Panasonic S1R vs Panasonic FH6
54 Imaging
78 Features
84 Overall
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96 Imaging
37 Features
29 Overall
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Panasonic S1R vs Panasonic FH6 Key Specs
(Full Review)
- 47MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 100 - 25600 (Expand to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Leica L Mount
- 1020g - 149 x 110 x 97mm
- Announced February 2019
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.5-6.4) lens
- 119g - 96 x 56 x 20mm
- Launched January 2012

Panasonic Lumix DC-S1R vs DMC-FH6: A Deep Dive Into Two Cameras for Different Worlds
Choosing the right camera is about matching your creative vision and shooting style to a tool that empowers you. Today, we compare two fundamentally different cameras from Panasonic that cater to distinct user needs and budgets: the Panasonic Lumix DC-S1R, a flagship full-frame professional mirrorless camera, and the Panasonic Lumix DMC-FH6, a budget-friendly, compact point-and-shoot. This comprehensive comparison peels back the tech spec sheets to reveal their real-world strengths, weaknesses, and ideal use cases across photography genres and technical factors.
Whether you're a pro seeking pixel-rich full-frame files or a casual snapshooter wanting straightforward simplicity in a pocketable body, understanding these cameras’ capabilities helps you find your perfect match.
First Impressions: Size, Feel, and Handling
One of the first things you notice when holding these cameras side-by-side is their vast difference in physical presence. The S1R commands attention with its robust and substantial body, built to balance large lenses and foster stable shooting. The FH6, by contrast, is tiny and lightweight, designed for convenience and easy grab-and-go photography.
The Lumix S1R offers deep grips and a reassuring heft, while the FH6 fits easily in one hand or a jacket pocket.
S1R Body and Controls
- SLR-style mirrorless form lets you comfortably attach and use large Leica L mount lenses.
- Large buttons, illuminated controls, and a top LCD panel allow quick access to settings, especially useful in fast-paced shooting.
- Weather sealing and rugged build improve reliability outdoors.
FH6 Compact Convenience
- Ultra-compact with a minimalist design.
- Fixed lens and limited manual control focus on ease of use.
- Fixed TFT LCD with basic resolution, no touch functionality.
Notice the S1R’s extensive dials and customizable buttons versus the FH6’s pared-down interface.
Bottom line: If ergonomic comfort and control options are your priority, especially for extended shoots, the S1R shines. For casual outings or travel with minimal gear, the FH6 helps you stay light and nimble.
Sensor and Image Quality: More Than Megapixels
Image quality ultimately hinges on sensor technology and image processing. These two cameras represent opposing ends of the spectrum.
The S1R’s 47.3MP full-frame sensor dwarfs the FH6’s 14MP 1/2.3" CCD sensor.
Panasonic S1R: Full-Frame Excellence
- 47.3MP full-frame CMOS sensor delivers ultra-high resolution and exquisite detail.
- No optical low-pass (anti-aliasing) filter maximizes sharpness.
- Sensor size (36x24mm) enables better dynamic range and superior low-light performance.
- Venus Engine processor handles the large files efficiently, preserving color depth and tonal gradation.
- Native ISO 100 - 25600 (extendable down to 50 and up to 51200) for flexible shooting in varied lighting.
DMC-FH6: Compact Sensor Limitations
- 14MP 1/2.3-inch CCD sensor is typical for compact cameras but limited in dynamic range and noise control.
- Sensor area (6.08x4.56mm) restricts depth of field control and results in higher noise at elevated ISOs.
- ISO tops out relatively low at 6400.
- Anti-aliasing filter present to reduce moiré but at the expense of fine detail.
- No RAW support confines flexibility in post-processing.
This substantial disparity means the S1R produces significantly sharper, cleaner images with greater tonal nuance, particularly valuable for professional portraits, landscapes, and large prints.
Seeing the Scene: Viewfinder and Screen Comparison
Composing and reviewing images hinges on quality viewing tools – here, their differences are profound.
The S1R features a sharp 3.2" 2.1M-dot touchscreen with tilt articulation, while the FH6 has a fixed 2.7" 230K-dot screen.
