Panasonic G9 vs Pentax K-S1
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Panasonic G9 vs Pentax K-S1 Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 658g - 137 x 97 x 92mm
- Introduced November 2017
(Full Review)
- 20MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/6000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 558g - 121 x 93 x 70mm
- Revealed August 2014
- New Model is Pentax K-S2

Panasonic Lumix DC-G9 vs Pentax K-S1: An In-Depth Camera Comparison for Photography Enthusiasts
Selecting the ideal camera often boils down to matching your creative ambitions with the camera’s strengths. With a wide range of options flooding the market, it’s crucial to understand how key models measure up in real-world performance - not just on paper. In this article, I put the Panasonic Lumix DC-G9 and the Pentax K-S1 head-to-head, dissecting every aspect from sensor technology to autofocus efficiency, physical design to video features.
I’ve personally tested both cameras under varied conditions, covering all major photography disciplines - from portraits and landscapes to wildlife, sports, macro, night photography, and more. By the end, you’ll know which camera could better serve your specific photography needs.
Let’s begin.
First Impressions: Size, Handling, and Ergonomics
A camera feels like an extension of your creative intent, so how it fits in the hand and interacts with your workflow is paramount.
Panasonic G9: Professional Mirrorless in a Rugged SLR-Shaped Body
The Lumix G9 wears its professional credentials boldly. Its SLR-style body is generously proportioned, built for stability and comfort. The grip is deep and textured, ensuring reliability over long shoots. At 658 grams, it strikes a balance between lightweight and robust.
Pentax K-S1: Compact Yet Robust DSLR for Advanced Hobbyists
The Pentax K-S1 is noticeably smaller and lighter at 558 grams, more akin to a compact DSLR than a pro rig. Its mid-size SLR design and grip are comfortable enough but less sculpted for extended use or larger lenses.
Above: The Panasonic G9's larger size contrasts with the more compact Pentax K-S1. If portability is priority, K-S1 might appeal, but G9’s ergonomic advantage is evident.
Top-Down Controls Layout: Professional Approach vs Simplicity
The G9’s top panel boasts a top status screen, dual command dials, and dedicated function buttons for fast access. Pentax K-S1 keeps controls more straightforward, featuring illuminated buttons and a clean layout but lacks a dedicated top info display.
For professional use, the G9’s control setup allows faster workflow, enabling shooting adjustments on-the-fly without digging through menus.
Sensor Technology and Image Quality: Micro Four Thirds vs APS-C
One of the biggest differences between these cameras is sensor size and its implications on image quality and creativity.
Panasonic G9: 20MP Micro Four Thirds Sensor Without AA Filter
The G9 features a 20MP Live MOS sensor measuring 17.3 x 13mm - smaller than the APS-C sensor but designed for speed and precision. Notably, it lacks an anti-aliasing (AA) filter, boosting sharpness and detail rendition.
Pentax K-S1: 20MP APS-C CMOS Sensor, Also AA Filter-Free
Pentax’s APS-C sensor (23.5 x 15.6mm) offers a greater capture area and inherently lower noise at higher ISOs.
While the K-S1’s sensor area is about 63% larger, the G9 compensates with sensor technology optimized for high-speed capture and excellent color fidelity. In practical use, you’ll notice:
- Dynamic Range: K-S1 has a slight edge, with Pentax's Prime MII processor maintaining 13 stops of DR, beneficial for retaining detail in shadows and highlights.
- Noise Performance: APS-C’s larger sensor area yields cleaner high ISO images than Micro Four Thirds, crucial for low-light, night, and astro photography.
- Resolution: Both at 20MP, but the G9 captures slightly smaller pixels, aiding faster read-out and autofocus precision.
Autofocus System Performance: Tracking, Speed, and Accuracy
Autofocus underpins usable images, especially in action, wildlife, or street photography.
Panasonic G9: Impressive Contrast-Detection AF with 225 Points
The G9’s AF system uses contrast detection across 225 focus points with tools such as face detection, eye detection, and touch AF. Its Depth From Defocus (DFD) technology estimates distance, ensuring swift and accurate focusing in good light.
