Olympus XZ-2 iHS vs Panasonic FH7
85 Imaging
37 Features
67 Overall
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96 Imaging
39 Features
36 Overall
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Olympus XZ-2 iHS vs Panasonic FH7 Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Tilting Display
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-112mm (F1.8-2.5) lens
- 346g - 113 x 65 x 48mm
- Introduced December 2012
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 126g - 95 x 56 x 19mm
- Announced September 2011
- Also referred to as Lumix DMC-FS22

Olympus XZ-2 iHS vs Panasonic Lumix DMC-FH7: A Hands-On Comparison of Two Compact Cameras
When searching for a capable compact camera, photographers often face the challenge of balancing image quality, handling, and features in a pocketable form. I've spent many hours testing and comparing cameras across multiple categories, and today I want to share an in-depth comparison between two compacts that have garnered interest for different reasons: the Olympus XZ-2 iHS and the Panasonic Lumix DMC-FH7.
Both cameras sit in the small sensor compact category and share a similar zoom range of 28-112mm equivalents, but they cater to remarkably different users and priorities. Drawing on my personal hands-on experience and lab testing, I’ll explore every angle from sensor performance, ergonomics, and autofocus, to how they perform in popular photography genres such as portrait, landscape, wildlife, and more. Whether you’re an enthusiastic beginner or a seasoned professional looking for a convenient backup, this guide will help clarify which camera might best suit your needs.
First Impressions: Size, Build, and Ergonomics
I always start my evaluation by physically handling the camera to understand how it feels in real shooting conditions. Size, weight, and control layout determine not only comfort but also shooting efficiency - especially important when you're chasing fleeting moments or working long hours.
Between these two, the contrast is stark.
The Olympus XZ-2 iHS weighs in at 346 grams with dimensions of 113 x 65 x 48 mm, making it a relatively hefty compact with a thoughtfully sculpted grip and robust build quality. It feels substantial in the hand and features a tilting touchscreen that opens up creative framing options, especially for low-angle or overhead shots. The controls are chunky enough to operate confidently, even with gloves. This camera’s heft and solid construction instill confidence - I’d happily use it as a travel or casual walk-around camera without worrying about durability.
In contrast, the Panasonic FH7 is a featherweight at just 126 grams and very slim at 95 x 56 x 19 mm. Its slender profile makes it pocket-friendly, perfect for street or casual snaps where discretion and portability are paramount. However, tipping the scales considerably lighter means the camera feels less substantial, and the fixed, non-tilting screen restricts compositional flexibility. The smaller size also comes with fewer physical controls and less tactile feedback, which could slow down operation for more deliberate shooting.
For photographers who prioritize ergonomic handling, the Olympia XZ-2’s design and build quality outclass the Panasonic FH7 by a comfortable margin, but if you want something ultra-compact that disappears in your pocket, the FH7’s reduced footprint is a clear advantage.
Top-Down: Controls and Interface Usability
Beyond size, the actual arrangement of buttons, dials, and interface play a profound role in the shooting experience.
The Olympus employs a strategic layout with manual control dials and customizable buttons that support real-time adjustments. Aperture priority, shutter priority, and full manual exposure modes are on offer, giving photographers a great degree of creative freedom. This level of manual access, paired with a responsive touchscreen and an optional electronic viewfinder (sold separately), makes the XZ-2 more suitable for users who want to grow their photography skills or practice manual controls.
The Panasonic FH7, reflecting its budget-friendly intent, offers a more simplified interface without dedicated exposure mode dials. The presence of touchscreen autofocus with face detection makes for easy operation but there are notable omissions like shutter priority, aperture priority, or full manual control modes. This limits creative flexibility but suits the casual shooter who wants nice results with minimal fuss.
Putting my testing hat on, I conclude that Olympus' more sophisticated control scheme benefits enthusiasts and professionals by allowing quick, on-the-fly adjustments necessary for dynamic shooting scenarios. Meanwhile, Panasonic’s streamlined interface prioritizes ease of use for new photographers or those wanting a grab-and-go point and shoot.
Sensors and Image Quality: The Heart of the Matter
If I were to pick the most important aspect of any camera, it would unquestionably be sensor performance. Size, resolution, and technology affect everything from dynamic range to low light behavior.
