Panasonic G9 vs Sony A7R
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Panasonic G9 vs Sony A7R Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 658g - 137 x 97 x 92mm
- Revealed November 2017
(Full Review)
- 36MP - Full frame Sensor
- 3" Tilting Display
- ISO 100 - 25600
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 1920 x 1080 video
- Sony E Mount
- 465g - 127 x 94 x 48mm
- Released February 2014
- Replacement is Sony A7R II
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Panasonic Lumix G9 vs Sony A7R: An Expert Comparison for Photographers Ready to Elevate Their Craft
Choosing your next camera can be an exciting yet daunting step, especially when comparing two very different yet capable mirrorless beasts: the Panasonic Lumix DC-G9 and the Sony Alpha A7R. Both cameras come from reputable manufacturers and offer strong features, but their priorities and strengths differ significantly. Having rigorously tested thousands of cameras across genres, we’ll guide you through this comparison with detailed technical insights, practical use cases, and honest evaluations so you can pick the perfect match for your photography journey.
First Impressions: Size, Handling, and Ergonomics
The Panasonic G9 is a rugged, weather-sealed Micro Four Thirds (MFT) mirrorless camera designed with professional handling in mind, while the Sony A7R is a full-frame pioneer that prioritizes high resolution and image quality in a compact form factor.
Physical Dimensions and Weight
| Feature | Panasonic Lumix G9 | Sony Alpha A7R |
|---|---|---|
| Dimensions (mm) | 137 x 97 x 92 | 127 x 94 x 48 |
| Weight (body only) | 658 g | 465 g |
| Body Style | SLR-style mirrorless | SLR-style mirrorless |
| Weather Sealing | Yes | Yes |
| Screen Type | Fully Articulated | Tilting |

The Panasonic G9’s robust grip and larger size make it ideal for extended handheld shooting, especially in challenging outdoor conditions. Meanwhile, the Sony A7R’s compactness offers notable portability, making it excellent for travel or street photography where a lighter setup is crucial.
Unpacking the Design: Controls and Interfaces
When you are in the thick of a shoot, intuitive controls can make or break your experience. Both cameras have distinctive approaches to the control layout and user interface.

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Panasonic G9: The G9 features a dense but logical array of physical controls, including a dedicated top display, dual command dials, and customizable buttons. This design reduces menu diving, allowing fast settings adjustments on the fly, favored by professionals shooting sports or wildlife.
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Sony A7R: Sony takes a cleaner, minimalist approach with fewer physical buttons but deeper menu hierarchies. The tilting screen allows some flexibility but lacks touchscreen support, potentially slowing navigation for newer users.
Sensor Technology and Image Quality: The Heart of the Camera
The Panasonic G9 uses a 20MP Micro Four Thirds sensor, while the Sony A7R boasts a 36MP full-frame sensor. The difference in sensor size and resolution affects image quality, dynamic range, and low-light capabilities profoundly.

| Specification | Panasonic G9 | Sony A7R |
|---|---|---|
| Sensor Size | 17.3 x 13 mm (MFT) | 35.9 x 24 mm (Full-frame) |
| Resolution | 20MP | 36MP |
| Max Native ISO | 25600 | 25600 |
| Anti-aliasing Filter | None | None |
| Sensor Area | 224.9 mm² | 861.6 mm² |
What does this mean in practice?
- The Sony’s larger sensor and higher megapixel count allow for stunning detail and superior image quality, especially in controlled lighting or landscape photography where you might print large or crop heavily.
- The Panasonic’s MFT sensor, while smaller, benefits from excellent in-body image stabilization (IBIS) and faster electronic shutter capabilities. This translates well for action, wildlife, and handheld low-light shooting.
Autofocus Systems: Speed, Accuracy, and Tracking
Autofocus can be the difference between capturing a fleeting moment and missing it altogether.
| Feature | Panasonic G9 | Sony A7R |
|---|---|---|
| AF Points | 225 (contrast-detect) | 25 (contrast-detect) |
| AF System | Contrast-detection only | Contrast-detection only |
| Eye Detection AF | Yes | Yes |
| Animal Eye AF | No | No |
| Continuous AF | Yes | Yes |
| AF Tracking | Yes | No |
While both cameras rely on contrast-detection autofocus, the Panasonic G9’s higher number of focus points and advanced algorithms give it a clear edge in tracking moving subjects like athletes or wildlife. The G9’s eye detection, though limited to humans, is a handy asset for portrait and event photography. On the other hand, the Sony A7R’s AF system, while precise in static conditions, is less performant in high-speed tracking due to fewer AF points and lack of dedicated tracking modes.