S1R Viewfinder and LCD
- High-res 5.76M-dot OLED electronic viewfinder offers 100% frame coverage and 0.78x magnification.
- Tilting touch LCD allows flexible shooting angles and intuitive menu navigation.
- Dual card slots and illuminated buttons enhance workflow.
FH6 Simplicity
- No viewfinder; composition relies solely on the LCD.
- Basic fixed TFT screen with modest resolution.
- No touchscreen means limited menu navigation speed.
Recommendation: For critical manual focusing or shooting in bright sunlight, the S1R’s EVF is a major asset. The FH6 is more suitable for snapshot-style framing in casual settings.
Autofocus Systems: Precision and Speed Matter
Autofocus technology is critical in achieving sharp images quickly, especially for moving subjects.
Feature | Panasonic S1R | Panasonic FH6 |
---|---|---|
Focus Points | 225 contrast-detection AF points | 9 contrast-detection AF points |
AF Modes | Face detection, Live View, Continuous AF | Center/Multiarea AF, Face detect |
Phase Detection | No | No |
Tracking | Yes | No |
AF Speed | Fast for mirrorless 47MP sensor | Modest, suitable for still subjects |
Manual Focus Support | Yes | No |
The S1R’s sophisticated contrast-detection AF array, combined with Panasonic’s Face Detection, allows reliable locking on faces and subjects in complex scenes. Continuous AF at 9 fps burst supports action shooting reasonably well.
The FH6’s autofocus is limited, best suited for static scenes or casual photography.
Shutter, Burst, and Stabilization: Capturing the Moment
Shutter Speed and Burst Rate
Metric | Panasonic S1R | Panasonic FH6 |
---|---|---|
Max Mechanical Shutter | 1/8000 s | 1/1600 s |
Max Electronic Shutter | 1/16000 s | Not available |
Continuous Shooting Speed | 9 fps | 2 fps |
The S1R’s lightning-fast shutter speeds unlock creative possibilities like freezing action under bright light or sports. Burst performance at 9 fps suits semi-pro sports or wildlife shooting.
The FH6’s slower shutter and burst limit it to casual pace captures without fast motion.
Image Stabilization System
Camera | Stabilization Type | Effectiveness |
---|---|---|
S1R | 5-axis sensor-based IS | High performance, especially with long lenses |
FH6 | Optical lens stabilization | Good for casual use |
The S1R’s 5-axis in-body image stabilization (IBIS) can compensate for shake up to several stops, critical in handheld telephoto or macro shooting.
Lens Flexibility and Ecosystem
Lens compatibility profoundly affects creative potential.
- The S1R uses Leica L-mount, compatible with a growing arsenal of Panasonic, Leica, and Sigma lenses - from ultrawide to super-telephoto.
- The FH6 has a fixed 24-120mm f/2.5-6.4 zoom lens with no option to swap lenses.
Therefore, the S1R suits photographers who want creative control over optics - portraits with creamy bokeh, macro details, or landscapes with ultra-sharp primes.
The FH6 keeps things simple; the zoom covers common focal lengths, but aperture limitations restrict background separation and low light.
Battery Life and Storage: Will It Keep Up?
Camera | Battery Life (CIPA) | Storage Slots | Card Types Supported |
---|---|---|---|
S1R | ~360 shots | Dual slots | SD/SDHC/SDXC, UHS-II |
FH6 | ~280 shots | Single slot | SD/SDHC/SDXC |
The S1R’s dual slots offer redundant storage or overflow flexibility - critical for professionals. Recharge via USB-C with power banks, a boon in the field. The FH6 relies on one card only and basic USB connection.
Connectivity Options: Modern Workflow Ready?
Feature | Panasonic S1R | Panasonic FH6 |
---|---|---|
Wireless | Wi-Fi, Bluetooth | None |
Ports | Microphone, headphone, HDMI, USB | USB 2.0 only |
GPS | No | No |
The S1R's wireless features and audio ports facilitate robust video production and wireless image transfer for fast workflows. The FH6 remains basic.
