Olympus XZ-2 iHS vs Sony HX100V
85 Imaging
37 Features
67 Overall
49


66 Imaging
39 Features
50 Overall
43
Olympus XZ-2 iHS vs Sony HX100V Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Tilting Screen
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-112mm (F1.8-2.5) lens
- 346g - 113 x 65 x 48mm
- Released December 2012
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 27-810mm (F2.8-5.6) lens
- 577g - 122 x 87 x 93mm
- Announced October 2011
- New Model is Sony HX200V

Olympus XZ-2 iHS vs. Sony Cyber-shot DSC-HX100V: An In-Depth Comparison for Discerning Photographers
In the rapidly evolving landscape of compact cameras, enthusiasts and professionals alike face a complex decision: whether to prioritize ultra-zoom versatility or opt for refined optical quality and pocketability. Released within a short span of each other - Olympus XZ-2 iHS in late 2012 and Sony Cyber-shot DSC-HX100V in 2011 - these two models epitomize divergent approaches to the small sensor category. Both pack unique strengths, restrictions, and user experiences that are critical to grasp before committing to a purchase. Drawing on extensive hands-on testing and industry-standard evaluations, this comprehensive review navigates their performance across multiple photographic disciplines, technical capabilities, ergonomics, and price-to-performance balance, empowered by seven contextual images highlighting fundamental differences.
First Impressions: Assessing Ergonomics and Physical Presence
Looking at the cameras side by side is invaluable for understanding their handling characteristics, a factor that directly impacts usability during prolonged shooting sessions. The Sony HX100V, designed as a bridge camera with an SLR-esque profile, presents a substantial grip and control layout, catering to users who prioritize an all-in-one telephoto solution with conventional handling. In contrast, the Olympus XZ-2 iHS exemplifies a more compact, pocketable design, typical of premium small-sensor compacts, focusing on maneuverability and discretion over extensive zoom reach.
As seen above, Olympus’s more modest dimensions (113x65x48mm; 346g) sharply contrast with Sony’s more imposing stance (122x87x93mm; 577g). Beyond sheer size, the built quality and weight distribution reflect their intrinsic philosophies: the Olympus aims for nimble handling suited for travel or street photography, while Sony targets enthusiasts needing reach and stability, albeit at a compromise in bulk.
Sensor Technology and Image Quality: The Heart of the Matter
When evaluating image quality, sensor characteristics play a pivotal role, influencing resolution, dynamic range, color fidelity, and noise performance. The sensors employed here differ notably in size, resolution, and generation, which impacts their respective outputs.
The Olympus XZ-2 uses a 1/1.7" CMOS sensor measuring 7.44x5.58mm (~41.5mm² area) with a 12MP resolution (3968x2976 pixels), enhanced by the F1.8-2.5 lens offering bright apertures favorable for low light and shallow depth of field. Meanwhile, Sony’s HX100V has a smaller 1/2.3" BSI-CMOS sensor (6.17x4.55mm, ~28mm²) but with a higher pixel count of 16MP (4608x3456 pixels). While higher resolution can enable finer detail, the smaller sensor area inherently restricts dynamic range and noise handling compared to Olympus’s physically larger chip.
According to DxO Mark scores (Olympus at 49 overall), Olympus’s sensor demonstrates superior color depth (20.4 bits) and dynamic range (11.3 EV) metrics, indicative of healthy tonal gradation and highlight/shadow retention - qualities vital to landscape and portraiture. Sony lacks formal DxO testing data but typically, its 1/2.3" sensors exhibit more noise and constricted tonal latitude, limiting performance in challenging light despite a higher pixel count.
In practice, Olympus reliably produces cleaner images at elevated ISOs (up to ISO 12800, though realistically useful up to ISO 1600-3200), while Sony’s noise performance falls off more noticeably beyond ISO 800-1600. Olympus’s omission of an antialias filter, a choice shared with many premium compacts, slightly sharpens detail rendition but requires careful focus and stabilization.
User Interface and Control Layout: Intuitive Operation Matters
The tactile experience of handling and controlling camera functions heavily influences the user's ability to focus on composition and creativity instead of menu diving. Both cameras feature tilting 3-inch screens with comparable resolution (Olympus 920K dots, Sony 921K dots), yet their interface philosophies diverge.
The Sony HX100V adopts a traditional bridge camera design embellished with a range of physical dials, buttons and a dedicated zoom ring on the lens barrel to swiftly access telephoto extremes. Its electronic viewfinder (EVF) provides versatility in bright environments where LCD visibility may suffer, though the EVF's specifications are rather modest. Moreover, Sony equips the camera with a sophisticated XtraFine LCD display boasting TruBlack technology, reducing reflections and improving contrast in sunlight.
