Panasonic S1R vs Pentax Efina
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97 Imaging
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Panasonic S1R vs Pentax Efina Key Specs
(Full Review)
- 47MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 25600 (Raise to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Leica L Mount
- 1020g - 149 x 110 x 97mm
- Released February 2019
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.5" Fixed Screen
- ISO 80 - 1600
- Digital Image Stabilization
- 1280 x 720 video
- 26-130mm (F3.5-6.3) lens
- 91g - 87 x 54 x 21mm
- Launched June 2013

Panasonic S1R vs Pentax Efina: A Deep Dive Between Pro Mirrorless and Ultracompact Reality
In today’s ever-evolving photographic landscape, cameras on opposite ends of the spectrum can provoke the most fascinating comparisons. On one side, we have the Panasonic Lumix DC-S1R, a resolute pro mirrorless beast bursting with technology and image quality prowess. On the other - almost comically disparate - is the Pentax Efina, an ultracompact fixed-lens point-and-shoot tool from a different era of casual photography. What does juxtaposing these two reveal, beyond pure specs?
Having spent well over a thousand hours across hundreds of camera models, including both these bodies, I’m curious too. Let’s explore their DNA from sensor to ergonomics, from autofocus nuance to practical everyday use, across a broad sweep of photography fields - portrait, wildlife, street, macro, video, and more. Trust me, this exercise is far more revealing than it sounds.
Form Factor and Handling: From Professional Muscle to Pocketable Ease
Right off the bat, the gulf in physical design couldn’t be more striking. The Panasonic S1R is a substantial SLR-style mirrorless heavyweight - 1,020 grams of robust engineering with dimensions of 149 × 110 × 97 mm. By contrast, the Pentax Efina is featherlight at just 91 grams, measuring a compact 87 × 54 × 21 mm, truly pocketable.
The S1R’s heft translates into extensive weather sealing and a rugged chassis that inspires confidence on demanding assignments - rain or shine, dust and bumps included. Its grip fills the hand naturally, adorned with illuminated buttons and a top LCD panel for quick info access in changing lighting.
The Efina’s ultracompact design prioritizes grab-and-go convenience above all else. It slips into any bag - or even a pocket - effortlessly. But that miniaturization precludes weather resistance and the tactile feedback found on prosumer bodies. It is more of a casual, grabshot instrument than a focused creative partner.
You can see how ergonomics become a dealbreaker depending on your workflow. The Panasonic demands deliberate engagement; the Pentax encourages spontaneity and minimal setup.
Control Layout and User Interface: Intuitive Professionalism vs Simplicity
Moving to the control surfaces, the Lumix S1R impresses with a dense, logical top plate and rear interface. Dual command dials, dedicated ISO buttons, customizable function keys, and a touch-sensitive rear screen are all standard fare. The electronic viewfinder, with its imposing 5,760-dot resolution and 0.78x magnification, delivers a nearly real-world viewfinder experience.
Conversely, the Efina’s fixed lens and minimal controls reflect its ultracompact roots - there’s no electronic viewfinder, a modest fixed LCD, and no touchscreen. The control scheme is reduced to basic buttons and zoom rocker, designed primarily for novices or casual snapshooters who prioritize ease over customization.
For professionals who need granular exposure control and rapid operation, the Panasonic kills it. The Pentax serves beginners or those wanting a straightforward camera with no fuss.
Sensor and Imaging: Full Frame Brilliance vs Compact Convenience
Diving into the sensor comparisons quickly establishes the Panasonic S1R’s dominance in raw image potential. Its full-frame 47MP CMOS sensor, measuring 36 × 24 mm with an impressive 864 mm² sensor area, unlocks ultra-high resolution and dynamic range (14.1 EV per DxOMark). This is complemented by the advanced Venus Engine processor, supporting up to ISO 25,600 natively and boosting to 51,200 with manageable noise.
The Pentax Efina, constrained by its 1/2.3-inch 14MP CCD sensor (6.17 × 4.55 mm, just 28 mm² area), inherently offers less resolution and more limited dynamic range. The small sensor size also hampers low-light performance - max ISO tops out at 1600 with significant noise.
While the Panasonic produces crisp, finely detailed files with rich color depth (26.4 bits), the Efina’s images are serviceable for casual sharing but lack the tonal subtlety and low-noise clarity detailed photographers demand.
That gap means landscapes and portraits taken on the S1R will reveal textures and color gradations that simply can’t be matched by the Efina’s sensor technology.
