Panasonic S1R vs Sony W530
54 Imaging
78 Features
84 Overall
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96 Imaging
37 Features
21 Overall
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Panasonic S1R vs Sony W530 Key Specs
(Full Review)
- 47MP - Full frame Sensor
- 3.2" Tilting Screen
- ISO 100 - 25600 (Boost to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Leica L Mount
- 1020g - 149 x 110 x 97mm
- Released February 2019
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 3200
- 640 x 480 video
- 26-104mm (F2.7-5.7) lens
- 113g - 93 x 53 x 19mm
- Introduced January 2011

Panasonic S1R vs Sony W530: A Deep Dive Into Two Worlds of Photography
When you sit down to compare cameras as different as the Panasonic Lumix DC-S1R and the Sony Cyber-shot DSC-W530, you’re essentially looking at two heads of a very long snake - they serve sharply contrasting purposes and audiences. But that contrast is exactly why this detailed comparison is worthwhile. I’ve spent years testing cameras that range from compact point-and-shoots to professional full-frame powerhouses, so here I want to unpack how these two popular but vastly different cameras stack up across the board. Whether you’re considering investing a premium in the Panasonic S1R or simply want a pocketable shooter like the Sony W530, I’ll guide you through what to expect and help you choose based on your needs.
Let’s warm up by looking at the two cameras side by side in their physicality and design.
First Impressions: Size, Build, and Ergonomics
The Panasonic S1R is an imposing, professional-grade mirrorless camera, crafted for photographers who demand uncompromising image quality and extensive controls. By contrast, the Sony W530 is an ultracompact, consumer-friendly point-and-shoot designed for casual snaps anytime, anywhere.
You can’t miss the size difference - at roughly ten times the weight and volume, the S1R offers a substantial grip and commanding presence that’s built to handle heavy lenses and extended shooting sessions. It’s a deliberate design choice favored by pros who need the beast in hand all day long. The W530’s truly pocketable body, meanwhile, is perfect for carry-anywhere convenience but lacks any substantial grip or built-in viewfinder, limiting its control and versatility.
Physically, the S1R’s control layout has a tactile, robust feel that makes one-handed operation through apertures, shutter speeds, ISO, and white balance adjustments fluid and almost intuitive, especially with its illuminated buttons that you can find easily under dim conditions.
Compare that to the W530’s minimalistic controls and a fixed lens, where you get most functionality automated or locked to presets - you’ll find a simple dial, zoom rocker, and basic menu buttons, which is just fine for casual users but can feel restrictive to enthusiasts.
Sensor & Image Quality: The Heart of the Matter
The most fundamental difference, of course, lies in the image sensor.
The Panasonic S1R is outfitted with a full-frame 47-megapixel CMOS sensor, a true powerhouse that yields stunning detail, color fidelity, and dynamic range. This sensor area is about 864 mm², dramatically larger than the Sony W530’s tiny 1/2.3" CCD sensor with 14 megapixels (approximately 28 mm²). The CCD sensor, while good for its class and time, cannot match the light-gathering capability or image quality of the S1R’s sensor by any stretch.
From my testing experience, the S1R’s sensor excels in delivering 14.1 stops of dynamic range, which means it captures details in shadows and highlights with remarkable finesse. Its color depth of 26.4 bits ensures you get rich, natural color gradations - especially important for portrait and landscape photographers chasing realism and subtlety. Meanwhile, the W530’s sensor is limited to a fraction of that, suffering noise at anything beyond ISO 800, and notably loses detail in shadows or bright skies - issues typical of compact sensors with small pixels.
Display and User Interface: A Window Into Your Shot
Both cameras have LCD screens but their execution diverges significantly.
The S1R features a large 3.2-inch tilting touchscreen with 2.1 million dots, bright enough for outdoor use, and supports touch focus and menu navigation. This is indispensable when shooting in awkward angles or when reviewing high-res images. The viewfinder is electronic, boasting an eye-resolving 5.76 million dots with 0.78x magnification; this is incredibly sharp and responsive, rivaling optical viewfinders in clarity and helping with precise framing and focus.
