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Panasonic G9 vs Panasonic FS15

Portability
62
Imaging
60
Features
90
Overall
72
Panasonic Lumix DC-G9 front
 
Panasonic Lumix DMC-FS15 front
Portability
95
Imaging
34
Features
17
Overall
27

Panasonic G9 vs Panasonic FS15 Key Specs

Panasonic G9
(Full Review)
  • 20MP - Four Thirds Sensor
  • 3" Fully Articulated Screen
  • ISO 200 - 25600
  • Sensor based 5-axis Image Stabilization
  • No Anti-Alias Filter
  • 1/8000s Maximum Shutter
  • 3840 x 2160 video
  • Micro Four Thirds Mount
  • 658g - 137 x 97 x 92mm
  • Introduced November 2017
Panasonic FS15
(Full Review)
  • 12MP - 1/2.3" Sensor
  • 2.7" Fixed Screen
  • ISO 80 - 1600 (Expand to 6400)
  • Optical Image Stabilization
  • 640 x 480 video
  • 29-145mm (F3.3-5.9) lens
  • 136g - 97 x 54 x 22mm
  • Launched January 2009
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From Pocket-Sized Convenience to Pro Mirrorless Muscle: Comparing Panasonic G9 and FS15

If you’ve been on the hunt for a camera recently - or just having a nostalgic moment about gadgets you’ve loved (or loathed) - you might find it fascinating to compare two Panasonic cameras that inhabit opposite ends of the spectrum. On one hand, we have the Panasonic Lumix DC-G9, a professional-level mirrorless behemoth that debuted back in 2017, bristling with advanced features and designed for serious shooters. On the other, the humble, compact Panasonic Lumix DMC-FS15, an ultracompact point-and-shoot released over a decade earlier, in early 2009. They represent snapshots of their eras, catering to very different audiences and creative ambitions.

In this article, I’ll walk you through a detailed comparison - the nuts and bolts, the real-world performance, the pros and cons - while exploring which camera might be the better fit depending on your photography style, budget, and priorities. Along the way, I’ll share hands-on insights, technical analysis, and a fair bit of personal experience from testing thousands of cameras in diverse scenarios.

Buckle up; it’s a deep dive from the pocket-friendly to the pro-level.
Panasonic G9 vs Panasonic FS15 size comparison

Size, Build, and Handling: Ergonomics Matter

You don’t need a tape measure to see the gulf between these two cameras: the G9 is a hefty, SLR-style mirrorless rig weighing around 658 grams with dimensions roughly 137x97x92mm. By contrast, the FS15 is small enough to slip into a coat pocket at 136 grams and a slim 97x54x22mm.

Panasonic G9 vs Panasonic FS15 top view buttons comparison
Ergonomically, the G9 naturally commands a presence, designed for firm grip, extended shooting sessions, and quick access controls - essential for pros who need speed and precision. Buttons are large, customizable, and thoughtfully laid out, including a top LCD panel for critical info at a glance. The FS15’s fixed-focus lens and minimalist button arrangement suit quick snaps but don’t invite extended manual control or high-speed shooting.

For travel or street photography lovers craving discretion and portability, the FS15 is an obvious choice. But you pay for that convenience with limited manual control and slower operation. For studio, landscape, wildlife, or sports photographers, the G9 delivers the tactile confidence necessary for complex shoots. I personally found the G9’s handling intuitive and fatigue-resistant during long days in the field - something the FS15’s tiny form factor simply isn’t built to match.

Sensor and Image Quality: A Quantum Leap

The heart of any camera is the sensor, and here the difference could not be starker.

Panasonic G9 vs Panasonic FS15 sensor size comparison

The Panasonic G9 sports a 20-megapixel Four Thirds CMOS sensor measuring 17.3x13mm (roughly 225mm²), while the FS15 uses a 12-megapixel 1/2.3-inch CCD sensor with a mere 6.08x4.56mm sensor area (just under 28mm²).

That size difference translates immediately into image quality. Larger sensors capture light more efficiently, resulting in better dynamic range, lower noise, and richer details. The G9’s sensor - though not full-frame - is still a professional-grade workhorse that delivers sharp images with excellent tonal gradation, especially when shooting landscapes or portraits where retaining subtle skin tone nuances is crucial.

By contrast, the FS15’s sensor is the classic compact camera compromise: decent for daylight snapshots but prone to noise above ISO 400 or in challenging lighting conditions. Its CCD sensor, common at the time, tends to perform poorly at high ISO compared to modern CMOS sensors.