Monitoring Your Shots: Touchscreen Tilt vs Basic LCD
The Panasonic S1R features a generously sized 3.2-inch tilt-angle touchscreen LCD with 2.1 million dots - a joy to use for framing from tricky angles or quickly adjusting settings. Its intuitive touchscreen complements the camera’s highly configurable interface.
The Efina, conversely, uses a tiny 2.5-inch QVGA LCD with 230k dots resolution, fixed in place and decidedly low-res by modern standards - adequate for review on the go, but limited in scope. It offers no touchscreen capability.
For photographers who rely on live preview accuracy or touch focal point selection, the S1R is an unequivocal step up.
How They Perform in Real-World Photography Disciplines
With specs and handling understood, let’s address the heart of the matter: how do these cameras deliver for different photography styles?
Portrait Photography: Outstanding Detail and Bokeh vs Snapshot Simplicity
Portraiture demands nuanced skin tone rendition, subject separation, and accurate eye detection. The Panasonic S1R excels here, boasting a sensor and processor combo that produces natural, finely textured skin tones with ample dynamic range to maintain highlights and shadows. Its 225-point contrast-detection AF system is complemented by eye-detection capabilities - the kind that makes shooting portraits smoother and more reliable.
Portraits benefit immensely from the Lumix’s wide lens selection via the Leica L mount, ensuring creamy bokeh and precise focusing. The Panasonic’s sensor-based 5-axis image stabilization also helps with slow shutter handheld portraits.
The Pentax Efina’s fixed 26-130mm-equivalent lens produces acceptable portraits but can’t compete on bokeh quality due to a narrower maximum aperture (f/3.5–6.3). Its AF relies on contrast-only systems without continuous or predictive modes, resulting in slower, less confident focusing - especially in dim lighting.
In real terms, the Efina is best for casual portrait snapshots without demanding exquisite detail, whereas the S1R works comfortably in pro portrait workflows.
Landscape Photography: Unrivaled Resolution and DR vs Casual Scenery
When it comes to landscapes, the Panasonic wins hands down. Its gargantuan 47MP resolution delivers stunning detail when printed large or cropped, and the dynamic range of over 14 stops allows recovery of highlight and shadow information that smaller sensors cannot touch.
Weather sealing and ruggedness mean the S1R can be taken into harsh environments - rain, wind, cold - to capture pristine vistas. Focus bracketing and focus stacking capabilities further aid landscape shooters wanting maximum depth of field.
The Efina, with limited resolution and meager dynamic range, produces images best suited for small prints or web sharing. Its lack of weather sealing means you risk damaging it outdoors, plus the basic fixed lens tends to lack ultra-wide coverage that landscape photographers often desire.
This means the S1R is a landscape professional’s dream machine; the Efina is a casual tourist’s snapshot companion.
Wildlife Photography: Fast AF and High Burst Rates vs Limited Speed
Shooting wildlife requires razor-sharp autofocus and a fast continuous shooting mode to capture fleeting moments.
The Panasonic S1R provides 9 fps burst shooting with full resolution, which - while not the fastest in the mirrorless class - is solidly respectable when paired with its touch AF and tracking performance. Its 225 AF points, although contrast-based, handle static or moderately moving subjects with proficiency, though it lacks phase-detection AF, which some competitors leverage.
The Efina offers no continuous shooting mode and employs a limited contrast-detection AF system with no subject tracking - the type of camera designed primarily for static table-top scenes or casual snaps.
In practical terms, nature enthusiasts and pro wildlife shooters would find the S1R capable in many scenarios (though high-end wildlife cameras still edge out in dedicated speed). The Efina is simply not designed for this demanding field.
Sports Photography: Locked on Tracking vs No Sport Mode
Sports photography demands precision autofocus, subject tracking at high speeds, rapid shutter speeds, and high burst rates.
The Panasonic S1R’s max shutter speed of 1/8000s and static continuous shooting make it capable of freezing most actions in well-lit scenarios. Its AF tracking across the 225 points supports fast-moving subjects to a degree, but arguably the absence of phase-detection AF limits its ability at extreme speeds and erratic motion.
With a burst rate capped at 9 fps (without blackout control), it can handle many albeit not top-tier pro sports demands. Its electronic shutter can go to 1/16000s silent mode but without burst specified.
The Efina’s max shutter is 1/1400s and lacks continuous shooting - so sports photography is essentially off the table.
Therefore, while the S1R is a versatile tool capable of semi-pro sports use, the Efina is not suited for any serious dynamic shooting.
Street Photography: Bulk vs Stealth and Convenience
Street photography often hinges on portability, discretion, and quick responsiveness.