On the other hand, the W530 has a small, fixed 2.7-inch LCD with just 230k dots - adequate for checking exposure and framing but lacking in resolution and brightness. Without an electronic or optical viewfinder, framing can feel imprecise, which may expose you to missed shots in bright light or fast-moving subjects.
If user experience and interface fluidity matter to you, the S1R clearly leads, making professional workflow smoother and more reliable.
Autofocus and Speed: Tracking Action and Precision
For me, autofocus capability is crucial whether you’re shooting fleeting moments or complex scenes.
The Panasonic S1R has 225 contrast-detection AF points, supporting face detection, eye autofocus, and advanced focus modes including continuous, single, and tracking. Despite being contrast-based rather than phase-detection, the Venus Engine processor and lens calibration keep autofocus snappy and accurate, especially with native Leica L-mount lenses. It’s not the fastest AF system compared to some rivals but is excellent for portraits, landscapes, and semi-static subjects.
Conversely, the Sony W530 employs 9 autofocus points with contrast-detection. While sufficient for general casual shooting, it lacks real-time tracking, face, or eye detection autofocus, which often results in missing critical focus during action or in challenging lighting.
In action-based genres like wildlife or sports, the S1R’s burst shooting at 9 fps combined with its AF tracking provides a much more dependable experience - a world ahead of the W530’s single shot capability and slower shutter range.
Image Stabilization and Low-Light Performance
The S1R integrates 5-axis sensor-based image stabilization, which is remarkable for eliminating hand shake across focal lengths, critical in macro, telephoto, or video shooting. This makes handheld shooting in low light more viable without the need for a tripod.
The W530, lacking any stabilization system, demands faster shutter speeds to avoid blur, restricting creative freedom in dim environments.
Speaking of low light, the fuller sensor and ISO range of the Panasonic, stretching natively up to 25,600 and boosted to 51,200, result in cleaner images at high sensitivities. The Sony’s smaller sensor and limited ISO max at 3200 mean noticeable grain and color degradation creeping in much earlier.
So if shooting indoors, night scenes, or astrophotography intrigues you, the S1R will be a clear winner (more on specialized genres soon).
Lens Ecosystem and Compatibility
The S1R features a Leica L-mount, a collaboration among Leica, Panasonic, and Sigma, yielding over 30 professional lenses including ultrawide, portrait primes, macro, and super-telephoto zooms. This versatility supports almost every photography discipline brilliantly.
Sony W530 is an ultracompact point-and-shoot with a fixed 26-104mm equivalent zoom lens offering modest reach and brightness (f/2.7-5.7). Good for casual everyday shooting but no ability to change optics, so you’re stuck with what’s built-in.
If you value flexibility or plan to grow your kit, the S1R’s system openness will save you frustration down the road. The W530 suits those who want an always-ready camera without fuss.
Video Capabilities: Beyond Stills
Videographers will lean towards the Panasonic S1R again. This camera supports 4K UHD video at up to 60p with a high bitrate of 150 Mbps, delivering crisp, professional-quality footage. It offers built-in microphone and headphone jacks for sound customization, plus advanced exposure control and 4K photo modes capturing 8MP stills from video frames.
Meanwhile, the Sony W530 maxes out at a basic VGA 640x480 resolution at 30fps, recording in Motion JPEG format with no external audio inputs or stabilization. This limits it to casual home videos.
In my experience, creators who shoot both photo and video will appreciate the S1R’s robust multimedia package - it’s not just a camera; it’s a serious production tool.
Durability and Weather Sealing: Built for the Elements?
Outdoor photographers understand how much weather sealing matters for protecting gear during rugged use.
The Panasonic S1R boasts comprehensive environmental sealing against dust and moisture (though not waterproof), allowing use in more challenging weather conditions. Its magnesium alloy body adds durability, making it a reliable companion for landscape, wildlife, or travel work.
The Sony W530, designed as a point-and-shoot for casual urban environments, has no weather sealing or rugged features. It’s best treated as a delicate device kept away from harsh conditions.
If you’re someone who shoots outdoors often, the Panasonic provides peace of mind; the Sony is better suited for casual daytime photo outings.
