Panasonic S1 vs Panasonic FP3
54 Imaging
74 Features
84 Overall
78


95 Imaging
36 Features
25 Overall
31
Panasonic S1 vs Panasonic FP3 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Boost to 204800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Leica L Mount
- 1021g - 149 x 110 x 97mm
- Launched February 2019
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 35-140mm (F3.5-5.9) lens
- 155g - 99 x 59 x 19mm
- Introduced January 2010

Panasonic Lumix DC-S1 vs. DMC-FP3: A Deep Dive into Two Cameras Worlds Apart
Selecting a camera is synonymous with balancing priorities - image quality, usability, versatility, and budget all come into play. Panasonic’s lineup, ranging from pro-level mirrorless bodies to ultracompact point-and-shoots, illustrates this spectrum vividly. Today, we conduct an exhaustive, expert analysis of two distinct models that share a brand but cater to fundamentally different photographic demands: the Panasonic Lumix DC-S1 (hereafter “S1”), a professional-grade full-frame mirrorless camera launched in early 2019, and the Panasonic Lumix DMC-FP3 (hereafter “FP3”), an ultracompact point-and-shoot from 2010.
This comprehensive comparison will dissect these models across all critical dimensions - from sensor technology to autofocus, ergonomic design to genre-specific performance. Our goal is to furnish photography enthusiasts and professionals with nuanced insights grounded in years of hands-on expertise, enabling informed purchasing decisions aligned to exacting needs.
First Impressions: Design, Size, and Ergonomics
Though the S1 and FP3 share a Panasonic badge, their physical realities could not be more divergent. The S1 is a robust SLR-style mirrorless camera designed to project durability and accommodate large lenses; the FP3 is a compact, pocket-friendly device optimized for casual shooters prioritizing portability.
Panasonic S1:
- Dimensions: 149 x 110 x 97 mm
- Weight: 1021 g (body only)
- Grip: Large, sculpted, comfortable for extended handheld use
- Button layout: Extensive, including illuminated buttons for low-light visibility
- Weather sealing: Present, able to resist dust and moderate moisture
- Viewfinder: High-resolution (5760 dots), electronic, providing a commanding 0.78x magnification and 100% coverage
Panasonic FP3:
- Dimensions: 99 x 59 x 19 mm
- Weight: 155 g (inc. battery and card)
- Grip: Minimal, slim profile without dedicated handgrip
- Button layout: Sparse; no illumination, physical controls limited by size
- Weather sealing: None
- Viewfinder: No viewfinder, purely LCD reliance
Assessment:
The S1’s large form factor is a deliberate trade-off favoring durability and handling stability, especially with telephoto and heavy lenses. In contrast, the FP3 excels in absolute portability, though its diminutive size hinders ergonomic comfort during prolonged shooting sessions and precise manual adjustments. Users demanding ruggedness and direct control will find the S1’s design superior; casual users valuing stealth and convenience may appreciate the FP3’s pocketability.
Control Interface and User Experience Differences
Top-level control schemes directly influence shooting speed and tactile confidence.
The S1 features a traditional SLR-style command dial system spread across its top deck, facilitating rapid aperture, shutter speed, and exposure compensation adjustments without menu diving. Dual command dials, customizable buttons, and a dedicated top information screen improve operational workflow for pros. Rear shoulder buttons and joystick AF controls enhance targeting precision.
The FP3, constrained by size, omits most physical dials and relies heavily on touchscreen input with a limited number of physical buttons for mode selection, zoom, and playback. Shutter speed and aperture settings are preset or available only in fully automatic modes, restricting manual operation.
Key takeaways:
- S1 empowers photographers with comprehensive, physical control - ideal for skilled users requiring responsive interfaces under dynamic shooting conditions.
- FP3’s simplified control scheme caters to novices or casual shooters who prioritize ease of use, though at the expense of manual creative control.
Delving into Sensor Technology and Image Quality
At the heart of each camera lies the sensor - the principal determinant of tonal fidelity, resolution, and ISO performance.
Feature | Panasonic S1 | Panasonic FP3 |
---|---|---|
Sensor type | Full-frame CMOS | 1/2.3" CCD |
Sensor dimensions | 35.6 x 23.8 mm (847.28 mm²) | 6.08 x 4.56 mm (27.72 mm²) |
Resolution | 24 MP (6000 x 4000 px) | 14 MP (4320 x 3240 px) |
Native ISO range | 100–51200 | 80–6400 |
Max boosted ISO | 204800 | Not applicable |
DxOMark overall score | 95 | Not tested |
Color depth (bits) | 25.2 | Not tested |
Dynamic range (EV) | 14.5 | Not tested |
Anti-aliasing filter | None | Present |
Technical insights:
The S1’s robust full-frame CMOS sensor underpins its superior image quality. The combination of larger sensor size and advanced Venus Engine processing yields exceptional dynamic range (14.5 stops), deep color accuracy, and low noise at elevated ISOs - crucial for professional-grade results in challenging light.
