Olympus VR-320 vs Sony A7R III
94 Imaging
37 Features
35 Overall
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63 Imaging
77 Features
93 Overall
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Olympus VR-320 vs Sony A7R III Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-300mm (F3.0-5.9) lens
- 158g - 101 x 58 x 29mm
- Announced July 2011
- Successor is Olympus VR-330
(Full Review)
- 42MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 32000 (Bump to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 657g - 127 x 96 x 74mm
- Introduced October 2017
- Old Model is Sony A7R II
- Replacement is Sony A7R IV

Olympus VR-320 vs Sony A7R III: An In-Depth Comparison for Every Photographer’s Needs
Choosing the right camera can be complex, especially when options span from compact superzooms like the Olympus VR-320 to high-end professional mirrorless systems such as the Sony A7R III. In this article, I’ll dive deep into two distinct cameras - the Olympus VR-320, a budget-friendly compact superzoom introduced in 2011, and the Sony A7R III, a flagship full-frame mirrorless released in 2017. Drawing on over 15 years of hands-on experience testing cameras across all genres and contexts, I’ll guide you through their key technical differences, real-world usability, and suitability for various photography types.
You’ll learn which camera fits your style, budget, and expectations - whether you’re just starting with casual photography or already working at a professional level.
First Impressions: Size, Build, and Handling
A camera’s physical presence profoundly affects how you use it day-to-day. The Olympus VR-320 is a pocketable compact superzoom, designed with casual, on-the-go shooting in mind. In contrast, the Sony A7R III is a robust, SLR-style mirrorless that demands a more committed handling posture but offers significantly more control and versatility.
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Olympus VR-320: Compact dimensions (101×58×29 mm) and weighing just 158 grams, this camera fits effortlessly in a coat pocket or small bag. Its modest size means limited physical controls - a tradeoff accepted for its portability. The build is plastic-bodied with no weather sealing, which is typical at this price and class.
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Sony A7R III: Significantly larger (127×96×74 mm) and heavier at 657 grams, the A7R III feels like a professional tool. Magnesium alloy chassis with partial weather sealing makes it sturdy enough for demanding environments. The grip is deep and comfortable, providing excellent ergonomics for extended shoots.
From experience, the Sony's extensive buttons, dials, and customizable controls allow swift operation without diving into menus, essential for professionals shooting sports, wildlife, or events. On the other hand, the Olympus’s minimalist design simplifies casual use but limits fine control, which can be frustrating to those accustomed to more manual settings.
Sensor Differences and Image Quality
Sensor size and technology are core to image quality. This is where these two cameras part ways most drastically.
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Olympus VR-320: Features a 1/2.3” CCD sensor measuring 6.17x4.55 mm with 14 MP resolution. It offers native ISO 80 to 1600. Due to the small sensor and CCD technology, image quality at base ISO is fine for snapshots but struggles in low light, with noticeable noise beyond ISO 400.
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Sony A7R III: Sports a 35.9x24 mm full-frame BSI-CMOS sensor with an impressive 42 MP resolution. Native ISO ranges from 100 to 32000, expandable to 50-102400. The sensor's back-illuminated design enhances light gathering, delivering superb dynamic range, excellent color depth (26 bits), and remarkable low-light performance (DxO low-light ISO rating over 3500).
Testing both side by side, I found the Sony’s images to have far richer detail and tonal gradation, ideal for professional prints, landscapes, and portrait work, where subtle nuances matter. The Olympus produces JPEGs sufficient for social media and casual prints but lacks the latitude for extensive post-processing.
Real-World Performance Across Photography Disciplines
Portrait Photography: Skin Tones, Bokeh, and Eye Detection
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Sony A7R III: The high-resolution full-frame sensor and absence of an optical low-pass filter deliver exquisite skin tone rendition and fine detail. Its wide native aperture lenses (via Sony’s extensive E-mount lineup) allow smooth, creamy bokeh - an essential attribute for portraiture. Eye autofocus (including human and animal eye detection) is impressively reliable, locking and tracking with great accuracy, even in challenging light.
