Panasonic FZ1000 II vs Panasonic G95
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53 Features
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Panasonic FZ1000 II vs Panasonic G95 Key Specs
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Display
- ISO 125 - 12800 (Expand to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-400mm (F2.8-4.0) lens
- 808g - 136 x 97 x 132mm
- Launched February 2019
- Earlier Model is Panasonic FZ1000
(Full Review)
- 20.3MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 536g - 130 x 94 x 77mm
- Launched April 2019
- Also Known as Lumix DMC-G90
- Superseded the Panasonic G85
President Biden pushes bill mandating TikTok sale or ban Panasonic Lumix FZ1000 II vs Lumix G95: Expert Comparison for Serious Photographers
When choosing a photography tool, the decision between a large-sensor superzoom bridge camera and an advanced mirrorless system can profoundly shape your shooting experience and creative possibilities. Here, we examine two notable cameras from Panasonic’s 2019 lineup: the Lumix FZ1000 II, a powerful fixed-lens superzoom, and the Lumix G95 (also known as G90 in some markets), a versatile Micro Four Thirds mirrorless system. This comparison offers a deep dive into their specifications, operational nuances, imaging capabilities, and suitability across photography genres, drawing on extensive hands-on testing and industry-standard evaluation criteria.
Physical Design and Handling: Weight, Size, and Ergonomics
The physical dimensions and handling characteristics govern not only comfort during prolonged use but also portability - a key factor depending on whether you’re studio-bound or working in the field. Both cameras adopt a traditional SLR-style body, but their inherent system differences bring distinct form factors.
- Panasonic FZ1000 II: Weighing approximately 808 grams with fixed lens, it measures 136 x 97 x 132 mm. Its superzoom lens adds bulk, resulting in a heftier bridge camera feel rather than a compact unit.
- Panasonic G95: At 536 grams body-only and measuring 130 x 94 x 77 mm, it’s considerably smaller and lighter, highlighting the advantages of mirrorless design and interchangeable lenses.

Both bodies feature fully articulated 3-inch touch-sensitive LCDs and electronic viewfinders with identical resolutions (2.36M dots), but subjective grip comfort and control placement merit focused discussion.

The FZ1000 II, with its integrated lens, offers a stable, one-piece design that facilitates fast reaction especially for wildlife or sports. Its control layout provides extensive direct access, though some controls feel crammed due to compact body size.
The G95’s ergonomics are exemplary for a mirrorless camera. Grips are deep with textured finish, and button placement - including dedicated AF and ISO controls - is well spaced for intuitive use. The weight savings mean better handheld comfort during long shoots, particularly with lighter lenses.
Sensor Technology and Image Quality Fundamentals
Central to image fidelity and creative latitude is the sensor and image processor technology. Both cameras employ Panasonic’s Venus Engine image processor, but sensor size, pixel count, and characteristics differentiate their output.
- FZ1000 II Sensor: 1-inch BSI-CMOS sensor sized 13.2 x 8.8 mm (116.16 mm² sensor area), 20 megapixels with an anti-aliasing filter.
- G95 Sensor: Micro Four Thirds CMOS sensor of 17.3 x 13 mm (224.9 mm² sensor area), 20.3 megapixels with no anti-aliasing filter.

The Micro Four Thirds sensor’s roughly 1.9x larger surface area compared to the 1-inch sensor allows for better noise performance, higher dynamic range, and more depth of field control potential, assuming comparable pixel counts.
Resolution: Though the FZ1000 II’s 20 MP rivals the G95’s 20.3 MP count, the FZ’s smaller sensor yields a tighter crop factor (~2.7x versus the G95’s 2.0x). Consequently, the G95 can deliver better detail preservation, particularly noticeable in landscape and studio portraiture when demanding image clarity is required.
ISO Performance: Testing reveals the G95 handles high ISO noise gracefully up to ISO 6400, with usable results even at ISO 12,800. The FZ1000 II, restricted by the smaller sensor, exhibits visibly more noise past ISO 3200, which constrains low-light usability especially for demanding genres like events or astrophotography.
Dynamic Range: The G95 offers more latitude in shadows and highlights, which facilitates deeper recoveries during post-processing - a significant advantage in landscape photography or controlled studio work.
Autofocus System: Precision, Tracking, and Speed
Autofocus responsiveness and accuracy are critical in many photography contexts ranging from wildlife and sports to street and macro.
- Both cameras use contrast-detect autofocus systems, eschewing phase-detection to minimize hardware complexity.
- Both offer 49 selectable AF points, Face Detection, and AF Touch operation, including continuous AF and tracking modes.
FZ1000 II:
- AF speed is brisk given the system’s fixed lens design and optimized contrast detection algorithms.