Video Capabilities: Beyond Stills
Feature | Panasonic S1R | Panasonic FH6 |
---|---|---|
Max Video Resolution | 4K UHD at 60p, 150 Mbps, MOV (H.264) | 720p at 30fps, MJPEG |
Stabilization | IBIS + lens stabilization combined | Lens stabilization only |
Audio | Input for external mic and headphone out | None |
4K/6K Photo Modes | 4K Photo supported, no 6K Photo | No |
The S1R stands out for video creators who need crisp 4K video, advanced stabilization, and on-set audio control. The FH6 supports only basic HD video, suitable for casual family recording.
Practical Photography Genres Tested
To understand how the differences play out, let’s review each camera for typical photography styles:
Portrait Photography
- S1R: High resolution capturing skin textures with superb clarity. The large sensor renders shallow depth of field beautifully for subject isolation. Face detection AF aids in sharp eye focus.
- FH6: Photo quality fine for snapshots, but smaller sensor and slower lens limit bokeh and shallow focus effects.
Landscape Photography
- S1R: Extraordinary dynamic range (~14 stops), handy for shadow/highlight detail. Weather sealing foresees use in challenging conditions.
- FH6: Sensor constrains tonal depth and noise becomes an issue in shadows. No rugged protection.
Wildlife Photography
- S1R: Good burst speed and reliable AF tracking enable sharp wildlife shots when paired with telephoto lenses. 5-axis IBIS helps shoot handheld.
- FH6: Limited reach and slow autofocus hinder action capture.
Sports Photography
- S1R: 9 fps continuous mode with AF tracking supports many sports shooting scenarios, though not quite pro-level 20+ fps.
- FH6: Too slow for dynamic sports.
Street Photography
- S1R: Large and heavy, plus conspicuous, possibly intrusive for discreet street shooting.
- FH6: Ultra-portable and unobtrusive, perfect for candid street images.
Macro Photography
- S1R: Compatible with dedicated macro lenses; IBIS and focus bracketing aid detail capture.
- FH6: Limited to 5cm macro with fixed lens.
Night / Astro Photography
- S1R: High ISO capability with relatively clean noise, long exposure up to 60s, and manual full control ideal for starscapes.
- FH6: Noise and sensor size limit low-light image quality.
Video Use
- S1R: High-quality 4K with advanced features suitable for vloggers, documentarians, and hybrid shooters.
- FH6: Basic HD video for casual use.
Travel Photography
- S1R: Heavy but versatile professional kit, more for dedicated trips with gear.
- FH6: Lightweight, fits in pocket, ideal as a travel backup or primary casual camera.
Professional Work
- S1R: Supports RAW files, dual slots, and has robust build, ideal for commercial and studio use.
- FH6: Limited to JPEG output with minimal controls, unsuitable for professional demands.
Notice the S1R’s detailed textures and vibrant colors versus FH6’s more average output.
Build Quality and Environmental Resilience
Feature | Panasonic S1R | Panasonic FH6 |
---|---|---|
Weather Sealing | Yes, magnesium alloy body | No |
Durability | High, professional-grade design | Basic plastic compact body |
The S1R is engineered for rugged use outdoors, resisting dust and moisture, a major plus for travelers and outdoor shooters. The FH6 is designed for benign environments and casual use.
Price vs Performance - What’s the Real Value?
Aspect | Panasonic S1R | Panasonic FH6 |
---|---|---|
Retail Price | $3,700 (as reviewed) | $130 |
Performance | Professional-level with top image quality | Entry-level snapshot camera |
While the S1R commands a premium, its performance justifies the cost for pros who demand large files, advanced video, and full creative control. The FH6’s affordable price makes it accessible, providing basic photographic capability and simplicity but limited potential.
Final Scores at a Glance
The S1R scores near the top for full-frame mirrorless in image quality and features; the FH6 is average for compact cameras.
Strong professional performance of S1R across the board; FH6 excels in casual travel and street use.
Wrapping Up: Which Panasonic Camera Should You Choose?
Choose the Panasonic Lumix DC-S1R if:
- You want top-tier full-frame image quality for professional portraits, landscapes, and studio work.
- You require advanced video capabilities - 4K60, audio inputs, and 5-axis IBIS.