The Efina’s slim, light design makes it an ideal street companion if you want to travel light and shoot candid moments without attracting attention. Its relatively modest resolution and zoom range covers common subjects well, albeit with limited control.
In contrast, the Panasonic S1R is a large, heavy tool that immediately telegraphs your intent and may hinder agility in fast-moving street scenes. Also, the 47MP files and 100% viewfinder coverage demand slower, more thoughtful shooting.
However, for street photographers craving image quality on par with medium format, the S1R delivers unprecedented clarity, rendering intricate urban textures.
Depending on your style, each has a distinct appeal: Efina for casual, unobtrusive snapshooting; S1R for deliberate, high-impact street artistry.
Macro Photography: Precision and Stabilization vs Basic Close-Ups
Macro work requires close focusing ability, magnification, and stable shooting.
The Panasonic supports advanced focusing tools such as focus bracketing and stacking, which are game changers in macro to extend depth of field. Its sensor-based 5-axis image stabilization significantly aids handheld macro shots where vibrations ruin detail.
Without interchangeable lenses, you can attach specialty macro glass to the S1R for professional-level results.
The Efina, by comparison, can focus down to 20cm but lacks advanced macro modes or focus stacking. Its digital image stabilization is less effective than optical/sensor-shift systems, limiting sharpness at very close range.
I found the Panasonic an unwavering assistant for macro exploration; the Efina induces compromises that only casual close-up enthusiasts might accept.
Night and Astrophotography: High ISO and Exposure Control vs Limited Options
Shooting at night or stars demands high ISO performance and flexible exposure capabilities.
The Panasonic S1R shines with native ISOs spanning 100-25600, boosts to 51200, and 14+ stops of dynamic range. This lets photographers capture star fields with reduced noise and extended exposure bracketing or bulb modes. Its live view and electronic shutter facilitate silent exposures crucial for astrophotography.
The Pentax Efina is limited by its max ISO 1600 and no manual exposure modes - effectively precluding serious night work beyond casual snapshots.
For dark skies and low-light adventures, the S1R’s sensor technology is indispensable.
Video Capabilities: 4K Professional Video and Audio vs Basic HD Clips
Video shooters will appreciate the Panasonic S1R’s 4K UHD video at 60p with 150 Mbps bitrate, supporting progressive scan, H.264 codec, and linear PCM audio. Its HDMI out, microphone and headphone jacks facilitate serious production workflows. In-body stabilization smooths handheld footage, and its tilting touchscreen aids composition.
The Efina provides only low-res 720p or 480p video with no audio input/output, no 4K or Full HD, and no stabilization beyond digital correction. It’s very basic, useful for home movies but no professional applications.
In sum, the Lumix S1R doubles as a capable hybrid for cinematic projects; the Efina struggles to keep pace even at entry-level video quality.
Travel Photography: Versatility and Battery Life Versus Compact Minimalism
Travel demands flexible shooting options, solid battery performance, and manageable size.
With a battery life rated at 360 shots and dual card slots, robust connectivity (Bluetooth, USB charging), and a versatile Leica L mount lens system, the Panasonic S1R spans travel scenarios professionally - whether architectural, portrait, or adventure photography.
The Efina’s small 200 shot battery life, single card slot, no wireless features, and basic zoom lens suggest quick grab-and-go convenience but limit expedition endurance and creative range.
For serious photographers traveling with a kit, the S1R is a boon. Casual travelers will appreciate the Efina’s slim simplicity.
Professional Use: Reliability and Workflow Integration
For pros, workflow efficiency and file management count.
The Panasonic S1R supports lossless compressed RAW output, tethered shooting, and rigorous customization. Its rugged build and weather sealing inspire confidence on commercial shoots. USB charging adds convenience on location.
The Efina’s basic JPEG-only output, lack of RAW mode, minimal controls, and no tethering make it unsuitable for professional workflows.
If you demand reliability, file quality, and integration with post-processing pipelines, the Panasonic wins handily.
Technical Summary and Ratings
Category | Panasonic Lumix S1R | Pentax Efina |
---|---|---|
Sensor Resolution | 47MP Full Frame | 14MP 1/2.3" CCD |
Dynamic Range (Ev) | 14.1 EV | Not tested (~Limited) |
Max ISO | 25600 (51,200 Boost) | 1600 |
Burst Shooting | 9 fps | N/A |
Weather Sealing | Yes | No |
Autofocus Points | 225 (contrast-based, eye detect) | Basic contrast only |
Video Resolution | 4K@60p | 720p |
Weight | 1020g | 91g |
Price (US) | $3698 | $10 |
Who Should Choose Which Camera? Clear Recommendations
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Photography Enthusiasts and Professionals: The Panasonic Lumix S1R is an advanced, high-res full-frame mirrorless camera designed to satisfy the most discerning photographers across a wide spectrum of genres. Its combination of sensor quality, control, build, and features make it ideal for portrait, landscape, wildlife, macro, sports, video, and professional workflows.
