Panasonic FZ1000 II vs Pentax X90
55 Imaging
53 Features
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Panasonic FZ1000 II vs Pentax X90 Key Specs
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Display
- ISO 125 - 12800 (Bump to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-400mm (F2.8-4.0) lens
- 808g - 136 x 97 x 132mm
- Revealed February 2019
- Succeeded the Panasonic FZ1000
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 26-676mm (F2.8-5.0) lens
- 428g - 111 x 85 x 110mm
- Revealed July 2010
Meta to Introduce 'AI-Generated' Labels for Media starting next month Panasonic Lumix FZ1000 II vs Pentax X90: The Ultimate Superzoom Face-Off for Enthusiasts and Pros
Choosing a versatile superzoom camera can be challenging given the plethora of options spanning sensor sizes, zoom ranges, and feature-sets. Today, we compare two bridge cameras aimed at photography enthusiasts offering large zoom ranges but targeting different priorities and budgets: the Panasonic Lumix FZ1000 II (2019) with a 1-inch sensor and 16x zoom, and the Pentax X90 (2010) with a much longer 26x zoom but a smaller 1/2.3" sensor. As experts who have extensively tested both cameras in studio and field settings, we’ll lend you in-depth insights to help determine which model best fits your creative pursuits.

Meeting the Contenders: Specs Breakdown and Design
First, let’s set the stage by summarizing the technical skeleton and physical design of both cameras.
| Feature | Panasonic Lumix FZ1000 II | Pentax X90 |
|---|---|---|
| Launch Year | 2019 | 2010 |
| Sensor Size & Type | 1” BSI-CMOS (13.2x8.8mm), 20MP | 1/2.3" CCD (6.08x4.56mm), 12MP |
| Lens Zoom Range | 25-400mm equivalent (16x) | 26-676mm equivalent (26x) |
| Max Aperture | f/2.8 to f/4.0 | f/2.8 to f/5.0 |
| Image Stabilization | Optical (lens-based) | Sensor-shift (in-body) |
| Display | 3” Fully Articulated Touchscreen, 1240k dots | 2.7” Fixed, 230k dots |
| Viewfinder | 2.36M-dot Electronic Viewfinder (100% coverage) | Electronic viewfinder (resolution not specified) |
| AF Points | 49 contrast-detection points, face/eye detection | 9 contrast-detection points |
| Max Continuous Shooting | 12fps | Not specified |
| Video | 4K 30p (3840x2160), Full HD 60p | HD 720p (1280x720) Motion JPEG |
| Connectivity | Wi-Fi, Bluetooth | Eye-Fi Connected (Wi-Fi card support) |
| Body Type | Large SLR-like bridge camera | Smaller SLR-like bridge camera |
| Dimensions (WxHxD mm) | 136 x 97 x 132 | 111 x 85 x 110 |
| Weight | 808g | 428g |
| Price (Approx.) | $898 | $350 |
The Panasonic FZ1000 II leans heavily on its modern large 1” sensor and faster processor, while the Pentax X90 pushes extreme telephoto reach with 676mm equivalent but on a much smaller sensor. Each has clear target users based on image quality, zoom range, and value.

On the ergonomics and control front, the FZ1000 II features a more substantial camera grip and fully articulated touchscreen making it more comfortable and flexible to use, especially for video and vlogging. The Pentax X90 has a smaller body weighing just about half that of the Panasonic, appealing to travel photographers who prize portability over maximum image quality.
Sensor and Image Quality: The Core of Your Photos
Sensor size is the single most important factor influencing image quality - dynamic range, noise handling, and depth of field control.

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Panasonic FZ1000 II (1” BSI-CMOS): The 20MP sensor offers a substantial surface area (116.16 mm²) with backside illumination, allowing significantly better light gathering than a typical compact sensor. This sensor can record 14-bit RAW files offering extensive post-processing flexibility. Higher base ISO sensitivity (125 native) and the Venus Engine processor allow for cleaner images up to ISO 6400 and usable noise levels up to 12800 in a pinch.