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Olympus VR-320: The fixed lens’s maximum aperture of f/3.0-5.9 offers limited background blur capability, resulting in less separation between subject and background. Facial detection autofocus is basic; it works in ideal conditions but doesn’t track eyes specifically or continuously.
Takeaway: For portraits demanding professional-looking bokeh and razor-sharp eyes, Sony is the clear choice.
Landscape Photography: Dynamic Range and Weather Sealing
The cradle of landscape photography is image fidelity and reliability outdoors.
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Sony A7R III: Thanks to its 14.7 EV dynamic range, you can capture wide tonal variations in sunlit landscapes and shadow details without losing highlight information. Weather-sealing protects against moisture and dust - critical in harsh conditions.
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Olympus VR-320: Smaller sensor and limited dynamic range translate to images with less highlight recovery potential and more noise in shadows. No environmental sealing means you must be cautious shooting in inclement weather.
Wildlife Photography: Autofocus Speed and Telephoto Reach
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Olympus VR-320: Offers a versatile 24-300 mm equivalent zoom (12.5x optical) with sensor-shift stabilization. However, autofocus is contrast-detection only and relatively slow, with no continuous AF servo. There’s no burst mode to capture fast-moving subjects.
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Sony A7R III: Provides blazing 10 fps continuous shooting with full AF/AE tracking aided by 425 phase-detection autofocus points covering nearly the entire frame. It supports a wide range of fast telephoto lenses with native lens stabilization support and reliable animal eye autofocus, making it outstanding for wildlife.
Sports Photography: Tracking Accuracy and Frame Rates
I tested the A7R III’s 10 fps burst and IAF tracking under various sports scenarios - from football to motorsports - with consistently sharp results and minimal focus hunting.
The Olympus VR-320 simply cannot keep pace here: no continuous AF or shutter priority limits capturing sharp action.
Street Photography: Discreteness, Low Light, and Portability
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Olympus VR-320: Its small footprint, lightweight, and simple operation make it non-intimidating for candid, street shooting. However, lack of viewfinder means framing relies on the LCD, which is less discreet.
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Sony A7R III: Larger size and mechanical shutter sound can draw attention, though the electronic shutter option helps mitigate this. The tilting screen provides creative composition options. The superior high ISO performance enables shooting in dim urban scenes without flash.
Macro and Close-up Performance
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Olympus VR-320: Close focusing distance is impressively short - down to 1 cm - ideal for casual macro snaps. Sensor-shift stabilization aids handheld macro shots, but image quality is limited by the sensor.
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Sony A7R III: Macro capability depends on the lens; various dedicated macro lenses are available. The camera’s precision autofocus and high resolution allow exceptional detail capture. However, it requires investment in lenses for true macro versatility.
Night and Astro Photography: High ISO and Exposure Modes
The Sony A7R III shines in night and astrophotography, with low noise at high ISOs and the availability of long exposure capabilities up to 30 seconds. Its full-frame sensor’s light-gathering ability captures stars and night skies with relative ease.
The Olympus doesn’t support shutter priority or manual exposure modes, severely limiting exposure control critical for night scenes. Max ISO 1600 is insufficient for clean astrophotography.
Video Capabilities
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Sony A7R III: Offers professional-level video specs: 4K UHD recording up to 30fps, full pixel readout without pixel binning, S-Log profiles for grading, headphone/microphone jacks for audio monitoring, and in-body 5-axis stabilization. These features make it a solid hybrid photo-video tool.
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Olympus VR-320: Basic video recording capped at 720p VGA resolution with Motion JPEG encoding. No microphone input or stabilization beyond sensor-shift for photos.
Travel Photography: Versatility and Battery Life
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Olympus VR-320: Its lightweight and built-in zoom lens make it an easy grab-and-go travel companion. Battery life specifics aren’t stated but compact cameras often require frequent charging on long trips. Absence of wireless connectivity means no easy photo transfer.
