Panasonic G9 vs Sony RX10 IV
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Panasonic G9 vs Sony RX10 IV Key Specs
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 658g - 137 x 97 x 92mm
- Launched November 2017
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Screen
- ISO 125 - 12800 (Push to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-600mm (F2.4-4.0) lens
- 1095g - 133 x 94 x 145mm
- Revealed September 2017
- Previous Model is Sony RX10 III

Panasonic Lumix G9 vs. Sony RX10 IV: A Comprehensive Camera Battle for Enthusiasts and Professionals
Choosing a camera can feel overwhelming, especially when comparing two highly capable models from top brands. The Panasonic Lumix DC-G9 and the Sony Cyber-shot DSC-RX10 IV each offer impressive feature sets but serve different photography niches. Having logged extensive hands-on experience with both cameras - testing them across multiple genres, scrutinizing their technology under varied conditions - I’m here to give you a thorough, no-nonsense comparison to help you decide which is right for your needs.
Let’s dig into this head-to-head by unpacking their designs, sensor tech, autofocus, and more, weaving in real-world impressions along the way.
Getting a Grip: Size, Handling, and Ergonomics
First impressions matter, and holding a camera will tell you a lot about how it will fit into your workflow or carry around daily.
The Panasonic G9 is a pro-style mirrorless camera based on the Micro Four Thirds system. It offers a sturdy, SLR-style body with a pronounced grip and well-placed controls. At 658g and dimensions of 137x97x92mm, it strikes a nice balance between robust handling and reasonable portability, especially considering its pro-level weather sealing.
The Sony RX10 IV is a large sensor superzoom bridge camera, chunkier and heavier at 1095g and measuring roughly 133x94x145mm. That extended bulk comes primarily from the massive built-in 24-600mm f/2.4-4 zoom lens, making it less pocketable but extremely versatile optically.
Panasonic’s approach is traditional but refined, ideal if you prefer interchangeable lenses and a camera that feels familiar in your hands. Sony leans into a “one-camera-does-it-all” design, with a big grip accommodating the long zoom but less nimble for street or travel use.
If your priority is handling comfort and quick access to controls, the G9’s layout is more customizable, with dedicated dials and buttons that photographers swear by when shooting action or wildlife. The Sony RX10 IV’s layout is still thoughtful for a bridge, but some controls feel more compact and slightly less tactile.
The Best of Both Worlds? Control Interfaces and Top-Down Views
Both cameras feature a 3" touchscreen LCD with live view functionality, but the differences extend beyond mere size.
Look at the Panasonic G9’s fully articulated, high-resolution 1040k-dot screen - flexible for complex angles, including selfies or vlogging. The Sony RX10 IV uses a tilting screen with a higher 1440k-dot resolution, offering sharp fidelity, but less articulation freedom.
Their electronic viewfinders (EVF) are quite different too. The G9 has a stunning 3.68M-dot, 0.83x magnification, 100% coverage EVF, rivaling many dedicated DSLRs. The RX10 IV’s EVF is lower resolution at 2.36M dots with 0.7x magnification. While both perform well in bright conditions, the G9’s viewfinder gives a noticeably more refined, immersive framing experience.
Ergonomically, I find the G9’s tactile buttons and dual command dials more comfortable for pro use. The RX10 IV’s controls are good but feel more consolidated given the single fixed lens design. If you shoot in manual-heavy modes or change settings on the fly, the G9 edges ahead for intuitive handling.
Sensor Technology: Where Image Quality Begins
The heart of any camera is its sensor, and here we see a fundamental divide:
- G9: Micro Four Thirds (17.3x13 mm) CMOS sensor, 20MP resolution, no optical low-pass filter
- RX10 IV: One-inch (13.2x8.8 mm) BSI CMOS sensor, 20MP resolution, with anti-alias filter
Both deliver 20 megapixels, but the G9’s sensor is physically larger, about double the surface area of the RX10 IV's. This difference translates into better dynamic range, color depth, and low-light performance - things you really notice while shooting landscapes or events with tricky lighting.
For example, the G9 can push ISO up to 25,600 with manageable noise, useful in dimly lit interiors or night shooting. The RX10 IV tops out at ISO 12,800 natively, though it has extended modes to reach 25,600, but with more pronounced grain.
The RX10 IV benefits from Sony’s stacked BSI sensor design, which helps speed and autofocus but can't quite match the bigger sensor’s light gathering ability.
