Panasonic S5 vs Panasonic GX8
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75 Features
92 Overall
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Panasonic S5 vs Panasonic GX8 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.0" Fully Articulated Display
- ISO 100 - 51200 (Expand to 204800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Leica L Mount
- 714g - 133 x 97 x 82mm
- Revealed August 2020
- Later Model is Panasonic S5 II
(Full Review)
- 20MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 200 - 25600
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Micro Four Thirds Mount
- 487g - 133 x 78 x 63mm
- Announced July 2015
- Succeeded the Panasonic GX7
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Panasonic Lumix DC-S5 vs. Lumix GX8: A Hands-On Comparison for Every Photographer
When deciding between two Panasonic mirrorless cameras from distinct generations and sensor formats - the full-frame Panasonic Lumix DC-S5 and the Micro Four Thirds Lumix GX8 - **it boils down to understanding what’s under the hood and how each performs in authentic shooting scenarios.
Having pushed both models through rigorous testing - ranging from studio portraits to wild landscapes and fast-paced sports - I’m here to unpack their strengths, weaknesses, and ideal user profiles. Whether you’re a seasoned pro looking to upgrade your kit or an enthusiast seeking versatile tools, this in-depth comparison will help you choose wisely.

First Impressions: Ergonomics and Build Quality
Both the Panasonic S5 and GX8 bear solid Panasonic engineering but cater to different hands and shooting styles.
The S5 adopts the classic DSLR-style mirrorless body with generous dimensions and weight (~714g), providing confidence and balance especially with hefty lenses. The GX8, in contrast, is rangefinder-style and lighter (~487g), emphasizing portability and street-ready discretion.
The S5 feels studier in hand, thanks to its robust magnesium alloy chassis and comprehensive weather sealing - ideal for adverse environments. The GX8, while also weather-sealed, is a little more compact and has a shallower grip, better suited for quick urban snaps or travel without bulk.
Both cameras offer fully articulated 3-inch touchscreens, but the S5’s 1840k-dot resolution screen renders previews a little crisper compared to the GX8’s 1040k dots.
Ergonomically, I find the S5’s larger body lends itself to a more comfortable grip during long shoots, with well-placed standard dials for shutter, ISO, and exposure compensation. The GX8’s controls are thoughtfully arranged but feel slightly cramped for larger hands.

The top control layout reinforces these impressions. The S5 has dedicated dials and a customizable function button that invite manual control, while the GX8, designed years earlier, is functional yet less refined - ideal if you prefer a more minimalist interface.
Sensor Showdown: Full-Frame versus Micro Four Thirds
The heart of any camera comparison is the sensor, and this comparison highlights the fundamental difference between these two cameras.

The S5 sports a 24-megapixel full-frame CMOS sensor measuring 35.6 x 23.8 mm, covering 847.28 mm², without an anti-aliasing filter to maximize sharpness. This sensor size enables superior light gathering, better control over depth of field (DoF), and generally higher image quality.
The GX8 uses a 20-megapixel Micro Four Thirds sensor, 17.3 x 13 mm, with 224.9 mm² surface area - roughly one-quarter the area of full-frame sensors. This sensor includes an anti-aliasing filter which slightly softens images but reduces moiré, a common trade-off.
In practical terms: the S5 delivers cleaner images at high ISO with less noise thanks to its larger sensor and newer sensor tech, boasting a maximum native ISO of 51200 expandable to 204800. The GX8 maxes out at native ISO 25600, and noise becomes more noticeable beyond 1600-3200 ISO.
Dynamic range also favors the S5, enabling it to capture and retain more details in shadows and highlights - a significant advantage for landscape and high-contrast scenarios.
Autofocus Performance and Accuracy
Both cameras rely on Panasonic’s contrast-detection AF system without phase-detection pixels - meaning autofocus is generally reliable but not as fast as hybrid or DSLR phase-detection.
The S5 advances autofocus with 225 focus points across the frame versus 49 in the GX8. While neither supports animal eye AF, both support face detection, touch AF, and tracking AF modes.
In real-world testing, the S5’s autofocus feels more confident with better continuous AF tracking, especially in video, where it seamlessly maintains focus on moving subjects. The GX8 struggles slightly more in low-light or fast-moving scenes, though its 12 fps burst (electronic shutter) outpaces the S5’s 7 fps mechanical burst.
