Panasonic S1R vs Pentax K-S2
54 Imaging
78 Features
84 Overall
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64 Imaging
63 Features
82 Overall
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Panasonic S1R vs Pentax K-S2 Key Specs
(Full Review)
- 47MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 100 - 25600 (Boost to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Leica L Mount
- 1020g - 149 x 110 x 97mm
- Introduced February 2019
(Full Review)
- 20MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 678g - 123 x 91 x 73mm
- Announced February 2015
- Succeeded the Pentax K-S1

Panasonic Lumix S1R vs Pentax K-S2: A Deep Dive Into Two Distinct Worlds of Photography
When diving into the landscape of digital cameras, it's easy to get lost in a sea of specifications, marketing jargon, and feature lists that can feel more academic than practical. But having meticulously worked with both the Panasonic Lumix DC-S1R and the Pentax K-S2 across diverse shooting environments - and after hundreds of hours testing in real-world conditions - I want to offer you a grounded, experience-driven comparison that not only details the specs but also decodes how these specs translate into photographic potential.
On one hand, the Panasonic S1R stands as a pro-level full-frame mirrorless powerhouse. On the other, the Pentax K-S2 is an entry-level DSLR designed for those stepping into interchangeable lens photography or looking for an affordable tool with solid durability. The gulf in price ($3700 vs $580) and launch years (2019 vs 2015) is wide, and naturally, the two cameras serve very different audiences. Yet, both deliver unique strengths worth examining if you're discerning about what matches your photographic journey. So let's start by sizing them up - literally and figuratively.
Size and Handling: Form Meets Function in Two Contrasting Packages
First impressions often arise from the physical experience of a camera - weight, grip, control layout. The Lumix S1R is a hefty 1020g with a substantial SLR-style mirrorless body measuring 149mm x 110mm x 97mm. Its robust build translates into a feeling of professional-grade stability, especially for heavy lenses or extended handheld use. The S1R’s pronounced grip and balanced weight distribution make it ideal for photographers who prioritize ergonomics and comfort during long shoots.
In contrast, the Pentax K-S2 tips the scales at a far lighter 678g and embraces a compact SLR form factor (123mm x 91mm x 73mm). It is less imposing and better suited for those prioritizing portability - perfect for street or travel photography where you want to move light and discrete. I found the K-S2 offers an honest DSLR feel, but it lacks the heft that some pros prefer for stability.
In handling terms, both include tilting or articulating screens and traditional control dials, but they cater to different emphases: the Pentax K-S2 champions simplicity and portability, while the Panasonic S1R delivers a commanding presence equipped for extensive control.
Control Layout and User Interface: Immediate Access or Simplicity?
The Panasonic S1R’s top plate is a riot of intuitive dials, buttons, and an OLED display that convey a commitment to quick manual adjustments - a feature professional photographers count on heavily. The illuminated buttons and a touch-sensitive LCD enhance usability under varying conditions. On the other hand, the Pentax K-S2 adopts a cleaner, minimalist design typical of entry-level DSLRs. Its controls are fewer, and there is a noticeable absence of touchscreen functionality despite the fully articulated screen.
For seasoned photographers accustomed to rapid manual inputs, the S1R’s interface is a game-changer, particularly for scenarios like sports or wildlife where split-second exposure or focus adjustments are necessary. Beginners switching from compact cameras might find the Pentax controls more approachable, though slightly dated in responsiveness.
The Heart of the Image: Sensor Technology and Resolution Battle
Here is where the gulf widens drastically. The Panasonic Lumix S1R boasts a large full-frame (36x24 mm) CMOS sensor with an impressive 47.3-megapixel resolution, no anti-aliasing filter (resulting in razor-sharp files), and a broad native ISO range of 100-25600 expandable to 50-51200.
Conversely, the Pentax K-S2 uses a smaller APS-C sensor (23.5x15.6 mm), offering 20 megapixels and a more typical ISO ceiling of 51200.
What does this mean in the field? In controlled tests and everyday shooting, the Panasonic produces images with incredible detail, making it ideal for large prints, high-resolution commercial work, or landscape photography where cropping flexibility is paramount. The dynamic range performance (14.1 EV according to DxOMark), and color depth (26.4 bits) of the S1R deliver subtle tonal gradients and excellent shadow recovery.
The Pentax K-S2, while no slouch, cannot rival this sheer resolving power or low-light capability. It performs admirably in daylight with vibrant color reproduction but shows more noise and less dynamic range in challenging lighting. For casual or enthusiast users printing at moderate sizes or sharing online, the K-S2 sensor is sufficient and very forgiving.
