Panasonic LX100 II vs Sony H50
81 Imaging
57 Features
75 Overall
64


69 Imaging
32 Features
25 Overall
29
Panasonic LX100 II vs Sony H50 Key Specs
(Full Review)
- 17MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 200 - 25600
- Optical Image Stabilization
- 3840 x 2160 video
- 24-75mm (F1.7-2.8) lens
- 392g - 115 x 66 x 64mm
- Launched August 2018
- Older Model is Panasonic LX100
(Full Review)
- 9MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 31-465mm (F2.7-4.5) lens
- 547g - 116 x 81 x 86mm
- Launched January 2009

Panasonic LX100 II vs. Sony H50: An Expert’s Comprehensive Camera Comparison for Modern Photographers
When it comes to choosing your next camera, the options can range from large-sensor compacts involving modern imaging technology to older superzooms with extended focal reach. Today, we’re diving deep into two distinct models which exemplify these different approaches: the Panasonic Lumix DC-LX100 II and the Sony Cyber-shot DSC-H50. Both bear the "compact" badge but serve very different photographer types and use cases. This article will dissect key attributes, real-world performance, and value so you can find the right fit for your creative vision.
Size and Ergonomics: Noticeable differences in build and grip design.
Setting the Stage: Understanding These Two Cameras
Released nearly a decade apart, these cameras target very different audiences and technologies:
- Panasonic LX100 II (2018): Large sensor compact with a 4/3” sensor, integrated fast zoom lens (24–75mm equivalent), refined autofocus, 4K video, and live view EVF - designed for photographers who want quality in a pocketable body.
- Sony H50 (2009): Small sensor superzoom with a 1/2.3” CCD, extensive focal range (31–465mm equivalent), modest specs by today’s standards - aimed at casual users seeking versatility in zoom reach more than high image quality.
We’ll systematically compare technical specs, then examine discipline-specific performance before concluding with tailored buying advice.
Sensor and Image Quality: The Heart of the Camera
At the core of any camera’s imaging capability is the sensor - a key differentiator here.
Feature | Panasonic LX100 II | Sony H50 |
---|---|---|
Sensor Type | CMOS | CCD |
Sensor Size | Four Thirds (17.3 x 13mm) | 1/2.3” (6.17 x 4.55mm) |
Sensor Area | 224.9 mm² | 28.07 mm² |
Resolution | 17 MP | 9 MP |
Max ISO | 25600 | 3200 |
Raw Support | Yes | No |
The Panasonic LX100 II’s Four Thirds sensor is about 8x larger than the Sony H50’s tiny 1/2.3-inch sensor. This larger sensor translates into superior light gathering, less noise, richer color depth, and better dynamic range.
In practical terms: the LX100 II can deliver cleaner images, especially in low light or high dynamic range scenes like landscapes or events. Its native ISO capability up to 25600 (albeit with noise) gives more flexibility than the H50’s ISO max of 3200. The Sony’s CCD sensor, while capable for its era, cannot compete with modern CMOS designs in speed or noise performance.
This difference is best illustrated visually.
The Panasonic LX100 II’s Four Thirds sensor profoundly outperforms the H50’s small 1/2.3” sensor in image quality terms.
In labs and field tests, the LX100 II consistently produces cleaner shadows and preserves highlight detail better, critical for demanding genres like landscape or portrait photography.
Lens Versatility and Quality: Sharpness Meets Reach
Both cameras have fixed lenses but with very different focal ranges and apertures.
Attribute | Panasonic LX100 II | Sony H50 |
---|---|---|
Focal Length (35mm eq.) | 24–75mm (3.1x zoom) | 31–465mm (15x zoom) |
Maximum Aperture | f/1.7 (wide) – f/2.8 (tele) | f/2.7 (wide) – f/4.5 (tele) |
Macro Focus Range | 3 cm | 1 cm |
Optical Image Stabilization | Yes | Yes |
The Sony H50's 15x zoom offers tremendous reach, making it useful for wildlife at a distance or sports with moderate access. However, its aperture narrows substantially at telephoto, and the small sensor limits optical performance. Sharpness falls off noticeably approaching the telephoto end, compounded by inevitable camera shake despite optical stabilization.
Conversely, the Panasonic LX100 II offers a fast lens with a bright f/1.7 aperture at the wide end, maintaining a relatively bright f/2.8 by telephoto. Although only 3.1x zoom, this range covers classic wide-angle to short telephoto for portraits, street, and general photography - the sweet spot for image quality and background separation.
The LX100 II also facilitates creative control with focus stacking, bracketing, and post-focus features that the H50 lacks. These capabilities are invaluable for macro and nuanced focus effects.
Ergonomics and Controls: Comfort Meets Functionality
How a camera feels in your hands and how easily you can adjust settings matters greatly, especially for professional or enthusiast photographers.
The Panasonic LX100 II offers dedicated dials and a refined layout. The Sony H50’s control design is more basic.
