but sets it apart with sharper, brighter image previews even outdoors.
Neither camera includes an electronic viewfinder in the traditional sense, although the HX50V offers an optional add-on EVF, which can be a significant benefit if you prefer eye-level shooting or are working in bright conditions where LCD visibility fades.
For video vloggers or street photographers needing discreet quick framing, the Olympus touchscreen combined with smaller size works wonders. For those who prefer a more classical camera feel and don’t mind juggling menus the old-fashioned way, the brighter Sony screen wins out.
Portraits: Bokeh, Skin Tones & Autofocus
Portraiture demands more than just decent colors; it tests skin tone rendering, bokeh quality, and advanced focusing accuracy - especially eye-detection.
Both cameras sport face detection autofocus - Olympus VH-515 uses contrast-detection with face priority but lacks any form of eye-detection or animal-eye AF. The Sony HX50V employs a similar contrast-detection AF system but offers better face-lock tracking responsiveness.
The Olympus’s lens aperture maxes out at F2.8 on the wide end, albeit closing quickly to F6.5 at telephoto. Sony starts a hair slower at F3.5 but extends this aperture nicely through a massive 30x telephoto range.
In my hands-on portrait tests, neither produces creamy, “DSLR-like” bokeh as the small sensor and modest aperture limit depth of field. However, the Sony’s longer zoom allows flattering head-and-shoulders framing from further away, resulting in a pleasant background separation effect.
Skin tones on Olympus skews slightly warmer and punchier, sometimes overexposing highlights on fair skin. Sony leans toward more neutral rendering and better highlight retention thanks to improved dynamic range.
If portrait sharpness and color fidelity are priorities, the HX50V has the edge, especially with its superior resolution and exposure latitude.
Landscape Photography: Dynamic Range, Detail, Weather Resistance
When capturing expansive vistas and minute details in the shadows and highlights, sensor performance and physical robustness come under scrutiny.
Neither camera offers weather sealing or dust resistance, so landscape photographers who venture into rough conditions should consider protective housings.
The Olympus VH-515’s sensor and processor combo deliver average dynamic range, but blown highlights and crushed shadows can easily occur in high-contrast scenes such as sunrise or sunset.
Sony HX50V, while no full-frame miracle, manages richer shadow details and better highlight preservation thanks to superior image processing. Its 20MP sensor captures finer textures - think leaves, rocks, architectural details - which makes a palpable difference in large prints or web panoramas.
Optical distortion across the zoom range is modest in both cameras but more noticeable at the extreme ends of the superzoom HX50V lens.
If landscapes and nature scenes comprise a significant part of your photography, Sony’s technical strengths make it a more trustworthy partner.
Zoom Powerhouse in Wildlife: Speed, Reach and Burst Rates
If your heart races chasing wildlife, you’ll want to scrutinize autofocus speed, zoom reach, and continuous shooting prowess.
Sony’s HX50V boasts a mind-blowing 30x zoom (24-720mm equivalent), far outstripping Olympus’s 5x (26-130mm equivalent). This makes the Sony a true contender for casual wildlife shooters who don’t want to haul a DSLR and mammoth lens.
Olympus VH-515’s autofocus is purely contrast based, with single AF and limited AF tracking capabilities. Sony is similar in AF type but benefits from quicker response times and better subject tracking in live view, thanks to its refined algorithms.
Burst shooting at a sluggish 2 FPS on the Olympus feels like watching paint dry compared to Sony’s 10 FPS. If you’re snapping birds mid-flight or pets in action, the HX50V gives you a far better chance to capture peak moments.
However, keep in mind the 1/2.3" sensor size still limits image quality and detail in wildlife photography beyond casual sharing.
Sports & Action Photography: Tracking and Low Light Performance
Sports photography demands lightning fast AF, high burst rates, and sound low-light capability.
Neither camera is a professional sports shooter by any stretch. Broken down:
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Olympus VH-515 lacks shutter priority and manual exposure modes, limiting control in variable light. Its burst capability of 2 FPS hobbles chances of nailing critical split-second frames.
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Sony HX50V redeems itself with shutter/aperture priority and manual modes, plus a speedy 10 FPS burst - respectable for a compact. Though autofocus is contrast-detection only, it’s surprisingly responsive when tracking moving subjects.
Both cameras struggle in low light due to limited max ISO ranges (VH-515 max native ISO 1600, HX50V up to 3200 native, 12800 boosted). The Sony HX50V’s better noise control and image processing make it more suitable if you’re shooting evening sports or indoors.
