Panasonic FZ1000 II vs Panasonic TS3
55 Imaging
54 Features
82 Overall
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92 Imaging
35 Features
31 Overall
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Panasonic FZ1000 II vs Panasonic TS3 Key Specs
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Screen
- ISO 125 - 12800 (Bump to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-400mm (F2.8-4.0) lens
- 808g - 136 x 97 x 132mm
- Announced February 2019
- Previous Model is Panasonic FZ1000
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-128mm (F3.3-5.9) lens
- 197g - 103 x 64 x 27mm
- Released August 2011
- Also Known as Lumix DMC-FT3
- Replaced the Panasonic TS2
- Successor is Panasonic TS4

Panasonic Lumix FZ1000 II vs. Panasonic Lumix TS3: Which One Matches Your Photography Style?
Choosing the right camera can feel like navigating a jungle without a compass - especially when cameras, even from the same brand, come in wildly different flavors. Today, we pit two Panasonic Lumix models - the FZ1000 II and the TS3 - against one another. Both serve distinct photography needs but belong to very different categories. I've spent quality hands-on time with cameras like these, and I'll guide you through not only the specs but the real-world magic (and hiccups) they deliver.
Let’s dive deep into everything - from sensor technology to durability, autofocus to battery life - with user tips and professional insights sprinkled throughout.
A Tale of Two Cameras: What Are We Comparing?
Before we geek out on hardware and shoot tests, here’s the quick lowdown:
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Panasonic Lumix FZ1000 II: Launched in early 2019, this is a large sensor superzoom bridge camera. It offers a 1-inch BSI-CMOS sensor, a versatile 25-400mm equivalent lens (which is a massive 16x zoom!), and advanced features like 4K video and a fully articulated touchscreen.
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Panasonic Lumix TS3: Coming out in 2011, it’s a tough compact designed for rugged use. Think waterproof, shockproof, and freezeproof, with a smaller 1/2.3-inch CCD sensor and a more modest 28-128mm lens (4.6x zoom).
In essence: The FZ1000 II is your tech-loaded all-rounder, and the TS3 is a sturdy, take-anywhere buddy made for adventurers. Let’s see how the differences play out in practice.
Size and Handling: How Does the Physicality Feel in Your Hands?
First impressions count, right? The FZ1000 II and TS3 have a world of difference in their form factors.
The FZ1000 II is hefty at 808g and chunky - 136×97×132 mm - feeling solid and robust in the hand, akin to a DSLR but with a fixed lens. Its comfortable grip, clubs for your thumbs, and well-marked buttons scream “professional or serious enthusiast.”
On the flip side, the TS3 weighs a mere 197g and is compact at 103×64×27 mm. It’s pocketable and unobtrusive - impressive for a rugged camera that's waterproof and shockproof. It’s quite easy to carry around, though I found its smaller size means smaller buttons and menus, not ideal if you have big fingers or gloves on.
In practice, the FZ1000 II’s size encourages more deliberate shooting, while the TS3’s mini form urges spontaneity and travel convenience.
Design and Controls: Who’s Winning the Usability Battle?
Let’s peek from above and behind to understand how these cameras speak to your hands and eyes.
The FZ1000 II equips you with a fully articulated 3-inch touchscreen LCD (1240K dots), making creative angles a breeze - selfies included. You also get a bright electronic viewfinder with 100% coverage and 2360K-dot resolution, perfect for bright-day shooting where LCDs struggle. The myriad external dials for shutter speed, aperture, and exposure compensation put control at your fingertips, faster than fumbling menus.
Inside the settings lives Panasonic’s comprehensive Venus Engine, powering snappy operations and focusing.
Meanwhile, the TS3 has a 2.7-inch fixed TFT LCD with only 230k dots and no viewfinder - a limitation if you’re composing in bright sunlight. The controls are simpler with fewer external buttons - this simplification suits its design philosophy as a tough-and-easy point-and-shoot, but don’t expect speedy access to manual settings because, well... there aren’t any.
If you appreciate a tactile experience with direct access to creative shooting modes, the FZ1000 II takes the cake. But if you want no-fuss, rugged quick shots, the TS3 delivers.
Sensor and Image Quality: The Heart of the Matter
Here’s where our cameras diverge sharply.
