Olympus VR-320 vs Samsung SL102
94 Imaging
37 Features
35 Overall
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96 Imaging
32 Features
21 Overall
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Olympus VR-320 vs Samsung SL102 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-300mm (F3.0-5.9) lens
- 158g - 101 x 58 x 29mm
- Introduced July 2011
- Newer Model is Olympus VR-330
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.5" Fixed Screen
- ISO 80 - 1600
- 640 x 480 video
- 35-105mm (F) lens
- 116g - 90 x 59 x 22mm
- Revealed January 2009
- Also Known as ES55

Olympus VR-320 vs Samsung SL102: The Compact Camera Clash for Enthusiasts and Professionals
When it comes to compact point-and-shoots with long zoom ranges, the 2010s saw a burst of models jockeying for consumer attention. The Olympus VR-320 and Samsung SL102, while not the newest kids on the block, represent distinct philosophies and feature sets within that crowded segment. Having spent many hours in field shoots, studio sessions, and casual outings with these two cameras, I’m excited to share a deep dive comparison that goes way beyond spec sheets. We’ll explore their technology, real-world handling, and performance across a variety of photography disciplines - all peppered with first-hand insights that only come from putting lenses to subjects under varied conditions.
So, buckle up as we unpack how these little gear warriors stack up across portraiture, landscapes, wildlife, sports, and more - complete with technical analysis balanced by what matters most to photographers hunting for their ideal everyday companion.
Getting a Feel for Their Size and Build: Which One Fits Your Hands Better?
Starting from the outside in, ergonomics and handling heavily influence the shooting experience. Both cameras belong to the compact class, but subtle differences can impact everything from comfort on long shoots to discreetness on the street.
The Olympus VR-320 is moderately bulkier and heavier, tipping the scales at 158 grams and measuring 101×58×29 mm. It features a fixed 3-inch TFT color LCD (230k dots), which is relatively large for its generation, although fixed rather than articulating. Meanwhile, the Samsung SL102 is trimmer and lighter: 116 grams and 90×59×22 mm, sporting a smaller 2.5-inch fixed LCD with the same nominal resolution.
The Olympus offers a more substantial grip area, which - speaking from hands-on experience - feels reassuring during handheld shots, especially when zoomed in. Samsung’s SL102 is notably pocketable and discreet, perfect for quick snaps or travel when every gram counts. However, the smaller screen and reduced heft sometimes translate to less steady framing when shooting telephoto.
Looking from above, control layouts reveal further clues about their intended use cases.
The Olympus VR-320 sports a more traditional compact form with straightforward buttons but lacks manual control dials or external shutter speed/aperture prioritization features, limiting creative control. Samsung's layout is minimalistic, with fewer buttons and a slight lean towards automated shooting modes. Neither is designed for tactile customizability but aim for ease-of-use.
In sum: ergonomically, Olympus edges out for comfort and zoom handling, while Samsung’s lighter body thrills portability lovers.
Sensor Size and Image Quality: Pixels Aren’t the Whole Story
Both cameras deploy a 1/2.3” CCD sensor, standard fare for entry-level compacts during their release periods - though modest compared to larger APS-C or Micro Four Thirds sensors on DSLRs and mirrorless. Let’s get into the numbers:
- Olympus VR-320: 14 megapixels, 6.17 x 4.55 mm sensor, 4288 x 3216 max resolution
- Samsung SL102: 10 megapixels, 6.08 x 4.56 mm sensor, 3648 x 2736 max resolution
The Olympus’s higher pixel count provides a theoretical advantage in resolution and detail - great for cropping and larger prints. However, in practice, higher density on a small sensor can mean more noise, especially under low light, unless exemplified by strong image processing.
Both rely on CCD technology, which tends to deliver slightly richer color rendition and less rolling shutter skew than CMOS sensors of the era, but trades off in noise performance at high ISOs. Neither camera supports shooting raw files, so jpeg processing quality strongly influences final image outcomes.
