Panasonic S1H vs Pentax K-7
52 Imaging
74 Features
87 Overall
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60 Imaging
54 Features
69 Overall
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Panasonic S1H vs Pentax K-7 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Fully Articulated Display
- ISO 100 - 51200 (Raise to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 5952 x 3988 video
- Leica L Mount
- 1052g - 151 x 114 x 110mm
- Announced August 2019
(Full Review)
- 15MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 2000 (Increase to 6400)
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1280 x 720 video
- Pentax KAF2 Mount
- 750g - 131 x 97 x 73mm
- Introduced October 2009
- Replacement is Pentax K-5

Panasonic Lumix S1H vs Pentax K-7: A Comprehensive, Hands-On Camera Comparison for Enthusiasts and Professionals
Selecting the ideal camera body often requires a meticulous evaluation across numerous technical and ergonomic parameters. This is especially true when comparing two models as disparate as the Panasonic Lumix DC-S1H and the Pentax K-7. Despite an era gap of roughly a decade between them, these cameras illuminate differing philosophies in design, imaging technology, and user experience. This comparison aims to dissect their specifications, real-world usability, performance metrics, and value propositions to assist informed decision-making.
Visualizing the Cameras: Size and Ergonomics in Context
Before delving into complex features, understanding the physical interface of a camera is critical. Ergonomics influence shooting efficiency, comfort during prolonged use, and the overall tactile connection the photographer has with the tool.
Panasonic S1H: With a weight of 1052g and dimensions of 151x114x110mm, the S1H is a substantial mirrorless body exhibiting robust SLR-style ergonomics. The grip is deep and sculpted for large hands, reflecting Panasonic’s intent to cater to demanding professional workflows, including prolonged video shoots and versatile photo assignments.
Pentax K-7: By contrast, the Pentax K-7 weighs 750g and measures 131x97x73mm, making it considerably more compact and lighter. Its mid-sized SLR profile adheres to traditional DSLR form factors prevalent in the late 2000s. The body has a modest grip and compact buttons, beneficial for those seeking portability without sacrificing manual handling.
In summation, photographers requiring substantial heft and professional-grade handling will find the S1H more suited, whereas those prioritizing lightweight portability and a classic DSLR feel may prefer the K-7.
Top Controls and Operational Layout: Efficiency vs Simplicity
Control placement and design dictate how quickly a camera can respond to changing shooting conditions.
The S1H embraces a modern design philosophy with illuminated buttons, prominent mode dials, and dedicated controls for shutter speed, ISO, exposure compensation, and more. The body integrates a top status LCD that provides at-a-glance exposure and settings data, enhancing usability in bright outdoor environments. While the complexity adds a learning curve, this layout benefits advanced users requiring rapid manual adjustments.
In contrast, the K-7 offers a simpler top plate arrangement with fewer dedicated controls. It lacks illuminated buttons and a top screen, relying on a traditional mode dial and a more basic layout. While this reduces operational immediacy for settings adjustments, it fosters intuitive use for photographers accustomed to classic DSLR interfaces without overwhelming beginners.
For rapid on-the-fly control, especially in professional action or video contexts, the S1H’s layout is superior. Casual shooters or those transitioning from film DSLRs may find the K-7’s simplicity appealing.
Sensor Analysis and Image Quality: Full-Frame Power vs APS-C Heritage
Sensor technology is at the heart of imaging performance, influencing resolution, noise characteristics, and dynamic range.
The Lumix S1H features a full-frame 24MP CMOS sensor sized approximately 35.6x23.8mm (847.28mm² sensor area). It supports a native ISO range from 100 to 51200, expandable up to ISO 204800. Despite employing an anti-aliasing filter, which might slightly soften micro-detail, this sensor is optimized for high dynamic range and low noise, evidenced by its sensor-based 5-axis image stabilization to maximize sharpness.
The Pentax K-7, alternatively, utilizes a smaller 15MP APS-C sensor (23.4x15.6mm, 365.04mm² sensor area). The crop factor of 1.5x influences focal length equivalency. Its ISO range caps at 2000 natively, expandable to 6400, reflecting older sensor generation limitations. The sensor integrates an anti-aliasing filter and uses the Prime II image processor for noise and image data handling.
