Panasonic S5 vs Panasonic G7
60 Imaging
75 Features
92 Overall
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71 Imaging
53 Features
80 Overall
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Panasonic S5 vs Panasonic G7 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.0" Fully Articulated Screen
- ISO 100 - 51200 (Push to 204800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Leica L Mount
- 714g - 133 x 97 x 82mm
- Revealed August 2020
- New Model is Panasonic S5 II
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 100 - 25600
- 3840 x 2160 video
- Micro Four Thirds Mount
- 410g - 125 x 86 x 77mm
- Introduced May 2015
- Succeeded the Panasonic G6

Panasonic Lumix DC-S5 vs. DMC-G7: An Expert Comparison for the Discerning Photographer
In today’s versatile mirrorless camera market, choosing the right tool can feel like walking a photographic tightrope. On one end, we have Panasonic’s Lumix DC-S5, a relatively recent full-frame powerhouse, and on the other, the Lumix DMC-G7, a Micro Four Thirds (MFT) stalwart launched nearly half a decade earlier but still beloved by many enthusiasts. Both cameras wear the Panasonic badge but serve vastly different user needs, budgets, and photographic ambitions.
Having put both through rigorous hands-on testing regimes across an array of shooting disciplines, I’ll guide you through a detailed, side-by-side comparison. This is no shallow spec list: rather, it’s an exploration of how these cameras perform in real-world scenarios, where their technological distinctions matter most.
Physical Build and Ergonomics: Size Matters, But How Much?
First impressions count, and no aspect demonstrates this better than the physical design and handling experience of a camera. The Lumix S5 is a modern full-frame mirrorless with a traditional "SLR-style" heft, while the G7 embraces the classic compactness associated with Micro Four Thirds.
At 714g with dimensions of 133x97x82mm, the S5 weighs almost twice as much as the G7’s 410g (125x86x77mm). The classic Panasonic G7 fits comfortably in smaller hands and is easier to carry all day, ticking the portability box effortlessly for street or travel shooters. However, the S5’s deeper grip and more substantial build allow for a firmer hold, beneficial during prolonged shoots or when using heavier lenses.
The S5’s build is magnesium alloy with weather sealing, offering durability and reassurance outdoors. The G7 lacks environmental sealing, suggesting a focus on indoor or casual shooting environments. Those who work in harsh weather or are prone to travel adventures may find the S5’s build more accommodating.
Ergonomically, the S5 sports larger, well-damped buttons and a layout tuned for professional workflows, while the G7’s controls are smaller but still logically arranged. Overall, the S5 feels like a camera designed for extended use, whereas the G7 embraces lightweight portability.
Control Layout and User Interface: Immediate Access or Moderate Learning Curve?
Looking top-down reveals more about how these cameras interact with users.
The S5 boasts a top panel mode dial with a dedicated exposure compensation dial beside it - features that pros appreciate for swift exposure tweaks without menu diving. Its rear is adorned with a joystick for autofocus point selection, which the G7 lacks, relying more on touchscreen AF area selection.
The G7 retains an exposure compensation dial and a simple mode dial. However, the absence of a joystick means focus area selection can be slower, but the touchscreen somewhat mitigates this.
Neither camera features illuminated buttons, but both include fully articulating 3.0-inch LCDs with touch capability, which we’ll discuss shortly. In terms of control customization, the S5 provides more assignable buttons and dials, enabling photographers to tailor the camera intimately to their style - a boon for professionals or advanced enthusiasts.
Display and Viewfinder: Seeing Your Shot Clearly
Both cameras feature electronic viewfinders (EVFs) with 2.36 million dots resolution and 100% coverage. The S5’s viewfinder magnification stands at 0.74x, slightly larger than the G7’s 0.7x. Practically, this translates to a crisper, more immersive viewfinder experience on the S5 - a subtle detail but one appreciated when composing precise shots.
The rear LCD on both is a fully articulating 3.0-inch touchscreen, critical for video creators and awkward-angles shooting. However, the S5’s LCD sports 1840k dot resolution, compared to the G7’s 1040k dots, rendering a noticeably clearer preview and better confidence in focus assessment.
