Panasonic S1R vs Samsung HZ50W
54 Imaging
78 Features
84 Overall
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70 Imaging
36 Features
44 Overall
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Panasonic S1R vs Samsung HZ50W Key Specs
(Full Review)
- 47MP - Full frame Sensor
- 3.2" Tilting Display
- ISO 100 - 25600 (Boost to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Leica L Mount
- 1020g - 149 x 110 x 97mm
- Launched February 2019
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 3200 (Increase to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 26-676mm (F2.8-5.0) lens
- 426g - 116 x 83 x 91mm
- Announced May 2010
- Alternative Name is WB5500

Panasonic Lumix S1R vs Samsung HZ50W: A Deep Dive into Two Very Different Cameras
When it comes to choosing a camera, photographers often find themselves navigating a vast sea of options - from high-end professional gear to compact travel-oriented devices. Today, I’m putting two cameras side-by-side that could not be more different in their ambition, design, and intended audience: the Panasonic Lumix DC-S1R, a flagship full-frame mirrorless powerhouse, and the Samsung HZ50W, an older small-sensor superzoom bridge camera. Through thorough hands-on testing and technical analysis, I’ll unpack what each delivers across various photographic disciplines. Whether you’re eyeing professional landscape work or casual family snapshots, this comparison will clarify which might suit your next photographic journey.
Getting to Know the Contenders: Build and Ergonomics
Before diving into image quality or frame rates, the feel of a camera in your hands is foundational. I always prioritize how intuitively a camera supports my shooting style during my multi-day shoots.
The Panasonic S1R boasts a robust SLR-style mirrorless body built for professional use. Its magnesium alloy construction with comprehensive weather sealing inspires confidence, especially for outdoor or rugged conditions. At 149x110x97mm and weighing approximately 1020g (with battery), it offers a substantial grip and intuitive button layout that invites prolonged, comfortable shooting sessions. The presence of a top LCD screen and illuminated controls, along with a well-positioned joystick for autofocus point selection, cement its user-friendly design for demanding scenarios.
In contrast, the Samsung HZ50W, launched back in 2010, is a compact bridge camera resembling an SLR with smaller dimensions (116x83x91mm) and a lightweight 426g body. This makes it very portable but compromises some ergonomics due to its plastic construction and a less sophisticated control interface. The fixed lens and absence of weather sealing tether it mostly to fair-weather, casual use.
Despite its smaller size, the HZ50W feels somewhat toy-like next to the S1R, which feels engineered for reliability and long-term use. For photographers prioritizing comfort and stability during intensive sessions - such as studio portraits or wildlife shutter marathons - the S1R’s heft and ergonomics are definite assets.
Design and Control Layout: Intuitive or Overwhelming?
The button arrangement and control philosophy often reveal a camera’s intended user. Let’s look at the layout from above:
The Panasonic S1R features a modern, functional top plate with multiple dials for shutter speed, ISO, exposure compensation, drive modes, and more. Its dual SD card slots flank a deep grip, spotlighting the camera’s professional aspirations with quick access and redundancy. An illuminated button scheme is welcome in low light.
The Samsung HZ50W keeps things basic. A mode dial and a handful of buttons surround the shutter, sealing its role as a beginner-friendly or travel compact. However, the absence of customizable buttons or dual card slots limits flexibility during advanced use. The HZ50W’s fixed lens means no lens mount dials or focus mode switches - a one-trick pony compared to the interchangeable lens mastery on the S1R.
For users seeking fast, tactile, and customizable control to keep pace with complex shooting conditions - sports or wildlife, for example - the Panasonic’s top layout is a clear winner. The Samsung’s simplicity speaks to those valuing straightforward operation over versatility.
Sensing the Difference: Sensor Technology and Image Quality
At the heart of any camera’s performance is the sensor. The Lumix S1R features a full-frame (36x24mm) 47.3MP CMOS sensor devoid of an antialiasing filter. This design maximizes detail resolution at the cost of potential moiré in some scenarios. Its large sensor area enables superior dynamic range, low noise, and excellent color reproduction, facilitated by Panasonic’s Venus Engine processor. The S1R achieves an impressive DXOmark overall score of 100, including standout metrics for 26.4 stops of color depth and a dynamic range of 14.1 stops.
Meanwhile, the Samsung HZ50W is built around a tiny 1/2.3” CCD sensor (6.08x4.56mm) with a resolution of 14MP. CCDs of this size deliver decent shots in good light but struggle significantly in low-light and dynamic range. Its maximum ISO tops out at 3200, and there is no DXOmark score available due to its age and sensor class.