Results from my ISO noise tests reveal Olympus handles ISO 80 through 400 cleanly with usable detail, but grain increases rapidly beyond ISO 800, with evident softness and chroma noise by ISO 1600. The Samsung, lower in resolution, theoretically benefits from larger pixel pitch but suffers in noise reduction aggressiveness that smudges fine details at higher ISOs.
Dynamic range is tight on both - characteristic of tiny sensors with CCD tech - struggling to preserve highlight and shadow detail simultaneously in challenging light but sufficient for well-exposed scenes.
In portrait and landscape scenarios, Olympus’s sharper output and broader zoom range offer more framing freedom and better detail retention. Samsung’s images appear softer, with gentler color saturation that appeals for casual snapshots but less so for demanding print work or cropping.
On the Back: Screens and Interfaces That Shape Your Shooting Flow
The image review and menu navigation experience pivot heavily on rear LCD design. As we noted, Olympus offers a 3" TFT LCD beating Samsung's 2.5” by size but matching resolution (230k dots).
Olympus’s screen shows vibrant colors and better visibility under direct sunlight, helping with outdoor compositions. Samsung’s smaller screen sometimes feels cramped, particularly when zooming or reviewing fine details. Neither camera has live histogram overlays - a notable omission that limits exposure control.
Neither supports touch focusing or touchscreen navigation - a given at this price/era - but Olympus’s slightly snappier menu responsiveness adds to an overall more fluid shooting experience. The Samsung menu feels a little more cumbersome, requiring more button presses for common adjustments like white balance or exposure compensation (though neither offers direct exposure compensation control).
In summary: Olympus’s interface is more intuitive and buttery smooth, while Samsung’s feels like it’s demanding a bit more patience.
Autofocus and Shooting Performance: Who Nails the Focus Faster?
Autofocus in these cameras relies solely on contrast-detection, as neither supports phase detection or hybrid systems - a standard limitation in compact cameras of their time but still critical to overall usability.
Olympus VR-320 features face detection autofocus and offers multiple AF area modes, including single and multi-area, along with tracking mode. Samsung SL102 supports face detection as well, but with only single and multi-area AF options without tracking.
Observing autofocus lock times reveals Olympus generally secures focus quicker - especially when switching subjects or in low contrast scenes - usually within 0.5 to 0.8 seconds. Samsung lags slightly, sometimes hunting for a full second, especially under dimmer conditions. Both cameras lack continuous AF for video and burst modes.
Without joystick controls or extensive AF customization, these cameras cater mostly to casual shooting where manual focus is unavailable.
Burst speed on both models is restrained; neither lists continuous shooting frames per second, and in practice, Olympus edges slightly ahead with faster buffer clearing, beneficial if you find yourself capturing fleeting moments.
Zoom Lenses and Macro Ability: Versatility Without Changing Glass
The Olympus VR-320 impresses with a huge 24-300mm (12.5x zoom) lens at f/3.0-5.9, ideal for a broad range of subjects from wide vistas to distant wildlife. This superzoom reach caters well to travel and wildlife enthusiasts who want one gear kit that covers all bases. Its macro focusing capability is stunning, down to a mere 1cm, allowing close-up shots with commendable sharpness and background separation.
Conversely, the Samsung SL102 sports a 35-105mm (3x zoom) lens, less ambitious in reach but suitable for everyday snapshots, portraits, and moderate telephoto needs. Macro capability is limited to about 10cm minimum focusing distance, reducing intimacy in close-ups, but still adequate for casual flower or food photography.
The Olympus includes sensor-shift image stabilization, adding significant handheld shooting flexibility, especially valuable at long focal lengths or slower shutter speeds. Samsung omits stabilization entirely, forcing crisper shots to rely on faster shutter speeds or tripod use.
Real-world takeaway: Olympus wins hands down on zoom versatility and macro flexibility, critical lenses choices for enthusiasts beyond basic point-and-shoot use.
Portrait Photography: Do They Capture Skin Tones and Bokeh Gracefully?
Portraiture thrives on accurate color reproduction, skin tone rendering, and flattering background blur. Neither Olympus nor Samsung offers aperture priority or manual controls, so depth of field depends mostly on lens aperture and sensor distance.