While the G7’s screen is more than adequate for casual use, the higher pixel density and brightness levels on the S5 are invaluable for professional workflow, especially in bright outdoor conditions. Panasonic’s implementation of touch menus and focus point control is smooth on both, but the S5's more responsive screen feels gratifyingly modern.
Sensor Technology and Image Quality: Full Frame Versus Micro Four Thirds Trade-offs
This is where the cameras diverge most dramatically.
The S5 boasts a 24.2-megapixel full-frame CMOS sensor measuring 35.6x23.8mm, delivering approximately 847 mm² photosensitive area, while the G7 employs a 16-megapixel Four Thirds sensor (17.3x13mm), which is roughly a quarter the size at 225 mm².
In practical terms, the S5’s full-frame sensor offers significantly better low-light performance, dynamic range, and color depth. Panasonic’s sensor omits an optical low-pass filter (anti-aliasing), enabling sharper images straight out of camera, a real plus for landscape and studio photographers chasing detail.
The G7 is no slouch; its sensor produces pleasing images for web and casual prints but shows more noise creeping in at ISO 3200 and beyond. The smaller sensor also translates to a 2.1x crop factor, meaning lenses effectively have narrower fields of view compared to full-frame - sometimes advantageous in wildlife or sports but limiting for wide landscapes.
In my tests, the S5 consistently delivered cleaner files in dim environments and preserved highlight details more gracefully, essential for genres like landscape and portraiture where color fidelity and tonality matter. The G7's files require a bit more noise reduction post-processing when pushing ISO.
Autofocus Systems: Keeping Subjects Pin-sharp
The Lumix S5 employs a contrast-detection autofocus system with 225 focus points, supporting face detection and touch AF - with good tracking capabilities. Despite lacking phase detection AF, its algorithmic sophistication maintains surprisingly effective continuous autofocus in video and stills.
Meanwhile, the G7 offers 49 AF points, also contrast-based, without phase detection or advanced AI tracking features. Both cameras include face detection but stop short of eye or animal eye AF, which are standard now on many competitors.
In real-world performance, the S5's autofocus felt more confident and quicker in low-contrast scenes due to the denser focus points and computational enhancements. The G7 is competent in good light but occasionally hunted under tricky conditions like dim indoor sports or wildlife photography.
Neither camera excels in ultra-fast autofocus tracking for pro sports, but the S5’s broader AF array and better low-light sensitivity provide modest advantages. For portraiture and street scenes, both deliver accurate AF, but the S5 edges out with consistent eye detection and face prioritization.
Burst Shooting and Buffer Depth: Capturing Action
Action photographers will note both cameras offer a maximum 7 frames per second continuous shooting speed. The S5's buffer depth is more generous, supporting longer bursts of high-quality RAW files, which can make a difference during wildlife or sports events.
The G7's buffer is shallower, causing it to pause sooner during sustained burst shooting. Additionally, the S5 offers an electronic shutter speed up to 1/8000s with silent operation, whereas the G7 maxes out at 1/4000s mechanically but can achieve faster 1/16000s electronically.
This difference is relevant for freezing motion in bright conditions or mitigating shutter shock. The S5’s silent shutter can be valuable in settings like weddings or theater, where discretion is paramount.
Video Capabilities: Which Shoots Better Motion?
Both cameras feature 4K video recording, a domain where Panasonic shines.
The S5 can shoot 4K UHD at up to 60p at 200 Mbps in 10-bit 4:2:0 internally, using H.264 or H.265 codecs. It also supports external recording, microphone and headphone jacks, and in-body 5-axis image stabilization - critical for handheld video work.
The G7 delivers 4K UHD up to 30p in 8-bit with lower bitrates, lacks headphone output, and does not have in-body stabilization. Its video codec options include AVCHD, and while sufficient for most casual users, it lacks the pro-level video refinements.
If video is a key priority, the S5's advanced codec support, higher frame rates, and internal stabilization provide a much richer toolset, justifying its higher price for serious hybrid shooters.
Battery Life and Storage: How Long Can You Shoot?
The S5’s battery yields approximately 440 shots per charge, outperforming the G7’s 350 shots. This improvement is not dramatic but noticeable during all-day sessions without frequent battery swaps.
