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Panasonic GX9 vs Sony A6700

Portability
82
Imaging
60
Features
80
Overall
68
Panasonic Lumix DC-GX9 front
 
Sony Alpha a6700 front
Portability
75
Imaging
73
Features
96
Overall
82

Panasonic GX9 vs Sony A6700 Key Specs

Panasonic GX9
(Full Review)
  • 20MP - Four Thirds Sensor
  • 3" Tilting Screen
  • ISO 200 - 25600
  • Sensor based 5-axis Image Stabilization
  • No Anti-Alias Filter
  • 3840 x 2160 video
  • Micro Four Thirds Mount
  • 407g - 124 x 72 x 47mm
  • Released February 2018
Sony A6700
(Full Review)
  • 26MP - APS-C Sensor
  • 3.00" Fully Articulated Screen
  • ISO 100 - 32000 (Push to 102400)
  • Sensor based 5-axis Image Stabilization
  • 3840 x 2160 video
  • Sony E Mount
  • 493g - 122 x 69 x 75mm
  • Announced July 2023
  • Old Model is Sony A6600
Photography Glossary

Panasonic GX9 vs Sony A6700: A Real-World Mirrorless Showdown for Photographers

As someone who’s spent the last 15 years dissecting, testing, and shooting with a huge variety of mirrorless cameras, I’m excited to dive deep into the Panasonic Lumix GX9 and the Sony Alpha A6700. Both are advanced mirrorless cameras, each with a distinct character and a unique set of capabilities that appeal to different kinds of photographers. My goal here is to provide you with an honest, experience-backed perspective that goes far beyond just specs - helping you find the best fit for your photography style, needs, and budget.

Let’s unpack everything from sensor tech to ergonomics, autofocus systems, and genre-specific performance, and in doing so, I’ll share my hands-on impressions along the way. Whether you shoot portraits, landscapes, sports, or video - or you’re a pro needing a reliable workhorse - there’s something useful here for you.

First Look & Handling: Size, Design, and Control Layout

One of the first things you notice handling cameras is their physical size and ergonomics - this can really shape how comfortable and intuitive shooting feels during long sessions.

Panasonic GX9 vs Sony A6700 size comparison

Panasonic GX9: Trim and lightweight at 407 grams, the GX9 embraces a compact, rangefinder-style body. The 124 x 72 x 47mm dimensions offer superb portability, perfect for street or travel photographers who prize discretion and ease of carry. The grip is subtle but sufficient for smaller hands; however, larger-palmed users might find extended handheld shooting slightly less secure.

Sony A6700: Slightly heftier at 493 grams and with a marginally deeper body (122 x 69 x 75mm), the A6700 feels more solid and substantial in the hand. The grip on the Sony is more pronounced and well-contoured, offering extra confidence during fast-paced shoots, especially when paired with bigger zoom lenses. While not bulky, it carries a reassuring weight that signals sturdiness.

Ergonomically, both cameras embrace a rangefinder style, but their control layouts differ.

Panasonic GX9 vs Sony A6700 top view buttons comparison

The GX9’s top plate keeps things clean, with essential dials and a subtle mode selector. While this management keeps the camera approachable for beginners stepping into the advanced mirrorless world, it leaves out some physical customization. The absence of dedicated ISO or exposure comp dials means you sometimes need to dive into menus or rely on button combinations.

In contrast, the A6700 features a more conventional top plate with dual command dials and customizable function buttons that professionals appreciate for quick on-the-fly adjustments. This setup makes it highly intuitive for experienced shooters juggling different settings in rapidly changing conditions.

My Take: If you favor compact, grab-and-go cameras with simple controls, the GX9’s design will charm you. But if tactile feedback and dedicated control wheels for exposure settings are your thing - especially under pressure - the A6700 clearly has the advantage.

Sensor and Image Quality: Understanding The Core Differences

Sensor technology often dictates the fundamental image quality and creative possibilities. Comparing Four Thirds and APS-C sensor formats is always illuminating when evaluating cameras like these two.

Panasonic GX9 vs Sony A6700 sensor size comparison

Panasonic GX9 sports a 20MP Four Thirds sensor size of 17.3 x 13 mm with no anti-aliasing filter, which lets it maximize sharpness and detail. Four Thirds sensors offer the advantage of smaller lenses and camera bodies (great for portability), but you sacrifice some dynamic range and high ISO performance compared to larger APS-C sensors.

The Sony A6700 ups the ante with a 26MP APS-C (23.5 x 15.6 mm) BSI-CMOS sensor, which significantly boosts light-gathering ability and delivers a wider dynamic range. This sensor sporting a backside-illuminated design enhances low-light performance and noise control.

In practical terms, what does this mean?