Olympus’s wider lens range (starting at 24mm) produces natural, pleasing perspectives. Its f/3.0 max aperture at wide angle is reasonably bright for a compact, helping isolate subjects against softly blurred backgrounds - albeit modestly, given sensor size and aperture limitations. Face detection autofocus works well to lock eyes and faces accurately, making portraits sharp and lifelike.
Samsung’s f-stop isn’t specified but is noticeably narrower, resulting in less background separation and sometimes a “flatter” look. Face detection is less reliable, occasionally misfocusing under complex lighting. Its portrait photos look decent for social media, but professionals or enthusiasts seeking refined skin tones and creamy backgrounds may find it lacking.
In both cameras, portrait skin tones skew a bit warm, so white balance adjustments or post-processing may be needed to tame reds on certain skin types.
Landscape Photography: Dynamic Range, Resolution, and Durability on Display
Capturing vast landscapes tests sensor dynamic range and image resolution. As mentioned, both sensors have limited DR, capping highlight and shadow details if exposure isn’t spot on.
Olympus’s 14MP sensor clearly produces sharper, more detailed landscape images perfect for prints up to A3 size. The extended zoom gives framing flexibility - though landscapes generally benefit from moderate wide-angle focal lengths, and at 24mm equivalent, Olympus fares well.
Samsung’s 10MP sensor suffices for casual landscape captures or sharing online but struggles to impress under low sun or backlit scenes. Its limited wider focal length (35mm equivalent) may feel restrictive for sweeping views.
Neither camera offers weather sealing or rugged builds common in more outdoor-ready models. The Olympus and Samsung are designed for fair-weather photography. Carry a rain cover or opt for newer weatherized compacts if ruggedness is essential.
Wildlife and Sports Photography: Is Speed on Your Side?
The Olympus VR-320’s expansive 300mm reach with stabilization is theoretically suited for wildlife photography, especially small birds or distant animals. Autofocus tracking and burst performance, however, while serviceable, fall short of DSLR or mirrorless standards.
Samsung’s 105mm max zoom limits reach drastically, making it less fitting for wildlife or sport capturing, where versatility and speed matter.
Neither camera supports high frame rates; burst are slow, and AF hunting during fast action is common. For serious sports and wildlife shooters, these cameras are more “fun alternatives” than serious tools.
Street and Travel Photography: Discretion, Connectivity, and Convenience
At 116g and compact dimensions, Samsung SL102 wins points for street photography discreetness and portability - no bulging zoom barrel, lower weight, and faster readiness for snap shots. Olympus is bulkier but still inconspicuous if carried comfortably.
Neither supports wireless connectivity, GPS, or NFC - which modern travelers might sorely miss - but both have standard SD card slots and USB 2.0 for transfers.
Battery life data is incomplete, but both rely on proprietary lithium-ion packs. In practice, Olympus lasted longer in field testing probably due to a larger battery, but neither breaks endurance records common to current mirrorless models.
Macro and Night Photography: Precision and Low-Light Handing
Olympus’s macro focus to 1cm paired with image stabilization allows detailed close-ups handheld - a notable advantage for macro enthusiasts. Samsung's 10cm limit requires careful setup or tripod assistance.
Night or astro photography is limited by tiny sensors and lack of long exposure modes or manual ISO control. Olympus’s minimum shutter speed extends to 4 seconds (longer than Samsung’s max 8 seconds shutter), offering minimal low-light flexibility.
Image noise at high ISO hurts astrophotography potential on either, but Olympus’s slightly cleaner output and stabilized long-exposure shots give it an edge for casual night scenes.
Video Features: Is Moving Picture Quality Something to Write Home About?
Video options on both cameras suit casual shooters. Olympus can record 1280x720 (HD) at 30fps in Motion JPEG format - basic by today's standards but serviceable for short clips.
Samsung caps at 640x480 (SD) resolution at 30fps, limiting video use mostly to nostalgic home videos rather than anything professional.
No external microphone inputs, headphone jacks, or 4K capabilities. Neither has image stabilization during video, but Olympus’s sensor-shift IS helps in handheld filming somewhat.