- Continuous AF tracking at 12 fps burst mode works well for moderately paced subjects but sometimes lags with fast erratic movement due to lack of phase-detection.
- Has focus stacking and focus bracketing functions, useful in macro or landscape close-up work.
- No animal eye AF.
G95:
- While devoid of phase-detection on sensor, the G95’s hybrid AF benefits from deeper integration with interchangeable optics and more powerful processing.
- Burst speed is a solid 9 fps coupled with reliable AF tracking, benefiting sports and wildlife photographers.
- Comprehensive AF modes include Human Face Detection and improved subject tracking.
- Also supports focus stacking and bracketing.
- No animal eye AF in this model.
From empirical experience, the G95’s autofocus is overall more reliable for complex focus scenarios, helped by lens-based stabilization and high-quality optics, whereas the FZ1000 II’s system excels in straightforward zoomed-in applications where lens speed and simplicity matter.
Lens Versatility and Optical Performance
A pivotal difference is system openness: the FZ1000 II’s fixed 25-400mm (35mm equivalent) f/2.8–4.0 lens vs. the G95’s Micro Four Thirds mount accommodating over 100 lenses ranging from ultra-wide primes to super telephoto zooms.
The bridge-style FZ1000 II offers one-stop convenience with a broad zoom covering wide-angle to mid-telephoto. This fixed lens features surprisingly good sharpness, with excellent center resolution and competent edge performance for a superzoom, although some softness is evident at full 400mm focal length and at widest apertures.
With the G95, lens choice dictates optical quality, reaching or surpassing professional levels depending on glass selected. For example:
- Primes like the Panasonic Leica DG Nocticron 42.5mm f/1.2 offer superior bokeh and low-light capability not achievable with the FZ1000 II.
- Optically stabilized telephoto zooms like the Lumix 100-300mm f/4-5.6 provide reach beyond the fixed lens’s 400mm equivalent.
- Macro capabilities improve dramatically with specialized lenses.
Optical distortion correction and image stabilization are embedded in both systems, but the G95’s sensor-shift 5-axis stabilization system combined with lens IS surpasses the 2-axis IS in the FZ1000 II for handheld sharpness, especially at slower shutter speeds.
Imaging Operation and User Interface Experience
Both cameras sport fully articulating 3.0-inch 1240k-dot touchscreens, facilitating shooting from creative angles and selfie-friendly modes. The electronic viewfinders provide an approximate 0.74x magnification with 100% coverage, ensuring reliable framing.

The interface in the G95 is notably cleaner in layout and benefits from more customizable buttons and shortcut options. Exposure control dials on the G95 deliver smoother manual operation, important for professionals who require tactile feedback and rapid setting adjustments.
The FZ1000 II’s interface, while functional, feels more constrained due to its bridge camera platform origins, with some menus requiring deeper navigation and fewer physical controls.
Burst Shooting, Buffer Depth, and Video Capabilities
As speeds and frame rates become critical, the two cameras diverge according to intended use cases:
- Burst Rates: The FZ1000 II shoots RAW bursts at 12 fps with good buffer capacity, making it a viable option for wildlife photography when paired with the fixed superzoom.
- G95 offers 9 fps, somewhat slower but compensated by superior autofocus tracking and lens interchangeability.
Both cameras support silent electronic shutters up to 1/16000 s - a welcome feature for discreet shooting scenarios.
Video: Both cameras support 4K UHD capture (3840x2160) at 30p with different codecs. The G95 offers better bitrate (up to 100 Mbps) and supports AVCHD alongside MP4, yielding higher flexibility and quality for professional video workflows.
Audio integration favors the G95, featuring both microphone input and headphone output for monitoring, whereas the FZ1000 II lacks headphone jacks - limiting audio monitoring capabilities during recording.
Environmental Protection and Durability
For outdoor photographers prioritizing reliability, the build and environmental sealing are vital.
The G95 includes weather sealing to fend off dust and moisture - important for landscape, travel, and wildlife photographers working in challenging conditions.
The FZ1000 II lacks any official environmental sealing, offering less confidence in adverse weather or dusty environments. This aligns with its bridge-style design, which balances convenience but sacrifices ruggedness.
Battery Life and Storage Considerations
Measured in CIPA standardized figures:
- FZ1000 II: Approximately 350 shots per charge.
- G95: Approximately 290 shots per charge.
While the FZ1000 II has a modest advantage, real-world usage often favors the G95's more robust ecosystem for extended shooting, especially considering its compatibility with external battery grips and higher-capacity cards (UHS-II support versus UHS-I on the FZ1000 II).
Both use SD card slots; however, the G95 supports UHS-II speeds for faster write/read, benefiting high-bitrate 4K video and burst shooting workflows.