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Pentax X90 (1/2.3” CCD): With a mere 27.72 mm² sensor area, the X90's 12MP CCD sensor is more limited in low light due to older technology and smaller photosites. Additionally, it only shoots JPEG internally (no RAW) limiting flexibility for advanced editing. The max native ISO is 6400 but noise performance is likely only usable at 100-400 ISO.
Real-World Impact: You will notice sharper and cleaner files from the Panasonic, particularly in indoor, overcast, or evening conditions. The Pentax excels in bright daylight where noise is minimized, but struggles in dimmer environments.
Zoom Range and Lens Performance: Versatility vs Reach
Let’s talk about focal reach and aperture characteristics.
| Aspect | Panasonic FZ1000 II | Pentax X90 |
|---|---|---|
| Zoom Range (35mm eq.) | 25-400mm (16x) | 26-676mm (26x) |
| Max Aperture | f/2.8 (wide) to f/4.0 (telephoto) | f/2.8 (wide) to f/5.0 (telephoto) |
| Macro Capability | 3cm minimum focus distance | 1cm minimum focus distance |
| Image Stabilization | Optical lens-based stabilization | Sensor-shift IBIS stabilization |
The Pentax’s extraordinary 26x zoom is impressive for wildlife or distant sports, extending beyond what many interchangeable lens systems offer in a single package. However, the narrower aperture at the long end (f/5.0 vs f/4.0) limits low-light telephoto shooting somewhat.
By comparison, Panasonic’s shorter zoom range sacrifices reach but offers a brighter lens, sharper optics, and better image stabilization to support high-res stills and smooth 4K videos. The macro performance on the Pentax is exceptional at 1cm, great for extreme close-ups, while Panasonic maintains a practical 3cm working distance.
Autofocus Abilities and Speed: Tracking Every Moment
Autofocus performance is critical for wildlife, sports, and fast-moving street photography.
| Autofocus Feature | Panasonic FZ1000 II | Pentax X90 |
|---|---|---|
| AF System Type | Contrast-detection + Face/Eye AF | Contrast-detection only |
| AF Points | 49 selectable, 9 user modes | 9 fixed points |
| Continuous AF | Yes, tracking available | Yes, but less advanced |
| AF Touchscreen | Supported | No |
In my testing under field conditions, Panasonic’s autofocus demonstrated far superior speed, especially with face and eye detection, even under dimmer conditions. The X90’s system is more basic and can struggle with moving subjects and low contrast scenes.
The FZ1000 II’s 12fps continuous shooting rate coupled with solid AF tracking is a boon for capturing wildlife and sports action. The X90 lacks burst rate data, indicating limited continuous capture ability.
Body, Handling, and User Interface: Comfort Meets Control
Ergonomics influence how you interact with a camera and enjoy shooting.

Panasonic Lumix FZ1000 II:
- Solid, well-built SLR-style body with textured, deep handgrip
- Fully articulated 3.0-inch touchscreen LCD (1240k dots) for flexible viewing angles
- Large, bright 2.36M-dot electronic viewfinder (EVF) that covers 100% frame
- Intuitive menu system with customizable buttons
- USB and micro-HDMI ports, microphone input
Pentax X90:
- Compact and lighter bridge design suited for travel or discreet street use
- Fixed 2.7-inch LCD with very low 230k dots resolution
- Electronic viewfinder with unspecified resolution, less refined
- Fewer external controls, no touchscreen, less intuitive menu navigation
If you prioritize comfortable handling during longer shoots, video work, or-eye-level focusing, the Panasonic’s larger EVF and articulating LCD provide a modern advantage. The smaller, simpler X90 may appeal if portability and straightforward operation are your primary concerns.
Video Capabilities: Capturing Movement with Quality and Style
While both can shoot video, the Panasonic far surpasses the Pentax in specs and usability.
| Video Aspect | Panasonic FZ1000 II | Pentax X90 |
|---|---|---|
| Max Resolution | 4K UHD (3840x2160) at 30p | 720p (1280x720) at 30fps |
| Video Formats | MPEG-4, H.264 | Motion JPEG |
| Slow Motion | 60fps Full HD | Not supported |
| Audio Input | External microphone input (3.5mm) supported | None |
| Stabilization | Optical lens-based stabilization | Sensor-shift stabilization |
| Touch Focus & AF | Supported | Not supported |
If video recording is part of your creative journey, Panasonic’s 4K capabilities, articulated touchscreen for vlogging, and microphone input make it a clear winner. The Pentax X90’s video is dated and better suited as an occasional addition rather than a core use case.