As the visual shows, the Olympus XZ-2 iHS houses a 1/1.7” CMOS sensor measuring 7.44 x 5.58 mm (41.52 mm²) with a resolution of 12 megapixels. This sensor size, combined with an anti-aliasing filter, offers a solid balance between image detail and noise performance. I observed during my tests an impressive dynamic range of about 11.3 EV and excellent color depth at 20.4 bits according to DxOMark benchmarks, leading to vibrant but natural skin tones and landscapes with good highlight recovery.
The Panasonic FH7, meanwhile, employs a smaller 1/2.3” CCD sensor measuring 6.08 x 4.56 mm (27.72 mm²) and offering 16-megapixel resolution. Larger pixel count comes with trade-offs - my experience showed increased noise in low light and a more limited dynamic range, making it less adept at capturing challenging lighting situations. The older CCD technology also means slower sensor readout, impacting burst speeds and autofocus performance.
In essence, while the FH7 benefits from slightly higher megapixels on paper, the Olympus XZ-2’s larger, CMOS sensor delivers superior image quality in practical usage - especially notable in portraits, landscapes, and low-light photography.
Viewing and Interface: How You Frame Your Shots
A clear view of your subject during shooting shapes the photographic experience.
The Olympus XZ-2’s 3-inch tilting touchscreen boasts a sharp 920k-dot resolution with responsive touch controls aiding quick navigation and focus selection. Tilting mechanisms facilitate creative angles and recommended use in street and macro photography. The optional electronic viewfinder (not bundled) can anchor more precise framing on sunny days where LCD screens often wash out.
Contrast this with the Panasonic FH7’s fixed 3-inch screen with just 230k-dot resolution, which feels dated in comparison. While it features a touch panel allowing some focus control, it is smaller, less bright, and less flexible in use. No viewfinder exists on this model, which makes bright outdoor framing somewhat challenging.
Having the tilt-capable, high-res screen combined with manual control feedback places the Olympus ahead in user interface design, improving shooting versatility significantly.
Autofocus and Performance: Speed and Precision Differ
Fast and accurate autofocus unlocks many photographic possibilities - from wildlife to sports.
The Olympus XZ-2 iHS uses a 35-point contrast detection AF system with face detection and tracking capabilities, including continuous AF modes. Although not as fast as phase-detection systems on DSLR or mirrorless bodies, it delivers consistent focus lock in varied lighting. In my experience, it handled moving subjects well in decent light, and its sensor-shift image stabilization further complements handheld shooting confidence.
The Panasonic FH7 relies on an 11-point contrast detection system with face detection and multi-area autofocus but lacks continuous AF and manual focus support. Its simpler AF causes hunting in low light and difficulty maintaining focus on moving subjects. I noticed that burst shooting maxed out at 4 fps without AF tracking, limiting its utility for dynamic scenes such as sports or wildlife.
Overall, the Olympus provides a more advanced and reliable AF system, which benefits photographers shooting everything from portraits to fast-moving subjects.
Exploring Genre Performance: Strengths and Trade-offs
How do these cameras perform in the field across popular photography styles? I’ve tested both extensively in representative scenarios.
Portrait Photography
Portraits demand natural skin tones, attractive bokeh, and reliable eye detection.
The Olympus XZ-2 shines here. Its wide F1.8 aperture at the wide end allows pleasing subject isolation and a creamy background blur rarely seen in compact cameras. The face detection-driven autofocus locks swiftly and accurately on eyes, leading to sharp, flattering portraits. Color rendition was natural and well-balanced in skin tones, even under artificial lighting thanks to its custom white balance options.
The Panasonic FH7’s slower, narrower aperture (F3.1) limits background separation, creating flatter images. While face detection works reasonably well, shallow depth of field effects are minimal. Color is acceptable but less nuanced.
Landscape Photography
Wide dynamic range and high resolution are essential along with durability.
Thanks to the larger 1/1.7” sensor, the Olympus captures greater tonal range in highlight and shadow details - making sunrise and sunset landscapes much richer, with less noise at base ISO. The 12MP sensor yields ample resolution for moderate print sizes and cropping flexibility. Its rugged build with tilting screen helps shooting from creative angles. Although not weather-sealed, the camera’s solid construction inspires confidence on outdoor shoots.
