Panasonic S5 vs Sony RX100 VI
60 Imaging
75 Features
92 Overall
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88 Imaging
53 Features
75 Overall
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Panasonic S5 vs Sony RX100 VI Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.0" Fully Articulated Screen
- ISO 100 - 51200 (Expand to 204800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Leica L Mount
- 714g - 133 x 97 x 82mm
- Announced August 2020
- New Model is Panasonic S5 II
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Display
- ISO 125 - 12800 (Boost to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-200mm (F2.8-4.5) lens
- 301g - 102 x 58 x 43mm
- Launched June 2018
- Succeeded the Sony RX100 V
- Newer Model is Sony RX100 VII

Panasonic Lumix S5 vs. Sony RX100 VI: An In-Depth Hands-On Comparison for the Serious Photographer
Choosing the right camera is a pivotal decision for photography enthusiasts and professionals alike, especially when the options span from a full-frame pro mirrorless to a large sensor compact system. The Panasonic Lumix DC-S5 (“S5”) and Sony Cyber-shot DSC-RX100 VI (“RX100 VI”) represent two distinctly different yet highly capable approaches to imaging. Over 15 years extensively testing cameras across genres, I’ve evaluated each with a keen eye on sensor technology, autofocus performance, build, and real-world usability, providing here a comprehensive 2500-word comparison to help you decide which suits your shooting needs best.
Taking a Closer Look: Design, Ergonomics, and Handling
The Panasonic S5 and Sony RX100 VI are engineered for very different uses, which profoundly shapes their physical characteristics and handling experience.
Starting with size and weight, the S5 adopts a traditional SLR-style mirrorless body measuring 133x97x82 mm and weighing 714 grams, roughly double the RX100 VI’s compact 102x58x43 mm form factor at 301 grams. The RX100 VI’s pocketable design is a marvel for travel and street photographers craving discretion without sacrificing sensor size excessively, while the S5’s larger body accommodates robust controls and better thermal management.
Ergonomically, the S5 offers a deep grip with well-spaced buttons, a top panel LCD status display, and a fully articulating 3.0-inch touchscreen (1840k-dot resolution), facilitating complex operation and flexible shooting angles. The RX100 VI’s 3.0-inch tilting touchscreen (1229k dots) is smaller and less versatile but adequate for on-the-go framing and selfie modes. Both offer touch-enabled interfaces, but the S5’s button layout and menu depth cater better to professional workflows, with customizable function buttons enhancing accessibility during demanding shoots.
From this thorough tactile evaluation, users prioritizing handling comfort, physical control, and extended shooting sessions will appreciate the S5, while those valuing portability and spontaneous shooting can rely on the RX100 VI’s compact convenience.
Internal Mechanics: Sensor Technology and Image Quality
Arguably the heart of any camera, the sensor defines the ultimate image quality achievable and greatly influences all performance metrics.
The Panasonic S5 features a 24-megapixel full-frame CMOS sensor measuring 35.6 x 23.8 mm with no optical low-pass (anti-alias) filter. This sizeable sensor boasts an area of approximately 847.28 mm², significantly larger than the Sony RX100 VI’s 1-inch BSI CMOS sensor measuring 13.2 x 8.8 mm with a 20-megapixel resolution and an antialiasing filter, offering an area of just 116.16 mm². The crop factor for the RX100 VI is about 2.7x, underscoring the difference in sensor size and implying greater control over shallow depth of field and superior low-light performance in the S5.
On paper, the S5’s sensor advances its superior capability in capturing nuanced dynamic range and color depth, traits evident in detailed landscape and portrait work. Furthermore, Panasonic equips the S5 with Dual Native ISO technology (not directly specified in specs but characteristic of the S5 series), optimizing noise performance across a broad spectrum up to ISO 51200 (native) and boosted ISO 204800, enabling clean images in dim environments. The RX100 VI’s maximum native ISO tops at 12800 with boosted ISO 25600; respectable for a compact, but lesser by comparison.
Image stabilization also favors the S5, which boasts sensor-based 5-axis stabilization, effectively reducing motion blur when handholding or during slow shutter speeds, a critical asset for videographers and macro shooters. The RX100 VI provides optical stabilization, excellent for its size and focal length variability (24-200mm equivalent), though less versatile than in-body stabilization.
Overall, the S5’s sensor represents a decisive advantage for image quality demanding photographers, while the RX100 VI offers a commendable balance between sensor size and portability.
Autofocus Systems and Performance Insights
Autofocus (AF) systems critically impact success in fast-paced photography disciplines such as sports, wildlife, and portraiture.
The Panasonic S5 employs a 225-point contrast-detection AF system enriched with comprehensive face detection, eye detection, and tracking, although it lacks phase-detection AF (a notable limitation). Its continuous AF and tracking performance, while adept in controlled lighting, can lag slightly behind hybrid autofocus counterparts in dynamic action. Nonetheless, the S5’s AF excels in video autofocus smoothness and precision, vital for hybrid shooters.
Conversely, the Sony RX100 VI deploys a hybrid AF system incorporating 315 focus points (including phase detection), delivering swift, accurate autofocus with outstanding tracking, especially suited for high frame-rate shooting (up to 24 fps) and subjects in motion. Its eye detection AF is capable yet constrained somewhat by small sensor size and shorter lens reach, though the 24-200mm zoom lens coverage provides valuable compositional flexibility.
The RX100 VI’s silent electronic shutter speeds reaching 1/32000s facilitate freezing fast action, complemented by quicker max continuous shooting rates (24 fps compared to S5’s 7 fps), favoring sports and wildlife photographers, albeit with smaller sensor image compromises.