-
Panasonic LX100 II: Compact but thoughtfully designed, the LX100 II sports tactile dials for aperture, shutter speed, exposure compensation, and an intuitive touch screen combined with a high-resolution EVF. The well-placed physical controls cater excellently to manual shooters used to DSLRs or mirrorless bodies. Mounted externally, the electronic viewfinder is bright and sharp, enhancing stability when shooting.
-
Sony H50: The older Sony has a chunkier, heavier build. Its control scheme is simpler, with limited direct manual access and a basic 230k-dot LCD with no touch controls and no EVF. The absence of an eye-level EVF is a drawback in bright outdoor conditions where LCD visibility is poor.
Panasonic’s touchscreen interface outclasses Sony’s non-touch display, contributing to a more modern shooting experience.
You’ll find the Panasonic’s ergonomics allow faster adjustments and more comfortable extended shooting sessions - important if you love manual exposure or want better control over focus and exposure shifts.
Autofocus and Shooting Speed: Capturing the Moment
Fast, accurate autofocus is crucial for wildlife, sports, and street photography.
Feature | Panasonic LX100 II | Sony H50 |
---|---|---|
Autofocus Type | Contrast detection with face & eye detect | Contrast detection only |
Focus Points | 49 | 9 |
Continuous Shooting | 11 fps | 2 fps |
AF Tracking | Yes | No |
Face/Eye Detection | Yes (no animal eye) | No |
The LX100 II’s contrast-detection AF system is modern and responsive, with face and eye detection that reliably nails focus on portraits and fleeting moments. Its 11 frames per second burst rate makes it surprisingly capable for action sequences when combined with its AF tracking.
By comparison, the Sony H50 is slow, sporting only 2 fps and basic contrast-detection autofocus without tracking, leading to missed focus in challenging situations. Face detection is absent, seriously limiting portrait usage.
Photography Genres Explored: How These Cameras Excel By Use Case
Portraiture: Skin Tones and Bokeh
The Panasonic’s large sensor combined with a bright lens makes it ideal for warm, natural skin tones and beautifully blurred backgrounds that isolate subjects. Eye detection aids tack-sharp focus on the iris.
The Sony’s small sensor, moderate lens speed, and lack of face detection limit background separation and skin tone fidelity, resulting in flatter portraits.
Landscape: Dynamic Range and Resolution
The LX100 II’s 17MP resolution with good dynamic range - thanks to the larger sensor - delivers rich details and highlights retention. Weather sealing is absent, so use caution outdoors.
The H50’s lower resolution and narrow dynamic range struggle in scenes with strong sky-to-shadow contrast, producing muddy shadows or blown highlights.
Wildlife and Sports: Autofocus, Reach, and Speed
The Sony’s 31-465mm zoom can get you closer to distant subjects but sacrifices image quality and autofocus reliability.
The Panasonic’s shorter zoom is a limitation here but benefits from fast AF, tracking, and burst shots, better suited to medium distance action.
Street Photography: Discreet and Quick
The Panasonic’s compact size, quiet shutter, and rapid AF make it a stealthy choice for street photographers, while the Sony’s bulk and slower responsiveness work against this use.
Macro Photography: Close-Up Creativity
Panasonic’s 3cm macro focus and focus stacking permit creative close-up work with sharp results. The Sony’s 1cm macro is good for casual snapshots but lacks precision.
Sample images showcase the Panasonic LX100 II’s richer colors, detail, and low-light capabilities versus the Sony H50’s softer, less detailed results.
Night & Astro Photography: High ISO and Exposure Modes
Panasonic’s high-ISO performance enables clearer night captures with less noise, while manual exposure options facilitate long-exposure astro shots.
Sony’s limited ISO range and sensor noise significantly constrain night photography.
Video Capabilities: Modern vs. Basic
Feature | Panasonic LX100 II | Sony H50 |
---|---|---|
Max Video Resolution | 4K UHD (3840x2160 @ 30fps) | VGA (640x480 @ 30fps) |
Video Formats | MP4, AVCHD | Limited (proprietary) |
Image Stabilization | Optical (lens-based) | Optical |
External Mic Input | No | No |
Slow Motion | No | No |
Panasonic’s 4K video quality supports professional-level vlogging and cinematic recording, while the Sony’s offerings are restricted to low-res, nearly obsolete standards.
Travel Photography: Battery, Size, and Flexibility
Feature | Panasonic LX100 II | Sony H50 |
---|---|---|
Weight | 392g | 547g |
Battery Life (CIPA) | 340 shots | Unknown (using NP-BG1) |
Size (mm) | 115 x 66 x 64 | 116 x 81 x 86 |
The Panasonic’s lighter weight, compact body, and superior image quality give it the edge for travel photographers needing versatility and clarity in a pocketable package.
Build Quality and Durability
Neither camera boasts weather sealing or rugged build quality. The Panasonic feels better built with a metal chassis, while the Sony’s plastic body is heavier but less refined. Neither is intended for harsh outdoor conditions without protective housing.
Connectivity and Storage Options
- Panasonic LX100 II includes Wi-Fi and Bluetooth, enabling wireless image transfer and remote operation - ideal for the connected creator.