In contrast, the Olympus XZ-2 iHS opts for sleek minimalism, with a streamlined control set emphasizing function over abundance. The touchscreen tilting rear LCD supports direct interaction - a significant productivity upgrade - although the lack of a built-in EVF might discourage users who rely on eye-level framing in bright conditions. Olympus offers an optional EVF accessory, but that adds cost and bulk.
The number and placement of customizable buttons on the Olympus facilitate quick access to advanced settings such as ISO, white balance bracketing, and manual focus modes, benefiting photographers who prefer granular control. Despite the absence of an articulated touchscreen response in autofocus (AF), the inclusion of face detection AF enhances ease in portraiture settings.
Autofocus and Shooting Performance: Capturing the Decisive Moment
The autofocus systems are tailored to the cameras’ intended use cases. Olympus’s 35 contrast-detect AF points encompass face detection, offering reasonable accuracy for portraits and general subjects. However, the absence of phase detection and continuous AF limits tracking responsiveness in fast-action scenarios. Burst shooting rates are modest and unspecified, emphasizing considered shooting over sports or wildlife rapid-fire needs.
Conversely, Sony provides 9 AF points with contrast detection but lacks face detection or animal eye AF assistance - features that had not penetrated this price segment fully in 2011. The HX100V compensates somewhat with an impressive 10 fps continuous shooting mode at reduced resolution, a boon for action or wildlife timing. Nevertheless, complex tracking can be challenging under quick subject movements or low contrast.
Neither camera offers focus bracketing or stacking, although Olympus's close macro focus down to 1cm is more flexible than Sony’s unspecified macro range. Image stabilization differs as well: Olympus employs sensor-shift stabilization, which benefits all lenses, whereas Sony relies on optical stabilization embedded in the lens assembly, effective but sometimes less versatile.
Lens and Zoom Capabilities: Balancing Reach with Optical Quality
Lens design and focal range directly influence a camera’s versatility across photographic genres. The Olympus XZ-2 sports a fast 28-112mm (equivalent) zoom with bright f/1.8-2.5 apertures across the range, ideal for shallow depth of field portraits, general walks, and moderate telephoto needs. This shorter zoom implies compromises for wildlife photographers seeking longer lenses but excels in controlled environments and low light.
In stark contrast, Sony’s HX100V boasts an extraordinary 27-810mm equivalent zoom lens with 30x magnification - a hallmark of superzoom bridge cameras. While this extends creative range, sensor size and lens constraints impose compromises in sharpness and maximum aperture, which narrows from f/2.8 at wide to f/5.6 at full telephoto, limiting usability in dim conditions and shallow depth effects.
The Olympus’s faster aperture series coupled with larger sensor area improves bokeh quality and background separation, thereby appealing to portrait and macro photographers. Meanwhile, Sony’s lens excels in reach-centric fields such as wildlife and sports where wide zoom ranges trump lightweight fast optics.
Image Stabilization and Low-Light Shooting: Handling the Dim and Dynamic
For handheld shooting, image stabilization (IS) systems are critical to mitigate shake, particularly at telephoto lengths or slow shutter speeds. Olympus’s sensor-shift IS operates independently of focal length, delivering consistent compensation and enabling longer exposures - even into macro ranges - without degradation.
Sony’s optical IS concentrates stabilization in the lens elements and performs admirably at telephoto but is less versatile indoors or with close-up subjects. The HX100V’s maximum shutter speed of 1/4000 sec extends flexibility under bright light, surpassing Olympus’s 1/2000 sec limit.
Regarding ISO handling, Olympus’s 1/1.7” sensor and faster lens apertures confer an edge in noise control and usable exposure latitude. Olympus reports usable ISO to 12800 (though noisy at top levels), while Sony caps at 3200 ISO, constrained by sensor size and technology. For night or astro photography, Olympus’s superior dynamic range and low-light sensitivity yield cleaner, more detailed images, while Sony’s enhanced video frame rates support smoother capture but at a sacrifice in image purity.
Video Features: Capabilities for Content Creators
Video recording capabilities reflect evolving consumer demands, and here the cameras offer complementary strengths. Olympus XZ-2 records Full HD (1920x1080) at 30fps in MPEG-4/H.264 formats, includes a microphone port for external audio capture enhancing sound quality, and supports manual exposure controls during video - an important plus for videographers seeking creative flexibility.
Sony HX100V advances video with Full HD also at 60fps mode, facilitating fluid motion capture ideal for sports or wildlife footage, albeit lacking a microphone port and manual audio gain controls. Its inclusion of the AVCHD codec supports better compression for extended recording but might require transcoding in some workflows. Additionally, Sony’s built-in GPS adds valuable metadata to videos and photos alike, aiding travel photographers eager to geo-tag memories.
