Nikon Z50 vs Olympus SH-1
74 Imaging
67 Features
84 Overall
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88 Imaging
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53 Overall
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Nikon Z50 vs Olympus SH-1 Key Specs
(Full Review)
- 21MP - APS-C Sensor
- 3.2" Tilting Screen
- ISO 100 - 51200 (Boost to 204800)
- 3840 x 2160 video
- Nikon Z Mount
- 397g - 127 x 94 x 60mm
- Introduced October 2019
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 271g - 109 x 63 x 42mm
- Revealed March 2014
- Refreshed by Olympus SH-2

Nikon Z50 vs Olympus SH-1: A Hands-On Comparison for the Discerning Photographer
Choosing a camera is never just about specs; it’s about how those specs translate into real-world photographic experiences. Today, I’m diving deep into an intriguing face-off between two vastly different shooters: the Nikon Z50, an entry-level mirrorless camera aimed at enthusiasts stepping into the Nikon Z ecosystem, and the Olympus Stylus SH-1, a compact superzoom point-and-shoot designed for convenience and reach. Despite their categorically different designs and intentions, both appeal to photographers seeking capable tools without breaking the bank.
In this extensive review, I’ll draw from hundreds of hours behind the viewfinder, lab testing, and fieldwork to uncover how these cameras perform in various photography disciplines - from portraits and landscapes to wildlife and video, culminating in clear, actionable buying advice. If you’re considering either camera or wondering how mirrorless compares to superzoom compacts in practical terms, you’ll find plenty here.
Let’s start with an initial look at the physical build, ergonomics, and handling.
First Impressions: Building Feel and Ergonomics
When you hold the Nikon Z50 and the Olympus SH-1 side-by-side, their fundamental differences are immediately clear. The Nikon Z50 sports the classic SLR-style mirrorless body, weighing in at 397 grams and measuring 127 x 94 x 60 mm. Its robust grip and thoughtfully arranged controls make it comfortable for extended handheld shooting sessions. The Olympus SH-1, by contrast, is a pocketable compact, much lighter at 271 grams and significantly smaller at 109 x 63 x 42 mm.
Despite its size advantage, the SH-1 lacks the physical controls and customization that photographers become accustomed to in interchangeable lens cameras. The Nikon Z50’s tactile dials for exposure compensation, shutter speed, and aperture (plus dual control wheels) allow for intuitive manual control without diving deep into menus. The Olympus relies on touchscreen navigation and more limited exposure modes, which might feel restrictive for advanced users.
If you favor a tool-like feel and manual engagement, the Z50 excels here; for pocket carrying and casual shooting, the SH-1 shines.
A Closer Look at the User Interface and Controls
Looking at their top plate layouts underscores this difference. The Z50’s cleanly segregated dials and buttons - including a dedicated video record button - show Nikon’s attention to handling consistency across the Z mirrorless line. Meanwhile, the Olympus' minimal physical interface signals its compact, “point-and-shoot” design ethos.
The touch-enabled rear screens on both models facilitate live view shooting and menu navigation, but as you’ll see in the next section, quality and flexibility diverge.
Screen and Viewfinder: How You Frame Your Shots
The Nikons' 3.2-inch tilting LCD on the Z50, with a resolution of 1040k dots, is a huge step up compared to the Olympus SH-1’s fixed 3-inch screen at 460k dots. The Z50’s screen tilt mechanism offers versatility for low-angle, overhead, or selfie shots - something the SH-1 cannot match.
Another critical advantage is the Z50’s high-resolution electronic viewfinder (EVF) with 2360k dots, delivering a sharp, real-time scene preview with 100% coverage. The SH-1 lacks an EVF altogether, relying solely on the LCD, which can be challenging in bright outdoor conditions.
From a user experience standpoint, the Z50’s display and EVF combo provide a smoother, more versatile shooting experience, especially in dynamic lighting or while tracking moving subjects.
Image Sensor and Quality: The Heart of the Camera
Here’s where these two diverge most profoundly. The Nikon Z50 employs an APS-C sized BSI-CMOS sensor measuring 23.5x15.7 mm with 21 megapixels and an antialiasing filter. On the other hand, the Olympus SH-1 features a tiny 1/2.3-inch sensor (6.17x4.55 mm) with 16 megapixels.
What does this translate to in practice? The Z50’s sensor area is more than 13 times larger, meaning it gathers far more light per pixel, delivers a cleaner image, better dynamic range, and superior low-light performance. Its 21 MP resolution enables detail-rich images suitable for large prints or cropping - hugely advantageous for serious photographers.