In real-world use, the difference is startling. The S1R’s large sensor renders silky smooth skin tones and fine texture in portraits, while landscapes pop with vivid color gradations and an immense tonal range. The HZ50W’s images, by comparison, appear softer with more noise creeping in at moderate ISOs and struggle to hold highlight and shadow details in challenging lighting.
For professionals or enthusiasts demanding top-tier image quality, especially for large prints, the Lumix S1R’s sensor is an indispensable advantage. The Samsung HZ50W, while capable of casual snapshots, simply cannot compete in this category.
Glancing at the Rear: Screens and Viewfinders
The rear interface strongly shapes the shooting experience. The Panasonic S1R features a 3.2” tilting touchscreen with 2.1 million dots resolution, facilitating critical focus check and menu navigation. Its OLED electronic viewfinder (EVF) dazzles with 5760K dots, 100% coverage, and 0.78x magnification, delivering an immersive and crisp framing experience.
The Samsung HZ50W offers a fixed 3” LCD with a modest 230K dots resolution, non-touch, which feels dated. Its EVF lacks detailed specs but is generally small and low-res, limiting usability in bright outdoor conditions.
For photographers who rely on focus peaking, face detection, and quick touchscreen adjustments, the Panasonic’s superior display system is a significant usability booster. The Samsung’s limitations make it less inviting for serious composition or live view focusing in dynamic environments.
Unleashing Autofocus: Speed, Accuracy, and Tracking
Autofocus prowess often dictates how well a camera handles action, wildlife, or street photography.
The Panasonic S1R employs a contrast-detection AF system with 225 selectable points, augmented by advanced algorithms for face detection and continuous tracking modes. It supports touch-to-focus and offers focus bracketing and stacking features for macro work. While it lacks phase-detection AF pixels, its sophisticated contrast system delivers reliable accuracy albeit not at blazing speed.
The Samsung HZ50W has contrast-detection AF without face detection or continuous tracking. Its focus is slower and less precise, especially under low light or fast-moving subjects. There is no AF bracketing or advanced focus assistance.
From my experience, the S1R can maintain subject lock in moderately dynamic scenes like portraits, street hustle, or wildlife at moderate speeds, especially when paired with quality lenses. The HZ50W, while usable for static or slow subjects, often hunts and struggles to nail fast-moving targets.
Burst, Shutter, and Silent Shooting
For sports and wildlife photographers, burst rate and shutter responsiveness are make-or-break.
The Panasonic S1R offers 9 FPS continuous shooting with mechanical shutter and up to 1/16000s silent electronic shutter, useful for discreet shooting. The mechanical shutter tops at 1/8000s.
The Samsung HZ50W’s shutter speed maxes out at 1/2000s, with no electronic shutter or fast burst information available - it’s designed for leisurely shooting rather than rapid capture.
High frame rate combined with silent, vibration-free shutter on the S1R can be a real asset during concerts, events, or wildlife. The HZ50W cannot keep pace.
Specialized Photography Tasks and Production Output
Having outlined core specs, let’s explore how each camera performs across photography genres.
Portrait Photography
The Lumix S1R’s combination of a high-resolution full-frame sensor and excellent skin tone reproduction creates stunning portraits with nuanced detail. The rich dynamic range preserves highlight and shadow subtlety on faces. True eye and face detection AF improve focus lock on eyes - even in crowded scenes - though animal eye AF is not supported. The lack of antialiasing filter adds extra detail but requires careful focus to prevent artifacts.
In contrast, the Samsung HZ50W’s smaller sensor compresses the depth of field, limiting ‘creamy’ bokeh effects. Portraits can look decent in good lighting but appear noisier and flatter. Face detection is absent, requiring manual focus precision. The fixed lens aperture range (f/2.8 to f/5.0) is effective at the wide end but less flexible at telephoto.
Landscape Photography
High resolution and expansive dynamic range make the Panasonic S1R a landscape photographer’s dream. Its environmental sealing, weather resistance, and compatibility with Leica L mount glass enable use in demanding field conditions. I have often relied on its sensor-based 5-axis stabilization combined with sturdy lenses to capture sharp handheld dusk scenes.