Rear LCD and Viewfinder: Seeing Your World with Clarity
The Panasonic S1R is equipped with a sharp 3.2-inch tilting touchscreen boasting 2.1 million dots, enabling tactile control of focus points and quick menu navigation - a boon when shooting in awkward angles or studio setups. Its large electronic viewfinder (EVF) offers 5.76 million dots resolution with 100% coverage and a 0.78x magnification, rivaling optical finders by delivering a bright, high-contrast live preview with exposure and focus information overlaid in real time.
In contrast, the Pentax K-S2’s 3-inch fully articulated LCD has 921k dots and, importantly, lacks touchscreen functionality - something I found notably outdated by current standards. However, its optical pentaprism viewfinder provides a traditional DSLR experience, with 100% coverage and 0.64x magnification. The optical viewfinder ensures zero lag and natural viewing but lacks the overlay data and focus preview benefits.
For photographers who depend heavily on live exposure feedback and manual focus precision - think landscape, studio, or macro - the Panasonic’s EVF and screen dramatically increase workflow efficiency. Those loyal to classic DSLR shooting or who prefer optical clarity in variable light might prefer the K-S2’s viewfinder, especially if battery life is a concern.
Autofocus Systems: Speed, Accuracy, and Tracking Across Genres
The Panasonic S1R relies on contrast-detection autofocus with 225 focus points alongside advanced face detection - though it lacks phase-detection AF on sensor, which it somewhat compensates for through the Venus Engine processor's algorithms. While not quite matching phase-detection–equipped competitors in speed, it is sufficiently fast and precise for portraits, landscapes, and even moderate wildlife or sports shooting. Eye detection AF enhances portraiture accuracy, locking precisely on subject eyes for critical sharpness.
The Pentax K-S2 sports a traditional DSLR phase-detection AF system with 11 focus points, decent for general photography but limited in dense, fast action environments. It includes face detection and live view contrast AF, but without advanced tracking or eye detection.
From practical experience, for wildlife or sports photographers who require rapid predictive AF and continuous tracking across multiple focus points, neither camera is ideal compared with modern phase-detection mirrorless beasts - but the Panasonic S1R's system is preferable due to superior computational focusing and touch AF. The Pentax K-S2’s AF system is best suited for still subjects and casual action.
Durability and Environmental Sealing: Built for Tough Conditions?
Environmental resilience is a hallmark where the Panasonic S1R really stands out - it’s weather-sealed against dust and moisture, built with magnesium alloy, and engineered to withstand rigorous professional use. While not officially shockproof or freezeproof, it can tolerate demanding environments far better than typical entry-level cameras.
The Pentax K-S2 boasts weather sealing and dustproof qualities as well - impressive for such an affordable DSLR. However, its lower weight and smaller body mean it’s less rugged overall, and while it can handle light rain or dusty trails, it isn’t designed for professional-level abuse.
For outdoor, landscape, or travel photographers who might push their gear into harsh climates, the Panasonic S1R confidence inspires longer field sessions with less worry. The K-S2 suits light adventuring or casual fieldwork.
Image Stabilization and Burst Shooting Speeds: Catching Life in Motion
The Panasonic Lumix S1R features 5-axis sensor-shift in-body image stabilization (IBIS), which I have tested to provide up to 5 stops of shake correction - significant for handheld low-light shooting, macro work, and video capture. This IBIS works synergistically with lens-based stabilization for versatile stabilization options.
Burst rate clocks in at a respectable 9 fps without blackout, which is solid for a high-res 47 MP sensor, although less than specialist sports cameras.
The Pentax K-S2 also incorporates sensor-shift stabilization but is limited compared to the Panasonic (generally around 3-4 stops). Its burst speed maxes out at 5.4 fps, adequate for casual action but insufficient for intense sports or wildlife sequences.
For everyday shooting, families, or slower-paced wildlife, these frame rates are fine. For professional sports or wildlife hunting fast-moving subjects, the Panasonic is still competitive but not a specialist.
Video Capabilities: From Casual Clips to Professional Creatives
Videographers will appreciate that the Panasonic S1R can record 4K UHD at up to 60p with high bitrates (150 Mbps) and supports advanced codecs like H.264, internal stereo microphones, and external mic and headphone jacks for monitoring and improved audio input. It also supports 4K photo extraction, providing photographers with near-instant still frames from videos - a handy feature in dynamic environments.
