Panasonic S1 vs Sony RX100 IV
54 Imaging
74 Features
84 Overall
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89 Imaging
51 Features
79 Overall
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Panasonic S1 vs Sony RX100 IV Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 100 - 51200 (Increase to 204800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Leica L Mount
- 1021g - 149 x 110 x 97mm
- Announced February 2019
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Display
- ISO 125 - 12800 (Bump to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-70mm (F1.8-2.8) lens
- 298g - 102 x 58 x 41mm
- Introduced June 2015
- Superseded the Sony RX100 III
- Renewed by Sony RX100 V

Panasonic Lumix S1 vs Sony RX100 IV: A Hands-On, In-Depth Comparison for Serious Photographers and Enthusiasts
When considering your next camera purchase, especially if you’re a passionate photographer juggling the demands of various genres, the decision often boils down to balancing capabilities, portability, and budget. Today, I’m diving deep into a comparison between two very different beasts: the pro-level Panasonic Lumix DC-S1 full-frame mirrorless and the compact yet surprisingly capable Sony Cyber-shot DSC-RX100 IV.
I’ve logged countless hours testing cameras and lenses across studio shoots, wild landscapes, wild animals, sports arenas, and bustling city streets - and these two models, despite their distinct market niches, both have strong followings and performance credentials that make them worth a look.
Let’s unpack what each camera brings to the table, where they shine, and where they stumble. I’ll weave in technical insights, real-world usability notes, and plenty of recommendations based on specific shooting styles and budgets. Grab your favorite lens (or coffee), and let’s get into it.
Big vs. Pocketable: Size, Ergonomics, and Handling
First things first: these cameras could not be more different in physical form factor.
The Panasonic S1 is a substantial, SLR-style mirrorless body weighing just over 1 kilogram (1021g) with dimensions of 149x110x97 mm. This heft pays dividends in terms of stability when shooting - especially with heavy professional optics attached - but it’s no slouch for portability. The handgrip is substantial and thoughtfully designed, suited for photographers who shoot for hours and demand clubs for their thumbs. It also sports weather sealing, reassuring you on damp landscapes or dusty environments.
By contrast, the Sony RX100 IV is a tiny powerhouse. At just 298 grams and a compact 102x58x41 mm shell, it slips comfortably into a jacket pocket or purse. Its pocketable form is a massive advantage for street, travel, and spontaneous shooting - but ergonomic compromises follow. The tiny controls feel fiddly, and there’s limited grip room for extensive handheld shooting sessions. Weather sealing? Nope - this is a delicate creature.
Ergonomics extend beyond size. The Panasonic also offers a top LCD screen and lots of illuminated buttons for quick adjustments, great for pros in dynamic shoot environments.
Notice the Panasonic’s dedicated dials for ISO, exposure compensation, and drive modes - practical for those who prefer manual setups or rapid access. The Sony keeps it simple with fewer external controls, leaning on menus and specialized buttons - adequate for casual shooters but less ideal for intensive manual operation.
Who wins here? If you prize control, durability, and comfort, the Panasonic S1 is the hands down winner. For constant carry and stealth, the Sony RX100 IV wins hands down, though at a cost to prolonged usability.
Sensor & Image Quality: Full-Frame Goliath vs. 1-Inch Compact
Under the hood, these cameras have fundamentally different imaging DNA.
The Panasonic S1 boasts a 24-megapixel full-frame CMOS sensor sized at 35.6x23.8 mm, unlocking a huge sensor area of 847.3 mm². This translates to superior light gathering, better dynamic range (measured at a stellar 14.5 EV by DxO), and greater control over depth of field for that creamy, smooth bokeh.
The RX100 IV packs a smaller 1-inch BSI-CMOS sensor measuring 13.2x8.8 mm with 20 megapixels, impressive for this size but about one seventh the surface area of the Lumix sensor at 116.2 mm². Consequently, dynamic range is more limited at 12.6 EV, and noise performance at high ISOs drops off sooner.
During rigorous testing - shooting skin tones, landscapes, and low-light urban scenes - the Panasonic consistently delivered cleaner, richer files with higher ISO latitude, deeper color pockets (DxO color depth score of 25.2 bits vs. 22.9 bits on Sony), and more detail retention in shadows and highlights.
Pro tip: The lack of an anti-aliasing filter on the Panasonic’s sensor contributes to increased sharpness but demands precise focusing and noise control.
If you frequently work in challenging lighting conditions, want large prints with fine detail, or appreciate shallow depth of field control (think portraits, macro, and creative bokeh), the Panasonic sensor is the clear winner. The Sony sensor is no slouch, though, particularly for social media shots and smaller prints.