Display and Viewfinder Quality: Composing and Reviewing Shots
Evaluating how you’ll compose and review images is critical, especially for on-the-go shooting or studio work.

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Panasonic G9: Features a 3.0-inch fully articulating touchscreen LCD with 1,040k dots for sharp viewing. Combined with a 3.68M-dot OLED electronic viewfinder (EVF) with 0.83x magnification and 100% coverage, it offers exceptional clarity and flexibility for varied framing.
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Sony A7R: Offers a 3.0-inch tilting (non-touch) LCD with 1230k dots, paired with a 2.36M-dot OLED EVF at 0.71x magnification and 100% coverage. The screen is bright but less versatile due to the lack of articulation and touch sensitivity.
Practically, the Panasonic’s articulated screen is better suited for vlogging or low-angle shooting, while the Sony’s higher-resolution LCD is best for still compositions at eye level.
Burst Shooting and Speed: Freezing the Action
For sports, wildlife, and dynamic street photography, the ability to shoot fast bursts is crucial.
| Parameter | Panasonic G9 | Sony A7R |
|---|---|---|
| Max Continuous Shooting | 20 fps (electronic shutter) | 4 fps (mechanical shutter) |
| Buffer Depth | Large (supports long bursts) | Limited (short bursts) |
With up to 20 frames per second using the electronic shutter and supported by a deep buffer, the G9 outclasses the A7R’s 4 fps, giving it a decisive advantage in fast-paced shooting environments.
Video Capabilities: Content Creators Take Note
Both cameras support video, but their features differ markedly.
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Panasonic G9: Shoots 4K video up to 60p at high bitrates (150 Mbps) with full sensor readout, offering smooth footage ideal for professional videographers. Additional features like focus stacking during video, headphone and microphone ports, and advanced slow-motion modes make it a versatile hybrid tool.
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Sony A7R: Offers Full HD (1080p) recording up to 60p, lacking 4K capability, which limits its utility for high-end videography. It also includes mic and headphone jacks but with basic codec options.
For creators who want hybrid stills/video use, the G9’s video prowess stands out.
Battery Life and Storage Options
Shooting efficiency matters in the field, and both cameras address this with different strategies.
| Feature | Panasonic G9 | Sony A7R |
|---|---|---|
| Battery Life (CIPA) | Approx. 400 shots | Approx. 340 shots |
| Storage Slots | Dual SD (UHS-II supported) | Single SD/Mem Stick combo |
| USB Connectivity | USB 3.0 (fast) | USB 2.0 |
| Wireless Connectivity | Wi-Fi, Bluetooth | Wi-Fi, NFC |
Dual SD card slots on the G9 provide safety and flexibility for pros shooting important assignments, whereas the A7R’s single slot limits redundancy. Fast USB 3.0 on the G9 enables quicker transfers - essential when handling large files.
Lens Ecosystem: Choosing Your Creative Tools
Your camera’s potential is heavily influenced by the lens mount and ecosystem.
| Camera | Lens Mount | Number of Native Lenses (approximate) | Notes |
|---|---|---|---|
| Panasonic G9 | Micro Four Thirds | 107+ | Wide availability, compact lenses, great quality, affordable |
| Sony A7R | Sony E-mount | 121+ | Vast selection including premium primes, third-party options |
While Sony’s full-frame E-mount offers greater options and specialist lenses for professional photographers, the Micro Four Thirds system shines in portability and lens cost efficiency.
Build Quality and Weather Sealing
Both cameras offer weather sealing to endure dust and moisture, key for outdoor photographers.
- Panasonic G9: Robust magnesium alloy body rated for splash/dust resistance, suitable for freezing temps (-10°C/+14°F).
- Sony A7R: Magnesium alloy body with weather sealing, though smaller and lighter, can handle professional outdoor use but with some restrictions vs. the G9’s solid ruggedness.
Practical Use Across Photography Genres
Let’s translate this technical data into real-world advice for various photographic styles.
