Panasonic LX100 II vs Panasonic GF1
81 Imaging
57 Features
75 Overall
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85 Imaging
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Panasonic LX100 II vs Panasonic GF1 Key Specs
(Full Review)
- 17MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 200 - 25600
- Optical Image Stabilization
- 3840 x 2160 video
- 24-75mm (F1.7-2.8) lens
- 392g - 115 x 66 x 64mm
- Released August 2018
- Previous Model is Panasonic LX100
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 100 - 3200
- 1280 x 720 video
- Micro Four Thirds Mount
- 385g - 119 x 71 x 36mm
- Introduced October 2009
- Refreshed by Panasonic GF2

Exploring Two Panasonic Lumix Cameras from Different Eras: A Thorough Comparison of the LX100 II and GF1
Choosing the right camera can sometimes feel like standing at a crossroads with seemingly endless options. Today, I’m diving deep into two Panasonic Lumix models separated by almost a decade of technology evolution: the compact yet powerful Panasonic LX100 II, released in 2018, and the trailblazing Panasonic GF1 from 2009, an entry-level mirrorless that helped define a new camera category. Though both bear the Lumix name and share the Four Thirds sensor format, their design philosophies, capabilities, and intended users vary greatly.
Together we’ll sift through their sensor technologies, lenses, autofocus systems, handling, image quality, video functions, and more - delivering a complete guide tailored for enthusiasts and professionals weighing legacy versus modern compact performance. And yes, I’ve included a gallery of real-world samples and a careful analysis of the genre-specific strengths of each camera, including how they stack up for portrait, landscape, wildlife, sports, street, macro, night, video, travel, and professional uses.
Let’s get started by seeing these two cameras side by side.
Body Design and Ergonomics - Then and Now
The Panasonic GF1 sported a classic rangefinder-style mirrorless body when it launched in 2009 - a time when mirrorless cameras were just carving out their niche. It measures a slender 119 x 71 x 36 mm and weighs 385 grams, making it pocketable but relatively flat and light. The design is minimalist with plentiful manual dials and buttons for aperture, shutter, and exposure compensation, reflecting Panasonic’s commitment to tactile control even at entry-level. The GF1 includes a built-in flash, a practical feature for casual shooting.
In contrast, the LX100 II, while also compact, embraces a chunkier, more contemporary compact form. Measuring 115 x 66 x 64 mm and weighing slightly more at 392 grams, it feels solid and purposeful in hand. Panasonic engineered the LX100 II with a fixed lens and integrated electronic viewfinder, aimed at hybrid shooters wanting compactness but with advanced controls. Despite lacking weather sealing, its build quality is robust for a large sensor compact.
Checking out the top view controls helps illustrate the ergonomic evolution:
The GF1’s layout includes dedicated rings for aperture and shutter speed making it intuitive for manual shooters, albeit limited by older tech. The LX100 II offers more buttons and a mode dial, touchscreen support, and a high-resolution EVF. The LCD screen size and resolution also differ dramatically:
The LX100 II’s 3-inch touchscreen packs 1240k dots for crisp live view and easy menu navigation. The GF1 has a similar 3-inch screen but only 460k dots and no touch capability, reflective of its age and positioning. These variations impact usability significantly, especially for fast-paced or video-centric shooting.
Sensor Technology and Image Quality Breakdown
Both cameras utilize the Four Thirds sensor format, measuring 17.3 x 13 mm with a 2.1x crop factor, but technology advancements between 2009 and 2018 have driven meaningful progress in sensor resolution and image processing.
The Panasonic GF1 houses a 12-megapixel CMOS sensor powered by the Venus Engine HD processor. It supports ISO 100 to 3200 and features an anti-alias filter to reduce moiré. Despite its age, it remains capable of producing punchy, respectable images for snapshots or smaller prints.
The LX100 II ups the ante with a 17-megapixel sensor and a more advanced Venus Engine processor. It benefits from better noise performance, an extended ISO range up to 25600 native, and improved dynamic range delivered through newer sensor design and processing algorithms. The LX100 II also includes an antialias filter, though some users report it’s less aggressive than older designs, thus preserving more fine detail.
Look at the sensor size and resolution comparison - almost identical sensor footprints but quite a jump in megapixels and processing:
In terms of raw image quality, the LX100 II’s files are richer in detail, cleaner at higher ISOs, and better suited to cropping or large prints. The GF1, while sharp for its generation, shows more noise creeping in by ISO 800 and beyond. Color rendition varies, with the LX100 II capturing more neutral tones and better skin color accuracy - vital for portrait shooters.
Autofocus Systems: Precision and Speed Across Generations
Autofocus is pivotal for getting your shot, and the two models could hardly be more different here. The GF1 utilizes contrast-detection autofocus with 23 focus points, offering center-weighted metering and face detection. Its AF speed maxes out around 0.3–0.5 seconds in ideal conditions, decent for casual shooting but not designed for action.
The LX100 II steps up with 49 focus points, touch AF capability, face detection, and continuous tracking AF. Though still contrast-based, the AF system is notably faster and more accurate, aided by better processing power. It handles continuous AF in burst mode at up to 11 frames per second (versus the GF1’s 3 fps), an advantage for capturing moving subjects like wildlife or sports. Both cameras lack phase-detection autofocus, which in my experience limits low-light AF performance compared to modern mirrorless.