Pentax K-S1: Traditional Phase-Detection AF with 11 Focus Points
Though possessing fewer AF points (11), the K-S1 employs phase detection for faster lock-on in favorable conditions. However, the lower number of points translates to less granular tracking ability.
Real-World Testing:
In my testing with action and wildlife subjects:
- The G9’s 20 frames per second burst mode combined with continuous autofocus excels with fast tracking and impressive subject retention.
- K-S1’s burst (5.4 fps) and AF system handle casual sports shots but struggle with erratic movement or fast wildlife without lags.
Tracking in Low Light: The G9’s DFD system maintains focus better in dim environments compared to the K-S1’s phase detection, which is more prone to hunt.
Build Quality and Environmental Resistance
For photographers shooting outdoors or in challenging environments, durability and weather sealing matter.
- Panasonic G9: Magnesium alloy body with weather sealing against dust and moisture. No full waterproofing but excellent resilience to rough conditions.
- Pentax K-S1: Polycarbonate chassis without weather sealing; more vulnerable to harsh elements.
This distinction positions the G9 as the better choice if you frequently shoot in unpredictable or wet locations.
LCD Screens and Viewfinders: Interface and Framing
Parallax-free framing and intuitive feedback can make or break compositional accuracy.
Panasonic G9: Articulated Touchscreen + High-Res Electronic Viewfinder
- 3-inch fully articulating touchscreen LCD with a sharp 1040k-dot resolution.
- Bright, detailed electronic viewfinder (EVF) with 3,680k-dot OLED panel, 0.83x magnification, and 100% coverage.
Pentax K-S1: Fixed LCD + Optical Pentaprism Viewfinder
- 3-inch fixed LCD screen with 921k-dot resolution, no touchscreen.
- Optical pentaprism viewfinder providing 100% frame coverage, 0.64x magnification.
The G9’s EVF advantages include live exposure preview, focus peaking, and the flexibility of a flip-out screen for video or creative angles. The K-S1’s optical viewfinder offers traditional DSLR experience preferred by some for color neutrality and zero lag but with less data overlay.
Lens Ecosystem Compatibility
Lens availability shapes the camera’s creative possibilities.
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Panasonic G9: Uses Micro Four Thirds mount. Panasonic, Olympus, and third-party manufacturers provide around 107 lenses, ranging widely in focal lengths and specialties. Compact, high-performance lenses are a hallmark of this system.
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Pentax K-S1: Uses Pentax KAF2 mount with an extensive selection of 151 lenses from Pentax and third parties. The lens lineup includes many legacy autofocus manual lenses, as well as competitive primes and zooms.
Both ecosystems are mature, though Micro Four Thirds lenses tend to be smaller and lighter. Pentax’s optical quality lenses offer excellent value, especially primes.
Battery Life and Storage Options
Long shooting sessions require dependable power and storage.
Feature | Panasonic G9 | Pentax K-S1 |
---|---|---|
Battery Life | Approx. 400 shots | Approx. 410 shots |
Battery Type | DMW-BLF19 | D-LI109 |
Storage Slots | Dual SD UHS-II slots | Single SD slot |
The G9’s dual card slots provide valuable backup or overflow. The high-speed UHS-II support aids in quick write speeds, essential for 20fps bursts and large 4K video files.
Video Capabilities: 4K, Frame Rates, and Connectivity
For hybrid shooters needing video, these cameras offer distinct options.
Panasonic G9: Advanced 4K Video with Stabilization
- 4K UHD video at up to 60p, 150 Mbps, using H.264 codec.
- Full sensor-based 5-axis stabilization benefits handheld shooting.
- External microphone and headphone jacks enable professional audio management.
Pentax K-S1: Full HD 1080p with Basic Support
- Maximum 1080p video at 30fps.
- No mic or headphone ports.
- Internal stabilization only through sensor; less effective for video.
The G9 is a clear winner for videographers or photojournalists needing high-resolution, stable video with professional audio options.
Performance Across Photography Disciplines
Let’s analyze how these cameras fare for specific genres based on hands-on experience.
Portrait Photography
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Panasonic G9: Excellent skin tone rendition with Micro Four Thirds sensors, especially processed with the Venus Engine. Bokeh smoothness benefits from fast lenses; eye-detection autofocus helps maintain sharp eyes in portraits.
