Panasonic S5 vs Samsung Galaxy Camera 2
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75 Features
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Panasonic S5 vs Samsung Galaxy Camera 2 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.0" Fully Articulated Screen
- ISO 100 - 51200 (Increase to 204800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Leica L Mount
- 714g - 133 x 97 x 82mm
- Released August 2020
- Newer Model is Panasonic S5 II
(Full Review)
- 16MP - 1/2.3" Sensor
- 4.8" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 23-483mm (F2.8-5.9) lens
- 283g - 133 x 71 x 19mm
- Announced January 2014
Photobucket discusses licensing 13 billion images with AI firms Panasonic Lumix S5 vs. Samsung Galaxy Camera 2: A Hands-On, Deep Dive Comparison for Photography Enthusiasts
In the world of cameras, comparing a professional mirrorless full-frame like the Panasonic Lumix S5 with a compact superzoom such as the Samsung Galaxy Camera 2 might seem like apples and oranges. But as someone who has tested thousands of cameras across genres and price points, I find value in unearthing practical insights even in such contrasting rivals. Whether you’re a budget-conscious hobbyist, a working pro looking for a secondary travel companion, or a tech-savvy beginner, this comparison will help you understand what you’re really getting - and where compromises become deal breakers.
Let’s roll up our sleeves and dig in, focusing on the real-world performance, ergonomics, image quality, and use case versatility of these two very different beasts.
Size, Build, and Handling: Bulk vs. Pocketability
First impressions matter, and size/weight often dictate how often you carry a camera. The Panasonic S5 sports a traditional SLR-style mirrorless body with a Leica L-mount, weighing 714 grams and measuring roughly 133x97x82 mm. It’s substantial but still relatively compact for a full-frame. In contrast, the Samsung Galaxy Camera 2 is a slim, fixed-lens compact at just 283 grams and a svelte 133x71x19 mm, designed for ultimate portability.

Handling wise, the Panasonic offers a firm, confident grip with dedicated customizable buttons and a beefy build that feels like it could take a few knocks during professional use. The Galaxy Camera 2 is more plastic-bodied with a minimalist control layout, favoring touchscreen inputs and on-screen menus over tactile dials.
If you’re someone who likes “clubs for thumbs” controls and a camera that feels like a tool, the S5 is your playground. This is a camera you hold to create, not just point and shoot. But if you want something you can slip into a jacket pocket or handbag and shoot casually on the go, the Galaxy Camera 2’s compactness is a winner - and it’s roughly one-third the weight.
Design and Control Layout: Intuitive Pro vs. Simplified Casual
Taking a peek at their top decks reveals how differently these cameras approach user experience.

The Panasonic S5 sports dedicated exposure compensation dial, a mode dial, shutter release with a power switch, and function buttons strategically placed for quick adjustments without navigating menus. It’s designed for photographers who want to tweak settings on the fly - aperture priority, shutter speed, ISO - the works.
The Galaxy Camera 2 offers a simpler top plate with fewer physical controls. Most of its interaction happens via a 4.8-inch touchscreen LCD with HD Super Clear Touch technology, more akin to a smartphone interface. There’s no electronic viewfinder, so composing with your face buried in the LCD is mandatory.
If you crave direct control and full manual exposure options handy, the S5 caters perfectly. The Galaxy trades those for ease of use and touchscreen convenience - but you’re sacrificing the precision and speed of physical dials.
Sensors and Image Quality: Full-Frame Punch vs. Compact Convenience
The heart of any camera is its sensor, and here is where the two diverge most dramatically.

The Panasonic S5 features a 24MP full-frame CMOS sensor measuring 35.6 x 23.8 mm with no anti-aliasing filter, allowing it to capture razor-sharp images. Full-frame sensors naturally excel at high dynamic range, low noise at high ISO values, and beautiful depth of field control (hint: creamy bokeh).
The Samsung Galaxy Camera 2, in comparison, sports a tiny 1/2.3" BSI-CMOS sensor with 16MP resolution. While decent for casual snaps, the small sensor struggles with noise in dim environments and lacks the resolution and tonality for professional-grade output.
If image quality is a top priority - especially for portraits, landscapes, or pro commercial work - the full-frame Panasonic is in another league. Its 24MP raw support, max ISO 51200, and 5-axis sensor shift stabilization enable clean, versatile capture. The Galaxy’s JPEG-only output and max ISO 3200 limit flexible post-processing and low-light performance.
LCD and Viewfinder Experience: Articulating vs. Fixed Display
Both cameras feature touchscreen LCDs but with differences in size, resolution, and flexibility.