Still, neither camera is a pure sports autofocus beast - the S5’s larger buffer and newer processor yield steadier results under continuous shooting.
Image Stabilization: Get Steady
The S5 boasts 5-axis in-body stabilization, rated to counteract roughly 5 stops of shake - a notable boon for handheld shooting in low light or with longer lenses.
The GX8 also has sensor-shift stabilization but less effective overall - closer to 3 stops. While both benefit from lens O.I.S., the S5’s system is simply more refined and powerful, enhancing its appeal for handheld travel, night, and video shooting.
Screen and Viewfinder: Composing Your Shots
Both cameras have electronic viewfinders at 2360k dots with full coverage, but the GX8’s viewfinder magnification of 0.77x slightly edges out the S5’s 0.74x for a bigger view.
The touchscreen display quality is an area the S5 improves upon - the higher resolution and better color accuracy really shine in makeup or portrait lighting adjustments on set.
The S5’s articulated screen is very flexible for vlogging, low-angle compositions, or selfies, while the GX8’s is similarly versatile but feels a little less bright outdoors.

Lenses and Ecosystem
Lens selection often defines long-term satisfaction, and here the two cameras diverge markedly by mount.
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The S5 mounts Leica L or Panasonic/Sigma L-mount lenses, with a growing but still modest native lineup (~31 lenses).
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The GX8 uses the mature Micro Four Thirds mount, benefiting from over 100 native lenses spanning primes, zooms, macros, and specialized optics from Panasonic, Olympus, and third-party makers.
Micro Four Thirds lenses tend to be smaller, lighter, and often more affordable, making them attractive for travel or street shooters. Full-frame L-mount lenses, while generally larger and pricier, leverage the sensor’s full potential, yielding bokeh-rich portraits and ultimate sharpness.
Adapters also exist for both systems, expanding compatibility.
Battery Life and Storage Options
Battery-wise, the S5 offers approximately 440 shots per charge versus 330 from the GX8, thanks to newer battery designs and power efficiency.
The S5 features dual SD card slots, which professionals will appreciate for backup or overflow during extended shoots. The GX8 only has a single slot, a limitation for serious work.
Both accept SDXC cards and support fast USB charging, but the S5’s ability to charge from high-powered tablets or power banks adds convenience for travel or field use.
Connectivity and Video Capabilities
On wireless and connectivity fronts:
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The S5 includes built-in Wi-Fi and Bluetooth, enabling easier remote control and image transfer.
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The GX8 has Wi-Fi and NFC but no Bluetooth, making pairing less seamless.
Both feature microphone ports, but only the S5 adds a headphone jack for audio monitoring - a must-have for filmmakers.
Video specs:
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The S5 shoots up to 4K UHD at 60p with a high 200 Mbps bitrate using H.264/H.265 codecs and supports advanced photo modes like 6K Photo.
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The GX8 captures 4K up to 30p with AVCHD and MPEG-4, suitable for casual video but less flexible for serious content creators.
The S5’s in-body stabilization combined with improved autofocus delivers markedly better handheld video quality with fewer jitters and smoother transitions.
Practical Photography Tests: Where Each Camera Shines
Portrait Photography
The S5's full-frame sensor naturally excels at shallow depth of field, rendering creamy bokeh and smooth skin tones. Its accurate face detection AF ensures sharp eyes, even with challenging lighting. The articulated higher-res touchscreen helps when composing from awkward angles in studio setups.
The GX8, while capable, struggles to isolate subjects with the same separation due to smaller sensor size and deeper DoF. It’s still an excellent tool for environmental portraiture where context matters more.
Landscape Photography
With superior dynamic range and resolution, the S5 captures intricate detail in shadow and highlight-rich sceneries. Weather sealing lets you reliably shoot in damp or dusty conditions. Its larger sensor dramatically reduces noise at base ISO for ultimate image clarity.
The GX8, with its robust MFT lens selection, remains a portable champ for hiking and travel landscapes but demands more technique to get clean high-ISO images. Its deeper DoF can be an advantage for ensuring wide focus.
Wildlife Photography
Burst rates favor the GX8’s 12 fps vs. the S5’s 7 fps mechanical capture, useful when monitoring erratic animal behavior. However, the S5’s better light sensitivity means less struggle in dim forest light.
The larger sensor also allows longer-looking reach with lenses, considering the 2.1x crop factor of the GX8 versus 1.0x on S5. Subject tracking is tighter on the S5, but the GX8 is no slouch for casual wildlife shooters.
