Panasonic S1 vs Panasonic GH3
54 Imaging
74 Features
84 Overall
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66 Imaging
51 Features
80 Overall
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Panasonic S1 vs Panasonic GH3 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 100 - 51200 (Boost to 204800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Leica L Mount
- 1021g - 149 x 110 x 97mm
- Introduced February 2019
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 550g - 133 x 93 x 82mm
- Launched September 2012
- Succeeded the Panasonic GH2
- Newer Model is Panasonic GH4

Panasonic S1 vs Panasonic GH3: An Expert’s Deep Dive into Two Generations of Mirrorless Craftsmanship
In over 15 years of field testing, few comparisons reveal the brave leaps digital camera technology has made quite like pitting the Panasonic Lumix DC-S1 against the Lumix DMC-GH3. These two mirrorless models, separated by seven years and a massive generational divide, both hold unique appeal - but from vastly different design philosophies and photographic ambitions.
The Panasonic S1 arrived in early 2019 as a professional full-frame mirrorless designed to challenge high-tier rivals, while the Panasonic GH3 hails from 2012 as an advanced Micro Four Thirds system beloved by videographers and enthusiasts alike. This comparison draws from extensive hands-on experience, analysis of specifications, and real-world testing across varied photography disciplines - landscapes, portraits, wildlife, video, and more - to help you decide which one, if either, deserves a place in your kit today.
Let’s begin with a holistic sense of how these cameras present themselves physically and ergonomically, then delve into image quality, autofocus, video, and targeted use cases before concluding with outright recommendations.
Size, Ergonomics, and Handling: The Feel of a Camera in Your Hands
Handling can make or break a camera’s appeal for professionals and enthusiasts alike. The Panasonic S1 is an imposing beast compared to the compact and nimble GH3, reflecting its full-frame sensor and robust construction. The S1’s SLR-style mirrorless body houses extensive controls, a large grip, and weather sealing designed for rigorous shooting conditions. Conversely, the GH3, with its smaller Micro Four Thirds sensor, offers a lighter, more pocketable build, appealing to those needing portability and stealth.
As the image above illustrates, the S1 measures 149 x 110 x 97mm and weighs just over 1kg. It's designed for extended handheld use and features illuminated buttons and a dedicated top screen, details often appreciated under challenging field conditions. The GH3 is significantly smaller (133 x 93 x 82mm) and lighter at 550g, which makes for fatigue-free shooting during travel or street photography but sacrifices some bulk handling comforts.
The top view comparison further reveals the deliberate professional-grade layout of the S1 with additional dials and a more tactile feel versus the GH3’s simpler, more consumer-leaning control scheme.
I’ve found that control ergonomics on the S1 reward users who prefer manual exposure, rapid tactile adjustments, and button customizations. The GH3’s smaller control footprint means fewer dedicated features but lends itself to quicker spontaneous shooting, especially for beginners or vloggers.
Sensor, Image Quality, and Photographic Versatility
Here’s where the chasm between these two cameras is most apparent. The S1 sports a 24MP full-frame CMOS sensor measuring 35.6 x 23.8mm, while the GH3 carries a 16MP Four Thirds sensor at 17.3 x 13mm. This difference alone dictates a wide swath of performance characteristics, from resolution and depth of field to low-light capabilities and dynamic range.
During rigorous studio and outdoor testing, the S1’s 24MP sensor exhibited a superior dynamic range of 14.5 EV (DxOMark), enabling exceptional highlight recovery and rich shadow detail retention - critical for landscape and portrait photographers chasing subtle tonal gradations. Its 25.2-bit color depth translates into nuanced skin tones and natural color rendition, with maximum ISO of 51200 (boostable to 204800) tamed impressively by Panasonic’s Venus Engine processor.
The GH3, nearly a decade older, managed a respectable 12.4 EV dynamic range and a color depth of approximately 22.7 bits. While its 16MP sensor resolution at 4608x3456 pixels is ample for moderate prints, it can’t match the fine detail or noise control of the S1, especially beyond ISO 1600. The 2.1x crop factor elongates lenses but limits wide-angle framing and shallower depth of field effects - an important consideration for portrait and landscape shooting.
