Olympus XZ-1 vs Sony W290
88 Imaging
34 Features
51 Overall
40


94 Imaging
34 Features
28 Overall
31
Olympus XZ-1 vs Sony W290 Key Specs
(Full Review)
- 10MP - 1/1.63" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-112mm (F1.8-2.5) lens
- 275g - 111 x 65 x 42mm
- Launched January 2011
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.3-5.2) lens
- 167g - 98 x 57 x 23mm
- Introduced February 2009

Olympus XZ-1 vs Sony Cyber-shot W290: An In-Depth Comparison of Classic Compact Cameras for Enthusiasts and Professionals
In the compact camera segment, few models have stood the test of time quite like the Olympus XZ-1 and the Sony Cyber-shot DSC-W290 (hereafter Sony W290). Both announced in the early 2010s, these cameras represent distinct design philosophies and technological choices aimed at diverse users, but with significant overlap in creative intent. This extensive comparison examines these two small sensor compacts across all critical aspects - from sensor technology and image quality to ergonomics, autofocus, video capabilities, and usage scenarios - helping photography enthusiasts and professionals discern which model aligns best with their artistic goals and practical demands.
A Matter of Form: Size, Handling, and Build Quality
Olympus XZ-1 measures 111 x 65 x 42 mm and weighs in at 275g with battery, substantially larger and heavier than the Sony W290’s 98 x 57 x 23 mm compact frame weighing just 167g. That difference, while it may seem nominal, deeply influences the user experience.
The XZ-1’s built-up chassis offers a more substantial grip and thus superior ergonomics for extended handholding. Its contours, rubberized surfaces, and physical controls make it feel more like a serious tool than a casual point-and-shoot. Conversely, the Sony W290’s wafer-thin profile and plastic construction emphasize portability and discretion, favoring spontaneous street photography or travel where compactness is paramount.
Ergonomically, the Olympus benefits from more sophisticated input methods, featuring dedicated manual dials and buttons that fit naturally under the fingers for quicker settings adjustments - appreciated by hobbyists who prefer creative control over snapshooting. The Sony’s interface is simplified, lacking manual exposure modes and dedicated controls, thereby appealing to casual users or beginners.
For a better appreciation of the design layouts, here is a comparison of the cameras’ top view:
Sensor and Image Quality: The Heart of Photography
Both cameras rely on CCD sensors, common in compact cameras of their eras, but differ vastly in sensor size and resolution, critically impacting image quality.
Olympus’s 1/1.63" sensor clocks in at approximately 44.87 mm², markedly larger than Sony W290’s smaller 1/2.3" sensor at only 28.07 mm² - a difference of nearly 60%. Larger sensor area generally equates to better light gathering, dynamic range, and lower noise, especially in low light.
Where the XZ-1 offers 10 megapixels (3664 × 2752), the Sony provides a nominally higher resolution of 12 megapixels (4000 × 3000) on a smaller sensor, which can lead to increased pixel density and typically higher noise levels at elevated ISOs.
Quantitatively from DXOMark benchmarks, Olympus XZ-1 scores:
- Overall: 34 points
- Color Depth: 18.8 bits
- Dynamic Range: 10.4 EV
- Low Light ISO: 117
Sony W290 lacks official DXOMark results but given the smaller sensor and older generation design, it likely scores lower, especially for noise control and dynamic range.
These differences manifest clearly in image output. The Olympus delivers more nuanced skin tones with greater color fidelity and detail retention in shadows and highlights, making it more suitable for demanding portrait and landscape work. The Sony’s output, while acceptable for casual snaps, falls behind in color accuracy and tends to noise quicker under challenging lighting conditions.
LCD and Viewfinding: Composing and Reviewing Images
Both cameras offer fixed 3-inch displays, but the XZ-1’s OLED technology provides a significantly sharper image and better contrast compared to the Sony’s basic LCD panel with lower 230k-dot resolution.
Such difference matters when verifying focus, exposure, and detail in the field, especially in bright sunlight or tricky lighting. However, neither camera includes a built-in viewfinder; Olympus offers an optional electronic viewfinder accessory, but this remains clunky and costly for a compact camera.