The Panasonic FH7’s smaller sensor struggles with dynamic range, resulting in clipped skies and muddier shadow details. While its 16MP sensor yields higher nominal resolution, image quality softens quickly as ISO rises in dawn/dusk scenarios. Its lightweight frame and absence of weather sealing mean care must be taken outdoors.
Wildlife and Sports
Both genres stress fast autofocus, decent burst frame rates, and telephoto reach.
Here, the Olympus again takes the lead due to its reliable AF tracking and a shutter speed range up to 1/2000s. The 4x zoom with F2.5 at the telephoto end allows reasonable light gathering for sharp captures. Despite minor hunting in low light, the burst shooting (albeit not specified in spec sheets) maintains useful performance for action sequences. Image stabilization also helps maintain clarity without a tripod.
The Panasonic FH7’s AF system falters with moving subjects, and with only 4 fps max burst without continuous AF, it’s less suited for fast action. Its smaller lens aperture at telephoto (F6.5) further limits freezing fast movements or capturing wildlife in dim conditions.
Street and Travel Photography
Size and discretion matter more than raw specs; however, image quality still counts.
Panasonic’s FH7 is extremely pocketable and discrete, superb for spontaneous street photography or minimalist travel kits. Its touchscreen-based operation and low weight invite casual shooting without intimidation. Battery life of 260 shots is adequate but not exceptional.
Olympus XZ-2, though bulkier, offers a more comfortable grip and versatile controls that help achieve the shot in challenging street lighting or travel adventures. Its battery lasts around 340 shots and the tilting screen assists compositional flexibility on the move.
Macro and Night/Astro Photography
Macro requires close focusing and stability, while astro demands low noise at high ISO.
The Olympus supports close focusing down to 1 cm with sensor-shift stabilization greatly aiding handheld macro shots. Combined with its brighter lens aperture, this results in detailed close-ups with excellent sharpness.
The Panasonic allows 5 cm macro but its CCD sensor struggles in low light, producing noisy, soft images in nighttime conditions. The Olympus’s CMOS sensor and higher max ISO of 12800 translate to cleaner, usable images in dark scenarios.
Video Capabilities
While neither camera targets videographers, basic video options matter.
The Olympus XZ-2 records 1080p video at 30fps with H.264 compression, offers built-in stereo microphones, and has a microphone input for improved audio. It also features advanced exposure controls during recording.
The Panasonic FH7 records only up to 720p HD at 30fps with Motion JPEG format and lacks microphone ports. Video quality and audio fidelity are significantly more limited.
Technical Deep Dive: Build Quality, Battery, and Connectivity
• Both cameras lack weather sealing but Olympus’s more robust body provides better durability in practice.
• Battery life favors the Olympus XZ-2 at approx 340 shots vs FH7’s 260; a meaningful difference for longer shoots.
• Storage options are similar, both using SD/SDHC/SDXC cards, but Panasonic adds a small internal memory buffer.
• Connectivity-wise, Olympus supports Eye-Fi cards for wireless transfer and includes HDMI output, USB 2.0, and mic input ports enhancing workflow integration. Panasonic lacks wireless features and HDMI, so transferring and monitoring options are more limited.
Sample Images and Real-World Results
While numbers tell us a lot, seeing side-by-side images reveals practical differences impossible to glean from specs alone.
From my real-world shoots, observe the Olympus’s cleaner shadow detail, more natural color balance in portraits, and better sharpness in daylight wildlife photos. Meanwhile, Panasonic images demonstrate decent detail at base ISO in bright outdoor conditions but falter in shadow areas and low-light grain.
Overall Performance Ratings and Genre Scores
To summarize objectively, I conducted lab and field tests across all relevant areas, scoring each camera for comprehensive insight.
The Olympus XZ-2 achieves higher aggregate scores driven by superior sensor technology, ergonomic handling, and more robust feature set. It especially excels in portrait, landscape, macro, night, and video categories.
The Panasonic FH7 scores lower overall but is competitive strictly for casual point and shoot use, particularly valued for portability and ease of use.
Who Should Choose Which?
Choose the Olympus XZ-2 iHS if:
- You want a versatile compact with manual controls for creative photography.
- You shoot in varied lighting and demand superior image quality.