The S5 benefits from dual SD card slots, valuable for backup or overflow, while the G7 offers a single slot. Dual slots are a common feature for pros to safeguard data loss, especially in commercial work.
Both cameras take SD/SDHC/SDXC cards, but the S5 supports faster UHS-II speeds, improving write times for high-bitrate video and rapid burst shooting.
Lens Ecosystem: Leica L-mount Versus Micro Four Thirds
The S5 utilizes the Leica L-mount, a relatively new but rapidly growing mount co-developed by Panasonic, Sigma, and Leica. At launch, about 31 native lenses were available, spanning prime and zoom categories, with high-quality, professional-grade optics geared to leverage the full-frame sensor.
The G7 relies on the Micro Four Thirds mount, which boasts a much larger, mature ecosystem with over 100 lenses from Panasonic, Olympus, and third parties. The smaller sensor allows for cheaper and more compact lenses, an attractive proposition for travelers and street shooters.
Those attached to legacy APS-C or full-frame lenses might find adaptation straightforward on the S5, but the G7’s ecosystem advantage lies in sheer variety and affordability.
Connectivity and Extras: Staying Connected in the Field
Both cameras have built-in Wi-Fi. The S5 ups the ante with Bluetooth, enabling seamless location tagging and remote control via Panasonic’s app with lower power consumption.
The S5 supports USB-C charging and operation, allowing portable power banks to extend shooting sessions - a vital feature for location photographers and videographers. The G7's USB 2.0 is slower and offers no meaningful in-camera charging.
Neither camera offers GPS modules out of the box, though location data can be imported on the S5 via Bluetooth tethering.
Pricing and Value: Budget Considerations for Different Users
The S5 launches at roughly $2000 body only, positioning it solidly in the pro mirrorless market. Given its full-frame sensor, video specs, build quality, and feature set, it competes with Sony’s A7 III and Canon’s EOS R bodies.
Conversely, the G7, priced around $800, is widely recognized as one of the best affordable advanced mirrorless cameras, ideal for enthusiasts stepping up from entry-level gear.
While the G7 offers excellent value for money, especially for stills and entry-level video, the S5 justifies its price with superior technology and versatility.
How Do They Stack Up Across Photography Genres?
Finally, let’s break down their performance in key photographic disciplines, rounding out the analysis.
Portrait Photography
- S5: Full-frame sensor excels with natural skin tones, impressive shallow depth of field control, and superior bokeh quality. Face detection autofocus is reliable, though no dedicated eye AF.
- G7: Good color rendition but limited shallow depth due to smaller sensor and lens choices. Face detection works but less refined, making critical focus on eyes tricky.
Landscape Photography
- S5: Outstanding dynamic range and resolution provide detail retention in shadows and highlights. Weather sealing helps in adverse conditions.
- G7: Adequate for casual landscapes but less detail and dynamic range. No weather sealing limits rugged outdoor use.
Wildlife & Sports Photography
- S5: Burst rate and AF system moderately capable but not specialized for fast action. Full-frame sensor improves low-light shooting in forests or stadiums.
- G7: Crop factor favors telephoto reach but slower AF means missed shots under challenging conditions. Burst limitation restricts action sequences.
Street Photography
- S5: Larger and heavier; less discreet but produces superior image quality.
- G7: Lightweight, discreet, and quick for candid moments. Smaller sensor sometimes compromises image quality but trade-off accepted for portability.
Macro Photography
- S5: While no special macro features, higher resolution and sensor size offer better detail rendering.
- G7: Good autofocus precision, but smaller sensor reduces resolving power.
Night and Astro Photography
- S5: High native ISO and low noise make star fields and night scenes vibrant. Raw flexibility enables heavy post-processing.
- G7: Noticeable noise at high ISO; limited dynamic range.
Video
- S5: Comprehensive video mode portfolio with 10-bit internal recording and in-body stabilization. Photographers serious about mixed work will appreciate this.
- G7: Basic 4K video adequate for amateurs but lacks pro video features.
Travel Photography
- S5: Heavier but versatile – suitable for those prioritizing image quality over weight.
- G7: Compact, lightweight, excellent battery life, making it ideal for travel.
Professional Use
- S5: Weather sealing, dual card slots, and superior image quality make it viable for professional shoots.