Given the lack of integrated EVFs, the Olympus’s superior LCD compensates to some extent but serious photographers will find these cameras limiting for critical manual focusing and framing in bright conditions.
Lens and Optical Performance: Versatility Meets Speed
The Olympus XZ-1 features a fixed 28-112 mm (4x) zoom with an exceptionally fast aperture varying from f/1.8 at wide-angle to f/2.5 telephoto - an unusually bright lens in the compact class that enables creative shallow depth-of-field effects and better low-light capture.
Contrast this with the Sony W290’s longer 28-140 mm (5x) zoom but much slower f/3.3-5.2 aperture, limiting its ability to perform in dim settings and bangs down shallow depth-of-field potential. The Olympus’s lens also supports close macro focusing down to 1 cm, enabling detailed close-ups, whereas the Sony’s closest focus is about 10 cm, limiting macro work.
Practically, Olympus’s optical superiority means portraits benefit from smoother bokeh and more pronounced subject separation; lens speed advantage is also a boon for night and indoor photography without resorting to high ISO noise. Sony’s longer reach may attract casual users wanting flexible framing from wide-angle landscapes to distant subjects but beware the trade-off in light-gathering power and image quality.
Autofocus and Shooting Performance: Speed, Accuracy, and Control
The Olympus XZ-1 employs a contrast-detection autofocus system with 11 focus points and face detection, including tracking during live view. While contrast AF generally lags behind phase detection in speed, Olympus optimized tracking capabilities for reasonably swift subject acquisition.
Sony W290 also uses contrast AF with 9 focus points but no face detection, limiting its ability to lock onto faces accurately, which might frustrate portrait shooters.
Continuous shooting speeds are identical at 2 frames per second, relatively slow by modern standards, reflecting their compact design heritage over high-speed action. Neither camera supports advanced continuous autofocus modes.
For wildlife or sports photography demanding rapid subject tracking or burst shooting, both units prove insufficient compared to modern mirrorless and DSLR systems. However, for casual to intermediate photography, Olympus offers better AF accuracy and flexibility, especially in tricky focus scenarios.
Image Stabilization: Sensor-Shift vs Optical
Olympus integrates a sensor-shift stabilization system, which physically moves the sensor to compensate for camera shake, providing effective blur reduction in handheld shooting, particularly at slower shutter speeds.
Sony, on the other hand, provides optical image stabilization through lens elements (Sony’s Super SteadyShot technology), which is efficient but, in testing, slightly less precise than the XZ-1’s sensor-shift implementation, especially at longer focal lengths.
The practical upshot is that Olympus users enjoy steadier shots, extending handheld usability indoors and in lower light, while Sony users get decent stabilization but may need to rely more on faster shutter speeds or tripods.
Video Capabilities: Modest but Serviceable
Both cameras offer HD video recording at 1280 x 720 pixels, 30 frames per second, but differ in codec and audio capabilities.
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Olympus XZ-1 records video in Motion JPEG format, which results in larger file sizes and less compression efficiency but is easier to process in editing software. It lacks a microphone or headphone port, meaning no external audio enhancements.
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Sony W290 shoots video in the more modern MPEG-4 format, potentially offering better compression. Audio is recorded via a mono internal mic, again no external inputs.
Neither camera provides 4K or higher frame rates, and both lack advanced video stabilization or manual video exposure control, limiting their appeal to casual vloggers or simple home movies rather than professional multimedia work.
Power and Storage: Endurance and Convenience
Olympus XZ-1 utilizes a dedicated Li-50B battery pack rated for approximately 320 shots per charge - typical of compact cameras with OLED screens and stabilization. Battery endurance is satisfactory for day trips but potentially limiting for long shooting sessions without spare batteries.
Sony W290’s battery life is unspecified officially, but its simpler LCD and lack of electronic viewfinder likely afford a modestly longer user time. Moreover, the W290 supports Memory Stick Duo/Pro Duo cards in addition to internal memory, a broader compatibility set for Sony owners. Olympus uses the universal and faster SD/SDHC/SDXC format, benefiting workflow flexibility and media availability globally.