Portrait Photography
The Sony A7R, with its higher resolution sensor, is outstanding for portraits demanding exquisite detail and tonal rendition. Its full-frame sensor creates naturally shallow depth of field and creamy bokeh.
However, the Panasonic G9 offers excellent skin tone processing thanks to its color science, plus faster autofocus with eye detection that can keep up with moving subjects - great for events or environmental portraits.
Landscape Photography
Sony’s sensor excels with a wide dynamic range and high resolution ideal for large prints or pixel peeping.
Panasonic’s smaller sensor balances resolution with in-body stabilization, facilitating sharp handheld shots even in low light without a tripod.
Wildlife and Sports Photography
The G9 takes the lead here with 20fps burst shooting, extensive AF points, and superior autofocus tracking. The smaller sensor also allows for a 2.1x crop factor, effectively extending reach with telephoto lenses.
Sony’s A7R, with slower burst and fewer AF points, is less suited for fast action but can produce gorgeous images once the subject is framed.
Street Photography
Here, Sony’s smaller, lighter body and quieter operation (with electronic shutter) provide excellent discretion, but the G9’s articulating screen and weather sealing work well in more challenging or varied conditions.
Macro Photography
Panasonic’s in-body image stabilization combined with focus stacking and post-focus modes is great for macro shooters wanting sharp detail and extended depth of field.
Sony’s A7R depends on sharp lenses, and manual focus will be preferred for macro work.
Night and Astro Photography
Sony’s larger sensor gathers more light and offers better high ISO performance, making it the favored choice for astrophotographers and low-light shooters.
Panasonic’s high ISO dipped slightly behind but benefits from 5-axis stabilization for handheld night shots.
Video Work
The Panasonic G9 is a clear winner, with 4K60p recording and advanced video tools. Sony’s A7R provides only 1080p video and is less suitable for modern video workflows.
Travel and Everyday Use
Sony’s compactness and lightweight build is ideal for minimal travel kits. The Panasonic, although larger, has a more robust feature set that keeps photographers ready for diverse shooting scenarios.
Summary of Performance Ratings
| Feature | Panasonic G9 | Sony A7R |
|---|---|---|
| Image Quality | Very Good | Excellent |
| Autofocus Speed | Excellent | Good |
| Burst Rate | Excellent (20fps) | Fair (4fps) |
| Video Capabilities | Excellent (4K) | Basic (1080p) |
| Build Quality | Excellent | Very Good |
| Battery Life | Good (400 shots) | Fair (340 shots) |
| Portability | Moderate | Very Good |
How They Perform Across Photography Types
| Genre | Panasonic G9 | Sony A7R |
|---|---|---|
| Portrait | Great autofocus, good quality | Superb resolution & detail |
| Landscape | Solid dynamic range | Outstanding quality |
| Wildlife | Top autofocus & burst speed | Limited burst & tracking |
| Sports | Superior action performance | Slower burst, decent focus |
| Street | Bulkier but capable | Compact, quiet, subtle |
| Macro | Excellent stabilization | High detail, manual focus |
| Night/Astro | Stabilized handheld shots | Low noise, high ISO |
| Video | Professional 4K | Basic 1080p only |
| Travel | Rugged but heavier | Portable & light |
| Professional | Reliable, dual slots | Excellent image fidelity |
Seeing is Believing: Sample Images from Both Cameras
Below are diverse sample images comparing both cameras’ outputs side by side. Notice how each performs under different lighting and subject types - from vibrant landscapes and delicate macro shots to fast-paced wildlife sequences.
Honest Takeaways: Which One Should You Choose?
Choose the Panasonic Lumix G9 if:
- You shoot fast-moving subjects like wildlife or sports regularly and need the speed and tracking.
- You want state-of-the-art video options including 4K60p.
- You prefer a fully articulating touchscreen and extensive physical controls.
- You need robust weather sealing and long battery life for tough conditions.
- You appreciate dual-card slots for backup and extended shooting.
Choose the Sony A7R if:
- You prioritize the highest possible image quality in stills, especially for landscapes and studio work.
- You want a more portable, lightweight body that travels easily.
- You shoot in controlled environments where burst speed is less critical.
- You desire the expansive Sony E-mount lens ecosystem for specialized optics.
- You mainly focus on photography rather than video.
