Olympus XZ-1 vs Panasonic GH2
88 Imaging
34 Features
51 Overall
40


70 Imaging
50 Features
65 Overall
56
Olympus XZ-1 vs Panasonic GH2 Key Specs
(Full Review)
- 10MP - 1/1.63" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-112mm (F1.8-2.5) lens
- 275g - 111 x 65 x 42mm
- Launched January 2011
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 442g - 124 x 90 x 76mm
- Released March 2011
- Earlier Model is Panasonic GH1
- Newer Model is Panasonic GH3

A Tale of Two Cameras: Olympus XZ-1 vs. Panasonic Lumix GH2 – Which One Fits Your Vision?
Having spent over 15 years evaluating cameras under a variety of conditions - from the blazing midday sun of deserts to the shadowy quiet of evening forests - I routinely come back to a key principle: knowing your camera’s strengths and weaknesses is essential to creating images that meet your vision. Today, I’ll take you through a thorough comparison of two intriguing cameras released around the same time in early 2011: the Olympus XZ-1, a compact zoom powerhouse, and the Panasonic Lumix GH2, an advanced mirrorless contender.
In this hands-on analysis, I’ll take you through how these cameras perform across a range of photography disciplines and real-world situations. I’ll share precise technical insights and honest impressions drawn from extensive field tests, so you can make an informed choice tailored to your needs and budget. Whether you’re a hobbyist craving simplicity, a professional seeking versatility, or anywhere in between, this comparison has valuable takeaways for you.
First Impressions and Handling: The Shape of Creativity
When I first held both cameras, their size and ergonomics instantly told me a lot about their intended users and shooting styles. The Olympus XZ-1 is a true compact that comfortably fits in a jacket pocket or purse. Its approachable form invites spontaneous street shoots or travel adventures without the bulk of larger gear. By contrast, the Panasonic GH2 is noticeably larger and heavier, adopting an SLR-like mirrorless body that commands a presence but promises superior control and expandability.
The Olympus’s fixed 28-112mm equivalent zoom lens locks onto your subjects quickly with a fast f/1.8-2.5 aperture, great for low-light and shallow depth of field effects. The slightly raised grip and clean button layout suit one-handed shooting, though it lacks a dedicated viewfinder, nudging you to compose via its 3-inch OLED screen.
Stepping up to the GH2 body, I appreciated the extensive physical controls, including a customizable dial and buttons array atop the camera. It provided direct access to exposure parameters like shutter speed, aperture, and ISO - vital for professionals needing speed and precision. The articulated 3-inch touchscreen adds flexibility for creative angles.
In terms of handling, I found the GH2 tougher to put down, yet its heft translates into better stability with heavier Micro Four Thirds lenses. Olympus keeps things straightforward, making the XZ-1 an ideal grab-and-go, whereas the GH2 promises the kind of control and modularity more advanced users crave.
Sensor and Image Quality: Where Size and Technology Meet
A major point of divergence lies within the image sensor, the heart of any camera system. The Olympus XZ-1 features a smaller 1/1.63-inch CCD sensor - measuring approximately 8.1 x 5.6mm and yielding 10 megapixels. In contrast, the Panasonic GH2 sports a much larger Four Thirds CMOS sensor at 17.3 x 13mm with 16 megapixels.
From multiple test shoots and standardized lab evaluations (including DXO Mark scores), the GH2 offers a substantial edge in dynamic range (11.3 vs 10.4 stops) and color depth (21.2 vs 18.8 bits), critical for retaining highlight and shadow details in complex scenes. The GH2’s sensor handles high ISO noise far better, with effective low-light ISO usability up to 12800 compared to the XZ-1’s practical limit of ISO 6400, although I found native ISO 100 for the XZ-1 pushed in low contrast situations led to softer images.
The XZ-1’s CCD sensor, while limited in resolution and noise handling, delivers pleasing color rendition and excellent sharpness when shooting in good light, largely owing to the sophisticated TruePic V image processor. The addition of an anti-alias filter in both cameras slightly softens images to prevent moiré but maintains fine detail with their respective lens systems.
Live Preview and Interface: See What You Get
In real-world photography, your interaction with the image preview system often shapes both the creative process and shot confidence.
The Olympus XZ-1 relies solely on its 3-inch fixed OLED screen, featuring 614,000 dots resolution. While colors pop beautifully - thanks to the OLED's excellent contrast and vibrant reproduction - the screen can be challenging to view in direct sunlight, mandating a touch of shading or angle adjustment.
Meanwhile, the Panasonic GH2’s 3-inch fully articulated TFT LCD provides a more modest resolution (460,000 dots) but wins out on versatility. The wide viewing angle helps in high or low shooting positions, while its touchscreen functionality (a relatively advanced feature at the time) lets me swiftly select focus points and navigate menus.
Both offer live view with face detection autofocus, but GH2’s multi-area AF and continuous autofocus modes provide more reliable tracking, fostering greater confidence during dynamic image capture.