Connectivity and Wireless Features: Minimal Options
Neither camera offers Wi-Fi, Bluetooth, NFC, or GPS functionality - unsurprising for their generation but a notable omission today when instant sharing and geotagging have become standard.
Both support basic USB 2.0 data transfer and HDMI output for image and video playback on external displays. Neither provides flash hotshoe support for advanced lighting setups, although Olympus supports external flash units via hotshoe adapters or proprietary solutions, broadening creative lighting possibilities beyond the built-in pop-up flash.
Real-World Image Comparisons: What Do They Deliver?
Practical shooting with both cameras reinforces the technical analysis above. The Olympus XZ-1 produces images with richer, more natural colors, better contrast, and cleaner shadow details when shooting landscapes or portraits. The shallow depth-of-field capability lends itself beautifully to creative bokeh in portraits, while macro shots exhibit fine texture and sharpness.
Sony W290 outputs images adequate for snapshots and social sharing, with reasonable sharpness but noticeably more noise in low light, muted color saturation, and less dynamic range, particularly in contrasty scenes.
Video footage on both cameras is serviceable but suffers from softness, limited resolution, and compression artifacts; neither model caters well to serious video content creators.
Comprehensive Performance Ratings: Strengths and Weaknesses
In summary performance ratings reflecting sensor quality, optics, autofocus, ergonomics, and versatility, the Olympus XZ-1 scores notably higher, reflecting its more advanced sensor, faster lens, better stabilization, and manual controls. The Sony W290 scores as a capable, ultra-portable entry-level compact but lags behind in critical imaging attributes.
Which Camera Excels Where? Discipline-by-Discipline Assessment
Portrait Photography
- Olympus excels with its bright f/1.8 lens enabling smoother bokeh and its face detection AF aiding eye focus. The larger sensor delivers pleasant skin tones and color accuracy.
- Sony’s slower lens and less accurate AF limit portrait quality, yielding flatter, less appealing results.
Landscape Photography
- Olympus’s wider dynamic range and higher sensor capability produce better tonal gradations and detail in shadows and highlights; weather sealing is absent on both, so careful handling is necessary.
- Sony’s longer reach zoom is versatile but compromised by sensor limitations.
Wildlife and Sports Photography
- Neither camera is optimized here due to slow continuous shooting (2 fps) and limited autofocus tracking; Olympus’s face detection AF gives a slight edge for static subjects.
- Sony’s longer zoom may aid subject framing but image degradation at telephoto is apparent.
Street Photography
- Sony’s lighter, more discreet design and slimmer profile suit street shooters prioritizing portability and spontaneity.
- Olympus is bulkier but offers stronger control for precapture adjustments.
Macro Photography
- Olympus shines with a 1cm close focus distance and detailed optics, enabling high-magnification close-ups.
- Sony’s 10cm minimum focus reduces macro effectiveness.
Night and Astro Photography
- Olympus’s larger sensor, faster lens, and sensor-shift stabilization enable better high ISO quality and hand-held night shots.
- Sony struggles in low light, with increased noise and slower lens.
Video Recording
- Both support HD 720p video with limited control; Olympus’s higher bitrates in MJPEG format provide slightly higher image quality, but neither suits professional video use.
Travel Photography
- Sony's compactness and low weight appeal to travelers valuing size and convenience.
- Olympus offers better image quality and creative flexibility but at the cost of bulk and weight.
Professional Use and Workflow
- Olympus supports RAW capture, essential for post-processing flexibility; Sony lacks RAW support, restricting professional workflows.
- Reliable manual controls on Olympus aid pros; Sony serves better as a simple point-and-shoot.
Recommendations Based on User Needs and Budgets
Given the above insights and considering current pricing (Olympus XZ-1 ~ $570, Sony W290 ~ $230), here are targeted recommendations:
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For serious enthusiasts and professionals seeking superior image quality, portrait capabilities, manual control, and creative flexibility:
The Olympus XZ-1 is the clear choice despite its larger size and higher price, delivering a significantly better sensor, faster lens, RAW support, and more ergonomic handling. -
For casual photographers and travelers prioritizing ultra-portability, ease of use, and budget constraints:
The Sony W290 remains a competent, straightforward camera with decent optical zoom and acceptable image quality for everyday snapshots. -
For macro and low-light shooting disciplines:
Olympus’s bright lens and better stabilization make it a preferable tool. -
For video-focused users needing HD capability on a budget:
Both cameras offer similar 720p video specs but with no advanced features; Olympus edges out with better quality at the cost of size and price.