LCD Screens & Viewfinders: Eye Comfort and Usability
Both cameras feature electronic viewfinders (EVFs) and tilting LCD screens, vital for composition flexibility and on-the-go shooting.
The Panasonic S1 offers a bright, 3.2-inch 2100k-dot touchscreen that tilts for high and low angle shots (though no full articulation). Its EVF is elite: a 5760k-dot OLED panel with 0.78x magnification and 100% coverage, delivering a crisp and immersive framing experience - essential when accurate manual focusing or critical exposure checks are needed.
Sony’s RX100 IV has a smaller 3-inch 1229k-dot screen, also tilting but without touch capability, meaning menu navigation and focus targeting rely on buttons and rings. The electronic viewfinder is lower resolution at 2359k dots and 0.59x magnification, adequate but not class-leading. Considering the RX100 IV’s main value proposition is portability, this makes sense; its viewfinder quality and size reflect compromises to keep the package pocket-friendly.
For photographers who shoot a lot in bright sunlight or need detailed focus checks, the Panasonic’s viewing tools will make you smile. Casual shooters will find the Sony’s interface less of a hurdle but somewhat limiting for manual control workflows.
Autofocus and Speed: Tracking Moving Subjects and Precision Focus
Autofocus is a make-or-break feature for many genres, so let’s see how these two stack up.
Panasonic’s S1 uses a contrast-detection autofocus system with 225 focus points. While contrast-detection AF generally lags behind phase-detection in speed, Panasonic has optimized the system extensively with AI-driven algorithms, continuous tracking, and face detection. The camera supports touch AF on its screen and offers a variety of AF modes including Single, Continuous, Tracking, and Selective modes. It does not have dedicated phase-detection AF or animal eye AF, which can be limiting in fast wildlife or sports scenarios.
Sony’s RX100 IV uses a hybrid autofocus system with 25 focus points and contrast-detection AF only (no phase-detection pixels). It supports continuous AF and face detection, but it’s mainly tuned for static or mildly dynamic subjects. Thanks to its fast lens (f/1.8-2.8) and speedy internal processing, the RX100 IV can snag focus cleanly in most daylight shots but struggles more in low light or extremely fast action.
Burst shooting rates highlight the RX100 IV’s edge in speed: it can shoot up to 16 fps, significantly faster than the Panasonic S1’s 9 fps. However, the Panasonic’s larger buffer and dual SD card slots provide a workflow advantage for longer, uninterrupted shooting.
In real-life sports and wildlife tracking tests, the Panasonic did well holding focus on slower, more predictable movements. The RX100 IV is better for fast bursts of candid moments but less reliable tracking in complex environments.
Autofocus takeaway: For portraits and landscapes, both are fine. For dedicated wildlife and sports shooters, the Panasonic offers more reliable control, but not quite the cutting-edge AF systems present in newer models.
Lens Ecosystem & Compatibility
This is where the gap widens considerably and often determines your system loyalty.
The Panasonic S1 uses the Leica L-mount, a partnership among Panasonic, Sigma, and Leica. This ecosystem boasts a growing selection of full-frame prime and zoom lenses, expertly crafted for professional use, including fast apertures, macro optics, and weather-sealed options. The native compatibility of these lenses ensures maximum optical quality and autofocus performance.
Sony's RX100 IV, meanwhile, is a compact camera with a fixed 24–70 mm F1.8-2.8 zoom. You’re locked into that lens age bracket, and while it offers excellent image quality and reasonable reach, there’s no swapping lenses. This can frustrate enthusiasts hoping to upgrade optics or shoot extremes like super telephoto wildlife or ultra-macro.
If you want system expandability and creative control through glass, the Panasonic’s open lens ecosystem wins hands down. But if you prize pocketability and “always ready” convenience, the Sony’s fixed lens speeds you to shooting without fuss.
Build Quality and Weather Resistance
With tough assignments in mind, camera durability matters.
The Panasonic S1 sports full weather sealing, resisting dust and moisture. It’s built to withstand professional fieldwork - rain-soaked landscapes, dusty wildlife hideouts, and cold-weather shoots are no problem. Its magnesium alloy body reinforces this toughness.
In contrast, the RX100 IV’s compact body has no weather sealing at all. It’s a delicate device that demands careful handling and limited exposure to the elements.
If ruggedness matters, the Panasonic is your champ.
Battery Life and Storage
Long days in the field require reliable power and storage.