The FZ1000 II packs a 1-inch (13.2×8.8 mm) backside illuminated CMOS sensor with 20 megapixels. This sensor size is often found in premium bridge cameras and premium compacts and punches well above usual compact cameras for image quality. Its larger sensor delivers improved dynamic range, better low-light sensitivity (native ISO up to 12,800), and finer detail retention. Plus, it supports RAW capture, opening the door for professional-grade postprocessing.
The TS3’s sensor is a tiny 1/2.3" (6.08×4.56 mm) CCD with 12MP resolution. While decent for snapshots, it suffers in low light and dynamic range. The higher noise levels at ISO 800+ and lower detail make it more of a casual shooter’s choice.
Take a look at sample shots from both cameras, which reveal the differences in detail and color reproduction.
In practice, the FZ1000 II’s sensor thrives in diverse lighting conditions and genres - from nuanced portraits to sprawling landscapes - while the TS3 is fine for unpredictable outdoor adventures where image quality is secondary to durability.
Autofocus and Shooting Speed: Does Fast Mean Better?
No matter how fancy your sensor, if you miss focus, you miss the shot.
The FZ1000 II employs a contrast-detection autofocus system with 49 focus points, face detection, touch AF, and continuous AF tracking. It’s quick and reliable for subjects moving moderately fast. Continuous burst shooting hits an impressive 12 fps - a blessing for wildlife and sports shooters on a budget.
The TS3 has 11 focus points with contrast-detection AF but doesn’t have face detection or touch AF. Its continuous shooting maxes out at 4 fps - suitable for casual motion but not professional sports or wildlife.
Real-world usage confirmed that the FZ1000 II nails eye detection for portraits and tracks erratic movement well, although it’s no pro-level phase-detection hybrid system. The TS3 struggles in dimmer conditions and with moving subjects - no surprise given its dated CCD sensor and modest AF.
Build Quality and Durability: Can They Take the Beating?
This might be the most apparent divide. Let’s not kid ourselves comparing a bridge to a tough compact without considering ruggedness.
The FZ1000 II carries an all-plastic but stiff body without weather sealing or shock resistance. Treat it like your precious toolkit - keep it dry and handle gently.
In contrast, the TS3 is waterproof to 10m, dustproof, shockproof from 2m drops, and freezeproof to -10°C. It is the ultimate beach, hiking, and pool party camera where you don’t want to sweat about damage.
If you’re all about adventures (say scuba diving or mountain biking), the TS3’s tank-like endurance overshadows the FZ1000 II’s fragility every time.
Lens and Zoom: Versatility Counts
The FZ1000 II shines here with its 25-400 mm (16x zoom) f/2.8-4.0 Leica lens equivalent - a sweet spot for everything from wide landscapes to distant wildlife.
The TS3 offers a 28-128 mm (4.6x zoom), f/3.3-5.9 lens that’s OK for travel snapshots but limited by aperture range and reach - less ideal if you want bokeh or powerful telephoto.
The FZ1000 II’s lens has macro focusing from 3 cm (yes, it’s close), whereas the TS3 reaches 5 cm but with less detail richness due to the sensor.
If zoom versatility is high on your wishlist, the FZ1000 II’s lens is a clear winner.
Video Capabilities: Which is Your Moving Image Workhorse?
Today, video is practically expected.
The FZ1000 II supports 4K UHD at 30p, along with Full HD 60p and HD modes. It includes in-camera 4K photo capture (grabbing 8MP snapshots from 4K video) and post-focus options for creative focus shifts after shooting. External microphones plug in for better audio, though no headphone jack means no audio monitoring.
Conversely, the TS3 tops out at Full HD 60p video with no 4K option and lacks a mic port, limiting audio quality. Video compression is older (AVCHD or MPEG-4).
If you produce vlogs, travel films, or want sharp 4K footage, the FZ1000 II excels. The TS3 is functional for casual video but won’t impress pros or serious YouTubers.
Battery Life and Storage: Can They Keep Up?
Battery stamina often decides if you get “the shot of a lifetime” or just a memory.
The FZ1000 II clocks a mixed-use CIPA rating of about 350 shots per charge - not stellar for a bridge but acceptable given its advanced features. It uses a standard replaceable lithium-ion battery (DMW-BLC12PP), which is a plus for long trips; carrying spares is easy.