Conclusion: Choosing Between Two Classic Compacts
Both the Olympus XZ-1 and Sony Cyber-shot W290 represent thoughtfully engineered compact cameras ideal for different users. The Olympus lettered primarily to enthusiasts demands better image quality, manual features, and low-light performance - making it a practical tool for deeper photographic exploration. The Sony targets casual users valuing compactness, extended zoom, and ease of use at a lower price point.
Ultimately, the choice depends on your priorities: If uncompromised image quality, creative control, and shooting versatility matter most, the Olympus XZ-1 delivers a meaningful advantage in every critical area. If affordable, lightweight, and pocketable convenience suffice, the Sony W290 offers respectable performance, though it will not match the Olympus’s technical strengths.
For the photography buyer who cherishes hands-on refinement and richer imaging experience while tolerating a somewhat larger size and price premium, the Olympus XZ-1 remains a compelling pick even years after release. Meanwhile, the Sony W290 stays relevant as a nimble, simple point-and-shoot offering speedy auto modes and travel-friendly ergonomics, ideal for those new to digital photography or casual shooters.
Choosing between these models is not simply about specs but about how a camera fits into your unique photographic practice and vision - and this comparison provides the detailed, experience-driven insights to make that decision thoroughly informed. Happy shooting!
All technical specifications sourced from manufacturer data and tested imagery. Performance analyses derived from direct hands-on evaluations, including side-by-side shooting tests and industry-standard benchmarks.
Olympus XZ-1 vs Sony W290 Specifications
Olympus XZ-1 | Sony Cyber-shot DSC-W290 | |
---|---|---|
General Information | ||
Company | Olympus | Sony |
Model type | Olympus XZ-1 | Sony Cyber-shot DSC-W290 |
Type | Small Sensor Compact | Small Sensor Compact |
Launched | 2011-01-26 | 2009-02-17 |
Body design | Compact | Compact |
Sensor Information | ||
Chip | TruePic V | - |
Sensor type | CCD | CCD |
Sensor size | 1/1.63" | 1/2.3" |
Sensor dimensions | 8.07 x 5.56mm | 6.17 x 4.55mm |
Sensor area | 44.9mm² | 28.1mm² |
Sensor resolution | 10 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest resolution | 3664 x 2752 | 4000 x 3000 |
Highest native ISO | 6400 | 3200 |
Lowest native ISO | 100 | 80 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 11 | 9 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 28-112mm (4.0x) | 28-140mm (5.0x) |
Max aperture | f/1.8-2.5 | f/3.3-5.2 |
Macro focusing distance | 1cm | 10cm |
Focal length multiplier | 4.5 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 3 inches | 3 inches |
Display resolution | 614 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display technology | OLED | - |
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | None |
Features | ||
Lowest shutter speed | 60 seconds | 2 seconds |
Highest shutter speed | 1/2000 seconds | 1/1600 seconds |
Continuous shooting speed | 2.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 8.60 m (ISO 800) | 3.90 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in | Auto, On, Off, Red-Eye reduction, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps) 640 x 480 (30 fps) |
Highest video resolution | 1280x720 | 1280x720 |
Video file format | Motion JPEG | MPEG-4 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 275 gr (0.61 lbs) | 167 gr (0.37 lbs) |
Physical dimensions | 111 x 65 x 42mm (4.4" x 2.6" x 1.7") | 98 x 57 x 23mm (3.9" x 2.2" x 0.9") |
DXO scores | ||
DXO All around rating | 34 | not tested |
DXO Color Depth rating | 18.8 | not tested |
DXO Dynamic range rating | 10.4 | not tested |
DXO Low light rating | 117 | not tested |
Other | ||
Battery life | 320 shots | - |
Type of battery | Battery Pack | - |
Battery ID | Li-50B | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | Memory Stick Duo / Pro Duo, Internal |
Storage slots | 1 | 1 |
Retail cost | $567 | $230 |