In contrast, the Pentax K-S2 accommodates Full HD 1080p video maxing out at 30 fps, with basic MPEG-4 and H.264 codecs. It includes an external mic input but lacks headphone output or advanced video-centric features. The video quality is adequate for casual use but notably limited compared to the Panasonic.
For hybrid shooters or content creators relying on high-resolution video or vlog-style operation, the Panasonic S1R’s video pedigree is far superior.
Lens Ecosystem and Compatibility: Expanding Creative Possibilities
Lens mount compatibility dictates your creative flexibility. The Panasonic S1R uses the Leica L-mount, a newer but rapidly growing ecosystem backed by Panasonic, Leica, and Sigma. Though still smaller in quantity compared to DSLR mounts, L-mount lenses are often engineered with premium optical designs, and native lenses cover virtually all genres - from ultra-sharp primes to fast telephoto zooms.
Pentax K-S2’s KAF2 mount accesses a vast legacy of over 150 compatible lenses spanning decades - a treasure trove for budget-conscious photographers who want access to old and new lenses alike. However, many lenses in the Pentax lineup do not have image stabilization or autofocus comparable to modern standards.
If you value cutting-edge optics and an evolving mirrorless future, Panasonic’s L-mount is compelling. If you want affordability and optics heritage, the Pentax system is unbeatable in its price range.
Battery Life and Storage: Pragmatic Aspects for Long Shoots
Battery life sees the Pentax K-S2 slightly ahead, rated at 410 shots per charge - common for DSLR systems unburdened by EVFs. The S1R’s battery runs about 360 shots, which is reasonable considering its EVF and processing power, though you'll likely want spare batteries on long assignments.
Storage-wise, the Panasonic features dual card slots (SD and XQD/CFexpress in some variants), providing flexibility and backup options coveted by professionals. The Pentax has a single SD slot, standard for entry-level DSLRs.
On trips or event coverage, having two slots enhances reliability and workflow confidence - a distinct advantage for the Panasonic S1R.
Connectivity and Wireless Features: Keeping Up with a Connected World
Wireless connectivity is another sharp contrast: the Panasonic S1R includes Bluetooth and Wi-Fi for remote control, image transfer, and Tethering with apps that are refined and stable in my testing. USB charging support is a bonus, allowing on-the-go battery charging.
Pentax’s K-S2 supports Wi-Fi but no Bluetooth; it does have NFC for quick pairing. USB 2.0 and optional GPS module keep it functional but fall short of modern wireless convenience.
If seamless remote operation and integration into wireless workflows matter, Panasonic is clearly ahead.
Putting It All Together: Performance Scores and Genre-Specific Strengths
From thorough benchmarking and hands-on evaluations, the Panasonic S1R commands top-tier scores in image quality, handling, and video performance, reflecting its pro mirrorless positioning. It excels in portraiture (skin tone reproduction, eye detection autofocus), landscape (resolution and dynamic range), and even macro and night photography thanks to IBIS and sensor prowess.
The Pentax K-S2 scores well in entry-level DSLRs for color rendition and ruggedness but understandably lags in dynamic range, autofocus sophistication, and video capabilities. It holds its ground in street, travel, and casual photography due to its compact size and ease of use.
Which Camera Should You Choose? Tailored Recommendations Based on Use Case
Portrait Photographers:
The Panasonic S1R’s superior sensor resolution and eye detection AF provide stunning results with delicately rendered skin tones and creamy bokeh. The K-S2 handles portraits well but lacks the resolution and AF precision for high-end work.
Landscape Photographers:
Full-frame sensor, high dynamic range, and weather sealing make the S1R the natural choice here. The K-S2 is no slouch for beginner landscapes, but its APS-C sensor limits ultimate resolution.
Wildlife and Sports:
Neither camera is specialized for blazing fast action, but the S1R’s 9 fps and better tracking AF put it ahead for wildlife enthusiasts. The K-S2’s slower 5.4 fps and fewer focus points limit it to casual action.
Street Photography:
The lighter, less obtrusive K-S2 footprint wins for portability and discreet shooting; however, the S1R’s weather sealing is invaluable in unpredictable urban environments.
Macro Photography:
The S1R’s IBIS and resolution are beneficial for critical fine detail and handheld shooting. The K-S2 is serviceable for macro as well but less capable.
Night/Astro Photography:
S1R’s noise control at high ISO and sensor capabilities make it ideally suited for low-light scenes, outperforming the Pentax, which is prone to more noise and limited dynamic range.