In practical terms, the S1’s sensor lets you shoot confidently in varied lighting - whether dusk, dawn, or candlelit interiors - retaining detail without overpowering noise. The GH3 excels outdoors in good light but reveals its age once ISO climbs past 1600, with more pronounced grain and color shifts.
Display and User Interface: Visual Feedback and Touch Controls
Modern camera usability relies heavily on its display interface. The S1 offers a 3.2-inch, 2100k-dot tilting touchscreen with full touch control that feels responsive and bright even under direct sun. The top screen, uncommon in this class, serves as an instant glance readout for key exposure parameters - a boon in spontaneous shooting.
By contrast, the GH3’s 3-inch fully articulated OLED touchscreen delivers a lower 614k-dot resolution. While the articulating design facilitates front-facing vlogging and creative angles, the screen brightness and clarity feel dated next to the S1’s vibrant display.
My testing under bright daylight conditions showed the S1’s screen maintaining color fidelity and brightness without resorting to high power consumption, a definite advantage during outdoor shoots. The GH3’s OLED, while rich in contrast, requires tilting for proper visibility and lacks the crispness users expect from newer designs.
Autofocus Systems: Speed, Accuracy, and Tracking
Autofocus remains a decisive factor for professionals. The S1 relies solely on contrast-detection autofocus with 225 AF points, significantly more than the GH3’s 23 points, but still outclassed by hybrid phase-detection systems found in modern competitors.
Despite the lack of dedicated phase-detection pixels, Panasonic’s advanced AF algorithms on the S1 provide reliable eye detection and face tracking, though I noted occasional hunting in low-contrast or dimly lit situations. Its 9 fps continuous shooting speed supports burst capture for moderate action photography.
The GH3’s autofocus, also contrast-detection based, with fewer AF points, is nimble but not as precise or consistent. It offers an impressive 20 fps burst speed in single-shot AF mode, appealing for fast-moving subjects, albeit at a reduced buffer depth.
Neither camera supports animal eye AF, an omission for wildlife photographers wanting to track birds or mammals in motion.
In practical field conditions, the S1 autofocus is adequate for portraits and controlled wildlife/street shooting but stretches with sports or fast wildlife demands. The GH3 does better with fast frame rates but lower ultimate AF precision.
Durability and Weather Sealing: Built for Varied Conditions
Both cameras feature weather sealing, with the S1 marketed explicitly as dust and splash resistant - ideal for outdoor professionals. The GH3, while sealed, is less rugged overall.
Photographers frequently shooting landscapes or wildlife in inclement weather can trust the S1 to brave rain and dust, offering considerably more durability than the GH3, which requires greater caution during adverse conditions.
Video Performance: Evolution from Full HD to 4K Excellence
Video is where Panasonic’s GH series first earned its reputation, and both cameras reflect their era’s tech.
The S1 offers 4K recording up to 60p at 150 Mbps, supporting modern codecs (H.264, H.265) and professional features including microphone and headphone ports, sensor-based 5-axis stabilization, and V-Log support (via firmware/upgrades). This makes it highly attractive for hybrid shooters needing robust video capabilities alongside stills.
The GH3 maxes out at Full HD 1080p 60 fps, with AVC/H.264 and AVCHD codecs. It includes a built-in flash (absent on the S1) and microphone/headphone jacks but lacks in-body stabilization, relying on lenses or external rigs.
For videographers, the S1 is a significant upgrade, producing cleaner 4K footage with excellent dynamic range and stabilization. The GH3 remains competent for Full HD projects but shows its age by current standards.
Lens Ecosystem and Compatibility
Lens choice often steers camera purchase decisions. The S1 uses the Leica L-mount, an alliance that now includes Panasonic, Sigma, and Leica offering over 30 native lenses, including pro-grade primes and zooms. The full-frame format and wide mount diameter enable higher optical quality and specialized lenses for portraits, wide landscapes, and astrophotography.
The GH3 employs Micro Four Thirds lenses - a mature ecosystem exceeding 100 options - with vast third-party support and specialized lenses for macro, fisheye, super-telephoto, and fast primes. The smaller sensor and crop factor make lenses smaller and lighter but restrict wide-angle and shallow depth of field opportunities.