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Pentax K-S1: The larger APS-C sensor provides slightly more natural skin tone tonality and shallow depth of field potential. However, lower AF point count and slower focus make capturing moving subjects tricky.
Landscape Photography
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Panasonic G9: The dynamic range is good, but the smaller sensor limits shadow recovery somewhat. Weather sealing enables shooting in rain or wind. The articulating screen aids composition from challenging viewpoints.
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Pentax K-S1: Strong dynamic range, larger sensor captures richer details in shadows/highlights. Lack of weather sealing requires caution when shooting outdoors in adverse conditions.
Wildlife and Sports Photography
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Panasonic G9: Burst shooting at 20fps with AF tracking makes capturing fast-moving animals or athletes effective. Smaller form factor and lens options facilitate portability in the field.
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Pentax K-S1: 5.4fps burst limits action capture. AF system less effective for erratic movement, but prime lenses can achieve sharp telephoto shots with patience.
Street Photography
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Panasonic G9: Its size is larger than the K-S1, but the silent electronic shutter mode enables discreet shooting. High ISO performance aids night street scenes.
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Pentax K-S1: Compact size and optical viewfinder appeal to street photographers who prefer classic shooting style, though shutter noise and lower burst rates limit candid shooting.
Macro Photography
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Panasonic G9: Post focus and focus stacking features assist macro photography. The 5-axis stabilization helps maintain sharpness at close distances.
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Pentax K-S1: No dedicated focus stacking support. Lens selection includes macro primes but requires manual technique for focus precision.
Night and Astro Photography
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Pentax K-S1: Larger sensor with higher max ISO and lower noise makes it better suited for low-light and astrophotography.
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Panasonic G9: Limits in high ISO noise affect image clarity above ISO 3200. However, sensor stabilization aids in longer handheld shots.
Video Production
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G9’s 4K 60p capability, mic/headphone jacks, and in-body stabilization place it firmly in the multimedia creator category.
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K-S1’s limitations restrict it to occasional video use.
Travel and Versatility
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The G9’s weather sealing, articulated screen, and diverse lens ecosystem suit versatile travel needs.
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The K-S1 fits casual travelers seeking simplicity, compactness, and DSLR optical viewfinder experience.
Connectivity and Wireless Features
Modern cameras excel with wireless connectivity, predominantly for remote control and image transfer.
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Panasonic G9: Built-in Wi-Fi and Bluetooth enable seamless image transfer and remote camera operation through Panasonic’s mobile app.
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Pentax K-S1: Only Eye-Fi card compatibility for wireless transfer; no native Bluetooth or Wi-Fi, making connectivity less flexible.
Build Quality and Environmental Resistance Summary
Feature | Panasonic G9 | Pentax K-S1 |
---|---|---|
Body Material | Magnesium Alloy | Polycarbonate |
Weather Sealing | Yes | No |
Weight | 658g | 558g |
Durability | High (pro-grade) | Moderate |
Price and Value Analysis
- Panasonic G9: ~$1500 body only.
- Pentax K-S1: ~$340 body only (often found lower used).
While the K-S1 comes with a significantly lower price point, the G9 offers more advanced features, professional build, and video capabilities, justifying the premium if you leverage those.
Overall Performance Ratings and Genre Scores
Below is a summary matrix based on thorough lab and real-world testing, reflecting technical specs and my firsthand usage.
Sample Image Gallery: See the Results for Yourself
Here are side-by-side sample images from both cameras under varied conditions, showing color reproduction, detail, noise performance, and dynamic range.
Who Should Choose Which Camera?
Choose Panasonic Lumix DC-G9 if You:
- Need pro-level build and weather sealing.
- Desire fast, accurate autofocus and high burst shooting (sports, wildlife).
- Prioritize 4K video recording with professional audio in/stabilization.
- Want articulate touchscreen for flexible framing.
- Shoot extensively in varying environmental conditions.
- Can invest in a versatile lens system and a slightly larger body.
Choose Pentax K-S1 if You:
- Want a budget-friendly DSLR with an optical viewfinder.
- Prefer larger APS-C sensor for slightly better noise and dynamic range.
- Shoot mainly stills at a relaxed pace (portrait, landscape, travel).
- Appreciate compactness and traditional DSLR design.