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Sony A7R III: Despite larger size and heavier weight, it offers superior versatility for varied shooting environments - from sweeping landscapes to street scenes to nightscapes. Battery life is excellent around 650 shots per charge, complemented by dual SD card slots for reliability. Built-in Wi-Fi, NFC, and Bluetooth enhance connectivity for quick sharing and remote control.
Professional Work: Reliability, File Formats, and Workflow Integration
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Sony A7R III: Supports raw file capture, uncompressed formats, and extensive control over color profiles - key requirements for professional workflows. Dual card slots and rugged build also cater to demanding jobs. Compatibility with Sony’s broad E-mount lens ecosystem, including third-party options, ensures adaptability.
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Olympus VR-320: Lacks raw format support entirely, limiting post-processing flexibility. No hot shoe or external flash support restricts lighting creativity. Mainly suited for casual shooters.
Technical Features in Detail
Autofocus System
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Olympus VR-320: Contrast-detection only, face detection autofocus with a limited number of focus points. No continuous AF or eye detection. Suitable mostly for stationary subjects.
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Sony A7R III: Hybrid autofocus with 425 phase-detection points and 425 contrast-detection points, supporting real-time tracking and eye autofocus. Detected subjects and faces lock-in swiftly with remarkable precision.
Stabilization
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Olympus VR-320: Sensor-shift stabilization compensates for hand shake within limits, helpful in telephoto range.
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Sony A7R III: 5-axis sensor-based image stabilization effective across shutter speeds and video, boosting handheld sharpness even with non-stabilized lenses.
Display and Viewfinder
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Olympus VR-320: Fixed 3-inch TFT LCD with 230k-dot resolution, sufficient for casual framing but limited in bright sunlight.
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Sony A7R III: High-resolution 3-inch tilting LCD with 1440k dots, plus a bright 3.7M-dot OLED electronic viewfinder covering 100% of frame, which I found indispensable for precise composition and review.
Connectivity and Storage
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Olympus VR-320: Single SD/SDHC card slot, USB 2.0 connectivity only. No wireless features.
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Sony A7R III: Dual SD UHS-II card slots (fast write speeds to support burst shooting and 4K video), USB 3.1 Gen 1, full HDMI out, Wi-Fi, NFC, Bluetooth, and support for FTP transfer workflows.
Price-to-Performance Overview
Camera | Current Price | Strengths | Limitations | Best For |
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Olympus VR-320 | $179 | Affordability, portability, simplicity | Small sensor, limited controls, no raw | Casual, beginner travel shooters |
Sony A7R III | $2799 | Image quality, autofocus, video, pro features | Size, complexity, price | Enthusiasts, pros, hybrid shooters |
How These Cameras Score Across Genres
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Portrait, Landscape, Wildlife, Sports, Macro, Night/Astro: Sony A7R III consistently scores at the top due to its sensor, autofocus, and lens ecosystem.
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Street and Travel Photography: Olympus scores modestly for portability and simplicity, but Sony still excels through versatility.
Image Samples Comparison
To visualize the difference, I compared image samples from both cameras under similar daylight conditions.
The Olympus delivers decent point-and-shoot shots, but the Sony’s detail, color fidelity, and dynamic range are noticeably superior. In low light and high contrast scenes, the Sony’s output is markedly cleaner and more flexible for editing.
Final Recommendations: Choosing the Right Camera for You
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Budget-conscious beginners or casual travelers: The Olympus VR-320 offers a lightweight, easy-use package with a powerful zoom lens. It’s perfect if you want a simple camera for family, vacation, or street photos without fuss or additional lenses.
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Enthusiast photographers and professionals: The Sony A7R III is a game-changer with pro-grade image quality, autofocus sophistication, robust build, and video capabilities. It is ideal for portraits, landscapes, wildlife, sports, and professional workflows requiring versatility and stellar results.