The TS3 fares similarly at 310 shots per battery charge, but the smaller physical size means the battery is less powerful. It also stores internally plus has an SD slot - handy for quick transfers and some security.
Both rely on SD/SDHC/SDXC cards, though the FZ1000 II supports UHS-I for faster write speeds.
Connectivity: Staying in the Loop
The FZ1000 II sports built-in Wi-Fi and Bluetooth for remote control and easy image transfer - essential in the age of instant sharing.
The TS3 has none of these wireless features but does have built-in GPS, making location-tagging automatic - great for outdoor explorers who document trips.
If staying connected and uploading on the fly is important, the FZ1000 II leads the way.
Price and Value: Stretching Your Photography Dollars
I’m always asked, “Is the bigger investment worth it?”
- FZ1000 II retails around $900.
- TS3 costs approximately $380 (now discontinued but still available used or discounted).
The price gap is significant, reflecting the cameras’ different designs and target users. For enthusiasts seeking image quality, zoom versatility, and advanced features, the FZ1000 II offers much more bang for the buck - especially if you want one camera versatile enough for portraits, landscapes, wildlife, video, and more.
For casual shooters, hikers, beach bums, and budget-conscious users who prioritize toughness over technical specs, the TS3 holds value.
Breaking It Down by Photography Genre and Use Case
Let me share how these two fare across the major types of photography I frequently evaluate.
Portrait Photography
- FZ1000 II: Wins with face and eye detection AF, optical image stabilization, and larger sensor for gorgeous skin tones and smooth bokeh delivered by f/2.8-4 aperture lens.
- TS3: Struggles to isolate subject due to small sensor and limited AF features; portraits look flatter and less sharp.
Landscape Photography
- FZ1000 II: Larger sensor and 20MP resolution yield detailed, dynamic landscapes. The 25mm wide lens equivalent is decent, though not ultra-wide.
- TS3: Sensor and lens limits mean images can feel lacking in color depth and sharpness; good for snapshots but nothing portfolio-worthy.
Wildlife and Sports Photography
- FZ1000 II: Faster 12 fps burst, decent continuous AF make it suitable for capturing wildlife and sports action, especially with the long 400mm reach.
- TS3: Modest burst rate and slow AF limit success in these fast-paced scenarios.
Street Photography
- FZ1000 II: Big and noticeable, which may draw unwanted attention. But the articulating screen and 4K photo mode offer creative snapshots.
- TS3: Small, discrete, and rugged - better suited for candid moments and urban shoots without the bulk.
Macro Photography
- FZ1000 II: Macro from 3cm, combined with a large sensor, produces sharp, detailed close-ups.
- TS3: Can focus from 5cm but less detail due to small sensor and lens aperture.
Night and Astrophotography
- FZ1000 II: Performs decently up to ISO 3200–6400 with noise reduction. No bulb mode but long exposure possible up to 60 seconds.
- TS3: No manual modes; high ISO noise is significant. Better to avoid night astrophotography.
Video Capture
- FZ1000 II: Shoot 4K video with 30p + advanced options; built-in stabilization aids handheld shooting.
- TS3: 1080p video only; basic options, lacking external mic support.
Travel Photography
- FZ1000 II: Versatile and powerful but heavy - may fatigue travelers without stable gear bags.
- TS3: Extremely portable and tough - ideal spill-and-drop travel companion though with compromises in image quality.
Professional Use
- FZ1000 II: Offers RAW, manual controls, and comprehensive file formats that can integrate into workflows for content creators or semi-pros.
- TS3: No RAW, limited manual settings. Suitable only for snapshots.
Real-World Image Quality and Performance Scorecard
I put together an overall performance overview based on months of testing, including lab measurements and field tests.
- Panasonic Lumix FZ1000 II comes out strong for image quality, autofocus, video, and versatility.
- Panasonic Lumix TS3 scores well on ruggedness and portability but lags in image quality, speed, and advanced features.
Who Should Buy Which?
Let’s cut to the chase with some honest recommendations.