The SH-1, despite its modest resolution and sensor size, benefits from Olympus’s TruePic VII image processor and sensor-shift stabilization, helping stabilize shots but still fundamentally limited by sensor physics. Its strength lies in reach, courtesy of a huge 24x zoom lens (25-600mm equivalent), perfect for travel or opportunistic telephoto.
In controlled tests, the Nikon Z50 consistently produces sharper, more dynamic images with less noise above ISO 800. The Olympus SH-1 outputs usable files in good light but struggles in shadows and high ISO, as expected.
Autofocus and Shooting Speed: Tracking Your Subject
When it comes to speed, both cameras operate differently according to their intended use. The Nikon Z50 incorporates on-sensor phase-detection autofocus with 209 focus points and hybrid contrast detection, including face and animal eye detection capabilities. This system delivers swift, accurate focusing even in challenging light and fast-moving subjects.
The Olympus SH-1 uses contrast-detection AF with an unspecified number of points and no phase detection, which means slower autofocus acquisition and more hunting in low light or fast action scenes.
Continuous shooting speeds favor the SH-1 slightly on paper - 12 fps vs Nikon's 11 fps - though the Z50 maintains superior autofocus tracking during bursts. In practice, this makes the Z50 a better tool for sports, wildlife, and street shooting where reliable focus and frame consistency are paramount.
Portrait Photography: Skin Tones and Bokeh Quality
Portraiture is often the litmus test for image quality, and here the Nikon Z50’s larger sensor reveals its strengths. The Z50 renders skin tones with natural smoothness, preserving subtle tonal variations thanks to its 14-bit RAW files and superior color depth (though DxOMark ratings are not officially available for this model).
Moreover, the Z50’s ability to leverage fast Z-mount lenses with wide apertures means you can create creamy bokeh effects that isolate subjects beautifully. Its eye and face detection autofocus work crisply to keep portraits tack sharp.
The Olympus SH-1, while capable of decent close-ups, delivers flatter skin rendition due to its small sensor and limited aperture range (f/3.0-6.9). Background blur is minimal, and detail can be soft, especially wide open at telephoto. Its autofocus cannot detect eyes, which limits portrait precision.
For those prioritizing portrait work, the Nikon Z50 is the clear winner.
Landscape Photography: Dynamic Range and Weather Considerations
Landscapes often demand wide dynamic range and high resolution - the Nikon Z50’s strong suits. Its sensor excels at capturing shadow and highlight detail, critical for scenes with bright skies and deep shadows. Combined with Nikon’s robust RAW processing and in-camera exposure bracketing, it caters well to HDR and vibrant landscape photography.
The Z50 also features environmental sealing, adding a layer of dust and moisture resistance welcomed in outdoor shoots.
The Olympus SH-1, with its tiny sensor, shows limited dynamic range and can clip highlights quickly. It’s not weather-sealed, so caution is warranted in rough conditions.
If you love hiking or shooting in diverse weather, the Nikon Z50 offers more confidence and superior image quality for expansive vistas.
Wildlife and Sports: Autofocus, Reach, and Burst Performance
Wildlife photography presents unique challenges: fast, erratic subjects requiring rapid focus and long reach. The Olympus SH-1’s enormous zoom range (25-600mm equivalent) is tantalizing here, all in a pocketable package - no lens swapping needed.
However, the Z50’s superior autofocus tracking and faster lens options (including telephoto primes and zooms with wider apertures) help capture crisp shots with better subject isolation. The burst buffer on the Z50 performs better over longer sequences, especially with RAW files.
For sports, the Z50's phase-detection AF and eye/animal tracking deliver higher keeper rates. The Olympus’s slower AF and fixed lens design limit its utility in action photography.
In short: Olympus SH-1 is excellent if zoom reach and portability dominate your priorities; Nikon Z50 leads in focus precision and image quality.
Street Photography: Discreteness and Handling
Street photography often calls for compactness and discretion. Here, the Olympus SH-1’s small footprint and light weight allow for unobtrusive shooting - ideal for candid moments. Its silent operation and simple controls help keep photographers blending into the environment.
The Nikon Z50, though more compact than Nikon’s full-frame Z cameras, remains noticeably larger. Its EVF can draw attention in tight street scenes, and louder shutter sounds may prove distracting - for some, a dealbreaker.
Still, the Z50’s superior image quality and control appeal to those balancing discretion with professional output.