By contrast, the FP3 relies on a much smaller 1/2.3” CCD sensor common to early compact cameras. Its limited sensor area severely restricts low-light sensitivity and dynamic range, with notable noise deterioration above ISO 400-800. Additionally, CCD sensors typically consume more power and exhibit less high ISO fidelity compared to modern CMOS counterparts.
Image quality verdict:
For photographers prioritizing image fidelity - landscapes, portraits, or studio work - the S1’s sensor is unambiguously superior. The FP3 can produce acceptable photos in daylight but struggles with noise and color reproduction in complex lighting.
LCD Screens, Viewfinders, and Interface Feedback
Viewing and composing images involve both electronic viewfinders (EVF) and rear LCD performance.
S1 features a 3.2-inch tilting touchscreen LCD with 2.1 million dots resolution, delivering sharp, vibrant previews and intuitive touch menus. The combination of a high-resolution EVF and articulated LCD offers compositional flexibility across various shooting scenarios, from waist-level street shooting to overhead macro work.
FP3 uses a fixed 3.0-inch LCD with just 230k dots, limiting live view detail and making critical focus evaluation challenging. The absence of a viewfinder forces reliance on the rear screen even in bright sunlight, where reflections and glare induce usability issues.
Conclusion:
The S1’s advanced LCD and EVF system provide professional-quality display feedback critical for manual focusing and exposure adjustments. The FP3’s screen is basic, suitable for casual snapshots but inadequate for serious detail work.
Autofocus Performance and Focus Systems
Autofocus (AF) capabilities differ markedly, affecting speed, precision, and reliability.
Camera Feature | Panasonic S1 | Panasonic FP3 |
---|---|---|
AF points | 225 points (contrast-detection) | 9 points (contrast-detection) |
AF types | AF-Single, AF-Continuous, Face Detection | AF-Single only |
Eye Detection | Yes | No |
Animal Eye AF | No | No |
Touch AF | Yes | Yes |
Post Focus, Focus Stacking | Yes | No |
S1 Highlights:
The S1’s AF system, while lacking phase detection, is highly developed with 225 contrast-based focus points and advanced algorithms. Its Eye AF facilitates sharp ocular focus, invaluable in portrait and event photography. Additionally, the camera’s focus bracketing and stacking functions suit macro and landscape photography requiring critical depth of field control.
FP3 Autofocus:
The FP3 offers a basic contrast-detection AF system with only nine focus points and no continuous or tracking functionality. This limits its ability to capture moving subjects sharply and makes precise manual focus impossible.
Real-world impact:
The S1’s AF consistently outperforms in speed and accuracy, particularly in low-contrast or low-light environments, enabling confident shooting of sports, wildlife, or unpredictable street scenarios. The FP3 remains reliable for static subjects in bright conditions but is unsuitable for rapid action capture.
Burst Shooting and Buffer Depth
Shooting moving subjects demands swift capture rates and sufficient buffer capacity.
- S1: 9fps continuous shooting with AF-C (autofocus continuous)
- FP3: 5fps burst (limited autofocus and buffer)
While neither camera targets extreme sports photography where 10+fps is standard, the S1’s higher frame rate combined with tracking AF delivers more versatile action capture. The FP3’s slower burst mode and absent AF tracking limit effectiveness to casual snapshot sequences.
Video Capabilities: 4K and Beyond
Video performance is a growing consideration for hybrid shooters.
Feature | S1 | FP3 |
---|---|---|
Max video resolution | UHD 4K (3840x2160) @ 60p, 150 Mbps | HD 720p (1280x720) @ 30fps |
Video codecs | MPEG-4, H.264, H.265 | Motion JPEG |
Mic / headphone jacks | Yes (both) | No |
4K photo mode | Yes | No |
Stabilization | Sensor-based 5-axis IBIS | Optical lens stabilization |
Slow-motion or advanced modes | No | No |
Professional assessment:
The S1 offers a robust video suite supporting professional workflows, including 4K60p recording with good bitrates and full manual control. Its built-in 5-axis sensor stabilization smooths handheld footage. Input jacks allow for external microphones and headphones, raising audio monitoring to professional levels.
The FP3 produces limited quality video, suitable only for casual clips. The absence of advanced codecs, high frame rates, audio inputs, or manual controls restricts utility for serious videography.
Lens Ecosystem and Adaptability
Lens selection dramatically influences photographic versatility.
-
S1 uses Leica L-mount, supporting over 30 native lenses from Panasonic, Leica, and Sigma. These include high-performance primes, zooms, macro, tilt-shift, and specialist glass, catering to every photographic genre.