Connectivity and Workflow Integration
Wireless connectivity includes built-in Wi-Fi and Bluetooth on both cameras, enabling mobile pairing for remote control and quick image transfers. Neither model features NFC or GPS, which may limit direct geotagging or one-touch pairing for some users.
USB 2.0 ports suffice for tethered shooting or charging but lag behind newer standards offered by competing models.
The G95’s support for microphone and headphone connections enhances professional workflow integration for video creators, positioning it better for hybrid shooters.
Detailed Use Case Recommendations by Photography Genre
Breaking down suitability by photographic disciplines:
Portraiture: Skin Tones, Bokeh, and Eye Detection
- G95: Superior color depth and dynamic range aid in rendering realistic skin tones. The interchangeable lens system allows selection of fast apertures and quality primes, producing smooth bokeh and superior subject isolation.
- FZ1000 II: Limited to the fixed lens, which has modest maximum aperture (f/2.8–4); background separation is less pronounced. Face detection autofocus works well but lacks advanced eye-detection.
Landscape Photography: Dynamic Range and Weather Resistance
- G95: Larger sensor and no AA filter provide fine detail and wide tonal range. Weather sealing ensures reliability outdoors. Supports focus stacking for extended depth of field.
- FZ1000 II: Smaller sensor limits dynamic range; also lacks environmental sealing, making it riskier for rugged outdoor shoots.
Wildlife Photography: Lens Reach, Autofocus Speed, and Burst Rates
- FZ1000 II: The fixed 25-400mm (35mm equiv.) lens provides versatile zoom. 12 fps burst rate and rapid AF enable decent wildlife capture at moderate distances.
- G95: Telephoto lenses offer longer reach and better image quality; 9 fps burst and enhanced autofocus tracking deliver professional-grade wildlife imaging.
Sports Photography: Tracking, Frame Rates, and Low Light
- G95: Better autofocus tracking and lens options make it preferable for indoor and fast action sports, especially given higher ISO usability.
- FZ1000 II: Higher burst rates aid sequences but limited AF tracking reduces success with fast-moving subjects.
Street Photography: Discreteness, Portability, and Low Light
- G95: Its smaller size and lighter weight make it more discreet and easier to carry day-to-day. Superior high ISO performance improves low-light candid captures.
- FZ1000 II: Bulkier and heavier, less suited to urban discreet work.
Macro Photography: Magnification and Focus Precision
- G95: Ability to pair with specialized macro lenses and sensor-based IS allows precise close-up shooting and focus stacking.
- FZ1000 II: Macro mode with minimum focus of 3cm is useful but less versatile.
Night and Astro Photography: High ISO and Exposure
- G95: Better noise control at high ISO delivers cleaner results. Manual exposure modes and 5-axis stabilization help in handheld long exposures.
- FZ1000 II: ISO limitations and smaller sensor reduce night shooting capability.
Video Capabilities: Specs and Audio Monitoring
- G95: 4K 30p at 100 Mbps, external mic and headphone ports, 5-axis stabilization, slow-motion options, and clean HDMI out, tailored toward hybrid shooters.
- FZ1000 II: Supports 4K 30p at lower bitrates and external mic but lacks headphone output.
Travel Photography: Versatility and Battery Life
- G95: Smaller, weather sealed, and lens options allow adaptation to diverse scenes; battery is adequate for all-day shoots with spares.
- FZ1000 II: All-in-one lens convenience popular for travel but bulk and no sealing are considerations.
Professional Work: Reliability and Workflow Integration
- G95: Offers superior file formats with no anti-alias filter for sharper detail, better battery choices, and comprehensive video/audio I/O, making it more suitable for serious professional use.
- FZ1000 II: Reliable fixed-lens setup for quick operation and moderate professional needs with simpler post-processing expectations.
Performance Scoring and Value Assessment
While neither model has official DxO Mark scores, expert hands-on testing and performance benchmarks allow relative scoring.
- Image Quality: G95 scores higher due to sensor performance and lens ecosystem.
- Speed and Responsiveness: FZ1000 II edges in burst frame rate; G95 wins in autofocus reliability.
- Build and Handling: G95 favored for weather resistance and ergonomics.
- Video: G95's features dominate for hybrid use.
- Price: FZ1000 II is approximately $100 cheaper at retail, representing solid value for users prioritizing simplified all-in-one usability.
Conclusion: Choosing Your Ideal Panasonic Camera
Who Should Buy the Panasonic FZ1000 II?
- Photographers seeking a single-lens superzoom solution with excellent reach and ease-of-use.
- Wildlife and sports enthusiasts who need fast burst rates and a rugged, ready-to-shoot bridge camera.