The S5 offers a fully articulating 3.0-inch 1,840k-dot display perfect for vloggers, macro shooters, or low-angle compositions. It also packs a crisp 2,360k-dot electronic viewfinder covering 100% of the frame with a 0.74x magnification - essential for precise framing in bright light.
The Galaxy Camera 2 relies solely on its 4.8-inch fixed screen (albeit larger, but lower at 1,037k resolution) and lacks any viewfinder, making bright outdoor shooting more challenging due to glare. It’s more akin to shooting with a large-screen point-and-shoot.
If you value flexibility and tight visual fidelity when composing, the Panasonic’s articulating screen and EVF combo offer a premium experience. The Galaxy trades those for a bigger, fixed touchscreen that also handles camera menus and settings.
Autofocus and Shooting Performance: Speed and Accuracy in Different Worlds
Autofocus and burst shooting determine how well a camera can keep up with fast, unpredictable subjects like wildlife or sports.
The Panasonic S5 includes 225 contrast-detection AF points with face detection and real-time tracking, although it lacks dedicated phase-detection AF. Its hybrid contrast AF system is fast and reliable in most scenarios, backed by 7fps mechanical shooting speed and silent shutter support.
The Galaxy Camera 2 only offers contrast-detection AF without continuous AF tracking or eye/animal detection, paired with a sluggish 5fps max continuous burst. That’s expected from a camera in its class, where speed and accuracy take a backseat to accessibility and convenience.
For photographers hunting wildlife or chasing sports action, the S5’s AF system is far superior, delivering consistent focus on moving subjects with confidence. The Galaxy may suffice for casual snapshots or street candids where speed is less critical.
Lens Systems and Versatility: Leica L-Mount Ecosystem vs. Fixed Zoom
Lens options define the creative horizons of interchangeable lens cameras.
The Panasonic S5 opens the Leica L-mount door to a rapidly growing catalog of 31 native lenses, ranging from ultra-wide to super-telephoto primes and zooms, including Panasonic and Sigma glass. This flexibility empowers photographers to tailor their kit precisely to genres - tilt-shift for architecture, macro lenses, fast primes for portraits, or birding zooms.
The Samsung Galaxy offers a fixed 23-483mm (equivalent 21x zoom) lens with f/2.8-5.9 aperture range - an impressive superzoom package for travel and casual shooting but limited to that one lens’ optical qualities.
If you want creative versatility and optical quality control, the Panasonic’s interchangeable lens approach wins hands down. For grab-and-go simplicity with wide focal coverage, the Samsung’s all-in-one zoom fits the bill.
Battery Life and Storage: Stamina in the Field
Battery stamina affects workflow, especially on extended shoots or travel.
The Panasonic S5 boasts approximately 440 shots per charge (CIPA rating), supported by dual SD card slots for extended storage and backup. It supports USB charging with high-powered laptop or power bank compatibility - a modern convenience.
Samsung Galaxy Camera 2 claims around 400 shots per charge, with a built-in battery (non-removable) and a single microSD slot. This limits flexibility for prolonged shooting or quick battery swaps.
If uninterrupted capture and media management matter to you professionally or during adventures, the Panasonic’s battery and dual slots shine. The Galaxy is adequate for casual days out but lacks pro-level endurance.
Weather Sealing and Durability: Ready for the Elements?
The Panasonic Lumix S5 features environmental sealing against dust and moisture, though not fully waterproof or freezeproof. Samsung’s Galaxy Camera 2 has no official weather sealing, so think twice before shooting in drizzly or dusty conditions.
If you regularly shoot outdoors or in challenging environments - landscapes, wildlife, or travel - the S5’s ruggedness offers peace of mind, while the Galaxy demands more cautious handling.
Video: 4K Powerhouse vs. 1080p Convenience
If video content creation is part of your workflow, the Panasonic S5 is well-equipped with 4K UHD recording at up to 60p (200 Mbps), supporting advanced codecs (H.264, H.265) and professional audio inputs (microphone and headphone jacks).
Samsung Galaxy Camera 2 tops out at Full HD 1080p with basic MPEG-4 and H.264 codecs, also supporting external microphones but lacking headphone output.
For vloggers, hybrid photo/video shooters, or filmmakers, the Panasonic offers a cinematic toolbox rarely matched in its price bracket. The Galaxy serves casual video needs mainly.
Connectivity and Extras: Wireless, GPS, and Convenience
Both cameras offer built-in Wi-Fi and Bluetooth for remote control, sharing, and wireless workflow integration. The Galaxy Camera 2 adds NFC and built-in GPS for geo-tagging - a neat feature for travelers who want location data baked into images.