Portrait Photography: Capturing Essence
Portraits demand faithful skin tone reproduction, sharp eyes, and pleasing bokeh to isolate subjects.
Thanks to its larger sensor, the GH2 rendered portraits with crisp details and smooth gradations in skin tones across varying lighting. When paired with fast Micro Four Thirds lenses such as the Panasonic 20mm f/1.7 or Olympus 45mm f/1.8, I enjoyed beautiful subject separation and creamy bokeh effects.
The Olympus XZ-1’s 28-112mm f/1.8-2.5 lens stood out for its sharpness wide open on the 28mm end and allowed intimate closeups. Nevertheless, the smaller sensor and maximum aperture meant background blur was less pronounced, limiting isolation capabilities though still sufficient for casual portraits.
Both cameras support basic face detection autofocus; however, the GH2’s AF system allowed selective multi-point focusing and performed well in locked-on eye detection during real sessions - a benefit absent in the XZ-1. If portraiture is your priority, this elevates the GH2’s usability significantly.
Landscape Photography: Seeking Detail and Drama
For landscapes, sensor resolution, dynamic range, and weather resistance come into play.
The GH2’s 16MP resolution shines here, delivering crisp fine detail when paired with wide-angle optics. Its superior dynamic range preserved subtle tonal gradations in sunlit clouds and deep shadows alike. Though neither camera offers weather sealing, I found the GH2 more robustly built with an SLR-inspired chassis.
Olympus’s smaller sensor and lesser resolution resulted in softer images at larger print sizes, albeit still delivering punchy landscapes suitable for web and casual prints. The wider 28mm (equivalent) lens on the XZ-1 handles landscapes well but is less flexible than the interchangeable lens options for the GH2 that range from ultra-wide to telephoto.
Wildlife and Sports: Speed and Precision
Capturing fast-moving subjects like wildlife or sports requires swift and accurate autofocus, burst shooting ability, and solid low-light performance.
The Olympus XZ-1’s contrast-detect AF with 11 points and max continuous shooting of 2 fps is adequate for casual laggers or birds in flight, but its AF can struggle tracking unpredictable motion. Meanwhile, the GH2’s 23 focus points, continuous AF, and 3 fps burst mode demonstrated better tracking reliability and sharper captures in my tests.
Low-light ISO performance is vital for these scenarios. The GH2’s CMOS sensor and improved noise handling enhance image usability indoors or dusk, particularly when paired with long telephotos, whereas the XZ-1’s noisy high-ISO images limited its usefulness beyond well-lit environments.
Street and Travel Photography: Discretion and Versatility
Street and travel photography benefit from portability and quick responsiveness.
Here, I cherish the XZ-1’s inconspicuous profile and lightweight body. It slips into pockets easily, thus encouraging candid shots without drawing undue attention. Its fast f/1.8 lens allows for street scenes even in fading light. However, the lack of a viewfinder can limit framing flexibility in bright sun.
Panasonic GH2, despite its size, offers versatile zoom and prime lenses, robust controls, and an electronic viewfinder that aids composition discreetly. Battery life is roughly similar for both (~320-330 shots per charge), adequate for a day’s shooting but requiring backups for extended sessions.
In terms of storage options, both accept SD/SDHC/SDXC cards in single slots, so no surprises there.
Macro and Close-Up Photography: Details Up Close
The Olympus XZ-1’s macro focusing distance is impressive at just 1cm, allowing fine detail captures of flowers or small objects without additional accessories. Its sensor-shift stabilization assists in handholding at these close distances.
The GH2 lacks a specific macro range but gains versatility from interchangeable lenses, including dedicated macro optics (e.g., Panasonic 45mm f/2.8 macro). However, without in-body stabilization, a tripod or lens IS becomes more critical.
Night and Astro: Embracing Darkness
For night or astrophotography, sensor noise and long exposure capability are keys.
The Olympus’s CCD sensor generates more noise at high ISO and has a shutter speed cap of 1/2000 to 60 seconds, limiting flexibility with long exposures. The GH2 offers a broader shutter range up to 1/4000 and better ISO performance, facilitating cleaner night skies shots.
Neither camera has built-in intervalometers or specialized astro modes, so external timers are advised.
Video: Adding Motion to Memories
Video features are an essential part of many photographers’ toolkit.
The Olympus XZ-1 films HD video at 720p / 30fps in Motion JPEG - a decent but dated codec limiting recording time and file size. Importantly, it lacks microphone and headphone jacks, restricting audio options.
Panasonic’s GH2 significantly outpaces the Olympus in video with full HD 1080p recording at multiple frame rates (24, 30, 60fps) utilizing AVCHD alongside Motion JPEG. The inclusion of a mic input (though no headphone port) enables better audio capture and control. This makes GH2 a popular choice among hybrid photo/video shooters, marrying solid still image quality with flexible video output.
Professional Use and Workflow Integration
For professionals, factors like file format, connectivity, and reliability matter.
Both cameras support raw capture for maximal editing latitude. The GH2’s Micro Four Thirds lens mount provides access to a vast ecosystem of over 100 compatible lenses from Panasonic, Olympus, and third parties, covering diverse focal lengths and specialties.