Color depth and dynamic range are visibly superior on the G9, thanks in part to improved processing and lack of an anti-aliasing filter (allowing crisper detail). I tested both in the field shooting portraits and landscapes and noted the G9’s images retain highlight and shadow detail far better, making post-processing much more forgiving.

Autofocus Systems: Speed and Precision

In the autofocus realm, the Panasonic G9 is a formidable contender with 225 contrast-detection AF points, enhanced by advanced algorithms that offer fast, accurate AF tracking. It supports face detection, subject tracking, and even touch-to-focus, covering a wide range of shooting scenarios - particularly valuable for wildlife and sports photography.

The FS15, meanwhile, offers a much simpler AF system with just 11 focus points, relying on basic contrast detection and without face or eye detection. Manual focus is absent, limiting creative control significantly.

In scenarios like wildlife or sports, the G9’s AF system excels with burst rates of up to 20 frames per second and reliable tracking. Shooting street scenes with the FS15 is more about snapping opportunistically, as the AF is slower and often hunts under low-light or motion.

If autofocus speed and accuracy are important to your photography - especially for fast-moving subjects - the G9’s system is leagues ahead.

Display and Viewfinder: Seeing is Believing

A major advantage of the G9 lies in its 3-inch fully articulated touchscreen with 1040k-dot resolution, alongside a bright electronic viewfinder (EVF) boasting a sharp 3680-dot resolution and 0.83x magnification. This combination provides compositional flexibility and clarity, vital when shooting in bright daylight or complex lighting.

The FS15 has a fixed 2.7-inch LCD with only 230k dots and no EVF. That screen size and resolution severely limit framing precision and make shooting in harsh light challenging.

Panasonic G9 vs Panasonic FS15 Screen and Viewfinder comparison

Using the G9’s articulating screen and EVF in the field revealed immediate benefits for macro work, tricky angles, and video - a versatility that the FS15’s humble screen simply cannot match.

Lens Ecosystem and Flexibility

The two cameras approach lenses from wildly different philosophies. The G9’s Micro Four Thirds mount offers an extensive, mature lens ecosystem - with over 100 lenses available from Panasonic, Olympus, and third parties. From ultra-wide landscapes to fast telephotos for wildlife and sports, the lens options are wide-ranging. This flexibility is one of the G9’s biggest strengths, letting you tailor your setup depending on task and budget.

In stark contrast, the FS15 has a fixed 29-145mm equivalent zoom lens (about a 5x optical zoom) with a variable aperture of f/3.3-5.9, limiting low-light capability and depth-of-field control. Macro focusing is possible down to 5cm, but without specialized lenses or manual control.

If you want to grow your creative toolkit, or want sharper, faster lenses for portraits or video, the G9’s ecosystem is a gamechanger.

Burst Speed, Stabilization, and Shutter Performance

When it comes to action photography, frame rates and stabilization make or break the experience.

The G9 boasts a 20 fps burst rate using an electronic shutter, and mechanical shutter speeds up to 1/8000s, aiding in freezing ultra-fast motion and shooting in bright environments with wide apertures. It also includes a 5-axis in-body image stabilization (IBIS) system that compensates for camera shake in stills and video, essential for handheld shooting in low light or macro.

The FS15’s burst maxes out embarrassingly low at 2 fps, shutter tops out at 1/2000s, and stabilization is limited to optical lens shift only, which is less effective in challenging scenarios.

From my experience, when shooting wildlife or sports, the G9’s burst and stabilization translate into more keepers and less post-processing frustration - preferable for professionals and hobbyists alike.

Video Capabilities: One Camera Packs a Punch

For hybrid shooters who want good video alongside stills, the G9 is capable of 4K UHD recording up to 60p, encoded in high-bitrate H.264 with clean HDMI out, supports external microphones and headphone monitoring. It also offers advanced features like 4K/6K photo modes for grabbing high-res stills from moving scenes.

The FS15’s video is confined to 848x480 at 30fps, recorded in Motion JPEG - a format that’s outdated by today’s standards with poor compression efficiency and limited editing flexibility.

If you want to shoot quality videos, say for events or travel vlogs, the G9 easily outperforms the FS15, with conveniences like stabilized handheld footage and clearer, more professional codecs.