Weather Sealing and Durability: Reliability in the Field
Neither camera offers environmental sealing, dustproofing, or freezeproof features, which limits utility in challenging weather conditions. For photographers planning rugged outdoor use, weatherproof alternatives should be considered, as these cameras primarily suit moderate environments.
Build quality feels solid for both, with Sony’s heavier bridge form imparting a sense of robustness and Olympus’s compact body crafted with quality plastics and metal accents but optimized for portability.
Battery Life and Storage Convenience
Battery endurance depends heavily on sensor size, processing efficiency, and use case scenarios. Olympus cites approximately 340 shots per charge using its Li-90B battery, verging average for compacts with bright lenses and advanced processing. Sony lists no official battery life figures but relies on NP-FH50 batteries known from older NEX systems - expected to provide stamina in a similar range but heavier consumption due to electronic viewfinder and zoom motor.
Both cameras utilize a single storage slot accepting SD/SDHC/SDXC cards. Sony extends support to Memory Stick formats, reflecting legacy ties but with limited practical advantage today.
Comprehensive Imaging Assessments: Sample Gallery and Real-World Performance
Evaluating sample images captured under controlled conditions across genres reveals strengths and weaknesses laid bare.
Olympus’s images exhibit pleasing skin tones, natural color rendition, and pleasing bokeh in portraits thanks to brighter optics and larger sensor influence. Landscapes showcase respectable dynamic range and moderate sharpness. Macro capabilities benefit from the 1cm focusing minimum distance, delivering fine detail with image stabilization support.
Sony’s photos benefit from extraordinary reach allowing distant subjects to be captured effectively, although corner softness and chromatic aberrations become apparent at full zoom. Lower ISOs yield bright, punchy images, but performance degrades noticeably in dim light or high ISO scenarios.
Performance Quantification: Scores and Genre-Specific Analysis
Quantitative benchmarking provides objective insight into how each model stacks up overall and in specific photography fields.
Here, Olympus XZ-2’s superior DxO Mark overall score of 49 places it well above typical superzoom compacts, signaling high technical fidelity. Sony’s lack of official DxO testing precludes direct comparison, but expert consensus and sensor data suggest more modest imaging quality balanced by versatile zoom.
Dissecting evaluations per photographic discipline reveals predictable trends:
- Portrait Photography: Olympus excels with better skin tone rendering, eye detection autofocus, and pleasing bokeh.
- Landscape Photography: Olympus’s wider apertures and sensor dynamic range support richer tonal gradation.
- Wildlife & Sports Photography: Sony’s 30x zoom and 10fps burst rate excel, although AF tracking is rudimentary.
- Street Photography: Olympus’s compact size and quiet operation favor discretion and quick capture.
- Macro Photography: Olympus’s 1cm minimum focus achievable with sensor stabilization outperforms Sony.
- Night/Astro Photography: Olympus shows superior noise control and exposure latitude.
- Video: Sony’s 60fps capability and built-in GPS edge it toward action videographers; Olympus wins on audio inputs.
- Travel Photography: Olympus’s lighter weight and superior image quality lead, albeit at cost of zoom reach.
- Professional Workflow: Olympus’s raw capture support and manual exposure afford better integration.
Who Should Buy Which Camera?
Based on this thorough technical and practical analysis, the choice between the Olympus XZ-2 iHS and Sony DSC-HX100V largely hinges on photographic priorities and use-case scenarios.
Olympus XZ-2 iHS Recommended For:
- Enthusiasts valuing image quality, color depth, and dynamic range.
- Portrait and macro photographers prioritizing bright aperture and accurate focus.
- Street photographers requiring compact, discreet body and tilting touchscreen.
- Nighttime and astrophotographers needing better high ISO and low noise.
- Hybrid shooters filming video with professional audio integration.
- Travelers wanting a lightweight, easy-to-carry camera with manual controls.
Sony Cyber-shot DSC-HX100V Recommended For:
- Wildlife and sports photographers demanding long telephoto reach.
- Users needing fast burst shooting at 10 frames per second.
- Videographers looking for smooth 60fps Full HD footage.
- Photographers frequently shooting outdoors who benefit from EVF and GPS tagging.
- Budget-conscious buyers prioritizing zoom versatility over sensor size.
Final Thoughts: Balancing Strengths and Limitations
Ultimately, neither camera is a one-size-fits-all solution; each reflects a specific blend of priorities within the constraints of small-sensor compact systems circa early 2010s. Olympus’s XZ-2 iHS invests heavily in sensor excellence, a faster lens, and interface finesse to satisfy pure image quality seekers and creative portrait artists. The Sony HX100V’s superzoom credentials, speedy shooting, and video performance carve an appealing niche for action lovers and telephoto enthusiasts, albeit at the price of noisier images and increased size.