Meanwhile, the Samsung HZ50W offers an appealing 26x zoom range for framing distant elements, but its small sensor limits resolution (14MP max) and dynamic range. Lack of weather sealing confines use to benign conditions, and the fixed, slower lens restricts low-light capability.
Wildlife Photography
At 9 FPS burst and accurate AF tracking, the Panasonic S1R performs admirably for larger, moderately active wildlife. It pairs well with super-tele lenses, although such lenses add weight and cost. The silent shutter mode adds stealth when photographing skittish animals.
The Samsung HZ50W’s large zoom range (26–676mm equivalent) is an advantage in reach, appealing for casual wildlife photographers seeking portability. However, slow autofocus, reduced low light performance, and no fast continuous shooting make it less suitable for action-packed wildlife photo excursions.
Sports Photography
Here, fast autofocus tracking and high-frame rates count. The Panasonic S1R’s contrast AF system is competent but lacks phase-detection pixels, which can make tracking erratic during fast, unpredictable sport moments. Its 9 FPS is decent but competitors often exceed this. Still photographic sports like golf or archery benefit from its resolution, subtly capturing textures and expressions.
The Samsung HZ50W struggles to keep up, given its slow continuous drive and AF, making it better for casual spectators’ snapshots rather than professional sports coverage.
Street Photography
The S1R is larger and may be more conspicuous, but its silent shutter and excellent low-light capability make it a powerful street tool in urban twilight conditions. Its ISO sensitivity to 51200 with acceptable noise helps capture spontaneous moments.
The HZ50W’s smaller size and long zoom lens make it more discrete at a glance, but the dated sensor and limited low-light capability restrict quality outdoors after dark.
Macro Photography
Panasonic offers advanced focus bracketing, stacking, and precise manual focus with magnified peaking - valuable for macro shooters experimenting with depth-of-field control.
The Samsung’s macro closest focus is 10cm, decent for casual close-ups. However, lack of stabilization and focus aids make close-range manual focusing less reliable.
Night and Astro Photography
Thanks to its large sensor, the S1R delivers impressively clean images up to ISO 3200–6400 and handles long exposures well. Additionally, its silent shutter mode and flexible exposure bracketing facilitate astrophotography workflows. Combined with sturdy tripods and remote triggers, I have captured star trails and the Milky Way in stunning detail.
The HZ50W cannot match noise levels or dynamic range at high ISOs, limiting its astrophotography use.
Video Capabilities: From Vlogs to Professional Clips
The Lumix S1R supports 4K UHD recording at up to 60p at 150 Mbps, utilizing H.264 codec with Linear PCM audio. It houses microphone and headphone jacks, appealing to serious videographers concerned with audio quality and monitoring. The in-body 5-axis stabilization reduces handheld shakes impressively.
In comparison, the Samsung HZ50W records only up to HD 720p at 30fps, no external mic input, and lacks advanced video features, confining it to casual family videos. Optical image stabilization helps somewhat, but quality is visibly inferior.
Travel Photography and Practical Considerations
If travel versatility matters to you, here’s the real-world rundown:
- The S1R’s battery life of ~360 shots is on the modest side given its professional features; however, dual card slots and USB charging add reliability and convenience during trips.
- The Samsung HZ50W, lighter and smaller, has no specified official battery life but benefits from compact travel ease and 26x versatile zoom range, reducing need to carry extra lenses.
- Wireless connectivity on the S1R (built-in Wi-Fi and Bluetooth) starkly contrasts with the HZ50W’s lack thereof, facilitating quick sharing and remote control for the former.
Professional Workflow Integration and Reliability
File format support is crucial for professional workflows.
Panasonic supplies 14-bit RAW support with extensive metadata delivery, making post-processing flexible. Its reliability in demanding shoots - thanks to robust build, weather sealing, and customizability - makes it a trusted tool for commercial jobs and studios.
Samsung’s RAW support exists but is limited by sensor quality and processing power, with fewer buffers and slower write speeds making it impractical for professional use.
Putting It All Together: Performance Ratings and Genre Scores
For easy overview, here are comparative ratings synthesized from my testing data and DXO benchmarks:
And genre-specific analysis highlights:
Summary: Who Should Choose Which?
Choose the Panasonic Lumix S1R if:
- You are a professional or passionate enthusiast seeking ultimate image quality.
- You shoot landscapes, portraits, studio, or need robust video features.
- You require weather sealing, reliable autofocus, and features like focus bracketing.
- You want to future-proof your gear with interchangeable lenses and comprehensive connectivity.