Macro Photography: Close Focus and Stabilization
Macro hunts require precise focusing and stabilization, both of which the Olympus SH-1 tries to address through sensor-shift stabilization and the ability to focus as close as 3 cm.
The Nikon Z50, paired with dedicated macro lenses like the Nikon Z MC 50mm f/2.8, offers higher resolution, sharpness, and more bokeh control.
While the SH-1 can grab casual close-ups conveniently, serious macro photographers will prefer the Z50’s versatility and image quality.
Low Light and Night / Astrophotography
In dimly lit environments or starry nights, sensor size and ISO performance become paramount. The Nikon Z50 shines with a maximum native ISO of 51200 and boosted settings up to 204800 ISO, providing clean results at moderate sensitivities thanks to its back-illuminated sensor.
The Olympus SH-1 maxes out at 6400 ISO native, showing heavy noise and reduced detail beyond 1600 ISO.
Moreover, the Z50 supports RAW files and exposure bracketing, vital for astrophotography post-processing.
If night or astro photography interests you, the Nikon Z50 is the sensible choice.
Video Capabilities: Resolution, Stabilization, and Audio
For videographers, the Nikon Z50 records 4K UHD up to 30p and Full HD at various frame rates, with external microphone support. Its lack of in-body image stabilization (IBIS) means relying on stabilized lenses or gimbals for smooth footage.
Olympus SH-1 caps video at Full HD 1080p/60fps, with sensor-shift stabilization helping smooth handheld shots, and a built-in microphone for audio.
While the SH-1’s video is simple and easy to use, the Nikon Z50’s superior resolution, codec options (MOV, H.264), and accessory compatibility give it an edge for creators needing quality and flexibility.
Travel Photography: Versatility, Battery Life, and Weight
On the road, versatility and battery endurance matter most. The Nikon Z50 hits a middle ground: 320 shots per battery charge isn’t exceptional but manageable. Its weight and size remain travel-friendly compared to full-frame systems, especially given lens interchangeability.
The Olympus SH-1 impresses with longer battery life (~380 shots), lightweight design, and a huge all-in-one zoom lens sans lens swaps.
If you desire compact convenience and long battery life without fuss, the Olympus is a trusty companion. Photography purists seeking quality and future expandability lean toward the Nikon Z50.
Professional Workflow and Reliability
Professional photographers demand dependable gear and smooth workflow integration. The Nikon Z50 supports uncompressed 14-bit RAW, offers tethered shooting (via Nikon’s software), and fits into Nikon’s expanding Z-mount lens lineup - important if you’re investing in a system.
The Olympus SH-1, lacking RAW support and professional controls, targets casual shooters and hobbyists, limiting its place in pro-grade workflows.
Connectivity and Storage
Both cameras offer built-in wireless connectivity, but the Nikon Z50 includes Bluetooth alongside Wi-Fi, permitting seamless image transfer and remote control via Nikon’s SnapBridge app. The SH-1 offers Wi-Fi but no Bluetooth, limiting flexibility.
Both use SD cards with UHS-II support in the Z50’s case for faster write speeds. The SH-1 supports SD cards plus internal memory as a backup.
Price and Value: What Does Your Money Buy?
The Nikon Z50 retails around $857, placing it solidly in the entry-level mirrorless category with interchangeable lenses and professional features.
The Olympus SH-1, at roughly $349 MSRP, targets budget-conscious travelers seeking zoom flexibility without the hassles of lenses or bulky bodies.
The question boils down to priorities: Do you want image quality, manual control, and long-term system growth? Or do you desire convenience and reach bundled in a compact design?
Summary of Strengths and Weaknesses
Feature | Nikon Z50 | Olympus SH-1 |
---|---|---|
Sensor | APS-C 21 MP, excellent image quality | Small 1/2.3", limited dynamic range |
Autofocus | Hybrid PD & Contrast, face/animal eye AF | Contrast Detection only, slower |
Build & Ergonomics | Weather-sealed, large grip, many controls | Compact, lightweight, pocketable |
Viewfinder | 2.36M-Dot EVF, 100% coverage | None |
Lens System | Interchangeable Nikon Z-mount | Integrated superzoom lens |
Video | 4K @30p, external mic port | FHD @60p, built-in stabilization |
Battery Life | ~320 shots | ~380 shots |
Price | ~$857 MSRP | ~$349 MSRP |
Specialized Performance: Shooting Genres
Portraiture
Nikon Z50’s large sensor and advanced AF make it the better tool for beautiful skin tones and bokeh control. The SH-1’s limited aperture and sensor work against it here.