Battery, Storage, and Connectivity

A lesser-known but important aspect is endurance and workflow integration. The G9’s rugged battery pack offers approximately 400 shots per charge depending on usage, with dual UHS-II SD card slots allowing flexible storage options and backup recording - features pros expect to avoid workflow headaches. It also includes Bluetooth and Wi-Fi for wireless tethering and sharing.

The FS15 lacks wireless connectivity, uses a single, likely proprietary battery with unknown battery life, and supports only basic SD/SDHC/MMC cards with slower performance. Its USB 2.0 connection is archaic by modern standards and doesn’t support tethering.

For extended shoots or professional workflows, the G9 provides a level of reliability and convenience the FS15 cannot touch.

Weather Sealing and Durability

The G9 offers environmental sealing to resist moisture and dust ingress - essential for shooting outdoors in rough conditions. No claims of waterproofing, but it stands up well to rain or dust without damage.

The FS15 offers no weather sealing, more vulnerable to elements and physical abuse.

For landscape and wildlife photographers working all-weather, that durability adds peace of mind and longevity.

Real-World Performance Across Genres

Let’s break down how these two cameras fare across popular photography disciplines:

Portrait Photography

The G9 delivers impressively natural skin tones with its large sensor and 225-point autofocus allowing precise eye detection and bokeh control (especially when paired with fast lenses). The FS15 produces flatter images with less detail separation and limited focus options, making it more snapshot-oriented.

Landscape Photography

Dynamic range and resolution give the G9 the edge for capturing detailed landscapes. Its weather sealing and kit lenses make it suitable for challenging scenarios. FS15’s sensor size and limited control mean images lack depth and flexibility in post-processing, alienating serious landscape enthusiasts.

Wildlife Photography

High burst speeds, excellent AF tracking, and lens versatility let the G9 shine here. FS15’s sluggish response, low fps, and limited zoom range make it unsuitable for anything beyond casual wildlife snaps.

Sports Photography

By the same token, the G9’s autofocus and speed make sports shooting feasible with quality results, while the FS15 struggles with focus lag and slow frame rates.

Street Photography

This is where the FS15’s compactness wins hearts for casual street shooters who prioritize stealth and simplicity. The G9 can be bulky and conspicuous, although its articulate screen can make shooting candid moments easier.

Macro Photography

The G9’s IBIS, focus bracketing, and lens options make it a capable macro rig. FS15 has some macro abilities but is limited by lens and focus system.

Night / Astro Photography

The G9 handles high ISO noise better and supports longer shutter speeds easily. FS15’s limited ISO range and sensor technology translate to noisy, soft images under night sky conditions.

Video Capabilities

The G9 supports professional video workflows; FS15 is strictly casual with low-res video.

Travel Photography

The G9’s versatility and quality often justify the added size and weight for serious travelers, but for ultra-light packing and effortless snapshots, FS15 offers simplicity.

Professional Workflows

Handling, reliability, file formats (RAW support in G9), and storage options make the G9 suitable for professional use; the FS15 is not.

Putting It All Together: Scores and Verdicts


The charts and sample images above should seal the deal at a glance: the G9 outperforms the FS15 in virtually every technical and creative category - but you don’t need fancy graphs to understand that given the technological leaps between 2009 and 2017, and the fundamental class difference between ultracompact and pro mirrorless.

Who Should Choose the FS15?

  • Budget-conscious buyers prioritizing simplicity
  • Casual users wanting a pocketable camera without fuss
  • Those who mainly shoot daylight snapshots and family moments
  • Travelers needing a “grab and go” camera with limited manual input

The FS15 still produces serviceable images under favorable conditions. Its optical zoom and inbuilt flash help in everyday situations. But don’t expect manual controls, RAW, or serious image quality.

Who Should Invest in the G9?

  • Photography enthusiasts aiming to explore multiple genres seriously
  • Professionals needing ruggedness, speed, and reliability
  • Hybrid shooters who value advanced video alongside stills
  • Wildlife and sports photographers requiring fast autofocus and high burst capabilities
  • Landscape, macro, portrait photographers wanting supreme image quality and lens options

The G9 is an investment both in terms of dollars ($1500 at launch) and commitment, but for those ready to harness its potential, it delivers remarkable returns.

Final Thoughts: Bridging Eras, Bridging Needs

Comparing the Panasonic Lumix DC-G9 and DMC-FS15 tells a story not only about camera specifications but about evolving photography culture and technology. The FS15 reflects a time when point-and-shoots ruled casual photography, while the G9 embodies the modern professional’s demand for speed, quality, and versatility in a mirrorless box.