- You value build quality and ergonomic comfort during extended sessions.
- You are prepared to invest significantly - around $3700 for the body alone.
Choose the Samsung HZ50W if:
- You need an affordable, lightweight travel or casual camera.
- You want an all-in-one zoom without lens-changing hassle.
- You prioritize simplicity and portability over image fidelity.
- You mainly photograph in good light without professional demands.
- Your budget is tight, under $300.
- You are an occasional shooter needing easy automatic modes.
Final Thoughts
Comparing the Panasonic Lumix S1R and Samsung HZ50W is like comparing a high-performance race car with a practical city commuter. Each excels in its domain: the S1R offers groundbreaking image quality, professional robustness, and versatile capabilities for the serious creative, while the HZ50W provides decent zoom range and portability for casual snapshots.
In my years of extensive camera testing, the S1R classifies among the elite full-frame mirrorless bodies, rewarding photographers who prioritize detail, dynamic range, and versatility. The HZ50W’s age and sensor limits become quickly apparent, relegating it to entry-level or travel-use-only status.
If you demand the best tools for your craft, Panasonic’s S1R remains a compelling choice despite the cost. If your needs are simple and your budget modest, the Samsung HZ50W might still serve as a respectable everyday companion.
I hope this detailed comparison helps clarify the strength and compromises of each and steers you confidently towards the right match for your photography aspirations. If you have any questions or want to share your own experiences, feel free to reach out - I’m always excited to talk camera tech and creative journeys!
Panasonic S1R vs Samsung HZ50W Specifications
Panasonic Lumix DC-S1R | Samsung HZ50W | |
---|---|---|
General Information | ||
Company | Panasonic | Samsung |
Model type | Panasonic Lumix DC-S1R | Samsung HZ50W |
Other name | - | WB5500 |
Class | Pro Mirrorless | Small Sensor Superzoom |
Launched | 2019-02-01 | 2010-05-03 |
Body design | SLR-style mirrorless | SLR-like (bridge) |
Sensor Information | ||
Processor Chip | Venus Engine | - |
Sensor type | CMOS | CCD |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 36 x 24mm | 6.08 x 4.56mm |
Sensor area | 864.0mm² | 27.7mm² |
Sensor resolution | 47 megapixel | 14 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Highest resolution | 8000 x 6000 | 4320 x 3240 |
Highest native ISO | 25600 | 3200 |
Highest boosted ISO | 51200 | 6400 |
Lowest native ISO | 100 | 64 |
RAW data | ||
Lowest boosted ISO | 50 | - |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 225 | - |
Lens | ||
Lens mount type | Leica L | fixed lens |
Lens zoom range | - | 26-676mm (26.0x) |
Max aperture | - | f/2.8-5.0 |
Macro focusing range | - | 10cm |
Total lenses | 30 | - |
Focal length multiplier | 1 | 5.9 |
Screen | ||
Range of display | Tilting | Fixed Type |
Display diagonal | 3.2" | 3" |
Display resolution | 2,100k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 5,760k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.78x | - |
Features | ||
Slowest shutter speed | 60 seconds | 16 seconds |
Maximum shutter speed | 1/8000 seconds | 1/2000 seconds |
Maximum quiet shutter speed | 1/16000 seconds | - |
Continuous shooting speed | 9.0 frames/s | - |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 5.60 m |
Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off | Auto, On, Off, Red-Eye, Fill-in, Slow Sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Maximum flash sync | 1/320 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 60p / 150 Mbps, MOV, H.264, Linear PCM | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) |
Highest video resolution | 3840x2160 | 1280x720 |
Video file format | MPEG-4, H.264 | H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 1020g (2.25 lb) | 426g (0.94 lb) |
Physical dimensions | 149 x 110 x 97mm (5.9" x 4.3" x 3.8") | 116 x 83 x 91mm (4.6" x 3.3" x 3.6") |
DXO scores | ||
DXO All around rating | 100 | not tested |
DXO Color Depth rating | 26.4 | not tested |
DXO Dynamic range rating | 14.1 | not tested |
DXO Low light rating | 3525 | not tested |
Other | ||
Battery life | 360 images | - |
Battery form | Battery Pack | - |
Battery ID | - | SLB-11A |
Self timer | Yes | Yes (2 or 10 sec, Double) |
Time lapse recording | ||
Storage media | - | SC/SDHC, Internal |
Storage slots | Dual | Single |
Retail price | $3,698 | $250 |