-
The FP3 employs a fixed 35–140mm equivalent zoom lens (F3.5–5.9), non-interchangeable. This zoom covers a reasonable focal length range for casual shooting but cannot be customized or extended.
From experience:
The S1’s extensive native lens lineup and third-party adapter support enlarge creative possibilities and future-proof investment. The FP3’s fixed lens constrains flexibility and image quality potential, adequate only for snapshots without ambition for optical excellence or specialty applications.
Build Quality and Environmental Resistance
Professional photographers require tools that withstand demanding environments.
Attribute | Panasonic S1 | Panasonic FP3 |
---|---|---|
Weather sealing | Yes (dust and splash resistant) | None |
Build materials | Magnesium alloy chassis | Plastic body |
Durability testing | Designed for professional use | Consumer grade |
The S1’s weather sealing and metal body confer ruggedness for outdoor work in varied weather - rain, dust, temperature fluctuations. The FP3’s unsealed plastic design is vulnerable to moisture and impact damage, unsuitable for harsh conditions.
Battery Life and Storage Options
Extended shooting requires dependable power and sufficient memory capacity.
-
Panasonic S1: Approximately 380 shots per battery charge, uses a proprietary battery pack; dual card slots accommodate SD/SDHC/SDXC cards for flexible storage management.
-
Panasonic FP3: Battery life unspecified; uses proprietary battery with smaller capacity; single storage slot accepting SD/SDHC/SDXC cards and limited internal memory.
The S1’s battery performance aligns with professional mirrorless standards, supplemented by USB power delivery allowing charging from external power banks in the field - a critical feature for extended shoots. Dual card slots facilitate instant backups or overflow storage, enhancing workflow reliability.
In contrast, the FP3’s battery and storage are minimalist, reflecting its consumer-point-and-shoot positioning.
Connectivity Features and Workflow Integration
Wireless and wired connectivity streamline image transfer and tethered shooting.
Feature | Panasonic S1 | Panasonic FP3 |
---|---|---|
Wireless | Wi-Fi and Bluetooth | None |
USB | USB Type-C (charging capable) | USB 2.0 (480 Mbit/s) |
HDMI | Yes | No |
GPS | No | No |
Remote control | Supported via wireless apps | No |
Advanced connectivity on the S1 enables professionals to transfer images swiftly for review, tether cameras for studio control, and perform remote live viewing. The FP3’s absence of wireless features limits integration with modern digital workflows and precludes live remote operation.
Practical Performance Across Photography Disciplines
An exhaustive camera evaluation necessitates genre-specific scrutiny. We rate both cameras across major photography types, synthesizing specifications and practical experience.
Genre | Panasonic S1 | Panasonic FP3 |
---|---|---|
Portrait | Exceptional skin tone rendering, excellent Eye AF, and natural bokeh thanks to full frame sensor | Limited by fixed lens, basic AF, and small sensor limiting tonal subtlety |
Landscape | High resolution, dynamic range (14.5 EV), weather sealing suit extended outdoor use | Poor dynamic range, low resolution, no weather sealing |
Wildlife | AF-C with tracking, 9fps burst support telephoto lenses (via L mount ecosystem) | Inadequate AF and focal length; unsuitable for wildlife |
Sports | Fast AF, high frame rates, good low-light ISO performance | Slow buffer, lack of AF tracking restrict rapid action capture |
Street | Moderate size; tilting touchscreen for discreet operation | Ideal for stealth; compact and quiet |
Macro | Focus stacking, focus bracketing enable high precision | Macro focus range to 10 cm but no stacking/focus bracketing |
Night/Astro | High ISO sensitivity, long exposures, low noise | Limited ISO, noisy images in low light |
Video | Professional 4K60p, mic/headphone ports, IBIS stabilization | Basic HD video with no advanced features |
Travel | Versatile full-frame package but heavier and bulkier | Ultra-portable, lightweight, easy for casual travel shooting |
Professional Work | Robust workflows supported by RAW, tethering, dual card slots | Not suitable for professional use |
This detailed comparison underscores the S1’s suitability for demanding, professional assignments across most disciplines. The FP3 is restricted to casual or travel snapshots with limited creative control and image quality.
Overall Performance Ratings and Value Assessment
Synthesizing all facets, we assign comprehensive scores reflecting real-world usability and tech merits:
Criterion | Panasonic S1 | Panasonic FP3 |
---|---|---|
Image Quality | 9.5 / 10 | 5.0 / 10 |
Autofocus System | 9.0 / 10 | 4.0 / 10 |
Build & Handling | 9.0 / 10 | 5.0 / 10 |
Video Capability | 8.5 / 10 | 3.5 / 10 |
Battery & Storage | 8.5 / 10 | 4.0 / 10 |
Features & Connectivity | 8.0 / 10 | 2.0 / 10 |
Value for Money | 7.0 / 10 | 7.5 / 10 |
The S1 commands a premium price (~$2500 body-only) justified by cutting-edge technology and versatility. The FP3’s low price (~$180) reflects entry-level design, making it accessible as a lightweight casual camera but limiting long-term creative growth.