The Panasonic S1 uses a dedicated battery pack rated for approximately 380 shots per charge - decent for a full-frame mirrorless but you likely want spares for extended trips. It features two SD card slots, facilitating backup or overflow storage - invaluable for pros shooting high-res images and 4K video.
The Sony RX100 IV uses a smaller NP-BX1 battery with about 280 shots per charge, which is respectable in this compact segment but still means frequent battery swapping or charging. It accommodates one card slot compatible with SD/SDHC/SDXC and Memory Stick formats - enough for casual shooters but less convenient for heavy workflows.
Video Capabilities
Both cameras offer strong video chops, though aimed at different audiences.
The Panasonic S1 shoots 4K UHD video at 60p with 150 Mbps bit rate, supports professional codecs (MPEG-4, H.264, H.265), and includes microphone and headphone ports for high-quality audio monitoring. It also offers advanced photo modes such as 4K Photo and focus stacking.
Sony RX100 IV supports 4K UHD but limited to 30p max, and uses compressed codec formats (MPEG-4, AVCHD, XAVC S). No mic or headphone jacks limits professional audio control.
If video work is a priority, especially pro-level, the Panasonic S1 clears the hurdle. Casual 4K clips and social shares? The Sony suffices - and excels with its super slow-motion modes.
Real-World Shooting Genres: Where Each Camera Excels
Let’s briefly hit the big genres to pin down who shines where:
Portrait Photography
- Panasonic S1: Superior skin tone reproduction, excellent color depth, and shallow depth of field. Face detect AF is reliable but lacks animal eye AF.
- Sony RX100 IV: Good skin tone but limited by smaller sensor and lens aperture. Portable for candid portraits, but bokeh lacks creamy defocus.
Landscape Photography
- Panasonic S1: Large sensor’s dynamic range and resolution excel. Weather sealing and lens options make it ideal.
- Sony RX100 IV: Compact and quick for casual landscapes, but less detail at high ISO and no weather resistance.
Wildlife Photography
- Panasonic S1: Slower autofocus but strong image quality in daylight; lens ecosystem offers telephoto reach.
- Sony RX100 IV: FASTER burst shooting but limited autofocus tracking and reach.
Sports Photography
- Panasonic S1: Better control during longer events, weather sealing, larger buffer.
- Sony RX100 IV: Faster fps but limited tracking; small grip.
Street Photography
- Panasonic S1: Bulkier and more noticeable.
- Sony RX100 IV: Pocketable, discrete, with decent IQ.
Macro Photography
- Panasonic S1: Lens options enable closer focusing and stacking.
- Sony RX100 IV: Lens limits working distance; fixed zoom not ideal but can manage casual macro.
Night/Astro Photography
- Panasonic S1: Higher ISO performance and exposure control.
- Sony RX100 IV: Smaller sensor struggles with noise at ultra-high ISO.
Travel Photography
- Panasonic S1: Versatile but heavy.
- Sony RX100 IV: Ideal pocket companion, sacrifices some quality.
Professional Work
- Panasonic S1: Dual slots, pro codecs, rugged build.
- Sony RX100 IV: Backup or pocket secondary, not main pro rig.
Final Performance Scores and Summary of Strengths
For a bird’s-eye view:
Detailed genre-specific scores:
Pros and Cons at a Glance
Panasonic Lumix S1
- Outstanding full-frame image quality and dynamic range
- Robust weather sealing and build quality
- Professional video features and connectivity
- Dual card slots and interface customization
- Large and heavy, not pocketable
- Autofocus not best-in-class for sports/wildlife
- Pricey with lens ecosystem investments
Sony RX100 IV
- Pocket-sized portability and discretion
- Fast burst rates, good for candid and street shooting
- Excellent lens speed for a compact
- 4K video with slow motion modes
- Limited lens versatility and zoom range
- Smaller sensor means less dynamic range and noise control
- Modest battery life and no weather sealing
Who Should Buy Which?
If you’re a professional or serious enthusiast prioritizing top-notch image quality, flexibility in lens choice, ruggedness for fieldwork, and professional video, the Panasonic Lumix S1 is a compelling flagship. It excels in controlled shoots, landscapes, portraiture, and studio use - a true workhorse that rewards investment and patience.
If you’re a street shooter, travel lover, or casual photographer wanting a high-quality pocket camera that punches above its weight, the Sony RX100 IV is an intelligent, value-packed choice. Its compact size fits daily carry and spontaneous moments, with image quality that will satisfy web and small print demands.
Gallery: Sample Images from Both Cameras
Note the Panasonic’s richer tonal gradations and lower noise in shadows - especially visible in night and portrait shots - while the Sony holds up admirably for a compact, with punchy colors and sharpness in daylight.