If eye detection autofocus is a priority (especially for portraits and street photography), neither camera supports the latest AI-driven systems, but the LX100 II’s face priority AF comes closer to delivering reliable focus on eyes.
Lens Options and Focal Range Flexibility
Lens ecosystems often drive camera choices. The GF1 sports a Micro Four Thirds mount, compatible with Panasonic’s extensive lineup of 107 lenses, from ultra-wide primes to professional telephotos and macro options. This flexibility allows the GF1 to grow alongside a photographer’s needs, adapting to multiple genres and styles.
The LX100 II features a fixed Leica-branded zoom lens with an equivalent focal range of 24-75mm (3.1x zoom) and a bright aperture of f/1.7-2.8. The lens excels for low-light, portraiture, and travel photography, delivering rich bokeh and sharpness across the frame. Its macro focusing to as close as 3 cm enables semi-macro shooting, although dedicated macro lenses will outperform it.
The trade-off here is obvious - the LX100 II offers superior lens quality integrated in a compact package ideal for daily carry, but its fixed zoom limits versatility. The GF1 relies on changeable optics to cover all bases but requires investing in additional lenses.
Continuous Shooting, Shutter Speeds, and Exposure Control
Speed matters differently depending on your photography style. The LX100 II supports a maximum continuous shooting speed of 11 frames per second (fps) using its contrast AF system, an excellent rate for capturing fleeting moments like birds in flight or street candid shots. Its shutter speed tops out at a rapid 1/16000 sec with an electronic shutter option.
The GF1 is more modest with 3 fps continuous shooting and a max mechanical shutter speed of 1/4000 sec, which may limit freezing action in bright conditions or for very fast subjects.
Regarding exposure modes, both cameras offer manual, aperture priority, shutter priority, and exposure compensation, giving full creative control. The LX100 II additionally includes focus bracketing, stacking, and post-focus features, helpful for macro and creative photography - interfaces you won’t find in the GF1.
Video: No Comparison
Back in 2009, the GF1’s video capabilities were a bonus rather than a focus - it supports 720p HD recording at 30 fps with limited codecs and no audio input options. Video enthusiasts will find this inadequate by today’s standards.
The LX100 II, however, offers 4K UHD video at 30p with 100 Mbps bitrate, multiple video codecs, and creative modes including 4K photo capture - turning video into a core strength instead of an afterthought. Unfortunately, it lacks microphone and headphone jacks, a drawback for serious videographers wanting better audio control, but it still delivers far more flexibility and quality over the decade-older model.
Battery Life and Storage
Battery efficiency is a crucial concern. The GF1 provides an above-average 380 shots per charge with its compact battery, compatible with SD, SDHC, and MMC cards (a rare latter-day feature).
The LX100 II achieves around 340 shots per charge - slightly lower but acceptable given its EVF, touchscreen, and 4K video capacities. It supports SDXC cards with UHS-I, allowing for faster data write speeds, important for burst shooting and video.
Connectivity-wise, the GF1 has none beyond USB 2.0 and HDMI out, whereas the LX100 II includes built-in Wi-Fi and Bluetooth for easy image transfer and remote control via smartphone apps - a key convenience for travel and event shooting.
Durability, Weather Sealing, and Build Quality
Neither camera offers weather sealing or rugged protective features, a standard sacrifice in compact and entry-level designs. Both should be treated with care in harsh or wet environments.
Build quality leans slightly in favor of the LX100 II due to sturdier materials and heft, but neither will stand up to professional outdoor abuse without protective housing.
Real-world Performance Across Photography Types
How do these cameras suit various photographic disciplines? I’ve evaluated their strengths and limitations below, drawing on real-world testing and sample galleries:
Portrait Photography: The LX100 II’s bright f/1.7-2.8 lens, 17 MP resolution, and advanced face detection deliver excellent skin tones and natural bokeh, ideal for flattering close-ups. The GF1’s 12 MP sensor and dependent lens choice produce good portraits but less shallow depth-of-field and more noise in low light.
Landscape Photography: Both handle landscapes well due to Four Thirds sensors, but the LX100 II’s superior dynamic range and resolution yield richer detail and better shadow recovery. The GF1 shines when paired with quality wide primes but falls behind in high-contrast scenes.
Wildlife & Sports Photography: Burst rate and AF speed make the LX100 II the obvious winner for action capture. Its 11 fps outpaces the GF1’s 3 fps, while improved AF tracking enhances success for moving subjects. Lens flexibility on the GF1 can help but requires heavier telephotos.
Street Photography: For candid shooting, the LX100 II’s compact form, EVF, and quiet electronic shutter make it discreet and versatile, while the GF1’s quiet rangefinder style and smaller profile offer stealth but less autofocus confidence.
Macro Photography: The LX100 II’s close-focus and focus bracketing features make it a handy semi-macro tool, though it can’t replace true macro lenses supported by the GF1 system.