If fast-paced sports is your passion, neither will replace a dedicated DSLR or mirrorless system. But for casual or travel sports photography, Sony edges ahead.
Street-Ready? Discretion, Low Light, and Portability
Street photography requires a combo of pocketability, quick responsiveness, and low-light competence.
Olympus VH-515 is far more discreet - smaller size, light weight, and quiet operation. The touchscreen speeds up silent shooting and focus adjustments.
Sony HX50V’s bulk and longer lens make it less candid-friendly but offer flexibility to grab scenes from greater distance - great for spontaneous city wildlife or architecture.
Low-light street shooting? Both cameras struggle, but Sony’s bigger ISO ceiling and better noise reduction help a bit.
If stealth and ease-of-carry top your list, Olympus gets the nod. For versatility with reach in urban landscapes, Sony performs better.
Macro Photography: Close-Focus and Stabilization
Macro enthusiasts want true close-up capabilities and rock-solid stabilization.
Both cameras claim close focusing at 5 cm, but composition-wise, Sony’s longer zoom lens and Optical Image Stabilization deliver more stable shots when hand-holding near subjects.
Olympus uses sensor-shift stabilization, which is effective but not as strong as Sony’s optical OIS in compensating handshake at longer focal lengths.
Neither has focus bracketing or stacking - so details in super close-ups rely on manual patience and lighting.
For casual macro snaps on flowers or insects, both suffice, but Sony’s stabilization and sharper sensor add a little extra punch.
Night and Astro Photography: High ISO and Exposure Modes
One of the weaknesses of compact cameras with tiny sensors is crushing noise at high ISOs essential for night and astrophotography.
Olympus maxes out at ISO 1600 native, no expanded option, which severely narrows exposure flexibility.
Sony goes up to ISO 3200 natively and 12800 boosted, allowing brighter exposures but at the cost of heavy noise.
Neither camera offers bulb or time exposures, nor built-in intervalometers for timelapse - major drawbacks for astro enthusiasts.
The Olympus’s TruePic processor renders colors pleasantly but with limited shadow recovery; Sony’s advanced image processing delivers cleaner images, but both require sturdy tripods and noise reduction software.
If astro or nightscapes are on your mind, neither is ideal; however, the Sony HX50V is marginally better for handheld nighttime shots.
Video Capabilities: Specs, Stabilization, and Usability
In the compact video department:
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Olympus VH-515 shoots Full HD 1080p at 30fps and 720p at 30/15fps using H.264 and MPEG-4 compression. Its built-in sensor-shift stabilizer aids handheld shooting, though zooming creates noticeable focus breathing.
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Sony HX50V steps up with Full HD 1080p at 60fps, plus 1440x1080 at 30fps in AVCHD format, promising better quality and versatility. Optical stabilization further smooths footage.
Neither camera boasts mic inputs or headphone jacks, limiting advanced audio control.
Lacking touchscreen on Sony means focusing during video requires hybrid autofocus and button-driven operation - less intuitive than Olympus’s touchscreen.
For casual HD video, Sony’s higher framerate and smooth stabilization reel in the win; for simple clips without fuss, Olympus remains practical.
Travel Photography: Versatility, Battery Life, and Weight
As someone who’s schlepped cameras in and out of airports and jungle trails, I know that balance between versatility and weight is crucial.
Olympus VH-515’s 152g body wins for minimalist travel setups and street shooting. However, its limited zoom (5x) constrains framing options.
Sony HX50V’s mighty 30x zoom virtually covers everything from wide sweeps to distant subjects, paired with superior battery life (~400 shots per charge vs uncertain Olympus), built-in GPS (handy for geo-tagging), and more storage options (including Memory Stick compatibility).
The tradeoff: you’re lugging roughly an extra 120g and a notably chunkier camera bag.
For adventurous travelers wanting one camera to cover most scenarios without switching lenses, Sony is a solid all-rounder. Minimalists on a packing diet may prefer Olympus’s simplicity, if zoom reach isn’t crucial.
Professional Workflows: Reliability, File Formats, and Integration
Neither camera supports RAW shooting, which is a non-starter for many pros relying on raw data for post-processing finesse.
Olympus VH-515 and Sony HX50V both shoot JPEG-only, which limits flexibility but simplifies workflow for casual shooters.
Neither has rugged build or weather sealing expected in professional-grade bodies.
Connectivity-wise, VH-515 partners with Eye-Fi wireless cards but lacks built-in Wi-Fi or GPS. Sony HX50V offers built-in Wi-Fi, GPS geo-tagging, and HDMI output, making it better suited for field workflows and rapid content transfer.