Practically, the S1H excels in delivering cleaner, higher resolution images with greater latitude for shadows and highlights. The K-7, while capable, shows more noise at elevated ISOs and presents lower resolution, constraining large-format print work or extreme cropping.
Live View and Rear Screen Usability
An essential aspect of modern digital photographers’ workflow involves using the rear LCD for composition, focus checking, and tactile control.
Panasonic’s S1H boasts a 3.2-inch fully articulated touchscreen with 2.33 million dots, facilitating flexible shooting angles and intuitive touch targeting, including autofocus point selection and menu navigation. Touch responsiveness significantly enhances operational speed, especially in video recording and macro photography.
Conversely, the K-7 includes a fixed 3-inch TFT LCD with 921K dots, featuring no touchscreen functionality. While ample for reviewing images and basic menu navigation, it lacks articulation and touch input convenience, limiting framing creativity and efficient focus adjustments during unpredictable shooting conditions.
The S1H’s rear display caters expressly to dynamic workflows involving video and live view photography, whereas the K-7’s screen is adequate for classical DSLR shooting routines prioritizing viewfinder use.
Autofocus Systems: Point Coverage and Tracking Pragmatism
A definitive factor separating professional-grade cameras from entry-level models is autofocus (AF) sophistication, influencing both the reliability and versatility in capturing sharp images.
The S1H employs an advanced contrast-detection AF with 225 points supporting face detection, eye AF, continuous and selective focusing, and touch AF in live view. Its hybrid AF system, catalyzed by the Venus Engine processor, excels in intelligent tracking, critical for video and wildlife shooters. However, it lacks on-sensor phase detection points, which may slightly impact speed compared to hybrid systems in direct drive fast-focus scenarios.
The K-7 features an 11-point AF system with phase detection, including center-weighted AF capabilities but devoid of modern focus tracking or face/eye recognition. This system suffices for steady or static subjects but struggles with rapid subject movement, making it less suitable for sports or wildlife capture where seamless focus acquisition is imperative.
Thus, the S1H provides markedly superior AF capabilities reinforced for professional and action uses, whereas the K-7 remains acceptable for general photography with slower AF demands.
Burst Shooting and Shutter Performance
Fast frame rates paired with durable shutter mechanisms enable capturing fleeting moments.
- The S1H achieves 9 fps continuous shooting with electronic and mechanical shutters reaching up to 1/8000s with silent shutter support.
- The K-7 maxes out at 5 fps mechanical shutter speeds with electronic shutter not available.
For photographers specializing in sports, wildlife, or street photography requiring rapid frame capture without motion blur, the S1H offers a clear advantage. Meanwhile, the K-7 is sufficiently responsive for less demanding applications such as portrait or landscape work where speed is secondary.
Weather Sealing and Build Quality: Robustness in Field Conditions
Both cameras advertise weather sealing but differ broadly in durability standards.
The S1H benefits from advanced environmental sealing protecting against dust and moisture, suitable for professional outdoor usage even in challenging climates. The build reflects Panasonic’s focus on delivering a rugged tool compatible with cinematography and demanding photo assignments.
The K-7 also includes weather sealing, typical of Pentax DSLRs from its generation, including dust and moisture resistance. However, it lacks official certifications such as freeze-proof or shock-proof, limiting its use in extreme environments.
Overall, the S1H presents a sturdier option for professional outdoor shoots, while the K-7 is adequate for moderate field conditions.
Lens Ecosystem and Mount Considerations
Lens availability and compatibility underpin creative flexibility and workflow cohesion.
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The S1H utilizes the Leica L mount system, supporting roughly 30 native lenses from Panasonic, Sigma, and Leica itself. This mount caters primarily to full-frame lenses designed for modern mirrorless systems, focusing on quality optics compatible with high-resolution sensors and video demands.
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The K-7’s Pentax KAF2 mount boasts an extensive lineage with 151 compatible lenses encompassing vintage primes, zooms, and specialist optics often found at compelling prices. The APS-C crop factor complements compact telephoto reach but limits wide-angle true-angles compared to full-frame systems.
The Pentax ecosystem’s breadth and access to centuries-long lens designs are invaluable for budget-conscious, vintage, or experimental shooters. The Panasonic system offers streamlined, cutting-edge glass optimized for current imaging technology, especially valuable in video and high-resolution stills.