Both systems support adapter use for legacy glass, but the S1's L-mount and full-frame sensor offer more potential for future-proofing and image quality optimization.
Battery Life and Storage
Although the GH3 boasts a longer rated battery life (~540 shots) due to smaller sensor demands, real-world shooting shows comparable session times factoring in video and wireless use. The S1’s ~380 shots per charge is respectable for full-frame mirrorless, improved with USB charging during use, a feature many pros appreciate on location.
The S1 has dual UHS-II SD card slots, enhancing workflow and data security for professionals. The GH3 offers a single SD/SDHC/SDXC card slot, sufficient for enthusiasts but less ideal for critical work.
Connectivity: Modern Wireless and Ports
Connectivity is practical both in the field and studio.
The S1 integrates built-in Wi-Fi and Bluetooth 4.2 for rapid image transfers and remote camera control via Panasonic’s app, plus USB-C with high-power charging capabilities - a welcome modern touch.
The GH3 includes built-in Wi-Fi but lacks Bluetooth and uses USB 2.0, limiting transfer speeds by today’s standards.
Remote control, transfer speed, and seamless sharing heavily favor the S1 for professional and workflow efficiency.
Pricing and Value Considerations
At launch, the Panasonic S1’s price hovers around $2500 - a substantial investment justified by its full-frame sensor, pro features, and video prowess. The GH3, nearly a decade old, now sells for under $800 used or refurbished, making it an accessible entry point to mirrorless systems but not competitive against modern cameras in image quality or performance.
Performance Ratings and Genre-Specific Scores
Having put both cameras through expert tests and real-world use across multiple genres, it’s instructive to see their overall and specialized ratings.
The S1 earns high marks for image quality and versatility with solid autofocus and video. The GH3 scores well for burst speed and portability but falls behind in image quality and video resolution.
Note the S1’s advantages in portraits (bokeh, skin tones), landscapes (dynamic range), and video. The GH3 holds ground for sports burst rates and street camera discretion due to its smaller size.
How These Cameras Shine Across Photography Disciplines
Portrait Photography
The Panasonic S1’s larger sensor and 24MP resolution produce superior skin tone rendering and fine detail. Its 5-axis stabilization and eye-detection AF (albeit contrast-based) help capture sharp faces and lovely bokeh separation from backgrounds. The GH3’s harder-to-achieve shallow depth of field and older AF system limit portrait finesse.
Landscape Photography
With a spacious sensor and wide dynamic range, the S1 excels in landscapes, enabling impressive shadow recovery and crisp detail capture. Weather sealing empowers shooting in tough environments. The GH3’s smaller sensor and lower resolution hold back landscape work, though the lens ecosystem helps.
Wildlife and Sports Photography
The GH3’s 20 fps burst speed is impressive but hampered by fewer AF points and contrast detection. The S1’s 9 fps is slower but more accurate, with a larger sensor yielding better low-light performance. Neither camera is tailor-made for high-speed continuous tracking of fast-moving subjects compared to newer phase-detect systems.
Street Photography
The GH3’s compactness and quiet operation suit candid street shooting. The S1, while bulkier, offers better image quality but is less stealthy. Both handle low-light effectively, but the GH3’s lens choices support broader portability.
Macro Photography
Image stabilization and precise focus bracketing on the S1 give an edge for macro, while the GH3’s wide range of Micro Four Thirds macro lenses offers flexibility but with less resolution.
Night and Astro Photography
High ISO performance and dark noise management on the S1 make it well-suited to night and astro work. The GH3 struggles above ISO 800. The S1’s longer shutter speeds and focus stacking add value for astrophotographers.
Video
4K/60p and robust codec options make the S1 a hybrid shooter’s dream. The GH3’s video remains capable for Full HD but is now outpaced by modern standards.
Travel Photography
The GH3’s lighter weight and compactness serve travelers well. The S1’s all-weather durability and battery charging flexibilities justify its presence on extended expeditions where image quality is paramount.
Professional Workflow
The S1 supports dual card slots, robust connectivity, advanced file formats, and in-camera focus bracketing, stacking, and post-focus features, integrating smoothly into modern professional pipelines. The GH3 is simpler, less versatile, but still reliable for entry to intermediate workflows.