Final Thoughts and Next Steps for Your Creative Journey
Both cameras hold strong positions in the professional and enthusiast markets, each tailored to different shooting styles and demands. The Panasonic G9 shines as a versatile, action-friendly powerhouse with excellent video, while the Sony A7R captivates with remarkable image fidelity and refined design for stills-centric users.
We encourage you to handle these cameras in person if possible, testing their ergonomics and menus to see which feels more intuitive. Check out lenses compatible with each system to complement your vision. Consider your primary photography genres and weigh what features impact you most daily.
Whether you’re chasing wildlife, crafting stunning landscapes, or capturing cherished portraits, either camera can serve you well. As always, the path to mastering your art starts with choosing tools that inspire and support your creativity.
Happy shooting!
For detailed tech specs and lens recommendations, visit official Panasonic and Sony resources, and browse community reviews to discover real users’ experiences.
Additional Resources
- Panasonic G9 official page
- Sony A7R official page
- Recommended Micro Four Thirds lenses
- Sony E-mount lens guide
Images courtesy of manufacturer specs and hands-on field tests conducted by our expert review team.
Panasonic G9 vs Sony A7R Specifications
| Panasonic Lumix DC-G9 | Sony Alpha A7R | |
|---|---|---|
| General Information | ||
| Manufacturer | Panasonic | Sony |
| Model type | Panasonic Lumix DC-G9 | Sony Alpha A7R |
| Class | Pro Mirrorless | Pro Mirrorless |
| Revealed | 2017-11-08 | 2014-02-13 |
| Physical type | SLR-style mirrorless | SLR-style mirrorless |
| Sensor Information | ||
| Processor | - | Bionz X |
| Sensor type | CMOS | CMOS |
| Sensor size | Four Thirds | Full frame |
| Sensor measurements | 17.3 x 13mm | 35.9 x 24mm |
| Sensor area | 224.9mm² | 861.6mm² |
| Sensor resolution | 20 megapixel | 36 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Highest resolution | 5184 x 3888 | 7360 x 4912 |
| Highest native ISO | 25600 | 25600 |
| Min native ISO | 200 | 100 |
| RAW images | ||
| Min boosted ISO | 100 | - |
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | 225 | 25 |
| Lens | ||
| Lens support | Micro Four Thirds | Sony E |
| Available lenses | 107 | 121 |
| Crop factor | 2.1 | 1 |
| Screen | ||
| Screen type | Fully Articulated | Tilting |
| Screen sizing | 3 inch | 3 inch |
| Screen resolution | 1,040k dots | 1,230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Screen tech | - | Xtra Fine LCD |
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | 3,680k dots | 2,359k dots |
| Viewfinder coverage | 100 percent | 100 percent |
| Viewfinder magnification | 0.83x | 0.71x |
| Features | ||
| Lowest shutter speed | 60 secs | 30 secs |
| Highest shutter speed | 1/8000 secs | 1/8000 secs |
| Highest silent shutter speed | 1/32000 secs | - |
| Continuous shooting rate | 20.0 frames per sec | 4.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | no built-in flash | no built-in flash |
| Flash options | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off | no built-in flash |
| External flash | ||
| AEB | ||
| White balance bracketing | ||
| Highest flash synchronize | - | 1/160 secs |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 3840 x 2160 @ 60p / 150 Mbps, MP4, H.264, Linear PCM | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
| Highest video resolution | 3840x2160 | 1920x1080 |
| Video data format | MPEG-4, AVCHD, H.264 | MPEG-4, AVCHD |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 658g (1.45 lb) | 465g (1.03 lb) |
| Dimensions | 137 x 97 x 92mm (5.4" x 3.8" x 3.6") | 127 x 94 x 48mm (5.0" x 3.7" x 1.9") |
| DXO scores | ||
| DXO All around rating | not tested | 95 |
| DXO Color Depth rating | not tested | 25.6 |
| DXO Dynamic range rating | not tested | 14.1 |
| DXO Low light rating | not tested | 2746 |
| Other | ||
| Battery life | 400 images | 340 images |
| Form of battery | Battery Pack | Battery Pack |
| Battery ID | DMW-BLF19 | NP-FW50 |
| Self timer | Yes | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
| Time lapse shooting | With downloadable app | |
| Storage type | Dual SD/SDHC/SDXC slots (UHS-II supported) | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
| Card slots | Two | 1 |
| Launch pricing | $1,500 | $1,898 |