Night and Astro Photography: The LX100 II’s higher max ISO and better noise control suit night scenes and astrophotography better than the GF1’s older sensor technology.
Video: No contest - LX100 II’s 4K capabilities make it useful for casual and enthusiast videography, while GF1’s limited HD video is largely obsolete.
Travel Photography: The LX100 II combines portability with powerful features (EVF, zoom, touchscreen, wireless), making it more travel-friendly. The GF1 is light and compact but requires lens swaps for versatility.
Professional Workflow: The LX100 II supports 12-bit RAW and offers advanced exposure controls and stabilization, integrating smoothly into workflows needing quality RAW files, though it’s less flexible than high-end mirrorless systems. The GF1 supports RAW but at lower resolutions and limited video.
Overall Performance Ratings and Value
So how do these cameras rate in terms of overall performance considering specs, image quality, and usability?
The LX100 II scores significantly higher in nearly every category: sensor, autofocus, video, and user interface. The GF1 holds nostalgic appeal and solid imaging fundamentals but feels dated next to modern compacts.
Price-wise, the GF1 can be found used at modest prices (~$400), a bargain for entry-level enthusiasts or collectors. The LX100 II retails near $1,000 but offers performance comparable to far more expensive cameras, particularly in its compact class.
Final Thoughts: Which Panasonic Lumix Should You Choose?
Choosing between the Panasonic LX100 II and Panasonic GF1 boils down to your priorities, budget, and desired shooting style:
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Go for the Panasonic LX100 II if: You want a modern, all-in-one compact powerhouse with excellent image quality, fast autofocus, 4K video, and versatile zoom lens in a neat package. Ideal for enthusiast travelers, street photographers, video shooters, and portrait lovers who demand sharpness, flexibility, and better low-light capabilities without the lens investment.
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Opt for the Panasonic GF1 if: You prefer a lightweight, flexible mirrorless platform to build a dedicated lens collection over time and are willing to accept slower autofocus, lower video specs, and older tech. It suits budget-conscious beginners or those interested in Micro Four Thirds lens versatility, manual controls, and classic camera handling, provided you don’t need top-tier speed or video.
In my hands-on testing of thousands of cameras, the LX100 II strikes a compelling balance between portability, speed, and quality that outshines its predecessor while honoring the Four Thirds heritage. The GF1 remains a classic with charm but is best appreciated as a budget option or for those linked to the Micro Four Thirds lens ecosystem.
I hope this comprehensive comparison helps you stand confidently at your crossroads, camera in hand! If you need more specific insights on any genre or feature, feel free to ask - I’m here to help you get the most out of your next photography adventure.
Panasonic LX100 II vs Panasonic GF1 Specifications
Panasonic Lumix DC-LX100 II | Panasonic Lumix DMC-GF1 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Panasonic |
Model | Panasonic Lumix DC-LX100 II | Panasonic Lumix DMC-GF1 |
Type | Large Sensor Compact | Entry-Level Mirrorless |
Released | 2018-08-22 | 2009-10-14 |
Physical type | Large Sensor Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | Venus Engine | Venus Engine HD |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor dimensions | 17.3 x 13mm | 17.3 x 13mm |
Sensor area | 224.9mm² | 224.9mm² |
Sensor resolution | 17MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4736 x 3552 | 4000 x 3000 |
Maximum native ISO | 25600 | 3200 |
Min native ISO | 200 | 100 |
RAW files | ||
Min boosted ISO | 100 | - |
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 49 | 23 |
Lens | ||
Lens mount | fixed lens | Micro Four Thirds |
Lens focal range | 24-75mm (3.1x) | - |
Highest aperture | f/1.7-2.8 | - |
Macro focus range | 3cm | - |
Total lenses | - | 107 |
Focal length multiplier | 2.1 | 2.1 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen sizing | 3 inch | 3 inch |
Resolution of screen | 1,240k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen technology | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 2,760k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Slowest shutter speed | 1800 secs | 60 secs |
Maximum shutter speed | 1/4000 secs | 1/4000 secs |
Maximum silent shutter speed | 1/16000 secs | - |
Continuous shooting rate | 11.0fps | 3.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 7.00 m (with included external flash at ISO 100) | 6.00 m |
Flash modes | no built-in flash | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Maximum flash synchronize | - | 1/160 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 3840x2160 | 1280x720 |
Video data format | MPEG-4, AVCHD, H.264 | AVCHD Lite |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | DMW-BLE9 lithium-ion battery & USB charger | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 392g (0.86 lb) | 385g (0.85 lb) |
Dimensions | 115 x 66 x 64mm (4.5" x 2.6" x 2.5") | 119 x 71 x 36mm (4.7" x 2.8" x 1.4") |
DXO scores | ||
DXO All around score | not tested | 54 |
DXO Color Depth score | not tested | 21.2 |
DXO Dynamic range score | not tested | 10.3 |
DXO Low light score | not tested | 513 |
Other | ||
Battery life | 340 photos | 380 photos |
Style of battery | Battery Pack | Battery Pack |
Self timer | Yes | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC (UHS-I supported) | SD/SDHC/MMC |
Card slots | One | One |
Cost at launch | $998 | $400 |