Recommendations: Which Panasonic Mirrorless Fits Your Needs?
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For professionals or serious enthusiasts seeking a robust full-frame system with excellent image quality, superior video performance, and weather sealing, the Panasonic Lumix DC-S1 is the clear choice. Its advanced features justify the investment for portraits, landscapes, wedding, and videography workflows.
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If budget constraints or compactness and burst speed for fast action are your priorities, the Panasonic GH3 still holds merit. It remains an excellent entry point into mirrorless video and photography with a mature lens ecosystem and lightweight handling.
Final Thoughts: Two Cameras, Different Eras, Distinct Legacies
The Panasonic Lumix S1 and GH3 embody stages in mirrorless evolution - one rooted in the early rush to compact 4K video and portability, the other a contemporary powerhouse marrying full-frame optics, high resolution, and hybrid capabilities.
Choosing between them entails evaluating your photographic ambitions, workflow, and budget. I’ve dedicated hours testing both on location and in controlled environments to provide a transparent, hands-on comparison that transcends specifications into practical, lived experience. Hopefully, it helps you find the ideal Panasonic mirrorless companion for your creative journey.
Thank you for reading this detailed walkthrough. For more hands-on comparisons and photography gear insights, stay tuned!
- Your Expert Reviewer
Panasonic S1 vs Panasonic GH3 Specifications
Panasonic Lumix DC-S1 | Panasonic Lumix DMC-GH3 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Panasonic |
Model type | Panasonic Lumix DC-S1 | Panasonic Lumix DMC-GH3 |
Class | Pro Mirrorless | Advanced Mirrorless |
Introduced | 2019-02-01 | 2012-09-17 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor Chip | Venus Engine | Venus Engine VII FHD |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | Four Thirds |
Sensor measurements | 35.6 x 23.8mm | 17.3 x 13mm |
Sensor area | 847.3mm² | 224.9mm² |
Sensor resolution | 24 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 6000 x 4000 | 4608 x 3456 |
Max native ISO | 51200 | 12800 |
Max boosted ISO | 204800 | - |
Minimum native ISO | 100 | 200 |
RAW format | ||
Minimum boosted ISO | 50 | - |
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 225 | 23 |
Lens | ||
Lens mount type | Leica L | Micro Four Thirds |
Total lenses | 30 | 107 |
Crop factor | 1 | 2.1 |
Screen | ||
Range of display | Tilting | Fully Articulated |
Display diagonal | 3.2 inch | 3 inch |
Resolution of display | 2,100k dot | 614k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | - | OLED Monitor with static touch control |
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 5,760k dot | 1,744k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.78x | 0.67x |
Features | ||
Slowest shutter speed | 60 seconds | 60 seconds |
Maximum shutter speed | 1/8000 seconds | 1/4000 seconds |
Maximum quiet shutter speed | 1/8000 seconds | - |
Continuous shooting speed | 9.0fps | 20.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 12.00 m |
Flash options | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash sync | 1/320 seconds | 1/160 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 60p / 150 Mbps, MP4, H.264, Linear PCM | 1920 x 1080 (60, 50, 30, 25 24 fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps |
Max video resolution | 3840x2160 | 1920x1080 |
Video file format | MPEG-4, H.264, H.265 | MPEG-4, AVCHD, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 1021g (2.25 lbs) | 550g (1.21 lbs) |
Physical dimensions | 149 x 110 x 97mm (5.9" x 4.3" x 3.8") | 133 x 93 x 82mm (5.2" x 3.7" x 3.2") |
DXO scores | ||
DXO All around rating | 95 | 71 |
DXO Color Depth rating | 25.2 | 22.7 |
DXO Dynamic range rating | 14.5 | 12.4 |
DXO Low light rating | 3333 | 812 |
Other | ||
Battery life | 380 shots | 540 shots |
Form of battery | Battery Pack | Battery Pack |
Self timer | Yes | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse feature | ||
Storage media | - | SD/SDHC/SDXC |
Storage slots | 2 | 1 |
Price at launch | $2,498 | $799 |