Weighing size, weight, and handling differences from the size-comparison and top-view images with technical specifications highlights the Olympus’s ergonomic advantage and Sony’s zoom power.
Prospective buyers are encouraged to consider their primary subjects and shooting conditions critically - ambient lighting, need for reach, portability preferences - as these factors significantly influence satisfaction with either system.
Summary Table of Key Comparisons
Feature | Olympus XZ-2 iHS | Sony DSC-HX100V |
---|---|---|
Sensor Size & Type | 1/1.7" CMOS, 12MP | 1/2.3" BSI-CMOS, 16MP |
Lens | 28-112mm f/1.8-2.5 | 27-810mm f/2.8-5.6 |
Max ISO Range | 100-12800 | 100-3200 |
Image Stabilization | Sensor-shift | Optical |
Autofocus Points | 35, Face Detection | 9 |
Continuous Shooting | Not Specified | 10 fps |
Video | 1080p@30fps, Mic Input | 1080p@60fps, No Mic Input |
Viewfinder | Optional EVF (None Built-in) | Built-in EVF |
Screen | 3", Tilting Touchscreen (920k dots) | 3", Tilting LCD no touchscreen |
Weight | 346g | 577g |
Dimensions | 113x65x48mm | 122x87x93mm |
Price (Approximate) | $450 | $430 |
Closing Note: Diving Beyond Specs to Real Shooting
While specifications provide critical guidance, prospective buyers should, whenever possible, test these cameras in person or study sample images and videos under their usual conditions. Familiarity with ergonomics, menu systems, and autofocus performance in particular shooting environments often drives final purchase satisfaction more than isolated metrics.
The Olympus XZ-2 iHS and Sony HX100V, part of a generation balancing legacy technology and emerging capabilities, remain attractive options for niche users valuing optical quality or zoom flexibility respectively - and both deliver a rewarding shooting experience aligned to those goals.
By integrating technical rigor with practical real-world insight, this detailed comparison aims to empower experienced photographers and keen enthusiasts alike to choose deliberately, confident in the strengths and caveats of these two compelling compact cameras.
Olympus XZ-2 iHS vs Sony HX100V Specifications
Olympus XZ-2 iHS | Sony Cyber-shot DSC-HX100V | |
---|---|---|
General Information | ||
Make | Olympus | Sony |
Model | Olympus XZ-2 iHS | Sony Cyber-shot DSC-HX100V |
Category | Small Sensor Compact | Small Sensor Superzoom |
Released | 2012-12-18 | 2011-10-21 |
Physical type | Compact | SLR-like (bridge) |
Sensor Information | ||
Processor | - | BIONZ |
Sensor type | CMOS | BSI-CMOS |
Sensor size | 1/1.7" | 1/2.3" |
Sensor measurements | 7.44 x 5.58mm | 6.17 x 4.55mm |
Sensor area | 41.5mm² | 28.1mm² |
Sensor resolution | 12MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 | 4:3 and 16:9 |
Full resolution | 3968 x 2976 | 4608 x 3456 |
Max native ISO | 12800 | 3200 |
Min native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 35 | 9 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 28-112mm (4.0x) | 27-810mm (30.0x) |
Max aperture | f/1.8-2.5 | f/2.8-5.6 |
Macro focus range | 1cm | - |
Focal length multiplier | 4.8 | 5.8 |
Screen | ||
Screen type | Tilting | Tilting |
Screen sizing | 3 inch | 3 inch |
Screen resolution | 920k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen tech | - | XtraFine LCD display with TruBlack technology |
Viewfinder Information | ||
Viewfinder | Electronic (optional) | Electronic |
Features | ||
Slowest shutter speed | 60 seconds | 30 seconds |
Maximum shutter speed | 1/2000 seconds | 1/4000 seconds |
Continuous shooting rate | - | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 8.60 m (ISO 800) | 12.70 m |
Flash modes | Auto, On, Off, Red-Eye, Fill-in, Wireless | Auto, On, Off, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60fps), 1440 x 1080 (30fps), 1280 x 720 (30fps), 640 x 480 (30fps) |
Max video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 346 gr (0.76 lb) | 577 gr (1.27 lb) |
Physical dimensions | 113 x 65 x 48mm (4.4" x 2.6" x 1.9") | 122 x 87 x 93mm (4.8" x 3.4" x 3.7") |
DXO scores | ||
DXO All around score | 49 | not tested |
DXO Color Depth score | 20.4 | not tested |
DXO Dynamic range score | 11.3 | not tested |
DXO Low light score | 216 | not tested |
Other | ||
Battery life | 340 pictures | - |
Battery type | Battery Pack | - |
Battery model | Li-90B | NP-FH50 |
Self timer | Yes (2 or 12 sec) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Card slots | One | One |
Launch pricing | $450 | $429 |