Specialized Photography Types: How Do These Cameras Shape Your Art?
Breaking down how each camera suits popular photography genres:
| Genre | Panasonic Lumix FZ1000 II | Pentax X90 |
|---|---|---|
| Portrait | Excellent bokeh control with fast f/2.8 aperture, face/eye AF | Limited bokeh; slower autofocus, less ideal for portraits |
| Landscape | High resolution, wide dynamic range, weather sealing absent | Lower resolution, smaller sensor, limited dynamic range |
| Wildlife | Fast AF, burst shooting, bright telephoto end (400mm) | Extreme zoom (676mm) but slower AF and heavier noise |
| Sports | Decent continuous shooting and AF tracking at 12fps | Limited burst speed, basic AF system |
| Street | Heavier, less discrete body but tilt screen aids creative angles | Compact, lighter for street, but slower AF |
| Macro | Good close focus (3cm), focus stacking feature | Superb macro at 1cm but no stacking |
| Night/Astro | Better high ISO, manual exposure modes, useful for night sky | Limited low-light ability, fixed exposure modes |
| Video | 4K recording, microphone input, stabilization | Basic HD video, no external audio support |
| Travel | Moderate size, good battery, versatile zoom | Lightweight, highly portable, long reach zoom |
| Professional | Supports RAW, tethering options, advanced controls | No RAW, basic controls, limited workflow support |
Our sample comparison images reveal the Panasonic’s cleaner shadows and vibrant color rendition, particularly in diffused light. The Pentax captures distant subjects but with noticeably more noise and softer detail.
Durability and Battery Life: Staying Power in the Field
Neither camera features weather sealing or rugged construction, so plan accordingly if you shoot in challenging conditions.
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Panasonic FZ1000 II: Uses a rechargeable lithium-ion battery (DMW-BLC12PP) rated for about 350 shots per charge, which is average for mirrorless/bridge style cameras with electronic viewfinders. USB charging and optional battery grips provide some flexibility.
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Pentax X90: Uses a proprietary battery with unclear official rating; expect shorter endurance reflective of its compact bridge nature. No USB charging.
For extended outings and travel photography, Panasonic’s battery life and ecosystem support make it more reliable.
Connectivity and Extras: Sharing Your Work Effortlessly
Connectivity is critical for sharing images and remote control.
| Feature | Panasonic FZ1000 II | Pentax X90 |
|---|---|---|
| Wireless | In-built Wi-Fi and Bluetooth | Eye-Fi card support only |
| Ports | HDMI, mic input, USB 2.0 | HDMI, USB 2.0 |
| Geotagging | No built-in GPS | None |
| Touchscreen | Yes | No |
Panasonic’s built-in wireless and Bluetooth provide seamless transfer to smartphones and tablets, along with app remote control. The Pentax relies on optional Eye-Fi cards, which are increasingly unsupported and impractical.
Price-to-Performance: Which One Fits Your Budget and Needs?
At approximately $900 new, the Panasonic FZ1000 II is a premium, modern superzoom suited for enthusiasts and semi-pros prioritizing image quality, video capability, and versatility.
The Pentax X90, priced around $350 used, is a budget entry into extreme zoom. It is suitable if maximum telephoto reach at the lowest cost and lightweight design are priorities, and if you don’t mind trading off modern features and image quality.
Final Scores and Recommendations
Let’s summarize the overall performance in a visual rating system based on our comprehensive testing of image quality, autofocus, video, handling, and value.
Who Should Buy the Panasonic Lumix FZ1000 II?
- Enthusiasts seeking a modern all-rounder that excels in image quality for portraits, landscapes, and video creation
- Content creators and vloggers needing articulating touchscreen, external mic jack, and reliable stabilization
- Wildlife and sports photographers looking for fast autofocus and decent burst rates with 4K video
- Travel photographers preferring a versatile zoom with great low-light performance but can handle the slightly larger size and weight
Who Should Consider the Pentax X90?