Neither camera offers wireless connectivity such as Wi-Fi or Bluetooth, which would today be considered a limitation in on-the-go workflows. Both feature HDMI and USB 2.0 but no GPS tagging.
Build quality is solid but lacks weather sealing; neither protects against dust or moisture. This makes them better suited as secondary cameras or for controlled shooting environments to avoid risks.
Putting It All Together: Scores and Genre Suitability
After rigorous side-by-side testing, combining lab data with field experiences, these are the overall and genre-specific performance insights.
Real-World Photo Samples
Looking at real-world image comparisons helps cement these findings.
The GH2’s images present beautifully textured skies and smooth tonal gradations in skin tones. The XZ-1 shines in ease of use and captures pleasing images with vibrant color palettes, particularly in bright daylight or close-ups.
Final Thoughts and Recommendations
In my extensive use, each camera fills a distinct niche:
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Olympus XZ-1 is a fantastic choice if you:
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Desire a pocket-ready, lightweight camera with exceptional lens speed for street, travel, and macro photography.
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Prefer simplicity with good image quality in good light.
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Are on a tighter budget (~$567 new), accepting limitations in sensor size and video.
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Want creative control but value quick setup without lens changes.
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Panasonic GH2 suits you if you:
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Seek advanced control, superior sensor performance, and higher resolution for professional or serious enthusiast work.
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Need strong video capabilities with full HD, mic input, and more frame rates.
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Appreciate a broad Micro Four Thirds lens ecosystem offering specialized optics.
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Value faster autofocus with continuous modes for wildlife or sports.
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Don’t mind a larger, heavier camera and a price near $1000.
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My Personal Use Cases
Having extensively tested both in the wild and studio, I find myself reaching for the GH2 when planning shoots demanding versatility and quality - especially portraits, sports, or hybrid photo/video assignments. Its robust feature set rewards investment in lenses and offers lasting flexibility.
Conversely, on casual street strolls or quick trips, I gravitate to the Olympus XZ-1 for its stealth, speed, and ease of use. It inspires spontaneous creativity and excels in close-up detail without fuss.
Final Tip
Regardless of choice, I recommend complementing either with at least one fast prime lens (for GH2) or accessory filters (for XZ-1) to maximize your creative potential. Also, familiarize yourself with manual focus and exposure controls to unlock full camera capabilities beyond auto modes.
I hope this detailed comparison helps you see where each camera shines and aligns with your unique photographic ambitions! Feel free to ask questions or share your experiences.
Olympus XZ-1 vs Panasonic GH2 Specifications
Olympus XZ-1 | Panasonic Lumix DMC-GH2 | |
---|---|---|
General Information | ||
Brand | Olympus | Panasonic |
Model type | Olympus XZ-1 | Panasonic Lumix DMC-GH2 |
Type | Small Sensor Compact | Advanced Mirrorless |
Launched | 2011-01-26 | 2011-03-23 |
Physical type | Compact | SLR-style mirrorless |
Sensor Information | ||
Processor | TruePic V | Venus Engine FHD |
Sensor type | CCD | CMOS |
Sensor size | 1/1.63" | Four Thirds |
Sensor measurements | 8.07 x 5.56mm | 17.3 x 13mm |
Sensor area | 44.9mm² | 224.9mm² |
Sensor resolution | 10MP | 16MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 3664 x 2752 | 4608 x 3456 |
Max native ISO | 6400 | 12800 |
Minimum native ISO | 100 | 160 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 11 | 23 |
Lens | ||
Lens support | fixed lens | Micro Four Thirds |
Lens zoom range | 28-112mm (4.0x) | - |
Maximal aperture | f/1.8-2.5 | - |
Macro focusing range | 1cm | - |
Available lenses | - | 107 |
Focal length multiplier | 4.5 | 2.1 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen diagonal | 3" | 3" |
Screen resolution | 614k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | OLED | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | Electronic |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.71x |
Features | ||
Min shutter speed | 60 seconds | 60 seconds |
Max shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shutter rate | 2.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 8.60 m (ISO 800) | 15.60 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Max flash synchronize | - | 1/160 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (24, 30, 60fps) 1280 x 720 (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30fps), 320 x 240 (30fps) |
Max video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | AVCHD, Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 275 gr (0.61 lbs) | 442 gr (0.97 lbs) |
Dimensions | 111 x 65 x 42mm (4.4" x 2.6" x 1.7") | 124 x 90 x 76mm (4.9" x 3.5" x 3.0") |
DXO scores | ||
DXO Overall rating | 34 | 60 |
DXO Color Depth rating | 18.8 | 21.2 |
DXO Dynamic range rating | 10.4 | 11.3 |
DXO Low light rating | 117 | 655 |
Other | ||
Battery life | 320 pictures | 330 pictures |
Battery style | Battery Pack | Battery Pack |
Battery ID | Li-50B | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
Card slots | One | One |
Launch pricing | $567 | $1,000 |