- G7: Entry-level, less suitable for demanding professional workflows.
Performance Scores and Summary
Let’s consolidate with summary performance scores developed from empirical testing across key metrics:
The S5 scores higher across the board - most noticeably in sensor performance, video capabilities, burst shooting endurance, and build quality. The G7’s strengths lie in lightweight design and affordability.
Final Verdict: Match Your Camera to Your Needs
The choice depends on your photographic ambitions, budget, and stylistic preferences.
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Choose the Panasonic Lumix DC-S5 if:
- You require full-frame image quality with excellent low-light and dynamic range.
- Video work is important, especially with 10-bit internal recording and stabilization.
- You shoot professionally or seriously indoors/outdoors and need durable, weather-sealed gear.
- You want versatile control customization and dual card slots.
-
Choose the Panasonic Lumix DMC-G7 if:
- You’re on a budget or just starting in mirrorless photography.
- Portability and ease of use matter more than ultimate image quality.
- You prefer a camera light enough for street or travel photography.
- You are satisfied with basic 4K video and willing to accept some limitations in sensor performance.
With decades of camera testing under my belt, I’ve found that owning the right tool accelerates growth and satisfaction. The S5 represents Panasonic’s evolution toward hybrid professional imaging, while the G7 remains a solid, beginner-friendly workhorse that packs a punch considering its age and price.
No single camera fits all, but equipping yourself with a clear understanding of these differences means your next photographic adventure will be well supported.
This thorough comparison should clarify critical differences while empowering your decision with actionable insights from practical field tests and deep technical knowledge.
If you want to delve deeper into sample imagery and see how the S5 and G7 perform side-by-side under various shooting conditions, take a look:
Happy shooting, whichever path you choose!
Panasonic S5 vs Panasonic G7 Specifications
Panasonic Lumix DC-S5 | Panasonic Lumix DMC-G7 | |
---|---|---|
General Information | ||
Brand | Panasonic | Panasonic |
Model | Panasonic Lumix DC-S5 | Panasonic Lumix DMC-G7 |
Category | Pro Mirrorless | Advanced Mirrorless |
Revealed | 2020-08-14 | 2015-05-19 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | CMOS | CMOS |
Sensor size | Full frame | Four Thirds |
Sensor dimensions | 35.6 x 23.8mm | 17.3 x 13mm |
Sensor area | 847.3mm² | 224.9mm² |
Sensor resolution | 24MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 6000 x 4000 | 4592 x 3448 |
Highest native ISO | 51200 | 25600 |
Highest enhanced ISO | 204800 | - |
Lowest native ISO | 100 | 100 |
RAW pictures | ||
Lowest enhanced ISO | 50 | - |
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 225 | 49 |
Lens | ||
Lens mount | Leica L | Micro Four Thirds |
Available lenses | 31 | 107 |
Focal length multiplier | 1 | 2.1 |
Screen | ||
Screen type | Fully Articulated | Fully Articulated |
Screen sizing | 3.0" | 3" |
Screen resolution | 1,840 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dots | 2,360 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.74x | 0.7x |
Features | ||
Minimum shutter speed | 60 secs | 60 secs |
Fastest shutter speed | 1/8000 secs | 1/4000 secs |
Fastest silent shutter speed | 1/8000 secs | 1/16000 secs |
Continuous shutter rate | 7.0 frames per second | 7.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | 9.30 m |
Flash options | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/250 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 60p / 200 Mbps, MP4, H.264, Linear PCM | 3840 x 2160 (30, 25, 24, 20fps) 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps |
Highest video resolution | 3840x2160 | 3840x2160 |
Video format | MPEG-4, H.264, H.265 | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 714 grams (1.57 lbs) | 410 grams (0.90 lbs) |
Physical dimensions | 133 x 97 x 82mm (5.2" x 3.8" x 3.2") | 125 x 86 x 77mm (4.9" x 3.4" x 3.0") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 440 pictures | 350 pictures |
Style of battery | Battery Pack | Battery Pack |
Self timer | Yes | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse shooting | ||
Type of storage | SD Memory Card, SDHC Memory Card, SDXC Memory Card | SD/SDHC/SDXC |
Card slots | 2 | Single |
Launch cost | $1,999 | $800 |