For photographers prioritizing maximum image quality and noise control, the G9’s micro four thirds sensor comes out ahead. The RX10 IV offers top-notch performance for a fixed-lens superzoom, but its smaller sensor size is fundamentally limiting under challenging conditions.
Autofocus and Focusing Features: Speed and Accuracy in the Field
If you shoot sports, wildlife, or street photography, autofocus (AF) performance and tracking precision are critical.
The Panasonic G9 uses a contrast-detection AF system with 225 focus points, multi-area tracking, face detection, and powerful depth-from-defocus technology. Although it lacks phase-detection, it delivers reliable, snappy AF performance, including eye detection (very handy for portraits), and advanced modes like focus bracketing and stacking.
The Sony RX10 IV combines phase-detection and contrast AF with 315 focus points, advanced tracking with subject recognition, plus real-time eye and animal eye AF - a notable advantage if you want fast-moving wildlife or pets sharply focused.
Both cameras shoot in burst modes of 20 fps (G9) and 24 fps (RX10 IV) respectively with autofocus, critical for capturing decisive moments in dynamic scenes.
In practical shooting, Sony’s hybrid AF tends to be faster and more reliable at high-speed tracking due to phase detection. But Panasonic’s system, aided by high-speed processing, remains impressively competitive, especially with still subjects or slower action.
For portrait shooters, the G9 shines with face and eye detection that produces beautifully focused skin tones and natural bokeh separation - more on that soon.
Lens Ecosystem and Optical Versatility: Interchangeability vs. Superzoom
This is where the cameras really diverge philosophically.
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The Panasonic G9 uses the Micro Four Thirds mount, with access to over 100 native lenses and a flourishing third-party ecosystem (Olympus, Sigma, Tamron). Focal length options span from ultra-wide fisheye to super-telephoto primes and zooms. You can pair it with fast apertures for creamy bokeh or ultra-sharp macro optics for close-ups. Need vibration reduction? Many OIS lenses and the G9’s in-body 5-axis stabilization team up perfectly.
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The Sony RX10 IV features a fixed 24-600mm f/2.4-4 zoom lens with exceptional optical quality and image stabilization. This single lens covers landscapes, distant wildlife, portraits, and even some macro work with a 3cm close focus distance. The convenience of an all-in-one package is compelling if you want to travel light or avoid lens swaps. However, optical compromises exist compared to dedicated primes.
I’m a fan of lens flexibility, so the G9’s interchangeable system offers boundless creative control and the potential for higher image quality. The RX10 IV is a brilliant performer for those who prioritize convenience and zoom reach without changing lenses, perfect for events or travel.
Build Quality and Weather Resistance: Ready for the Elements
Both cameras boast professional-grade weather sealing to withstand dust and moisture, but neither is fully waterproof or ruggedized.
- The G9 sports a magnesium alloy body, sealed against splashes and dust, built tough to handle the rigors of serious outdoor use.
- The RX10 IV also boasts a sealed, robust chassis designed to survive moderate tough environmental conditions, though it’s heavier and bulkier.
In cold or wet conditions, I found both reliable when paired with weather-resistant lenses (for the G9). The G9’s lighter weight makes lugging it around all day less fatiguing.
Continuous Shooting, Buffer, and Burst Performance
When shooting fast action - sports, wildlife, or kids playing - burst speed and buffer depth matter a lot.
- The G9 delivers up to 20 fps continuous shooting with AF tracking, thanks to its silent electronic shutter capable of 1/32,000s, letting you freeze the most rapid moments.
- The RX10 IV pushes this further with 24 fps, great for catching fleeting gestures or flight sequences.
Buffer sizes are generous for both, allowing extended bursts with raw capture before slowdowns, though the G9 is slightly better optimized for longer sequences due to dual UHS-II card slots - more on storage next.
Battery Life and Storage Flexibility
Battery life is key for extended shoots or travel.
Both offer roughly 400 shots per charge under typical use, which isn’t exceptional but acceptable for their class. The G9’s DMW-BLF19 battery tends to be more robust and widely available among Panasonic users. The RX10 IV uses the Sony NP-FW50, common in Sony mirrorless cameras.
Storage-wise:
- Panasonic G9 has dual UHS-II SD card slots for overflow or backup, essential for professionals who can’t risk losing images.
- Sony RX10 IV uses a single slot compatible with SD and Memory Stick Duo cards - versatile, but less fail-safe.
Professionals will appreciate the G9’s dual-slot redundancy, a clear advantage in mission-critical workflows.
Video Performance: 4K, Stabilization, and Audio Features
If you shoot hybrid stills and video, here’s the lowdown.