Neither camera is inherently “better” outside their intended scope. I’ve personally enjoyed shooting with both - sometimes appreciating the FS15’s lighthearted grabability, other times marveling at how the G9’s precision and power raise my creative bar. Your choice hinges on your priorities: compact simplicity or comprehensive performance?

For readers contemplating an upgrade or a first serious camera purchase, the G9’s abilities have stood the test of time impressively, while the FS15 remains a compact curiosity best left as a tertiary camera or beginner’s entry point in the digital age.

I hope this thorough comparison offers clear, practical insights to guide your decision - because choosing a camera is not just about specs on paper, but how it fits your hands, your eyes, and your artistic heart. Happy shooting!

END

Panasonic G9 vs Panasonic FS15 Specifications

Detailed spec comparison table for Panasonic G9 and Panasonic FS15
 Panasonic Lumix DC-G9Panasonic Lumix DMC-FS15
General Information
Manufacturer Panasonic Panasonic
Model type Panasonic Lumix DC-G9 Panasonic Lumix DMC-FS15
Category Pro Mirrorless Ultracompact
Introduced 2017-11-08 2009-01-16
Body design SLR-style mirrorless Ultracompact
Sensor Information
Sensor type CMOS CCD
Sensor size Four Thirds 1/2.3"
Sensor dimensions 17.3 x 13mm 6.08 x 4.56mm
Sensor surface area 224.9mm² 27.7mm²
Sensor resolution 20 megapixel 12 megapixel
Anti alias filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 16:9, 4:3 and 3:2
Peak resolution 5184 x 3888 4000 x 3000
Highest native ISO 25600 1600
Highest enhanced ISO - 6400
Min native ISO 200 80
RAW support
Min enhanced ISO 100 -
Autofocusing
Manual focusing
AF touch
AF continuous
Single AF
Tracking AF
AF selectice
AF center weighted
Multi area AF
Live view AF
Face detection focusing
Contract detection focusing
Phase detection focusing
Total focus points 225 11
Lens
Lens support Micro Four Thirds fixed lens
Lens zoom range - 29-145mm (5.0x)
Max aperture - f/3.3-5.9
Macro focusing distance - 5cm
Total lenses 107 -
Crop factor 2.1 5.9
Screen
Range of screen Fully Articulated Fixed Type
Screen size 3" 2.7"
Screen resolution 1,040k dot 230k dot
Selfie friendly
Liveview
Touch capability
Viewfinder Information
Viewfinder type Electronic None
Viewfinder resolution 3,680k dot -
Viewfinder coverage 100 percent -
Viewfinder magnification 0.83x -
Features
Minimum shutter speed 60s 60s
Fastest shutter speed 1/8000s 1/2000s
Fastest silent shutter speed 1/32000s -
Continuous shutter speed 20.0fps 2.0fps
Shutter priority
Aperture priority
Expose Manually
Exposure compensation Yes -
Custom WB
Image stabilization
Built-in flash
Flash distance no built-in flash -
Flash settings Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off Auto, Auto Red-eye Reduction, Forced On, Forced Off
Hot shoe
Auto exposure bracketing
WB bracketing
Exposure
Multisegment metering
Average metering
Spot metering
Partial metering
AF area metering
Center weighted metering
Video features
Supported video resolutions 3840 x 2160 @ 60p / 150 Mbps, MP4, H.264, Linear PCM 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps)
Highest video resolution 3840x2160 640x480
Video format MPEG-4, AVCHD, H.264 Motion JPEG
Mic input
Headphone input
Connectivity
Wireless Built-In None
Bluetooth
NFC
HDMI
USB USB 3.0 (5 GBit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environment seal
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 658 gr (1.45 lbs) 136 gr (0.30 lbs)
Dimensions 137 x 97 x 92mm (5.4" x 3.8" x 3.6") 97 x 54 x 22mm (3.8" x 2.1" x 0.9")
DXO scores
DXO Overall rating not tested not tested
DXO Color Depth rating not tested not tested
DXO Dynamic range rating not tested not tested
DXO Low light rating not tested not tested
Other
Battery life 400 photographs -
Style of battery Battery Pack -
Battery ID DMW-BLF19 -
Self timer Yes Yes (2 or 10 sec)
Time lapse recording
Storage media Dual SD/SDHC/SDXC slots (UHS-II supported) SD/MMC/SDHC card, Internal
Storage slots Dual Single
Cost at release $1,500 $180