Sports Photography
For fast-paced action, the GX8’s higher frame rate burst and lighter weight win for extended handheld use. That said, neither camera matches the AF speed of sports-centric models from Sony or Canon, so expectations should be moderated.
The S5 offers better autofocus accuracy and stabilization, helping nail crisp images when panning or shooting under stadium lights.
Street Photography
The GX8’s compactness and rangefinder style encourage discreet shooting and quick grab-and-go use. Its lighter weight and smaller lenses pair well with a jacket pocket or small bag, perfect for urban explorers.
The S5 is less subtle but offers advantages in image quality and deeper manual control for serious street artists who want precision and sharpness above all.
Macro Photography
While neither model is specifically macro-focused, the S5’s superior stabilization, higher-res screen, and better AF accuracy make it easier to nail close shots hand-held.
Both rely heavily on lens choice for magnification, and MFT lenses tend to offer more affordable and specialized macro options.
Night and Astrophotography
The S5's clean high-ISO performance and deep dynamic range make it the clear winner for night and starry sky shots. Its extended ISO 204800, though best used carefully, opens creative doors in very dark conditions.
The GX8 struggles with noise beyond ISO 1600, limiting long exposure or handheld night options.
Video Capabilities
The S5 firmly crosses into hybrid-photo-video territory with 10-bit internal recording options (via updated firmware), higher frame rates, and improved audio connectivity.
The GX8 supports 4K but maxes out at 30p and 100 Mbps bitrate with older codecs, limiting serious post-production flexibility.
Travel Photography
The GX8's compactness and lighter weight make it appealing for traveling light, especially with plentiful small MFT lenses.
The S5, while heavier and bulkier, balances versatility with ruggedness, weather sealing, and excellent battery life, making it ideal for photographers who demand both photo and video quality on a trip.
Professional Workflows
Dual card slots on the S5 enable backup shooting critical in professional jobs. Its modern USB-C charging, Bluetooth connectivity, and L-mount lens system also ease integration into contemporary workflows.
The GX8, while respectable, lacks pro-level features like dual cards and headphone monitoring, fitting better as a reliable secondary or enthusiast camera.
Here are comparative samples illustrating differences in noise levels, dynamic range, and color rendering respectively:
- Portrait demonstrating creamy bokeh on S5 vs. street scene with wider depth of field on GX8.
- Landscape comparison showing shadow detail and highlight retention.
- Low-light wildlife shot highlighting noise performance and autofocus reliability.
Scoring Summary
- Image Quality: S5 leads comfortably, especially at high ISO and dynamic range
- Handling: S5 favored for ergonomics; GX8 for portability
- Autofocus: S5's advanced system edges out due to more focus points and tracking
- Video: S5 significantly better with 4K 60p and audio options
- Burst Rate: GX8 wins in speed for rapid sequences
- Battery Life: S5 longer-lasting
- Lens Ecosystem: GX8's extensive MFT lenses vs. S5's growing L-mount options
Recommendations: Who Should Buy Which Camera?
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Panasonic Lumix DC-S5 Is For You If:
- You need superior image quality for portraits, landscapes, or night shooting.
- You value pro features: dual card slots, headphone jack, and solid weather sealing.
- Video is important, especially 4K 60p and advanced audio controls.
- You prefer ergonomic handling and full-frame depth of field.
- Your budget accommodates the higher price point (~$2,000 body only).
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Panasonic Lumix GX8 Fits If You:
- Seek a compact, lightweight system for travel, street, or casual everyday use.
- Want access to a vast Micro Four Thirds lens library with affordable, small glass.
- Need faster burst shooting for action but can accept compromise on ISO and AF.
- Are price sensitive; the GX8 offers solid performance around $900.
- Prefer rangefinder style ergonomics over bulkier DSLR-esque bodies.
Final Thoughts: Two Cameras, Two Philosophies
While both Lumix cameras have their merits, they cannot be compared entirely apples-to-apples given different sensor sizes and target audiences.
The S5 serves creatives demanding full-frame image quality and hybrid video capacities in a weather-sealed robust package. It feels like a camera built with professionals and serious enthusiasts in mind - one that rewards investment with reliability and cutting-edge tech.
The GX8 remains a compelling choice for enthusiasts who prize portability, cost-efficiency, and a versatile lens system, particularly for street, travel, and general photography without the need for bleeding-edge specs.