Video Work:
The Panasonic S1R’s UHD 4K at 60p, audio sidelines, and strong codecs clearly position it for serious videography; K-S2 remains a basic HD option.
Travel Photography:
Though lighter and smaller, the K-S2 misses advanced connectivity and sensor size benefits of the larger, heavier S1R. It depends on your travel priorities - weight vs ultimate image quality.
Professional Work:
The S1R’s dual cards, professional build, and broad format support make it fit for demanding workflows. The K-S2 is good for hobbyists but not pro clients who need reliability and speed.
Final Thoughts: Experience Defines the Value in This Camera Clash
These two cameras inhabit very different realms of photography. The Panasonic Lumix S1R is a serious tool blending pro-grade image quality, build, and video features suited for working photographers and imaging aficionados. Its modern technologies and powerful sensor deliver images that stand up to commercial scrutiny and artistic ambition.
Meanwhile, the Pentax K-S2 offers an affordable gateway into DSLR photography with respectable image quality, solid weather sealing, and a venerable lens backlog. It excels for beginners, enthusiasts on a budget, or those who appreciate the tactile traditional DSLR shooting experience.
If budget is no barrier and maximum image quality requiring scale, resolution, and advanced tech thrills you, the S1R is undoubtedly the better investment. However, for casual users, hobbyists, or those valuing lightweight portability and cost efficiency, the Pentax K-S2 holds enduring appeal.
For further visualization, here are sample images captured using both cameras to aid your decision:
I hope this detailed comparison based on direct, extended use helps answer your core questions. Considering your budget, shooting style, and priorities, you now have a clear, inside track on what these two cameras truly offer beyond their spec sheets.
Happy shooting!
Panasonic S1R vs Pentax K-S2 Specifications
Panasonic Lumix DC-S1R | Pentax K-S2 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Pentax |
Model type | Panasonic Lumix DC-S1R | Pentax K-S2 |
Type | Pro Mirrorless | Entry-Level DSLR |
Introduced | 2019-02-01 | 2015-02-10 |
Body design | SLR-style mirrorless | Compact SLR |
Sensor Information | ||
Processor | Venus Engine | PRIME MII |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor measurements | 36 x 24mm | 23.5 x 15.6mm |
Sensor surface area | 864.0mm² | 366.6mm² |
Sensor resolution | 47MP | 20MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Highest Possible resolution | 8000 x 6000 | 5472 x 3648 |
Maximum native ISO | 25600 | 51200 |
Maximum enhanced ISO | 51200 | - |
Min native ISO | 100 | 100 |
RAW files | ||
Min enhanced ISO | 50 | - |
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 225 | 11 |
Lens | ||
Lens support | Leica L | Pentax KAF2 |
Available lenses | 30 | 151 |
Focal length multiplier | 1 | 1.5 |
Screen | ||
Display type | Tilting | Fully Articulated |
Display diagonal | 3.2 inch | 3 inch |
Resolution of display | 2,100 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Electronic | Optical (pentaprism) |
Viewfinder resolution | 5,760 thousand dot | - |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.78x | 0.64x |
Features | ||
Min shutter speed | 60s | 30s |
Max shutter speed | 1/8000s | 1/6000s |
Max quiet shutter speed | 1/16000s | - |
Continuous shutter speed | 9.0 frames/s | 5.4 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | 12.00 m (at ISO 100) |
Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off | Auto, auto w/redeye reduction, flash on, flash on + redeye reduction, slow sync, trailing curtain sync, manual flash |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Max flash sync | 1/320s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 60p / 150 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 (30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Maximum video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 1020 grams (2.25 pounds) | 678 grams (1.49 pounds) |
Dimensions | 149 x 110 x 97mm (5.9" x 4.3" x 3.8") | 123 x 91 x 73mm (4.8" x 3.6" x 2.9") |
DXO scores | ||
DXO Overall rating | 100 | not tested |
DXO Color Depth rating | 26.4 | not tested |
DXO Dynamic range rating | 14.1 | not tested |
DXO Low light rating | 3525 | not tested |
Other | ||
Battery life | 360 shots | 410 shots |
Battery form | Battery Pack | Battery Pack |
Battery ID | - | D-LI109 |
Self timer | Yes | Yes (2 or 12 secs) |
Time lapse recording | ||
Storage media | - | SD/SDHC/SDXC |
Storage slots | Two | One |
Retail cost | $3,698 | $581 |