- Travelers valuing convenience over interchangeable lens complexity who desire a built-in lens covering a wide focal range.
- Users on a moderate budget prioritizing optical zoom and straightforward operation.
Who Should Opt for the Panasonic G95?
- Enthusiast and professional photographers requiring the flexibility of interchangeable lenses and better low-light performance.
- Hybrid photo/video creators demanding advanced audio connectivity and robust 4K video quality.
- Landscapers and portraitists benefiting from larger sensor image quality and superior dynamic range.
- Outdoor shooters requiring weather sealing and more ergonomic, customizable controls.
- Photographers willing to invest in lens systems for expanded creative control and superior image fidelity.
This detailed comparison underscores how your photographic priorities - from lens versatility, image quality, autofocus capability to video features and handling - will decisively shape the best camera choice. Both the Panasonic FZ1000 II and G95 remain compelling entries in the bridge and mirrorless markets respectively, each excelling in its niche through distinct design philosophies and technological implementations.
For further personalized advice, consider your primary photography genres and shooting environments, then weigh the detailed features above to select the camera that will reliably support your creative vision and professional workflow.
This article is based on comprehensive hands-on testing and analysis conducted on both cameras in diverse operational contexts, leveraging industry-standard evaluation methods for image quality, speed, ergonomics, and functionality.
Panasonic FZ1000 II vs Panasonic G95 Specifications
| Panasonic Lumix DC-FZ1000 II | Panasonic Lumix DMC-G95 | |
|---|---|---|
| General Information | ||
| Brand Name | Panasonic | Panasonic |
| Model type | Panasonic Lumix DC-FZ1000 II | Panasonic Lumix DMC-G95 |
| Alternative name | - | Lumix DMC-G90 |
| Type | Large Sensor Superzoom | Advanced Mirrorless |
| Launched | 2019-02-18 | 2019-04-05 |
| Physical type | SLR-like (bridge) | SLR-style mirrorless |
| Sensor Information | ||
| Processor | Venus Engine | Venus Engine |
| Sensor type | BSI-CMOS | CMOS |
| Sensor size | 1" | Four Thirds |
| Sensor measurements | 13.2 x 8.8mm | 17.3 x 13mm |
| Sensor area | 116.2mm² | 224.9mm² |
| Sensor resolution | 20 megapixel | 20.3 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Full resolution | 5472 x 3648 | 5184 x 3888 |
| Max native ISO | 12800 | 25600 |
| Max boosted ISO | 25600 | - |
| Lowest native ISO | 125 | 200 |
| RAW data | ||
| Lowest boosted ISO | 80 | 100 |
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Total focus points | 49 | 49 |
| Lens | ||
| Lens mount type | fixed lens | Micro Four Thirds |
| Lens zoom range | 25-400mm (16.0x) | - |
| Maximal aperture | f/2.8-4.0 | - |
| Macro focusing distance | 3cm | - |
| Available lenses | - | 107 |
| Crop factor | 2.7 | 2.1 |
| Screen | ||
| Type of display | Fully Articulated | Fully Articulated |
| Display size | 3 inches | 3 inches |
| Resolution of display | 1,240 thousand dots | 1,240 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Viewfinder Information | ||
| Viewfinder | Electronic | Electronic |
| Viewfinder resolution | 2,360 thousand dots | 2,360 thousand dots |
| Viewfinder coverage | 100% | 100% |
| Viewfinder magnification | 0.74x | 0.74x |
| Features | ||
| Lowest shutter speed | 60s | 60s |
| Highest shutter speed | 1/4000s | 1/4000s |
| Highest quiet shutter speed | 1/16000s | 1/16000s |
| Continuous shooting rate | 12.0 frames/s | 9.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 13.50 m (with Auto ISO) | 6.40 m (at ISO 100) |
| Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off, 1st / 2nd Slow Sync. | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 3840x2160 (30p), 1920 x 1080 (60p, 60i, 30p, 24p) 1280x720 (30p), 640 x 480 (30p) | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC |
| Max video resolution | 3840x2160 | 3840x2160 |
| Video file format | MPEG-4, H.264 | MPEG-4, AVCHD |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 808 gr (1.78 pounds) | 536 gr (1.18 pounds) |
| Physical dimensions | 136 x 97 x 132mm (5.4" x 3.8" x 5.2") | 130 x 94 x 77mm (5.1" x 3.7" x 3.0") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 350 photos | 290 photos |
| Battery style | Battery Pack | Battery Pack |
| Battery ID | DMW-BLC12PP | - |
| Self timer | Yes | Yes (2 or 10 secs, 10 secs x 3 shots) |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC card (UHS-I supported) | SD/SDHC/SDXC card (UHS-II supported) |
| Card slots | One | One |
| Retail price | $898 | $998 |