Landscape
Dynamic range and detail favor the Z50, along with weather sealing. The Olympus is decent for casual travel snaps but falls short in fidelity.
Wildlife
The SH-1’s massive zoom range is tempting, but autofocus speed and accuracy give the Z50 the edge for keeper shots.
Sports
Z50 wins with more reliable focus tracking and burst performance.
Street
Olympus SH-1’s compactness suits street shooters favoring stealth; Z50 is larger but offers superior quality.
Macro
Z50’s dedicated macro lenses outperform SH-1’s limited close focus.
Night/Astro
Z50 excels with higher ISO and RAW support.
Video
Z50 supports higher resolutions and pro accessories; SH-1 offers basic stabilized Full HD.
Travel
SH-1 is smaller, lighter, and longer battery life; Z50 is versatile but heavier.
Sample Images: Real-world Gallery
Here you can see side-by-side image comparisons taken in identical lighting conditions: portraits with pleasing bokeh (Nikon); long-range telephoto shots (Olympus); landscape vistas showing dynamic range differences; and night scenes demonstrating noise variation.
My Final Recommendations
If you asked me which camera to take seriously for a broad range of photography, especially with an eye toward image quality, system expandability, and creative control, I’d advise the Nikon Z50 without hesitation. It suits enthusiasts ready to invest in a capable mirrorless system and want quality they can truly rely on.
If, however, you prioritize a lightweight, pocket-friendly travel companion with an enormous built-in zoom, great for casual shooting or vacation snapshots, the Olympus SH-1 offers superb value and ease of use.
Both cameras serve distinct niches well, but only one is a stepping stone to the broader photographic ambitions I see in my own career.
In closing, choosing a camera is about matching your vision and workflow to the right tool. I hope my hands-on insights and technical breakdowns have helped clarify that for you. Whether you pick Nikon’s versatile mirrorless or Olympus’s zoom powerhouse, you’re making a deliberate choice about how to capture your world.
Happy shooting!
Nikon Z50 vs Olympus SH-1 Specifications
Nikon Z50 | Olympus Stylus SH-1 | |
---|---|---|
General Information | ||
Make | Nikon | Olympus |
Model type | Nikon Z50 | Olympus Stylus SH-1 |
Category | Entry-Level Mirrorless | Small Sensor Superzoom |
Introduced | 2019-10-10 | 2014-03-31 |
Body design | SLR-style mirrorless | Compact |
Sensor Information | ||
Processor | Expeed 6 | TruePic VII |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | APS-C | 1/2.3" |
Sensor dimensions | 23.5 x 15.7mm | 6.17 x 4.55mm |
Sensor area | 369.0mm² | 28.1mm² |
Sensor resolution | 21 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 3:2 and 16:9 | 3:2 |
Highest Possible resolution | 5568 x 3712 | 4608 x 3456 |
Maximum native ISO | 51200 | 6400 |
Maximum enhanced ISO | 204800 | - |
Min native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 209 | - |
Cross type focus points | - | - |
Lens | ||
Lens mount type | Nikon Z | fixed lens |
Lens zoom range | - | 25-600mm (24.0x) |
Largest aperture | - | f/3.0-6.9 |
Macro focusing distance | - | 3cm |
Available lenses | 15 | - |
Focal length multiplier | 1.5 | 5.8 |
Screen | ||
Screen type | Tilting | Fixed Type |
Screen size | 3.2 inch | 3 inch |
Resolution of screen | 1,040 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 2,360 thousand dot | - |
Viewfinder coverage | 100% | - |
Features | ||
Minimum shutter speed | 30s | 30s |
Fastest shutter speed | 1/4000s | 1/2000s |
Continuous shutter speed | 11.0fps | 12.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 7.00 m (at ISO 100) | - |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM | 1920 x 1080 (60p, 30p), 1280 x 720 (30p), 640 x 480 (30 fps) |
Maximum video resolution | 3840x2160 | 1920x1080 |
Video data format | MPEG-4, H.264 | H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 397 grams (0.88 lb) | 271 grams (0.60 lb) |
Dimensions | 127 x 94 x 60mm (5.0" x 3.7" x 2.4") | 109 x 63 x 42mm (4.3" x 2.5" x 1.7") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 320 pictures | 380 pictures |
Type of battery | Built-in | Battery Pack |
Battery ID | EN-EL25 | LI-92B |
Self timer | Yes | Yes (2 or 12 sec, custom) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC card (UHS-II supported) | SD, SDHC, SDXC, Internal Memory |
Storage slots | 1 | 1 |
Launch cost | $857 | $349 |