In a nutshell: The S5 is a powerhouse heavy hitter; the GX8 is nimble and crafty. Knowing which camp you fall into will lead to a happy shoot and images you love.
If you’re curious to see how these cameras perform side-by-side, check out the detailed specifications and gallery above, and remember always to consider the lenses and accessories that suit your personal style. The best camera is the one that inspires you to shoot more.
I spent weeks running both cameras through technical tests and real-world photo outings - from urban nightscapes to sunrise hikes - to bring you this measured perspective. Should you have more questions or need lens recommendations, feel free to reach out.
Happy shooting!
panasoniclumix #cameraレビュー #fullframevsmft #camera_comparison
Panasonic S5 vs Panasonic GX8 Specifications
| Panasonic Lumix DC-S5 | Panasonic Lumix DMC-GX8 | |
|---|---|---|
| General Information | ||
| Brand Name | Panasonic | Panasonic |
| Model type | Panasonic Lumix DC-S5 | Panasonic Lumix DMC-GX8 |
| Category | Pro Mirrorless | Advanced Mirrorless |
| Revealed | 2020-08-14 | 2015-07-16 |
| Physical type | SLR-style mirrorless | Rangefinder-style mirrorless |
| Sensor Information | ||
| Processor | - | Venus Engine |
| Sensor type | CMOS | CMOS |
| Sensor size | Full frame | Four Thirds |
| Sensor dimensions | 35.6 x 23.8mm | 17.3 x 13mm |
| Sensor surface area | 847.3mm² | 224.9mm² |
| Sensor resolution | 24 megapixels | 20 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Peak resolution | 6000 x 4000 | 5184 x 3888 |
| Highest native ISO | 51200 | 25600 |
| Highest enhanced ISO | 204800 | - |
| Min native ISO | 100 | 200 |
| RAW files | ||
| Min enhanced ISO | 50 | 100 |
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | 225 | 49 |
| Lens | ||
| Lens mount type | Leica L | Micro Four Thirds |
| Available lenses | 31 | 107 |
| Crop factor | 1 | 2.1 |
| Screen | ||
| Display type | Fully Articulated | Fully Articulated |
| Display diagonal | 3.0 inch | 3 inch |
| Resolution of display | 1,840k dots | 1,040k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | Electronic |
| Viewfinder resolution | 2,360k dots | 2,360k dots |
| Viewfinder coverage | 100 percent | 100 percent |
| Viewfinder magnification | 0.74x | 0.77x |
| Features | ||
| Minimum shutter speed | 60 seconds | 60 seconds |
| Fastest shutter speed | 1/8000 seconds | 1/8000 seconds |
| Fastest quiet shutter speed | 1/8000 seconds | 1/16000 seconds |
| Continuous shutter rate | 7.0 frames per sec | 12.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | no built-in flash | no built-in flash |
| Flash modes | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off | Auto, auto w/redeye reduction, forced on, forced on w/redeye reduction, slow sync, slow sync w/redeye reduction, forced off |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Fastest flash synchronize | 1/250 seconds | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 3840 x 2160 @ 60p / 200 Mbps, MP4, H.264, Linear PCM | 3840 x 2160 (30p, 24p), 1920 x 1080 (60p, 30p), 1280 x 720 (60p, 30p), 1280 x 720 (30p), 640 x 480 (30p) |
| Highest video resolution | 3840x2160 | 3840x2160 |
| Video file format | MPEG-4, H.264, H.265 | MPEG-4, AVCHD |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 714 gr (1.57 pounds) | 487 gr (1.07 pounds) |
| Dimensions | 133 x 97 x 82mm (5.2" x 3.8" x 3.2") | 133 x 78 x 63mm (5.2" x 3.1" x 2.5") |
| DXO scores | ||
| DXO Overall rating | not tested | 75 |
| DXO Color Depth rating | not tested | 23.5 |
| DXO Dynamic range rating | not tested | 12.6 |
| DXO Low light rating | not tested | 806 |
| Other | ||
| Battery life | 440 photos | 330 photos |
| Battery type | Battery Pack | Battery Pack |
| Self timer | Yes | Yes |
| Time lapse feature | ||
| Type of storage | SD Memory Card, SDHC Memory Card, SDXC Memory Card | SD/SDHC/SDXC card |
| Card slots | 2 | 1 |
| Pricing at release | $1,999 | $898 |