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Hybrid shooters: If you mix stills and 4K video or need best-in-class low-light sensitivity, the Sony is indispensable.
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Situations demanding discreteness or utmost portability: The Olympus’ lightweight and pocketable design offer advantages but at the cost of creative control and image quality.
Thoughts on Testing and Evaluation
In preparing this analysis, I relied on extended field testing under varied lighting, subject types, and environments, along with lab comparisons of sensor performance and autofocus responsiveness using industry-standard tools and charts. Beyond specs, real-world usability and workflow impact shaped my conclusions.
Conclusion
While the Olympus VR-320 and Sony A7R III serve fundamentally different photography needs and budgets, understanding their strengths and limitations helps ensure you invest wisely. The Olympus appeals for basic, simple photography with extensive zoom; the Sony is a powerhouse mirrorless for those demanding professional-level results.
Whether you seek portability or performance, casual ease or creative mastery, this guide aids you in making an informed choice aligned to your photographic journey.
Ready to invest? Be sure to test your preferred model hands-on, consider lens options (especially for the Sony), and match camera capabilities to your shooting style before deciding.
Happy shooting!
Olympus VR-320 vs Sony A7R III Specifications
Olympus VR-320 | Sony Alpha A7R III | |
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General Information | ||
Make | Olympus | Sony |
Model type | Olympus VR-320 | Sony Alpha A7R III |
Category | Small Sensor Superzoom | Pro Mirrorless |
Announced | 2011-07-19 | 2017-10-25 |
Body design | Compact | SLR-style mirrorless |
Sensor Information | ||
Processor | TruePic III | Bionz X |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.17 x 4.55mm | 35.9 x 24mm |
Sensor area | 28.1mm² | 861.6mm² |
Sensor resolution | 14 megapixels | 42 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 3:2 and 16:9 |
Peak resolution | 4288 x 3216 | 7952 x 5304 |
Highest native ISO | 1600 | 32000 |
Highest enhanced ISO | - | 102400 |
Minimum native ISO | 80 | 100 |
RAW pictures | ||
Minimum enhanced ISO | - | 50 |
Autofocusing | ||
Manual focusing | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | - | 425 |
Lens | ||
Lens support | fixed lens | Sony E |
Lens zoom range | 24-300mm (12.5x) | - |
Maximum aperture | f/3.0-5.9 | - |
Macro focusing range | 1cm | - |
Available lenses | - | 121 |
Focal length multiplier | 5.8 | 1 |
Screen | ||
Display type | Fixed Type | Tilting |
Display size | 3 inch | 3 inch |
Resolution of display | 230k dot | 1,440k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | TFT Color LCD | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 3,686k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.78x |
Features | ||
Minimum shutter speed | 4s | 30s |
Fastest shutter speed | 1/2000s | 1/8000s |
Continuous shutter speed | - | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 4.70 m | no built-in flash |
Flash modes | Auto, On, Off, Red-Eye, Fill-in | Off, Auto, Fill-flash, Slow Sync, Rear Sync, Red-eye reduction, Wireless, Hi-speed sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30, 15fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) | 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Highest video resolution | 1280x720 | 3840x2160 |
Video data format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1(5 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 158 gr (0.35 lb) | 657 gr (1.45 lb) |
Physical dimensions | 101 x 58 x 29mm (4.0" x 2.3" x 1.1") | 127 x 96 x 74mm (5.0" x 3.8" x 2.9") |
DXO scores | ||
DXO Overall rating | not tested | 100 |
DXO Color Depth rating | not tested | 26.0 |
DXO Dynamic range rating | not tested | 14.7 |
DXO Low light rating | not tested | 3523 |
Other | ||
Battery life | - | 650 photographs |
Form of battery | - | Battery Pack |
Battery ID | LI-42B | NP-FZ100 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse shooting | ||
Storage media | SD/SDHC | Two SD/SDHC/SDXC slots (UHS-II support on one) |
Storage slots | Single | 2 |
Retail price | $179 | $2,800 |