- Sony H50 has no wireless features and relies on USB 2.0 for data transfer, a dated approach limiting instant sharing.
Both cameras offer a single card slot: Panasonic supports modern SD UHS-I cards; Sony uses older Memory Stick Duo and internal storage.
Price-to-Performance Considerations
Camera | New Price (Approx.) | Strengths | Ideal Buyer |
---|---|---|---|
Panasonic LX100 II | $997 | Image quality, video, manual controls | Enthusiasts/pros wanting a versatile compact |
Sony H50 | $80 | Zoom range, low cost | Casual shooters on a budget needing telephoto zoom |
While the Sony H50 is extremely affordable, it is very limited by modern standards. The LX100 II’s price reflects its advanced features and image quality, offering vastly superior content creation tools and image fidelity.
Overall performance ratings highlight the Panasonic LX100 II’s superior capabilities across the board.
Expert Recommendations: How to Choose Based On Your Needs
You’re investing in a camera that should empower your photographic journey. Here’s how to decide:
-
Choose the Panasonic LX100 II if:
- You seek excellent image quality in a compact form.
- You want manual control with real-time EVF feedback.
- You’re passionate about portrait, landscape, street, or travel photography.
- Video recording at 4K is a priority.
- You appreciate wireless connectivity for efficient workflows.
-
You might consider the Sony H50 if:
- Your budget is very limited and zoom reach is paramount.
- You are a casual user shooting primarily daylight scenes.
- You don’t require raw files or advanced controls.
Genre-specific performance clarifies the Panasonic’s across-the-board superiority.
Final Thoughts: Investing in Your Creative Future
We have personally tested both cameras extensively under diverse conditions - the Panasonic LX100 II repeatedly shines for its technological sophistication and image quality. Its balance of size, speed, and precision makes it one of the best large sensor compacts available.
The Sony H50 has historic value and exceptional zoom for a budget compact, but you’re trading modern convenience and quality for reach.
If you are stepping seriously into photography or videography, the investment in the Panasonic LX100 II will pay dividends in creative control and image excellence. For beginners with tight budgets or for a secondary casual camera, the Sony H50 might suffice.
Whichever you choose, remember that lenses, lighting, and post-processing always complement your camera’s potential. Get your hands on these cameras if you can, and start capturing your own vision - great photography begins with exploration!
Ready to level up your gear? Check out the Panasonic LX100 II accessories like extra batteries, hoods, and filters to get the most out of your camera. Or explore beginner guides for tapping the full potential of your large-sensor compact. Happy shooting!
Panasonic LX100 II vs Sony H50 Specifications
Panasonic Lumix DC-LX100 II | Sony Cyber-shot DSC-H50 | |
---|---|---|
General Information | ||
Make | Panasonic | Sony |
Model type | Panasonic Lumix DC-LX100 II | Sony Cyber-shot DSC-H50 |
Type | Large Sensor Compact | Small Sensor Superzoom |
Launched | 2018-08-22 | 2009-01-15 |
Body design | Large Sensor Compact | Compact |
Sensor Information | ||
Chip | Venus Engine | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor dimensions | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 224.9mm² | 28.1mm² |
Sensor resolution | 17 megapixel | 9 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 3:2 |
Full resolution | 4736 x 3552 | 3456 x 2592 |
Max native ISO | 25600 | 3200 |
Minimum native ISO | 200 | 80 |
RAW files | ||
Minimum boosted ISO | 100 | - |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 49 | 9 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 24-75mm (3.1x) | 31-465mm (15.0x) |
Maximum aperture | f/1.7-2.8 | f/2.7-4.5 |
Macro focusing distance | 3cm | 1cm |
Focal length multiplier | 2.1 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 3 inch | 3 inch |
Screen resolution | 1,240k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,760k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Slowest shutter speed | 1800 seconds | 30 seconds |
Maximum shutter speed | 1/4000 seconds | 1/4000 seconds |
Maximum silent shutter speed | 1/16000 seconds | - |
Continuous shooting speed | 11.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 7.00 m (with included external flash at ISO 100) | 9.10 m |
Flash options | no built-in flash | Auto, On, Off, Red-Eye reduction, Slow Sync, Front Curtain, Rear Curtain |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC | 640 x 480, 30 fps, 320 x 240, 8 fps |
Max video resolution | 3840x2160 | 640x480 |
Video data format | MPEG-4, AVCHD, H.264 | - |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | DMW-BLE9 lithium-ion battery & USB charger | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 392 gr (0.86 lbs) | 547 gr (1.21 lbs) |
Dimensions | 115 x 66 x 64mm (4.5" x 2.6" x 2.5") | 116 x 81 x 86mm (4.6" x 3.2" x 3.4") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 340 images | - |
Style of battery | Battery Pack | - |
Battery ID | - | NP-BG1 |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC (UHS-I supported) | Memory Stick Duo / Pro Duo, Internal |
Storage slots | One | One |
Launch pricing | $998 | $80 |