- You prioritize faster, reliable autofocus and advanced stabilization.
- You value a tilting touchscreen and optional electronic viewfinder.
- You want better video capture and workflow connectivity.
- Your budget supports a mid-range price point around $450.
Choose the Panasonic Lumix FH7 if:
- You need a budget-friendly compact for casual everyday use.
- Portability, light weight, and discreet design are paramount.
- You prefer a simple interface with touchscreen AF and no manual modes.
- Your photography needs are limited to daylight, easy shooting.
- Video needs are basic and don’t require advanced controls.
- You want a sub-$150 camera for an ultra-light secondary or travel unit.
Final Thoughts: Experience Gained From Testing
Over countless days shooting both cameras, I found the Olympus XZ-2 iHS to be a compact powerhouse with thoughtful design that rewards users willing to engage creatively. Its image quality, manual controls, and versatility make it a compelling choice for photography enthusiasts who want a portable system without compromising performance.
The Panasonic FH7, though more limited, finds its niche as a solid pocket companion for casual shooting and those prioritizing unobtrusiveness above all. While I wouldn’t recommend it for serious photography projects, it makes a great lightweight everyday camera that fits seamlessly into a handbag or jacket pocket.
If you’re like me, seeking a compact camera you can depend on for diverse photography conditions while maintaining strong image quality, the Olympus XZ-2 iHS stands out as the better-equipped tool. However, for absolute simplicity, portability, and tight budgets, the Panasonic FH7 remains a trustworthy entry-level option.
I hope this detailed comparison helps you make an informed decision about which camera aligns best with your photographic goals!
If you want to explore deeper review analysis or sample galleries, don’t hesitate to reach out or follow my professional portfolio for ongoing camera tests and travel photo essays. Happy shooting!
End of Review
Olympus XZ-2 iHS vs Panasonic FH7 Specifications
Olympus XZ-2 iHS | Panasonic Lumix DMC-FH7 | |
---|---|---|
General Information | ||
Manufacturer | Olympus | Panasonic |
Model type | Olympus XZ-2 iHS | Panasonic Lumix DMC-FH7 |
Otherwise known as | - | Lumix DMC-FS22 |
Category | Small Sensor Compact | Small Sensor Compact |
Introduced | 2012-12-18 | 2011-09-07 |
Physical type | Compact | Compact |
Sensor Information | ||
Powered by | - | Venus Engine IV |
Sensor type | CMOS | CCD |
Sensor size | 1/1.7" | 1/2.3" |
Sensor dimensions | 7.44 x 5.58mm | 6.08 x 4.56mm |
Sensor area | 41.5mm² | 27.7mm² |
Sensor resolution | 12 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 3968 x 2976 | 4608 x 3456 |
Max native ISO | 12800 | 6400 |
Min native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 35 | 11 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28-112mm (4.0x) | 28-112mm (4.0x) |
Largest aperture | f/1.8-2.5 | f/3.1-6.5 |
Macro focusing distance | 1cm | 5cm |
Crop factor | 4.8 | 5.9 |
Screen | ||
Type of display | Tilting | Fixed Type |
Display diagonal | 3" | 3" |
Resolution of display | 920 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | None |
Features | ||
Lowest shutter speed | 60s | 60s |
Highest shutter speed | 1/2000s | 1/1600s |
Continuous shooting rate | - | 4.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 8.60 m (ISO 800) | 3.30 m |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Wireless | Auto, On, Off, Red-Eye reduction |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 1920x1080 | 1280x720 |
Video format | MPEG-4, H.264 | Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 346 grams (0.76 lb) | 126 grams (0.28 lb) |
Physical dimensions | 113 x 65 x 48mm (4.4" x 2.6" x 1.9") | 95 x 56 x 19mm (3.7" x 2.2" x 0.7") |
DXO scores | ||
DXO All around rating | 49 | not tested |
DXO Color Depth rating | 20.4 | not tested |
DXO Dynamic range rating | 11.3 | not tested |
DXO Low light rating | 216 | not tested |
Other | ||
Battery life | 340 photographs | 260 photographs |
Battery type | Battery Pack | Battery Pack |
Battery ID | Li-90B | - |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Card slots | Single | Single |
Retail price | $450 | $149 |