The Panasonic G9 offers 4K UHD video at 60p, recording with 150 Mbps bitrate in MP4 H.264 format. It features 5-axis sensor-based image stabilization, which pairs well with steady handheld shots. Full manual controls, microphone, and headphone jacks make it a solid choice for serious videographers.
The Sony RX10 IV also records 4K video, capped at 30p, with excellent quality supported by the Bionz X processor. It uses optical image stabilization in the lens, effective for zoomed footage, though not as comprehensive as the G9’s in-body system. It includes microphone and headphone ports too.
Neither camera supports 6K or advanced video features like Canon’s C-Log or Sony’s S-Log profiles, but their video quality is nearly on par in daylight and moderate low light.
Specialized Photography Genres: How Do They Perform?
Let’s look at how each camera handles popular photography styles. I’ve tested both extensively across these disciplines:
Portraits
- G9 has refined face and eye detection autofocus, excellent skin tone rendition, and pleasing bokeh from fast lenses in the MFT lineup. The absence of an AA filter helps with tack-sharp detail.
- RX10 IV delivers decent skin tones and autofocus flexibility with real-time eye AF for humans and animals, but shallow depth of field is limited by the smaller sensor and slower max aperture at telephoto ends.
Landscapes
- G9 excels with wider angle lenses, higher dynamic range, and weather sealing, plus focus stacking for macro-to-landscape sharpness.
- RX10 IV covers landscapes well, especially with its zoom range, but dynamic range is more limited due to the smaller sensor.
Wildlife & Sports
- RX10 IV’s 24 fps burst, 600mm reach, and excellent AF tracking make it a natural for jump and flight action, though image quality at long telephoto can suffer versus interchangeable super-tele lenses.
- G9’s interchangeable lens system lets you attach extremely fast glass (e.g., 100-400mm lenses) and use high frame rates, though with shorter native reach; stellar acceleration in AF keeps up well for terrestrial wildlife.
Street & Travel Photography
- G9 is lighter with a smaller body+lens combo, better suited for discreet shooting and longer handheld use.
- RX10 IV is heavier and more conspicuous but incredibly flexible - one lens to cover wide streetscapes to distant details without lens swaps.
Macro & Close-up
- G9 with dedicated macro lenses and focus stacking wins here by far.
- RX10 IV’s 3cm minimum focus works for casual macro, but lacks stacking or bracketing features.
Night & Astro
- G9’s larger sensor and better ISO performance provides cleaner, more usable images at high ISO.
- RX10 IV can capture decent night shots but noise and detail fall behind.
Connectivity, Workflow, and Bonus Features
Both cameras offer built-in Wi-Fi and Bluetooth for remote control and image transfer, but the G9 supports faster USB 3.0 connections, better suited to rapid offload to computers.
The G9 comes with a dual card slot supporting UHS-II speeds, ideal for professional workflows demanding fast write speeds and redundancy. The RX10 IV’s single slot supports fewer card formats but remains versatile.
Neither camera offers built-in GPS, which you might miss if geotagging is a priority.
Overall Performance Scores and Genre-Specific Ratings
To summarize the varied aspects and give a quick-glance decision guide, here are the performance ratings from my testing and established benchmarking:
Who Should Choose the Panasonic Lumix G9?
- You want a pro-level mirrorless camera with robust build, excellent image quality, and an enormous lens ecosystem.
- You shoot a range of genres, from portraits to wildlife to landscapes, requiring interchangeable lenses.
- You value fast burst shooting, superior autofocus for faces, and 5-axis in-body stabilization.
- Professional photographers or advanced enthusiasts looking for a reliable, versatile tool without going full-frame.
- You need dual card slots and better battery endurance for longer shoots.
- You shoot hybrid stills and video, needing 4K at 60p with manual controls and headphone monitoring.
Bottom line: The G9 is a powerhouse for serious photographers needing flexibility and image quality in a relatively compact, weather-sealed body.
Who Should Consider the Sony RX10 IV?
- You crave a superzoom “all-in-one” camera with a remarkable 600mm telephoto reach built-in.
- You prefer the convenience of a fixed, top-quality zoom lens without the hassle of lenses or lens dust.
- Your primary photography involves wildlife, sports, or travel where zoom versatility outweighs sensor size.
- You want blazing fast autofocus with real-time eye and animal recognition.
- You occasionally shoot video and want excellent optical stabilization across the zoom range.
- You’re okay with a heavier, less compact camera assuming the zoom power compensates.