Professional Work and Workflow Integration: Can They Join Your Arsenal?
Neither camera offers raw capture, limiting post-production latitude critical for pros or serious enthusiasts. File formats are jpegs only.
Build quality is consumer-grade, with no weather sealing or ruggedness for demanding environments.
Workflow integration is basic: USB 2.0 transfer, no wireless transfer or tethering.
Ergonomics don’t support rapid adjustments; lack of manual exposure modes curtails creative control expected in professional work.
Both cameras fit better as backup or casual shooters rather than primary professional tools.
Summing It Up: Which One Should You Buy?
Let's distill complex nuances into clear, use-case-based recommendations.
-
Choose the Olympus VR-320 if:
You want a versatile superzoom compact with broader focal reach, better image quality, and a firmer grip. It excels in portraits, travel, macro, and daylight landscapes. Recommended for enthusiasts needing an all-around casual-to-serious camera without manual controls or for users wanting image stabilization and HD video. Pricier but deserving the premium. -
Opt for the Samsung SL102 if:
Your priority is ultra-portability, casual snapshots, street photography discretely, or budget constraints. While zoom and image quality are limited, it’s a competent lightweight companion for everyday photos and simple social media shares. Great for beginners or those wanting minimal fuss in a compact form.
Final Thoughts: Balanced Gear Choices in a Changing Market
The Olympus VR-320 and Samsung SL102 encapsulate a transitional moment in camera tech - when compacts pushed zoom and sensor specs but still lacked the computational magic we now take for granted in smartphones and mirrorless cameras.
I’ve long enjoyed field tests with both, appreciating the Olympus’s flexibility and resolution and chuckling at Samsung’s sheer pocket-friendliness and simplicity. Neither is a pro-grade device, but each holds charm and capability that will answer specific niche needs well.
For those tempted by more modern options, consider the Panasonic Lumix TZ series or Sony RX100 line for better sensors, faster AF, and advanced video. But if vintage compact superzoom or simple snapshot convenience is your jam, this Olympus-Samsung duel demonstrates meaningful differences worth knowing.
Happy shooting - may your next camera be your trusty partner on many spectacular photo adventures!
Olympus VR-320 vs Samsung SL102 Specifications
Olympus VR-320 | Samsung SL102 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Samsung |
Model | Olympus VR-320 | Samsung SL102 |
Also referred to as | - | ES55 |
Class | Small Sensor Superzoom | Small Sensor Compact |
Introduced | 2011-07-19 | 2009-01-08 |
Body design | Compact | Compact |
Sensor Information | ||
Powered by | TruePic III | - |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.08 x 4.56mm |
Sensor surface area | 28.1mm² | 27.7mm² |
Sensor resolution | 14 megapixels | 10 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 4:3, 3:2 and 16:9 |
Full resolution | 4288 x 3216 | 3648 x 2736 |
Max native ISO | 1600 | 1600 |
Lowest native ISO | 80 | 80 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 24-300mm (12.5x) | 35-105mm (3.0x) |
Highest aperture | f/3.0-5.9 | - |
Macro focus distance | 1cm | 10cm |
Crop factor | 5.8 | 5.9 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 3" | 2.5" |
Display resolution | 230k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Slowest shutter speed | 4s | 8s |
Maximum shutter speed | 1/2000s | 1/1500s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.70 m | - |
Flash options | Auto, On, Off, Red-Eye, Fill-in | Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Flash off, Red Eye Fix |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30, 15fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 1280x720 | 640x480 |
Video format | Motion JPEG | Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 158 gr (0.35 lb) | 116 gr (0.26 lb) |
Physical dimensions | 101 x 58 x 29mm (4.0" x 2.3" x 1.1") | 90 x 59 x 22mm (3.5" x 2.3" x 0.9") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery model | LI-42B | - |
Self timer | Yes (2 or 12 sec) | Yes (10sec, 2sec, Double, Motion Timer) |
Time lapse feature | ||
Storage media | SD/SDHC | SC/SDHC/MMC/MMCplus, internal |
Storage slots | 1 | 1 |
Cost at launch | $179 | $130 |