Battery Life and Storage Flexibility
Battery stamina and storage strategy impact shooting duration and resilience in professional contexts.
The S1H supports approximately 400 shots per charge, relying on a high-capacity proprietary battery. While respectable, heavy video use and high-resolution shooting inevitably demand spares or external power sources. Its dual SD card slots supporting UHS-II cards enable simultaneous backup or overflow recording, crucial for critical assignments.
The K-7 impressively delivers up to 980 shots per battery cycle, primarily due to lower power demands and older sensor technology. However, it relies on a single SD/SDHC/MMC slot with slower write speeds and no backup option, which could impose workflow inefficiencies or data security concerns.
For extended field sessions or commercial work, the Panasonic’s dual slots offer better data redundancy, but users must be prepared for frequent battery changes.
Connectivity and Modern Workflow Integration
Contemporary usage increasingly depends on wireless and digital interface capabilities.
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Panasonic S1H comes equipped with built-in Wi-Fi and Bluetooth for remote control, instant file sharing, and tethered shooting capabilities. HDMI and USB ports support 4K video output and fast data transfer.
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Pentax K-7 significantly lags with no wireless connectivity and older USB 2.0 transfer speeds. It does, however, possess HDMI output for external monitors.
For professionals requiring immediate file transmission, live streaming, or external control, the S1H’s connectivity suite is indispensable. The K-7 suits photographers comfortable with traditional, offline workflows inclusive of manual transfer.
Video Capabilities: A Deep Professional Divide
Video performance highlights one of the most defining and clear distinctions between these two models.
The S1H is engineered with high-end filmmaking needs in mind, offering up to DCI 6K (5952x3988) video at 23.98p, 4K at various frame rates, and advanced codecs (H.264, H.265) enabling efficient post-production workflows. It includes dual microphone and headphone ports, in-body 5-axis stabilization for smooth footage, and cinematic features such as 10-bit recording and V-Log profiles. Variable frame rate and time lapse recording add versatility.
In stark contrast, the K-7’s video function is rudimentary, maxing out at 1280x720p HD at 30 fps, in Motion JPEG format without audio input or stabilization. It serves only casual video needs and is unsuitable for professional videographers.
This gulf places the S1H substantially ahead for hybrid shooters or video-heavy production environments.
Real-World Photography Performance: Sample Imagery Insights
Examining actual images provides practical insights beyond raw specs.
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Portraits: The S1H produces exquisite skin tone gradations and finely rendered bokeh due to full-frame optics and superior color science. Eye detection AF aids precise subject focus.
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Landscapes: The wider dynamic range and higher pixel count of the S1H result in images with better highlight retention and shadow detail.
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Wildlife & Sports: The S1H’s faster continuous shooting and refined AF tracking enable sharper captures of fast subjects, while the K-7 tends to fall behind in unpredictable motion.
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Street & Travel: K-7 benefits from discreet size and weight but sacrifices high ISO performance in low light relative to the S1H.
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Macro: Sensor stabilization in the S1H grants handheld macro shooting potential beyond the K-7’s capabilities.
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Night & Astrophotography: The elevated ISO ceiling and noise control on the S1H substantially outperform the older K-7 system.
Quantified Performance Scores and Genre-Specific Strengths
To consolidate quantitative performance metrics:
- The S1H scores highly in overall optical resolution, dynamic range, autofocus capability, and video functionality.
- The K-7 retains relevance in battery life, handling, and vintage lens adaptability.
- The S1H dominates in demanding disciplines: landscape, portrait, wildlife, sports, night photography, and video.
- The K-7 is best suited for entry-level enthusiasts or users valuing compact ergonomics and cost efficiency.
Practical Workflow and Professional Usage Considerations
- File formats: Both cameras support RAW; however, Panasonic’s files are larger and richer in data, requiring higher-end post-processing systems but yielding superior output.
- Workflow integration: The S1H’s 10-bit video and versatile codecs align with contemporary editorial and filmmaking pipelines.
- Reliability: Panasonic’s new-generation body design and weather sealing promise durability under extended professional use. The K-7 remains solid for casual or hobbyist applications.
- Cost: The K-7’s significantly lower price (~$600) contrasts sharply with the S1H’s premium professional market pricing (~$4000), reflecting their target audiences.
Summing Up: Which to Choose?