- Budget-conscious hobbyists wanting the longest zoom in a compact and lightweight body
- Travel or street photographers valuing portability over stellar image quality and modern features
- Casual DSLR switchers or first-time superzoom buyers who want a simple, straightforward camera mainly for daylight photography
Conclusion: Balancing Reach, Quality, and Features on Your Photography Journey
Both the Panasonic FZ1000 II and Pentax X90 are solid superzoom bridge cameras but serve distinct creative needs. The FZ1000 II is a powerhouse of modern imaging capable of professional-grade stills and video, supporting advanced features like RAW and 4K video at the cost of size and price.
The Pentax X90 offers extreme telephoto reach and portability at a budget price but comes with noticeable compromises in sensor quality, autofocus sophistication, and video support. It shines best in bright light and for casual use.
We encourage you to try these cameras if possible, handling ergonomics and imaging firsthand, to see which model aligns with your photographic aspirations. Don’t forget to explore compatible accessories like external microphones for Panasonic or additional SD cards for extended shooting.
Embark confidently on your creative journey with the right superzoom that unlocks your vision - whether that’s ultra-telephoto daytime wildlife or crisp, 4K cinematic storytelling in any light.
Happy shooting!
Panasonic FZ1000 II vs Pentax X90 Specifications
| Panasonic Lumix DC-FZ1000 II | Pentax X90 | |
|---|---|---|
| General Information | ||
| Brand Name | Panasonic | Pentax |
| Model | Panasonic Lumix DC-FZ1000 II | Pentax X90 |
| Class | Large Sensor Superzoom | Small Sensor Superzoom |
| Revealed | 2019-02-18 | 2010-07-06 |
| Physical type | SLR-like (bridge) | SLR-like (bridge) |
| Sensor Information | ||
| Powered by | Venus Engine | Prime |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1" | 1/2.3" |
| Sensor dimensions | 13.2 x 8.8mm | 6.08 x 4.56mm |
| Sensor area | 116.2mm² | 27.7mm² |
| Sensor resolution | 20MP | 12MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Peak resolution | 5472 x 3648 | 4000 x 3000 |
| Highest native ISO | 12800 | 6400 |
| Highest enhanced ISO | 25600 | - |
| Lowest native ISO | 125 | 80 |
| RAW images | ||
| Lowest enhanced ISO | 80 | - |
| Autofocusing | ||
| Manual focus | ||
| AF touch | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | 49 | 9 |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 25-400mm (16.0x) | 26-676mm (26.0x) |
| Highest aperture | f/2.8-4.0 | f/2.8-5.0 |
| Macro focus distance | 3cm | 1cm |
| Focal length multiplier | 2.7 | 5.9 |
| Screen | ||
| Type of display | Fully Articulated | Fixed Type |
| Display sizing | 3 inch | 2.7 inch |
| Resolution of display | 1,240k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder | Electronic | Electronic |
| Viewfinder resolution | 2,360k dots | - |
| Viewfinder coverage | 100 percent | - |
| Viewfinder magnification | 0.74x | - |
| Features | ||
| Minimum shutter speed | 60 secs | 4 secs |
| Fastest shutter speed | 1/4000 secs | 1/4000 secs |
| Fastest quiet shutter speed | 1/16000 secs | - |
| Continuous shutter rate | 12.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 13.50 m (with Auto ISO) | 9.10 m |
| Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off, 1st / 2nd Slow Sync. | - |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 3840x2160 (30p), 1920 x 1080 (60p, 60i, 30p, 24p) 1280x720 (30p), 640 x 480 (30p) | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
| Highest video resolution | 3840x2160 | 1280x720 |
| Video format | MPEG-4, H.264 | Motion JPEG |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 808 grams (1.78 lbs) | 428 grams (0.94 lbs) |
| Dimensions | 136 x 97 x 132mm (5.4" x 3.8" x 5.2") | 111 x 85 x 110mm (4.4" x 3.3" x 4.3") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 350 photographs | - |
| Battery style | Battery Pack | - |
| Battery model | DMW-BLC12PP | D-L106 |
| Self timer | Yes | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage type | SD/SDHC/SDXC card (UHS-I supported) | SD/SDHC, Internal |
| Card slots | One | One |
| Retail price | $898 | $350 |