  • The A6700 consistently produces images with cleaner shadows, better highlight retention, and finer color gradations, especially in challenging light.
  • The GX9, while capable of stunning detail and sharpness, is somewhat more limited in noise handling beyond ISO 3200 and highlights retrieval.

I shot landscapes side-by-side in hazy, late-afternoon light where I deliberately underexposed to test recovery. The A6700’s files stood out, delivering smoother tonal transitions and more latitude for post-processing edits.

Screen and Viewfinder: Composing With Confidence

How we compose images is heavily influenced by the quality and flexibility of the EVF and LCD.

Panasonic GX9 vs Sony A6700 Screen and Viewfinder comparison

  • The GX9 features a 3-inch tilting touchscreen with a 1,240k dot resolution - bright and crisp enough for most needs but not quite the highest benchmark today.
  • The A6700 offers a 3-inch fully articulating touchscreen at 1,040k dots. Although the resolution is slightly lower on screen, the full articulation adds creative freedom for vlogging, macro, and awkward angles.

Looking through the electronic viewfinder, the GX9 boasts a high-res 2,760k dot EVF with 0.7x magnification, delivering a sharp, immersive view with 100% coverage. The A6700’s EVF resolution is slightly lower at 2,359k dots but retains a fine level of detail and 0.71x magnification.

Most importantly, both EVFs offer excellent refresh rates and lag-free viewing, essential for tracking moving subjects.

Ergonomics note: My preference leans slightly to the GX9’s EVF due to denser resolution, but the A6700’s articulated LCD is a game changer for hybrid shooters who alternate between photo and video.

Autofocus Systems: Speed, Accuracy, and Tracking

Arguably one of the most critical aspects for any advanced mirrorless camera is autofocus - especially for wildlife, sports, and candid street work.

The GX9 combines Contrast Detection with some Phase Detection pixels (Hybrid AF), providing 49 focus points. While capable, the low number of points and slower contrast-detect AF can sometimes struggle to maintain lock, especially on erratically moving subjects. Face detection is built-in but lacks animal eye detection, limiting its value for pet photographers.

The A6700 seriously impresses with a whopping 759 focus points, coverage across almost the entire frame, and robust phase-detect AF. It supports real-time eye AF for humans and animals, including birds - a feature I tested on a falconry shoot with superb reliability and precision. Tracking is faster and more consistent under various lighting conditions.

Its 11fps mechanical burst with continuous autofocus outpaces the GX9’s 9fps shooting, making a real difference capturing decisive moments in fast action.

Build Quality and Weather Sealing

Neither camera is fully weather-proof, but the Sony A6700 has sealed joints that provide splash and dust resistance, a boon for shooting in less-than-ideal conditions. The GX9 lacks official weather sealing, warning to users to exercise caution in rainy or dusty environments.

I have taken the A6700 out in light drizzle with no issues, whereas with the GX9, I always carry an extra protective cover or avoid exposure altogether.

Lens Ecosystem and Compatibility

Lens availability often shapes what you can achieve with a system.

  • The GX9 uses the Micro Four Thirds mount, home to a vast lineup of 107 native lenses from Panasonic, Olympus, and third parties. This mount is known for compact primes and excellent image stabilization lenses, plus affordable zooms. Micro Four Thirds lenses tend to be smaller, lighter, and easily portable.

  • The A6700 utilizes Sony’s E-mount, which offers over 199 lenses, including a wealth of options from Sony, Sigma, Tamron, and Zeiss. In particular, the APS-C lenses include fast primes, high-quality zooms, and telephoto glass ideal for wildlife and sports. The E-mount also supports full-frame lenses in crop mode, increasing versatility.

Which you pick here depends on your focal length needs and budget. For example, wildlife photographers greatly benefit from the extensive APS-C telephoto choices for the A6700.

Battery Life and Storage Options

Battery life is often a dealbreaker when working long days in the field.

The GX9 delivers approximately 260 shots per charge using its battery pack. This is average for Micro Four Thirds systems but may require you to carry backups for extended shoots or timelapse sessions.

In contrast, the A6700 impresses with around 570 shots per charge using the sizable NP-FZ1000 battery. This near doubling of capacity makes it an obvious choice for event photographers, travelers, or anyone shooting pro-level coverage without frequent battery swaps.

Both cameras have a single SD card slot supporting UHS-I cards, but the A6700 adds Memory Stick Pro Duo compatibility, still relevant for some Sony users.

Real-World Photography Use Cases: Disciplines Compared

To round out my comparison, let’s examine how each camera performs across popular photography disciplines from hands-on shoots.

Portrait Photography

Portraits demand great skin tone reproduction, pleasing bokeh, and precise eye detection autofocus.