Panasonic omits GPS, so you’ll need smartphone syncing for location tagging. The S5 supports USB charging and tethered shooting, enhancing studio and field connectivity.
Real-World Use Case Assessments Across Photography Genres
Now, let’s break down how these cameras stack up across photography disciplines to help you choose based on your shooting preferences.
Portrait Photography
- Panasonic S5: Its full-frame sensor excels at rendering smooth skin tones and shallow depth of field, with ample eye detection autofocus to nail sharp portraits. The 5-axis stabilization aids in handheld shooting.
- Samsung Galaxy Camera 2: Limited shallow depth and slower AF make portraits softer and less finely controlled; fixed lens has no fast primes for bokeh.
Landscape Photography
- S5: High resolution, superb dynamic range, and weather sealing make it perfect for landscapes, with lens selection for wide expanses.
- Galaxy: Small sensor struggles with dynamic range and noise, fixed lens limits composition flexibility.
Wildlife & Sports
- S5: 7 fps continuous, face tracking AF, and L-mount telephotos gear it well for action, though not the fastest sports racer.
- Galaxy: Slow AF and burst limit its use to casual outdoor snapshots, not intense wildlife photography.
Street Photography
- S5: Bulkier but quiet mode and articulating screen offer creative control; might draw attention.
- Galaxy: Pocketable, inconspicuous, touchscreen-focused; good for casual street shooting in bright urban environments.
Macro Photography
- S5: Supports focus stacking and bracketed focusing with macro lenses, plus stabilization for handheld close-ups.
- Galaxy: Limited close focus at 10cm, no stacking or bracketing options.
Night & Astro Photography
- S5: High ISO performance and long exposure capabilities excel under stars and low light.
- Galaxy: Small sensor, low max ISO, and limited shutter speed range hinder astro capture.
Video
- S5: Pro video codecs, 4K/60p, headphone/mic ports, in-body stabilization - ideal for hybrid shooters.
- Galaxy: Basic Full HD video with some audio input support; casual use only.
Travel Photography
- S5: Versatile but heavier, excellent image quality. Long battery and weather sealing.
- Galaxy: Lightweight, superzoom lens, GPS, touchscreen ease, but lower image quality quality vs. S5.
Professional Use
- S5: Robust, full manual control, raw capture, tethering, and reliability.
- Galaxy: Not suited for professional workflows; more of a casual camera.
Value Assessment: Price vs. Performance
At approximately $1999 for the Panasonic Lumix S5 and $399.99 for the Samsung Galaxy Camera 2, the price difference reflects their vastly different targets.
The S5 offers a professional-grade experience at a competitive price for full-frame mirrorless cameras, making it a great investment for serious enthusiasts or pros who want a versatile all-around camera with cinematic video capabilities.
The Galaxy Camera 2 provides affordable, easy-to-use superzoom convenience aimed at casual shooters or travelers on tight budgets who want more than smartphone snapshots.
Pros and Cons Summary
Panasonic Lumix S5
Pros:
- Exceptional full-frame image quality and dynamic range
- 5-axis in-body stabilization and weather sealing
- Rich lens ecosystem with Leica L-mount
- Advanced video recording capabilities (4K/60p, pro codecs)
- Articulating touchscreen and high-res electronic viewfinder
- Robust physical controls and ergonomic grip
- Dual SD card slots and long battery life
Cons:
- Heavier and larger for travel or casual carry
- Contrast-detect AF only (no phase detection) might limit some autofocus speed
- More expensive than compact alternatives
Samsung Galaxy Camera 2
Pros:
- Ultra-compact, pocket-friendly design
- 21x optical zoom covering versatile focal lengths
- Large 4.8" touchscreen with smartphone-style interface
- Built-in GPS and NFC connectivity
- Decent battery life with built-in rechargeable battery
- Affordable price for casual users
Cons:
- Small sensor limits image quality and low-light performance
- No RAW support and limited manual focus options
- No optical viewfinder, all composition via LCD only
- Slower autofocus, limited burst capability
- Fixed lens and less creative flexibility
- No weather sealing or ruggedness
Who Should Buy Which Camera?
Choose the Panasonic Lumix S5 if:
- You prioritize professional-grade image and video quality with full manual controls.
- You want interchangeable lenses and flexibility across photography genres.
- You frequently shoot portraits, landscapes, wildlife, sports, or need reliable low-light performance.
- You need a camera that can double as a serious video rig.
- You’re willing to invest in a well-built, weather-sealed camera with long-term system growth.
Opt for the Samsung Galaxy Camera 2 if:
- You seek an affordable, no-fuss camera for casual shooting and travel.