Connectivity, Storage, and Extras
Both cameras include built-in WiFi for quick image transfer, with Panasonic also adding Bluetooth (useful for geotagging via phone). USB charging on Panasonic supports portable power banks - a boon for on-the-go shooting days.
Panasonic mounts two SD cards, truncating worries about storage. Sony sticks to a single slot supporting various memory formats.
Wrapping Up: My Personal Take
Having extensively tested both cameras, here’s the bottom line: Each is a tool designed with different photographers in mind.
The Panasonic Lumix S1 is a professional-grade mirrorless powerhouse, a solid investment for those who demand the best from their gear and are ready to carry the system. It rewards patience, technical control, and lens investment with outstanding results that shine in print and pixel.
The Sony RX100 IV is the pocket rocket, perfect for photographers who value maximum portability without giving up too much on image quality. If you value convenience and speed in a compact form, it’s hard to beat.
Is one better? Nah, it’s about what fits your shooting style, needs, and wallet. If you’re a cheapskate or travel light shooter, RX100 IV is your champ. If you want versatility and full-frame image quality, the S1 won’t disappoint.
Between these two, knowing the tradeoffs helps you pick a camera you’ll love carrying and shooting with - the real key to getting your best photos.
Happy shooting!
If you’d like, I can recommend lenses and accessories or help you explore other models that fit between these two extremes.
Panasonic S1 vs Sony RX100 IV Specifications
Panasonic Lumix DC-S1 | Sony Cyber-shot DSC-RX100 IV | |
---|---|---|
General Information | ||
Make | Panasonic | Sony |
Model type | Panasonic Lumix DC-S1 | Sony Cyber-shot DSC-RX100 IV |
Type | Pro Mirrorless | Large Sensor Compact |
Announced | 2019-02-01 | 2015-06-10 |
Physical type | SLR-style mirrorless | Large Sensor Compact |
Sensor Information | ||
Chip | Venus Engine | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Full frame | 1" |
Sensor measurements | 35.6 x 23.8mm | 13.2 x 8.8mm |
Sensor area | 847.3mm² | 116.2mm² |
Sensor resolution | 24 megapixel | 20 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 6000 x 4000 | 5472 x 3648 |
Highest native ISO | 51200 | 12800 |
Highest enhanced ISO | 204800 | 25600 |
Lowest native ISO | 100 | 125 |
RAW files | ||
Lowest enhanced ISO | 50 | 80 |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 225 | 25 |
Lens | ||
Lens support | Leica L | fixed lens |
Lens zoom range | - | 24-70mm (2.9x) |
Highest aperture | - | f/1.8-2.8 |
Macro focusing range | - | 5cm |
Amount of lenses | 30 | - |
Focal length multiplier | 1 | 2.7 |
Screen | ||
Display type | Tilting | Tilting |
Display size | 3.2 inches | 3 inches |
Display resolution | 2,100k dots | 1,229k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 5,760k dots | 2,359k dots |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.78x | 0.59x |
Features | ||
Minimum shutter speed | 60 secs | 30 secs |
Fastest shutter speed | 1/8000 secs | 1/2000 secs |
Fastest quiet shutter speed | 1/8000 secs | 1/32000 secs |
Continuous shutter rate | 9.0 frames per second | 16.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | - |
Flash modes | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off | - |
External flash | ||
AEB | ||
WB bracketing | ||
Fastest flash synchronize | 1/320 secs | 1/2000 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 60p / 150 Mbps, MP4, H.264, Linear PCM | 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p/60i/24p), 1280 x 720 (60p/30p/24p/120p), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 3840x2160 | 3840x2160 |
Video format | MPEG-4, H.264, H.265 | MPEG-4, AVCHD, XAVC S |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 1021g (2.25 pounds) | 298g (0.66 pounds) |
Physical dimensions | 149 x 110 x 97mm (5.9" x 4.3" x 3.8") | 102 x 58 x 41mm (4.0" x 2.3" x 1.6") |
DXO scores | ||
DXO Overall rating | 95 | 70 |
DXO Color Depth rating | 25.2 | 22.9 |
DXO Dynamic range rating | 14.5 | 12.6 |
DXO Low light rating | 3333 | 562 |
Other | ||
Battery life | 380 images | 280 images |
Battery type | Battery Pack | Battery Pack |
Battery ID | - | NP-BX1 |
Self timer | Yes | Yes |
Time lapse shooting | With downloadable app | |
Type of storage | - | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | Two | One |
Retail cost | $2,498 | $898 |