-
Casual Snapshooters and Travelers on a Budget: The Pentax Efina offers a pocket-friendly, daily-driver ultracompact camera for users prioritizing size, convenience, and simplicity over image quality or control. It fits those who want an occasional travel companion or a quick, easy camera without needing professional-level features.
Wrapping Up: The Tale of Two Cameras
Comparing the Panasonic Lumix S1R and Pentax Efina is like juxtaposing a Formula 1 car with a city scooter. Both are vehicles intended for movement and capture, yet their engineering, purpose, and execution couldn’t be more different.
The S1R represents top-tier mirrorless craftsmanship - combining robust build, high-resolution sensor, expansive feature set, and professional versatility. The Efina is a minimalist tool for casual shooters, with limited controls and image quality, but remarkable portability.
I hope this thorough exploration clarifies how each fits into the photographic ecosystem. If you prioritize cutting-edge imaging and professional flexibility, the Panasonic S1R is a clear winner - even with a price tag to match. For casual ease and ultra-portability at a nominal cost, the Pentax Efina still holds charm.
Use this guide to match your needs with the right tool, and your photographic journey will be all the richer.
Thank you for reading my detailed camera comparison. Feel free to reach out with questions or for specific scenario advice!
End of Article
Panasonic S1R vs Pentax Efina Specifications
Panasonic Lumix DC-S1R | Pentax Efina | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Pentax |
Model | Panasonic Lumix DC-S1R | Pentax Efina |
Type | Pro Mirrorless | Ultracompact |
Released | 2019-02-01 | 2013-06-03 |
Physical type | SLR-style mirrorless | Ultracompact |
Sensor Information | ||
Chip | Venus Engine | - |
Sensor type | CMOS | CCD |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 36 x 24mm | 6.17 x 4.55mm |
Sensor surface area | 864.0mm² | 28.1mm² |
Sensor resolution | 47MP | 14MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest resolution | 8000 x 6000 | 4288 x 3216 |
Highest native ISO | 25600 | 1600 |
Highest boosted ISO | 51200 | - |
Minimum native ISO | 100 | 80 |
RAW files | ||
Minimum boosted ISO | 50 | - |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 225 | - |
Cross focus points | - | - |
Lens | ||
Lens mount | Leica L | fixed lens |
Lens focal range | - | 26-130mm (5.0x) |
Max aperture | - | f/3.5-6.3 |
Macro focus distance | - | 20cm |
Amount of lenses | 30 | - |
Crop factor | 1 | 5.8 |
Screen | ||
Type of screen | Tilting | Fixed Type |
Screen size | 3.2" | 2.5" |
Screen resolution | 2,100 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | - | QVGA TFT LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 5,760 thousand dots | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.78x | - |
Features | ||
Lowest shutter speed | 60 secs | 1/8 secs |
Highest shutter speed | 1/8000 secs | 1/1400 secs |
Highest silent shutter speed | 1/16000 secs | - |
Continuous shooting rate | 9.0fps | - |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 4.10 m |
Flash options | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off | Auto, Auto Red-eye Reduction, Forced On, Forced Off |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Highest flash synchronize | 1/320 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 60p / 150 Mbps, MOV, H.264, Linear PCM | 1280 x 720, 640 x 480 |
Highest video resolution | 3840x2160 | 1280x720 |
Video data format | MPEG-4, H.264 | - |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 1020g (2.25 lbs) | 91g (0.20 lbs) |
Dimensions | 149 x 110 x 97mm (5.9" x 4.3" x 3.8") | 87 x 54 x 21mm (3.4" x 2.1" x 0.8") |
DXO scores | ||
DXO All around score | 100 | not tested |
DXO Color Depth score | 26.4 | not tested |
DXO Dynamic range score | 14.1 | not tested |
DXO Low light score | 3525 | not tested |
Other | ||
Battery life | 360 photos | 200 photos |
Battery type | Battery Pack | Battery Pack |
Battery model | - | D-LI109 |
Self timer | Yes | Yes |
Time lapse shooting | ||
Storage type | - | SC/SDHC, Internal |
Card slots | Dual | One |
Cost at launch | $3,698 | $10 |