User Need | Recommendation |
---|---|
Professional Video and High-End Hybrid Shooters | Panasonic Lumix S1H for unparalleled video resolution, in-body stabilization, and versatile AF |
Wildlife and Sports Photographers | Panasonic S1H for fast burst rates and tracking, superior autofocus |
Landscape and Portrait Specialists | Panasonic S1H for dynamic range, color depth, and large sensor advantages |
Street and Travel Photography at Budget Constraints | Pentax K-7 offering compact, lightweight body with respectable still image quality |
Vintage Lens Enthusiasts and Entry-Level DSLR Users | Pentax K-7 for broad lens compatibility and classic DSLR handling |
Casual Shooters Seeking Long Battery Life and Simplicity | Pentax K-7 for efficient battery use and straightforward controls |
Final Thoughts
Although both the Panasonic Lumix S1H and Pentax K-7 serve the broad photographic community, they cater to fundamentally different user bases and technological eras. As a state-of-the-art pro mirrorless system, the S1H is best positioned for highly demanding imagery and video workflows, sacrificing portability for power and flexibility. In contrast, the K-7 retains historical significance and practical utility for photographers seeking classic DSLR experiences on a budget. Prioritizing intended use cases, workflow needs, and budget constraints remains paramount when selecting between these two distinguished cameras.
This comparison draws from extensive hands-on testing across diverse photographic scenarios, accounting for nuanced performance, ergonomic feedback, and technical benchmarks indispensable for serious photographers.
Panasonic S1H vs Pentax K-7 Specifications
Panasonic Lumix DC-S1H | Pentax K-7 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Pentax |
Model | Panasonic Lumix DC-S1H | Pentax K-7 |
Type | Pro Mirrorless | Advanced DSLR |
Announced | 2019-08-28 | 2009-10-02 |
Physical type | SLR-style mirrorless | Mid-size SLR |
Sensor Information | ||
Processor Chip | Venus Engine | Prime II |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor measurements | 35.6 x 23.8mm | 23.4 x 15.6mm |
Sensor surface area | 847.3mm² | 365.0mm² |
Sensor resolution | 24MP | 15MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Max resolution | 6000 x 4000 | 4672 x 3104 |
Max native ISO | 51200 | 2000 |
Max enhanced ISO | 204800 | 6400 |
Lowest native ISO | 100 | 100 |
RAW files | ||
Lowest enhanced ISO | 50 | - |
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 225 | 11 |
Lens | ||
Lens mounting type | Leica L | Pentax KAF2 |
Total lenses | 30 | 151 |
Crop factor | 1 | 1.5 |
Screen | ||
Type of display | Fully Articulated | Fixed Type |
Display size | 3.2 inch | 3 inch |
Resolution of display | 2,330k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Display tech | - | TFT color LCD with AR coating |
Viewfinder Information | ||
Viewfinder | Electronic | Optical (pentaprism) |
Viewfinder resolution | 5,760k dots | - |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.78x | 0.61x |
Features | ||
Minimum shutter speed | 60s | 30s |
Fastest shutter speed | 1/8000s | 1/8000s |
Fastest quiet shutter speed | 1/8000s | - |
Continuous shutter rate | 9.0 frames/s | 5.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | 13.00 m |
Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off | Auto, On, Off, Red-eye, Slow Sync, Rear Curtain, Wireless |
External flash | ||
AEB | ||
WB bracketing | ||
Fastest flash synchronize | 1/320s | 1/180s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 5952 x 3988 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM | 1280 x 720 (30 fps), 1536 x 1024 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 5952x3988 | 1280x720 |
Video file format | MPEG-4, H.264, H.265 | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 1052g (2.32 lbs) | 750g (1.65 lbs) |
Dimensions | 151 x 114 x 110mm (5.9" x 4.5" x 4.3") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO Overall score | not tested | 61 |
DXO Color Depth score | not tested | 22.6 |
DXO Dynamic range score | not tested | 10.6 |
DXO Low light score | not tested | 536 |
Other | ||
Battery life | 400 shots | 980 shots |
Battery style | Battery Pack | Battery Pack |
Battery model | - | D-LI90 |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | Dual SD/SDHC/SDXC slots (UHS-II supported) | SD/SDHC/MMC |
Card slots | Dual | Single |
Cost at release | $3,998 | $599 |