- Do not require advanced video or cutting-edge AF speed.
Final Thoughts: Deciding Your Best Fit
Both cameras serve distinct niches:
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The Panasonic G9 positions itself as a versatile hybrid camera blending high-speed photography and pro video features for enthusiasts and professionals seeking reliability in demanding settings.
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The Pentax K-S1 is best regarded as an entry-advanced DSLR with solid image quality and traditional ergonomics for photographers on a budget prioritizing stills over video.
When choosing your next camera, consider your primary shooting subjects and workflow preferences. The G9’s technological advancements justify its cost for users who push limits, while the K-S1 remains a respectable choice for casual photographers valuing optical viewfinders and affordability.
My Testing Methodology
My evaluations included:
- Controlled lab tests for resolution, dynamic range, and noise.
- Real-world shooting across multiple genres: portraits, landscapes, wildlife, and astrophotography.
- Autofocus tracking tests in daylight and dim conditions.
- Video quality assessments on stabilization and audio fidelity.
- Ergonomic trials in studio and outdoor environments.
This comprehensive approach ensures this comparison reflects practical user experiences, not just specification sheets.
I hope this detailed comparison empowers you to make an informed choice that truly aligns with your photographic ambitions. If you want to discuss your particular use case further, feel free to reach out or comment below!
Happy shooting!
Panasonic G9 vs Pentax K-S1 Specifications
Panasonic Lumix DC-G9 | Pentax K-S1 | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model | Panasonic Lumix DC-G9 | Pentax K-S1 |
Type | Pro Mirrorless | Advanced DSLR |
Introduced | 2017-11-08 | 2014-08-27 |
Body design | SLR-style mirrorless | Mid-size SLR |
Sensor Information | ||
Powered by | - | Prime MII |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor dimensions | 17.3 x 13mm | 23.5 x 15.6mm |
Sensor area | 224.9mm² | 366.6mm² |
Sensor resolution | 20MP | 20MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Max resolution | 5184 x 3888 | 5472 x 3648 |
Max native ISO | 25600 | 51200 |
Lowest native ISO | 200 | 100 |
RAW data | ||
Lowest enhanced ISO | 100 | - |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 225 | 11 |
Lens | ||
Lens mounting type | Micro Four Thirds | Pentax KAF2 |
Number of lenses | 107 | 151 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Screen type | Fully Articulated | Fixed Type |
Screen size | 3" | 3" |
Resolution of screen | 1,040 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Electronic | Optical (pentaprism) |
Viewfinder resolution | 3,680 thousand dot | - |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.83x | 0.64x |
Features | ||
Min shutter speed | 60 secs | 30 secs |
Max shutter speed | 1/8000 secs | 1/6000 secs |
Max silent shutter speed | 1/32000 secs | - |
Continuous shutter speed | 20.0 frames/s | 5.4 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 10.00 m (at ISO 100) |
Flash modes | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off | Auto, auto + redeye, on, on + redeye reduction, slow sync, trailing curtain sync, manual |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 60p / 150 Mbps, MP4, H.264, Linear PCM | 1920 x 1080 (30,25,24 fps), 1280 x 720 (60,50 fps) |
Max video resolution | 3840x2160 | 1920x1080 |
Video file format | MPEG-4, AVCHD, H.264 | H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 658g (1.45 lbs) | 558g (1.23 lbs) |
Dimensions | 137 x 97 x 92mm (5.4" x 3.8" x 3.6") | 121 x 93 x 70mm (4.8" x 3.7" x 2.8") |
DXO scores | ||
DXO Overall score | not tested | 78 |
DXO Color Depth score | not tested | 23.5 |
DXO Dynamic range score | not tested | 13.0 |
DXO Low light score | not tested | 1061 |
Other | ||
Battery life | 400 photographs | 410 photographs |
Type of battery | Battery Pack | Battery Pack |
Battery model | DMW-BLF19 | D-LI109 |
Self timer | Yes | Yes ( 2 or 12 seconds) |
Time lapse recording | ||
Type of storage | Dual SD/SDHC/SDXC slots (UHS-II supported) | SD/SDHC/SDXC |
Storage slots | Dual | Single |
Launch price | $1,500 | $339 |