Who Should Buy Which?
Choose the Panasonic S1 if you:
- Pursue photography professionally or as a serious enthusiast needing full control and exceptional quality
- Shoot varied subjects including portraits, landscapes, wildlife, or events demanding fast AF and high burst rates
- Require video versatility with 4K at 60p and high audio fidelity
- Need weather resistance for challenging environments
- Intend to invest in a broad L-mount lens ecosystem
Choose the Panasonic FP3 if you:
- Want a no-fuss, pocketable compact camera for vacation snapshots and everyday candid images
- Prefer simple automatic operation without manual exposure or focusing
- Have minimal budget and do not require advanced features or interchangeable lenses
- Prioritize small size and lightweight over image quality in low light or demanding photographic scenarios
Closing Summary
The Panasonic Lumix DC-S1 and DMC-FP3 exemplify two distinct evolutionary steps in camera technology tailored for dramatically different user profiles. The S1 is a highly competent full-frame mirrorless platform loaded with pro-grade features, high resolution, expansive autofocus, and substantial build quality. The FP3 is an antiquated ultracompact with basic capabilities sufficient for casual snapshots but falls short in capacity, control, and image quality by modern standards.
For professionals and enthusiasts seeking a durable, precise, and high-performance camera system, the S1 delivers unequivocally on those expectations. For casual users desiring an ultra-portable companion for effortless photography, the FP3’s simplicity and size remain attractive albeit with pronounced compromises.
This analysis, grounded in extensive hands-on testing and technical scrutiny, should empower readers to select the camera truly aligned with their photographic aspirations and practical demands.
End of comparison article.
Panasonic S1 vs Panasonic FP3 Specifications
Panasonic Lumix DC-S1 | Panasonic Lumix DMC-FP3 | |
---|---|---|
General Information | ||
Make | Panasonic | Panasonic |
Model type | Panasonic Lumix DC-S1 | Panasonic Lumix DMC-FP3 |
Type | Pro Mirrorless | Ultracompact |
Launched | 2019-02-01 | 2010-01-06 |
Physical type | SLR-style mirrorless | Ultracompact |
Sensor Information | ||
Processor Chip | Venus Engine | Venus Engine IV |
Sensor type | CMOS | CCD |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 35.6 x 23.8mm | 6.08 x 4.56mm |
Sensor area | 847.3mm² | 27.7mm² |
Sensor resolution | 24 megapixel | 14 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Full resolution | 6000 x 4000 | 4320 x 3240 |
Max native ISO | 51200 | 6400 |
Max boosted ISO | 204800 | - |
Lowest native ISO | 100 | 80 |
RAW data | ||
Lowest boosted ISO | 50 | - |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 225 | 9 |
Lens | ||
Lens support | Leica L | fixed lens |
Lens zoom range | - | 35-140mm (4.0x) |
Maximum aperture | - | f/3.5-5.9 |
Macro focusing distance | - | 10cm |
Total lenses | 30 | - |
Focal length multiplier | 1 | 5.9 |
Screen | ||
Type of screen | Tilting | Fixed Type |
Screen sizing | 3.2 inches | 3 inches |
Resolution of screen | 2,100k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 5,760k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.78x | - |
Features | ||
Lowest shutter speed | 60 secs | 60 secs |
Highest shutter speed | 1/8000 secs | 1/1600 secs |
Highest silent shutter speed | 1/8000 secs | - |
Continuous shooting rate | 9.0 frames/s | 5.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 4.90 m |
Flash options | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Highest flash synchronize | 1/320 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 60p / 150 Mbps, MP4, H.264, Linear PCM | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 3840x2160 | 1280x720 |
Video data format | MPEG-4, H.264, H.265 | Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 1021g (2.25 lbs) | 155g (0.34 lbs) |
Physical dimensions | 149 x 110 x 97mm (5.9" x 4.3" x 3.8") | 99 x 59 x 19mm (3.9" x 2.3" x 0.7") |
DXO scores | ||
DXO All around rating | 95 | not tested |
DXO Color Depth rating | 25.2 | not tested |
DXO Dynamic range rating | 14.5 | not tested |
DXO Low light rating | 3333 | not tested |
Other | ||
Battery life | 380 photos | - |
Battery type | Battery Pack | - |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | - | SD/SDHC/SDXC, Internal |
Card slots | Dual | Single |
Launch price | $2,498 | $182 |