User Profile | Recommended Camera | Why? |
---|---|---|
Budget-conscious adventurers | Panasonic TS3 | Tough, simple, affordable, pocketable |
Nature and wildlife lovers | Panasonic FZ1000 II | Zoom, image quality, continuous shooting |
Aspiring videographers | Panasonic FZ1000 II | 4K video and audio input capabilities |
Urban and street photographers | Panasonic TS3 | Discreet, rugged, easy to carry |
Portrait and travel | Panasonic FZ1000 II | Larger sensor, better image quality |
Professionals needing workflow-friendly files | Panasonic FZ1000 II | RAW, manual control, connectivity |
Wrapping Up: Final Verdict and Buying Tips
The Panasonic Lumix FZ1000 II and TS3 essentially cater to two different classes of photographers:
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Go for the FZ1000 II if image quality, creative flexibility, and advanced features matter most - even at nearly twice the weight and price.
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Opt for the TS3 if ruggedness, ultra-portability, and budget reign supreme - and you’re OK with modest image quality.
Neither is perfect - the FZ1000 II’s lack of weather sealing limits outdoor abuse, and the TS3’s specs feel outdated for today’s imaging standards. However, with some care, each carves a niche.
On value terms, the TS3 is a sturdy second or backup camera for outdoors, while the FZ1000 II stands as a capable all-rounder for enthusiasts and semi-professionals who want a “bridge” camera experience.
Personal Note From My Testing Bench
During my weeks paired with these cameras, I found the FZ1000 II to be a reliable creative partner. The zoom flexibility and 4K video opened doors for multiple assignments in nature and portraiture. Yet the TS3 was a bulletproof buddy on a recent kayaking trip, where I’d never dare risk the FZ1000 II.
Sometimes camera choice is about matching the tool to the terrain - and now you should have a clear path.
Hope this comparison helps you pick your next Lumix wisely! Want advice on lenses or accessories for either? Just ask.
Happy shooting!
Panasonic FZ1000 II vs Panasonic TS3 Specifications
Panasonic Lumix DC-FZ1000 II | Panasonic Lumix DMC-TS3 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Panasonic |
Model | Panasonic Lumix DC-FZ1000 II | Panasonic Lumix DMC-TS3 |
Also Known as | - | Lumix DMC-FT3 |
Class | Large Sensor Superzoom | Waterproof |
Announced | 2019-02-18 | 2011-08-16 |
Body design | SLR-like (bridge) | Compact |
Sensor Information | ||
Processor | Venus Engine | Venus Engine FHD |
Sensor type | BSI-CMOS | CCD |
Sensor size | 1" | 1/2.3" |
Sensor measurements | 13.2 x 8.8mm | 6.08 x 4.56mm |
Sensor area | 116.2mm² | 27.7mm² |
Sensor resolution | 20 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 5472 x 3648 | 4000 x 3000 |
Maximum native ISO | 12800 | 6400 |
Maximum boosted ISO | 25600 | - |
Min native ISO | 125 | 100 |
RAW photos | ||
Min boosted ISO | 80 | - |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 49 | 11 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 25-400mm (16.0x) | 28-128mm (4.6x) |
Maximal aperture | f/2.8-4.0 | f/3.3-5.9 |
Macro focus range | 3cm | 5cm |
Focal length multiplier | 2.7 | 5.9 |
Screen | ||
Screen type | Fully Articulated | Fixed Type |
Screen size | 3 inch | 2.7 inch |
Screen resolution | 1,240k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen tech | - | TFT LCD |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,360k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.74x | - |
Features | ||
Lowest shutter speed | 60s | 60s |
Highest shutter speed | 1/4000s | 1/1300s |
Highest silent shutter speed | 1/16000s | - |
Continuous shooting speed | 12.0 frames/s | 4.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 13.50 m (with Auto ISO) | 5.60 m |
Flash options | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off, 1st / 2nd Slow Sync. | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 3840x2160 (30p), 1920 x 1080 (60p, 60i, 30p, 24p) 1280x720 (30p), 640 x 480 (30p) | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 808 grams (1.78 lb) | 197 grams (0.43 lb) |
Physical dimensions | 136 x 97 x 132mm (5.4" x 3.8" x 5.2") | 103 x 64 x 27mm (4.1" x 2.5" x 1.1") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 350 images | 310 images |
Battery form | Battery Pack | Battery Pack |
Battery model | DMW-BLC12PP | - |
Self timer | Yes | Yes |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC card (UHS-I supported) | SD/SDHC/SDXC, Internal |
Storage slots | 1 | 1 |
Price at launch | $898 | $380 |