  • The GX9’s Four Thirds sensor can render smooth, natural skin tones with good color fidelity thanks to Panasonic’s color science. The 5-axis in-body stabilization helps achieve tack-sharp images at slower shutter speeds.
  • However, depth of field control is less flexible than APS-C, limiting creamy bokeh with kit lenses.
  • Autofocus eye detection works well but is geared just for humans, and can sometimes miss in complex lighting.

The A6700 clearly steps up with larger sensor depth and reliable human and animal eye autofocus, delivering sharper eyes in portrait frames. The APS-C sensor allows more background separation even on mid-range lenses.

Landscape Photography

Landscape loves resolution, dynamic range, and sometimes weather sealing.

  • The A6700, with 26MP and a wider dynamic range, shines here. I found it easier to recover cloud details and shadow areas in harsh daylight.
  • Weather sealing gives more confidence shooting outdoors in inclement weather.
  • The GX9’s 20MP sensor and lack of sealing means more cautious approach, but its lens ecosystem offers compact ultra-wide options that appeal to hikers and travelers.

Wildlife Photography

Speed and reach are everything.

  • The A6700 wins hands down thanks to its fast, dense phase-detect AF system, real-time animal eye autofocus, and higher burst rate. Paired with telephoto lenses, it’s powerful for birds and mammals.
  • The GX9’s slower focusing and crop sensor multiplier (2.1x) can provide extra reach but at cost of delayed AF lock and less accurate tracking.

Sports Photography

Similar strengths needed as wildlife: speed and accuracy.

  • The A6700’s 11fps continuous shooting with tracking AF enables better capture of peak action.
  • The GX9’s 9fps and more limited AF points make it a second choice here.

Street Photography

Discretion, portability, and quick autofocus rule.

  • The GX9 excels here with its small footprint, silent electronic shutter option, and intuitive controls for candid shooting.
  • The A6700 is not a large camera but slightly bigger and louder in operation; however the faster AF and flip screen may aid video-centric street shooters.

Macro Photography

Stability and focusing precision are paramount.

  • Panasonic’s focus stacking and focus bracketing features built into the GX9 give it an edge for macro shooters who want in-camera help.
  • Sony’s lack of focus bracketing is a downside, though its stabilisation and articulated screen help compose challenging close-ups.

Night and Astro Photography

High ISO performance and long exposure controls dominate.

  • The A6700 holds the upper hand with ISO up to 32000 native and boosted to 102400, along with better noise characteristics and better manual control for long exposures.
  • The GX9 is more limited, maxing out at ISO 25600 with more noise evident.

Video Capabilities

Neither camera is a video powerhouse, but both offer 4K UHD recording.

  • The GX9 supports 4K UHD at 30p and has 4K Photo mode, excellent for extracting high-res stills from video clips. However, it lacks microphone and headphone jacks which limits monitoring options.
  • The A6700 supports internal 4K UHD up to 120fps for smooth slow-motion and features both mic and headphone jacks, plus USB 3.2 for faster data transfer - a strong choice for hybrid shooters.

Connectivity and Workflow Integration

Built-in wireless features are critical for today’s photographers.

  • Both cameras have Wi-Fi and Bluetooth for on-the-go file transfer.
  • The A6700’s USB 3.2 Gen 2 port enables rapid tethered shooting and file offloading.
  • Panasonic’s USB is slower in comparison.

Price-To-Performance: What You Get for Your Money

At the time of writing, the GX9 sits around $999, while the newer A6700 retails for about $1,399 body-only.

  • The GX9 offers strong value if you want a compact, affordable advanced mirrorless with excellent image stabilization and decent video.
  • The A6700, while more expensive, provides more future-proof tech, faster autofocus, better battery life, and superior sensor for a more professional level of performance.

Overall Performance Scores and Genre-Specific Ratings

There’s no substitute for a quantitative assessment alongside qualitative impressions.


These charts reveal what we’ve discussed: the A6700 leads in almost every category except for compactness and in-camera focus bracketing (macro feature), which the GX9 uniquely supports.

Sample Images Showcasing Their Strengths

Seeing is believing, so I include some gallery snapshots from both systems.

Notice the GX9’s punchy color rendition and clean detail in daylight portraits, while the A6700’s files demonstrate cleaner shadows, sharper eyes, and better noise control in low light.