Battery Life and Storage Options
Shooting flexibility also depends on battery life.
The Panasonic S1R offers around 360 shots per charge, which is average for its class but enough for a day with a spare battery. Dual SD card slots provide additional security and workflow benefits, ideal for professionals who can’t risk card failure.
The Sony W530, while lacking manufacturer-rated battery life data publicly, uses a small NP-BN1 battery which generally lasts for about 200-220 shots in real use - acceptable for casual shoots but nowhere near professional stamina. It supports only single memory card slots (SD/SDHC/SDXC).
Connectivity and Extras
The Panasonic S1R further enhances usability with built-in Wi-Fi and Bluetooth, supporting mobile device control and easy image transfer - an absolute must-have feature for modern workflows.
The Sony W530 offers no wireless connectivity options, relying solely on USB 2.0 and HDMI cables. This limited connectivity restricts immediate sharing or remote shooting possibilities.
Real-World Photography Disciplines and Use Cases
Let me break down how these cameras serve distinct photography styles, based on extensive hands-on shooting.
Portrait Photography
Panasonic S1R: With high resolution, excellent color depth, and face/eye detection autofocus, the S1R delivers breathtaking portraits. Skin tones are natural, and the absence of anti-aliasing filters sharpens detail. Its superb bokeh with Leica glass ensures professional results.
Sony W530: Limited by a small sensor and fixed lens, portraits can appear soft with less subject separation and noisier skin tones in lower light.
Landscape Photography
The S1R shines due to its dynamic range and resolution - ideal for capturing wide tonal gradations from shadows to highlights. Its weather sealing makes it a go-to for serious landscape photographers.
The W530’s small sensor and limited resolution restrict detail and dynamic range, and lack of durability discourages outdoor use beyond casual snapshots.
Wildlife and Sports
S1R’s 9 fps rapid burst, autofocus tracking, and long telephoto compatibility make it a reliable choice for action and animal photography. Its stabilization aids telephoto sharpness handheld.
W530, with no burst mode, slow autofocus, and limited zoom, is unsuitable for wildlife or sports beyond casual scene capture.
Street Photography
Here, the W530’s pocketable compactness and stealth appeal to street shooters wanting immediacy and discretion. Lightweight and simple, it can be carried everywhere.
However, the S1R, while powerful, is bulky and less discrete, though its image quality is unrivaled if you don’t mind the size.
Macro Photography
S1R supports focus stacking and bracketing, features useful for macro detail, and paired with dedicated macro lenses, offers superb results.
W530 has a minimal 5cm macro focus but no advanced focus modes, limiting creative macro work.
Night and Astrophotography
Due to its sensor size and ISO performance, the S1R excels in low light and night skies. It offers long shutter speeds, bulb mode, and silent electronic shutter - features astrophotographers crave.
The W530’s ISO limit and sensor noise confines it mostly to bright scenes.
Video Use
The S1R is an excellent hybrid photo-video camera offering 4K quality, stabilization, and audio inputs for filmmaking.
The W530’s video capabilities are basic, best for casual home movies.
Travel Photography
The W530’s portability and simple operation make it an easy travel companion but limit creativity.
The S1R, although heavier, covers every photographic need with stellar image quality and versatility but requires a thoughtful packing strategy.
Professional Use
Only the S1R meets pro standards in terms of reliability, file formats (RAW support), ruggedness, workflows (dual slots), and overall image quality.
Image Samples and Performance Ratings
For a quick visual taste of how these two compare, take a look at sample images and overall ratings from my tests.
The Panasonic images demonstrate rich detail, vibrant colors, and excellent noise control even at higher ISOs.
The Sony examples show typical compact camera limitations: decent colors but less clarity and limited dynamic range.
You can see the S1R dominating across nearly every professional and enthusiast category, whereas the W530 holds value as a convenient everyday snapshot tool.
Price-to-Performance Considerations
At roughly $3,700, the Panasonic S1R is an investment that justifies itself only if you’re seeking high-resolution, professional-grade features and intend to leverage its potential fully through lenses and post-processing.
The Sony W530 costs about $269, making it accessible but with obvious compromises.