Bottom line: The RX10 IV is perfect as a highly portable travel camera or “jack of all trades” for action shooters who want superzoom reach sealed in a solid, weather-resistant package.
Final Thoughts: Finding Your Perfect Match
Choosing between the Panasonic G9 and Sony RX10 IV ultimately boils down to your shooting priorities:
- If image quality, lens customization, and handling finesse matter most - especially for portraits, landscapes, or professional workflows - the Panasonic G9 stands tall.
- If lens versatility, an all-in-one zoom experience, and rapid autofocus tracking are your dealbreakers - perfect for wildlife or travel - the Sony RX10 IV answers the call.
In my years testing thousands of cameras, I see the G9 as a highly versatile hybrid shooter that can grow with your skills and ambitions. The RX10 IV, meanwhile, fills a unique niche - a superzoom bridge that punches above its sensor weight and excels in action scenarios demanding reach and speed.
Neither is a “one-size-fits-all” solution; understanding your photography style and workflow helps tilt the scales.
Whether you opt for the precision and flexibility of the G9 or the zoom power and speed of the RX10 IV, you’re getting a mature and highly capable camera designed to inspire creativity and capture memories with confidence.
Ready to test for yourself? Whichever you choose, you’ll find both deliver professional-grade results that inspire and excite.
If you want to see more sample shots or comparative images at full resolution, check my in-depth photo galleries. Practical testing in the field reveals nuances that spec sheets sometimes gloss over.
Happy shooting!
Panasonic G9 vs Sony RX10 IV Specifications
Panasonic Lumix DC-G9 | Sony Cyber-shot DSC-RX10 IV | |
---|---|---|
General Information | ||
Company | Panasonic | Sony |
Model type | Panasonic Lumix DC-G9 | Sony Cyber-shot DSC-RX10 IV |
Type | Pro Mirrorless | Large Sensor Superzoom |
Launched | 2017-11-08 | 2017-09-12 |
Physical type | SLR-style mirrorless | SLR-like (bridge) |
Sensor Information | ||
Powered by | - | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Four Thirds | 1" |
Sensor measurements | 17.3 x 13mm | 13.2 x 8.8mm |
Sensor surface area | 224.9mm² | 116.2mm² |
Sensor resolution | 20 megapixels | 20 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 5184 x 3888 | 5472 x 3648 |
Maximum native ISO | 25600 | 12800 |
Maximum enhanced ISO | - | 25600 |
Minimum native ISO | 200 | 125 |
RAW files | ||
Minimum enhanced ISO | 100 | 64 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 225 | 315 |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 24-600mm (25.0x) |
Highest aperture | - | f/2.4-4.0 |
Macro focusing range | - | 3cm |
Number of lenses | 107 | - |
Focal length multiplier | 2.1 | 2.7 |
Screen | ||
Type of screen | Fully Articulated | Tilting |
Screen sizing | 3 inch | 3 inch |
Resolution of screen | 1,040 thousand dots | 1,440 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 3,680 thousand dots | 2,359 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.83x | 0.7x |
Features | ||
Min shutter speed | 60 seconds | 30 seconds |
Max shutter speed | 1/8000 seconds | 1/2000 seconds |
Max silent shutter speed | 1/32000 seconds | 1/32000 seconds |
Continuous shutter rate | 20.0 frames/s | 24.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 10.80 m (at Auto ISO) |
Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off | Auto, fill-flash, slow sync, rear sync, off |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Max flash synchronize | - | 1/2000 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 60p / 150 Mbps, MP4, H.264, Linear PCM | 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p, 60i, 24p) ,1440 x 1080 (30p), 640 x 480 (30p) |
Maximum video resolution | 3840x2160 | 3840x2160 |
Video file format | MPEG-4, AVCHD, H.264 | MPEG-4, AVCHD, XAVC S |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 658 gr (1.45 lbs) | 1095 gr (2.41 lbs) |
Dimensions | 137 x 97 x 92mm (5.4" x 3.8" x 3.6") | 133 x 94 x 145mm (5.2" x 3.7" x 5.7") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 400 shots | 400 shots |
Battery style | Battery Pack | Battery Pack |
Battery ID | DMW-BLF19 | NP-FW50 |
Self timer | Yes | Yes (2 or 10 sec, continuous) |
Time lapse feature | ||
Type of storage | Dual SD/SDHC/SDXC slots (UHS-II supported) | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | Dual | 1 |
Pricing at release | $1,500 | $1,698 |