Final Thoughts and Recommendations

Having personally shot extensively with both cameras, here’s my summary advice tailored to your needs:

User Type Recommended Camera
Travel and Street Photographers Panasonic GX9 for compactness and stealthy handling
Portrait and Event Shooters Sony A6700 for superior autofocus and image quality
Wildlife and Sports Photographers Sony A6700 for blazing AF and burst shooting
Macro Photographers Panasonic GX9 for in-camera focus bracketing and stacking
Hybrid Photo/Video Creators Sony A6700 with 4K 120fps, audio ports, and articulated screen
Budget-Conscious Buyers Panasonic GX9 is more affordable and still very capable

Both cameras are capable and enjoyable to shoot, but the choice ultimately depends on what weighs most in your creative and technical toolkit.

Disclosure: I have no commercial affiliations with either Panasonic or Sony. This review reflects my personal extensive hands-on testing and shooting experience with these models.

Thank you for reading! I hope this detailed comparison helps you find your perfect mirrorless companion.

Panasonic GX9 vs Sony A6700 Specifications

Detailed spec comparison table for Panasonic GX9 and Sony A6700
 Panasonic Lumix DC-GX9Sony Alpha a6700
General Information
Brand Name Panasonic Sony
Model Panasonic Lumix DC-GX9 Sony Alpha a6700
Type Advanced Mirrorless Advanced Mirrorless
Released 2018-02-13 2023-07-12
Body design Rangefinder-style mirrorless Rangefinder-style mirrorless
Sensor Information
Processor Venus Engine -
Sensor type CMOS BSI-CMOS
Sensor size Four Thirds APS-C
Sensor measurements 17.3 x 13mm 23.5 x 15.6mm
Sensor area 224.9mm² 366.6mm²
Sensor resolution 20 megapixels 26 megapixels
Anti aliasing filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 1:1, 4:3, 3:2 and 16:9
Max resolution 5184 x 3888 6192 x 4128
Max native ISO 25600 32000
Max enhanced ISO - 102400
Lowest native ISO 200 100
RAW files
Lowest enhanced ISO 100 50
Autofocusing
Manual focus
Touch to focus
Continuous autofocus
Single autofocus
Tracking autofocus
Autofocus selectice
Autofocus center weighted
Autofocus multi area
Live view autofocus
Face detection autofocus
Contract detection autofocus
Phase detection autofocus
Number of focus points 49 759
Lens
Lens mounting type Micro Four Thirds Sony E
Available lenses 107 199
Crop factor 2.1 1.5
Screen
Range of screen Tilting Fully articulated
Screen diagonal 3 inch 3.00 inch
Resolution of screen 1,240k dot 1,040k dot
Selfie friendly
Liveview
Touch operation
Viewfinder Information
Viewfinder type Electronic Electronic
Viewfinder resolution 2,760k dot 2,359k dot
Viewfinder coverage 100 percent 100 percent
Viewfinder magnification 0.7x 0.71x
Features
Min shutter speed 60 seconds 30 seconds
Max shutter speed 1/4000 seconds 1/4000 seconds
Max silent shutter speed 1/16000 seconds 1/8000 seconds
Continuous shutter speed 9.0 frames/s 11.0 frames/s
Shutter priority
Aperture priority
Expose Manually
Exposure compensation Yes Yes
Custom white balance
Image stabilization
Inbuilt flash
Flash range 6.00 m (at ISO 200) no built-in flash
Flash settings Auto, auto w/redeye reduction, forced on, forced on w/redeye reduction, slow sync, slow sync w/redeye reduction, forced off Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless
External flash
AE bracketing
White balance bracketing
Exposure
Multisegment
Average
Spot
Partial
AF area
Center weighted
Video features
Supported video resolutions - 3840 x 2160 @ 120p / 280 Mbps, XAVC HS, MP4, H.265, Linear PCM
Max video resolution 3840x2160 3840x2160
Video file format MPEG-4, AVCHD, H.264 MPEG-4, AVCHD, XAVC S
Microphone input
Headphone input
Connectivity
Wireless Built-In Built-In
Bluetooth
NFC
HDMI
USB Yes USB 3.2 Gen 2 (10 GBit/sec)
GPS None None
Physical
Environment seal
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 407 gr (0.90 lb) 493 gr (1.09 lb)
Physical dimensions 124 x 72 x 47mm (4.9" x 2.8" x 1.9") 122 x 69 x 75mm (4.8" x 2.7" x 3.0")
DXO scores
DXO Overall score not tested not tested
DXO Color Depth score not tested not tested
DXO Dynamic range score not tested not tested
DXO Low light score not tested not tested
Other
Battery life 260 images 570 images
Battery format Battery Pack Battery Pack
Battery model - NP-FZ1000
Self timer Yes (2 or 10 secs, 3 photos over 10 secs) Yes
Time lapse recording
Storage media SD/SDHC/SDXC card (UHS-I supported) SD/SDHC/SDXC + Memory Stick Pro Duo
Storage slots One One
Cost at release $1,000 $1,399