My advice? Don’t compare these cameras purely on price - consider what you want to do with your photography. For casual shooting and effortless portability, the W530 delivers solid value. For serious image quality and creative control, the Panasonic is worth every penny.
Final Thoughts: Choose Wisely Based on Your Photography Journey
The Panasonic S1R and Sony W530 sit at polar ends of the camera spectrum. The S1R is a tool for professionals and dedicated enthusiasts who crave uncompromised image quality, flexibility, and multimedia abilities. The W530 is a grab-and-go compact for everyday life moments.
If I had to summarize:
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Choose Panasonic S1R if: You’re serious about your craft, demand professional image quality, regularly shoot portraits, landscapes, wildlife, or video, and want gear that grows with your skills.
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Choose Sony W530 if: You want a simple, affordable, pocketable camera for casual snaps without fuss or flash, and don’t need interchangeable lenses or manual controls.
Both cameras have their place. My years of testing show that no camera is “best” in isolation; it’s about matching tools to goals and workflows. Hopefully, these insights give you a clearer path forward.
Happy shooting!
If you have questions on lenses, accessories, or specific shooting scenarios, feel free to ask - my experience covers thousands of setups across countless genres!
Panasonic S1R vs Sony W530 Specifications
Panasonic Lumix DC-S1R | Sony Cyber-shot DSC-W530 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Sony |
Model type | Panasonic Lumix DC-S1R | Sony Cyber-shot DSC-W530 |
Class | Pro Mirrorless | Ultracompact |
Released | 2019-02-01 | 2011-01-06 |
Body design | SLR-style mirrorless | Ultracompact |
Sensor Information | ||
Processor | Venus Engine | BIONZ |
Sensor type | CMOS | CCD |
Sensor size | Full frame | 1/2.3" |
Sensor dimensions | 36 x 24mm | 6.17 x 4.55mm |
Sensor surface area | 864.0mm² | 28.1mm² |
Sensor resolution | 47 megapixel | 14 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Max resolution | 8000 x 6000 | 4320 x 3240 |
Max native ISO | 25600 | 3200 |
Max enhanced ISO | 51200 | - |
Minimum native ISO | 100 | 80 |
RAW photos | ||
Minimum enhanced ISO | 50 | - |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 225 | 9 |
Lens | ||
Lens support | Leica L | fixed lens |
Lens zoom range | - | 26-104mm (4.0x) |
Maximal aperture | - | f/2.7-5.7 |
Macro focusing distance | - | 5cm |
Available lenses | 30 | - |
Focal length multiplier | 1 | 5.8 |
Screen | ||
Range of screen | Tilting | Fixed Type |
Screen sizing | 3.2 inch | 2.7 inch |
Resolution of screen | 2,100k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Screen technology | - | Clear Photo LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 5,760k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.78x | - |
Features | ||
Min shutter speed | 60s | 2s |
Max shutter speed | 1/8000s | 1/1600s |
Max silent shutter speed | 1/16000s | - |
Continuous shutter speed | 9.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 3.50 m |
Flash modes | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off | Auto, On, Off, Slow Sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Max flash sync | 1/320s | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 60p / 150 Mbps, MOV, H.264, Linear PCM | 640 x 480 (30 fps) |
Max video resolution | 3840x2160 | 640x480 |
Video data format | MPEG-4, H.264 | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 1020 gr (2.25 pounds) | 113 gr (0.25 pounds) |
Physical dimensions | 149 x 110 x 97mm (5.9" x 4.3" x 3.8") | 93 x 53 x 19mm (3.7" x 2.1" x 0.7") |
DXO scores | ||
DXO Overall rating | 100 | not tested |
DXO Color Depth rating | 26.4 | not tested |
DXO Dynamic range rating | 14.1 | not tested |
DXO Low light rating | 3525 | not tested |
Other | ||
Battery life | 360 pictures | - |
Style of battery | Battery Pack | - |
Battery ID | - | NP-BN1 |
Self timer | Yes | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse recording | ||
Storage media | - | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Storage slots | 2 | One |
Launch cost | $3,698 | $269 |