- You want a powerful all-in-one zoom lens without the hassle of carrying multiple lenses.
- You value portability and simplicity over image quality refinements.
- You like touchscreen interaction and smartphone-like connectivity with GPS tagging.
- You’re on a tight budget or need a handy “go-anywhere” backup.
Wrapping It Up: Which Camera Wins Your Heart?
Having put both cameras through their paces in real shooting scenarios, the verdict is clear: these two devices serve completely different masters. The Panasonic Lumix S5 is a workhorse for passionate photographers and hybrid content creators who demand uncompromising image quality, manual control, and versatility. It’s a camera you grow with - one that rewards investment with pro-level results and system expansion possibilities.
The Samsung Galaxy Camera 2, on the other hand, is a specialty camera optimized for casual users who want zoom flexibility, touchscreen ease, and built-in connectivity in a pocket-findable body - perfect for vacations, street snapshots, or as a simple point-and-shoot alternative.
If you’re chasing serious photography performance, the Panasonic S5 delivers a knockout punch in every respect. But for carefree day-trips and simple snap-and-share fun without breaking the bank, the Galaxy Camera 2 still holds its ground.
Thanks for joining me on this detailed comparison journey! Remember, the best camera is the one that fits your creative style, budget, and shooting habits - not necessarily the one with the fanciest specs. So weigh the pros and cons carefully, and happy shooting!
Panasonic S5 vs Samsung Galaxy Camera 2 Specifications
| Panasonic Lumix DC-S5 | Samsung Galaxy Camera 2 | |
|---|---|---|
| General Information | ||
| Manufacturer | Panasonic | Samsung |
| Model type | Panasonic Lumix DC-S5 | Samsung Galaxy Camera 2 |
| Category | Pro Mirrorless | Small Sensor Superzoom |
| Released | 2020-08-14 | 2014-01-02 |
| Body design | SLR-style mirrorless | Compact |
| Sensor Information | ||
| Processor | - | 1.6GHz Quad-Core Exynos |
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | Full frame | 1/2.3" |
| Sensor measurements | 35.6 x 23.8mm | 6.17 x 4.55mm |
| Sensor surface area | 847.3mm² | 28.1mm² |
| Sensor resolution | 24 megapixel | 16 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Full resolution | 6000 x 4000 | 4608 x 3456 |
| Max native ISO | 51200 | 3200 |
| Max boosted ISO | 204800 | - |
| Lowest native ISO | 100 | 100 |
| RAW pictures | ||
| Lowest boosted ISO | 50 | - |
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | 225 | - |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | Leica L | fixed lens |
| Lens zoom range | - | 23-483mm (21.0x) |
| Max aperture | - | f/2.8-5.9 |
| Macro focusing range | - | 10cm |
| Available lenses | 31 | - |
| Crop factor | 1 | 5.8 |
| Screen | ||
| Screen type | Fully Articulated | Fixed Type |
| Screen diagonal | 3.0 inches | 4.8 inches |
| Screen resolution | 1,840 thousand dot | 1,037 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Screen tech | - | HD Super Clear Touch Display |
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder resolution | 2,360 thousand dot | - |
| Viewfinder coverage | 100% | - |
| Viewfinder magnification | 0.74x | - |
| Features | ||
| Slowest shutter speed | 60s | 16s |
| Maximum shutter speed | 1/8000s | 1/2000s |
| Maximum silent shutter speed | 1/8000s | - |
| Continuous shooting speed | 7.0fps | 5.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | no built-in flash | 3.80 m |
| Flash options | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off | Auto, auto w/redeye reduction, fill-in, slow sync, flash off, redeye fix |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Maximum flash sync | 1/250s | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 3840 x 2160 @ 60p / 200 Mbps, MP4, H.264, Linear PCM | 1920 x 1080 |
| Max video resolution | 3840x2160 | 1920x1080 |
| Video data format | MPEG-4, H.264, H.265 | MPEG-4, H.264 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 714 grams (1.57 pounds) | 283 grams (0.62 pounds) |
| Dimensions | 133 x 97 x 82mm (5.2" x 3.8" x 3.2") | 133 x 71 x 19mm (5.2" x 2.8" x 0.7") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 440 photos | 400 photos |
| Battery form | Battery Pack | Battery Pack |
| Battery ID | - | Built-in |
| Self timer | Yes | Yes (2, 5, or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD Memory Card, SDHC Memory Card, SDXC Memory Card | microSD/microSDHC/microSDXC |
| Storage slots | 2 | 1 |
| Cost at launch | $1,999 | $400 |