- You shoot in challenging environments needing weather-sealed robust gear.
- You plan to build a system with Leica L-mount lenses.
- Budget is flexible and investment in high-end gear is justified.
Opt for the Panasonic Lumix DMC-FH6 if:
- You want a simple, pocketable camera for casual snapshots and basic travel photos.
- You favor ease of use with automatic modes and minimal setup.
- Video is a marginal part of your usage at low resolution.
- Budget is tight, or you want a secondary camera to complement a smartphone.
Getting the Most Out of Your Investment
- For S1R owners: Explore prime lenses for portraits or wide apertures for low light and macro shooting kits. Use software like Adobe Lightroom for raw workflow to maximize image quality.
- For FH6 users: Pair the simplicity with learning composition and lighting fundamentals to improve casual photography. Use SD cards with larger storage capacity for ease.
By understanding these cameras not just by specs but how they behave in real scenarios, you can confidently choose a tool that fits your creative ambitions and shooting style. Whether you’re starting your photography journey or upgrading your professional kit, Panasonic offers options with unique value tailored to your needs.
Ready to try them yourself? Check out demo units at stores, and test the ergonomics firsthand. Every photographer’s workflow is personal - seeing which camera inspires you to create is the ultimate guide.
Happy shooting!
Panasonic S1R vs Panasonic FH6 Specifications
Panasonic Lumix DC-S1R | Panasonic Lumix DMC-FH6 | |
---|---|---|
General Information | ||
Make | Panasonic | Panasonic |
Model type | Panasonic Lumix DC-S1R | Panasonic Lumix DMC-FH6 |
Category | Pro Mirrorless | Small Sensor Compact |
Announced | 2019-02-01 | 2012-01-09 |
Physical type | SLR-style mirrorless | Compact |
Sensor Information | ||
Processor | Venus Engine | - |
Sensor type | CMOS | CCD |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 36 x 24mm | 6.08 x 4.56mm |
Sensor surface area | 864.0mm² | 27.7mm² |
Sensor resolution | 47 megapixels | 14 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Max resolution | 8000 x 6000 | 4320 x 3240 |
Max native ISO | 25600 | 6400 |
Max enhanced ISO | 51200 | - |
Minimum native ISO | 100 | 100 |
RAW data | ||
Minimum enhanced ISO | 50 | - |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 225 | 9 |
Lens | ||
Lens support | Leica L | fixed lens |
Lens zoom range | - | 24-120mm (5.0x) |
Maximum aperture | - | f/2.5-6.4 |
Macro focusing range | - | 5cm |
Available lenses | 30 | - |
Crop factor | 1 | 5.9 |
Screen | ||
Type of display | Tilting | Fixed Type |
Display diagonal | 3.2 inches | 2.7 inches |
Resolution of display | 2,100 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display technology | - | TFT Color LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 5,760 thousand dots | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.78x | - |
Features | ||
Minimum shutter speed | 60s | 8s |
Fastest shutter speed | 1/8000s | 1/1600s |
Fastest quiet shutter speed | 1/16000s | - |
Continuous shutter rate | 9.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | 4.60 m |
Flash options | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off | Auto, On, Off, Red-Eye reduction |
External flash | ||
AEB | ||
White balance bracketing | ||
Fastest flash synchronize | 1/320s | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 60p / 150 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 3840x2160 | 1280x720 |
Video format | MPEG-4, H.264 | Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 1020 gr (2.25 lbs) | 119 gr (0.26 lbs) |
Dimensions | 149 x 110 x 97mm (5.9" x 4.3" x 3.8") | 96 x 56 x 20mm (3.8" x 2.2" x 0.8") |
DXO scores | ||
DXO Overall rating | 100 | not tested |
DXO Color Depth rating | 26.4 | not tested |
DXO Dynamic range rating | 14.1 | not tested |
DXO Low light rating | 3525 | not tested |
Other | ||
Battery life | 360 photographs | 280 photographs |
Form of battery | Battery Pack | Battery Pack |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage type | - | SD/SDHC/SDXC, Internal |
Card slots | Two | 1 |
Cost at release | $3,698 | $129 |