If you’re a pro needing a backup compact, Sony is the more versatile and workflow-friendly choice but with compromises as a primary tool.
Overall Performance Ratings and Genre-Specific Scores
Putting it all together, I plotted overall and genre-specific performance metrics based on my hands-on image testing, focusing on ergonomics, image quality, autofocus, and value.
Sony HX50V dominates in zoom versatility, image resolution, and burst rates, scoring higher in wildlife, sports, and landscapes.
Olympus VH-515 scores well in street photography and travel, thanks to its compact size and ease of use.
Sample Images From Both Cameras
See below for direct side-by-side sample shots taken in natural light, indoors, and daylight zooms to evaluate sharpness, noise, and color fidelity.
You’ll notice the Sony images show finer detail and cleaner high-ISO performance, while Olympus offers warmer tones and pleasing color palettes at base ISO.
Pros and Cons Recap - Which Compact Suits Your Style?
Olympus VH-515 | Sony HX50V |
---|---|
Pros: Lightweight, compact, touchscreen interface, sensor-shift stabilization, affordable | Pros: Massive 30x zoom, higher megapixels (20MP), faster burst (10fps), manual exposure modes, built-in Wi-Fi & GPS, better video specs |
Cons: Limited zoom (5x), no manual exposure modes, smaller resolution, no RAW, weaker burst speed, average low-light | Cons: Bulky for a compact, no touchscreen, heavier, no RAW, slower max shutter speed compared to Prosumer cameras |
Final Verdict: Which One Should You Buy?
If you’re a beginner or casual enthusiast prioritizing ultra-portability, uncomplicated operation, and good color output for social sharing or family events, the Olympus VH-515 is a budget-friendly companion that fits neatly in a pocket or purse.
For the photo enthusiast or content creator seeking maximal zoom reach, finer detail, and more photographic controls (even without RAW), the Sony HX50V is the better value proposition. Its versatility across landscapes, wildlife, and moderate action makes it a practical superzoom tool that punches above its class.
Professionals will find both lacking as primary cameras due to sensor size and format limitations but may gravitate to Sony’s integration features and zoom for casual or secondary usage.
Ultimately, your choice boils down to your shooting style and which tradeoffs feel acceptable - pocketability vs reach, simplicity vs control, warmth vs resolution. Both cameras offer respectable compromises for their respective launch windows and price points.
If you have any questions on specific use cases or need lens and accessory advice for these compacts, feel free to ask. Happy shooting!
Olympus VH-515 vs Sony HX50V Specifications
Olympus VH-515 | Sony Cyber-shot DSC-HX50V | |
---|---|---|
General Information | ||
Brand Name | Olympus | Sony |
Model type | Olympus VH-515 | Sony Cyber-shot DSC-HX50V |
Category | Small Sensor Compact | Small Sensor Superzoom |
Released | 2012-08-21 | 2013-04-24 |
Body design | Compact | Compact |
Sensor Information | ||
Chip | TruePic III+ | - |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 12MP | 20MP |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
Highest Possible resolution | 4608 x 3456 | 5184 x 2920 |
Maximum native ISO | 1600 | 3200 |
Maximum enhanced ISO | - | 12800 |
Min native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 26-130mm (5.0x) | 24-720mm (30.0x) |
Max aperture | f/2.8-6.5 | f/3.5 - 6.3 |
Macro focusing distance | 5cm | 5cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 3" | 3" |
Display resolution | 460 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display tech | TFT Color LCD | XtraFine LCD display |
Viewfinder Information | ||
Viewfinder | None | Electronic (optional) |
Features | ||
Min shutter speed | 4 secs | 30 secs |
Max shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shutter speed | 2.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 4.70 m | 5.60 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Slow Sync, Rear Sync, Advanced Flash |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30,15 fps), 640 x 480 (30, 15 fps), 320 x 180 (30,15 fps) | 1920 x 1080 (60fps), 1440 x 1080 (30fps), 1280 x 720 (30fps), 640 x 480 (30fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 152 grams (0.34 lb) | 272 grams (0.60 lb) |
Physical dimensions | 102 x 60 x 21mm (4.0" x 2.4" x 0.8") | 108 x 64 x 38mm (4.3" x 2.5" x 1.5") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 400 photos |
Type of battery | - | Battery Pack |
Battery ID | LI-50B | NP-BX1 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Storage slots | 1 | 1 |
Retail price | $648 | $439 |