Versatility in Photography Styles
Portrait and Studio Photography
Portrait photographers will appreciate the S5’s large full-frame sensor’s ability to render smooth bokeh and rich skin tones, enhanced by the absence of an antialiasing filter that sharpens image detail without moiré artifacts. Its lens mount accessing the Leica L ecosystem with over 30 lenses opens creative options from artistic primes to fast apertures necessary for shallow depth of field and eye-catching portraits.
Eye and face detection AF on the S5 is reliable, supporting confident focus locks, though slightly less aggressive in continuous tracking compared to Sony’s hybrid AF. The RX100 VI’s smaller sensor limits subject-background separation, and the built-in zoom’s maximum aperture ranges from f/2.8 to f/4.5, restricting shallow depth effects in less-than-ideal lighting.
Landscape and Travel Use
Panasonic’s environmental sealing on the S5 (against dust and splash) and superior weather resistance facilitate reliable shooting in variable outdoor conditions, an asset lost in the RX100 VI, which lacks environmental sealing altogether. The S5’s higher resolution and 14-bit RAW support enable capturing expansive tonal gradations and detail, pivotal for landscape photography.
Travel photographers seeking a lightweight, compact unit will favor the RX100 VI, whose 24-200mm zoom covers wide-angle to moderate telephoto ranges without lens changes, essential for unplanned shooting scenarios or airports with gear restrictions. The S5’s bulk and dual-card slots add redundancy and capacity but come at the cost of convenience and transportability.
Sports and Wildlife Photography
In fast-action photography, the RX100 VI’s 24 fps burst shooting lets shooters capture fleeting moments more effectively than the S5’s 7 fps rate. Additionally, its hybrid autofocus with 315 points provides superior tracking of erratic subjects.
However, the S5's full-frame sensor paired with longer native or adapted telephoto lenses (via Leica L mount) means higher image quality at extended focal lengths and better low-light effectiveness, crucial during dawn/dusk shooting common in wildlife. The RX100 VI's built-in 24-200mm equivalent zoom offers reach but cannot match the image quality or depth control that super-telephoto lenses on the S5 can provide.
Street and Everyday Photography
Portability and discretion are paramount in street photography, giving the RX100 VI a strong edge with its compact profile and lightweight design, facilitating unintrusive shooting. The articulating touchscreen enhances composition from creative low or high angles.
The S5’s larger stature may intimidate candid subjects and restrict spontaneous shooting. However, its eye AF and manual control depth support refined capture for portraiture and street portraits.
Macro and Night Photography
Though neither camera features macro-specific hardware, sensor stabilization on the S5 aids handheld close-up shots, while the RX100 VI’s closest focusing distance of 8 cm at telephoto zoom gives some macro versatility. The S5 allows focus bracketing and stacking, enhancing detail through computational techniques, valuable at close distances; the RX100 VI lacks these functions.
For astophotography or night shooting, the S5’s superior high-ISO performance, larger sensor, and low noise advantage are decisive, along with sensor-based stabilization. The RX100 VI’s limitation in ISO range and sensor size constrains long-exposure quality, though its maximum silent shutter speeds and fast zoom make casual night photography feasible.
Professional Video and Multimedia Capabilities
Video shooters will find the Panasonic S5 a highly compelling option with its support for 4K UHD 60p recording at 200 Mbps, HEVC compression (H.265), and clean 10-bit 4:2:0 output internally, ideal for color grading workflows. Both microphone and headphone jacks enable professional audio monitoring and input, while external power capability through USB-C simplifies extended shoots.
The RX100 VI supports 4K UHD 30p with lower bitrates (100 Mbps maximum) and lacks external microphone and headphone connectivity, limiting audio control. Its optical stabilization assists video steadying, though not rivaling the S5's in-body system's flexibility.
Neither camera offers weather sealing beyond the S5, important for rugged location shoots.
Build Quality, Weather Resistance, and Durability
The Panasonic S5 is designed with robust environmental sealing – a feature highly valued by professionals shooting outdoors or in challenging conditions. In contrast, the Sony RX100 VI does not feature any weather sealing, reducing its appeal for rugged use but aligning with its compact, lightweight design goals.
Neither camera has shockproof, crushproof, or freezeproof ratings, so caution is advised in extreme environments.
Viewfinders, LCD Screens, and User Interface
The electronic viewfinders (EVFs) on both cameras offer excellent resolution - 2360k dots on the S5 and 2359k dots on the RX100 VI - covering 100% of the frame. However, the S5’s 0.74x magnification provides a slightly larger viewing area, conducive to precise manual focusing and composition.
The 3-inch fully articulated touchscreen on the S5 with 1840k dots supports touch-to-focus, swipe navigation, and flexible shooting positions. Conversely, the RX100 VI’s tilting, lower resolution 1229k dot screen, while useful, restricts angle options somewhat.
Menus on the Panasonic are more extensive but well-organized to accommodate professional controls, whereas Sony’s streamlined menus favor quick adjustments but may not suit advanced customizations.
Battery Life, Storage, and Connectivity Features
The Panasonic S5’s battery life rated at approximately 440 shots per charge outperforms the RX100 VI, which provides about 240 shots per charge on its smaller NP-BX1 battery. This factor is crucial for extended shoots; however, the RX100 VI’s USB charging permits power top-ups from portable banks, enhancing mobility.
Storage options favor the S5 with dual SD card slots enabling overflow and backup, critical for professionals; the RX100 VI supports one slot utilizing various card formats, including proprietary Memory Stick Pro Duo.
Connectivity includes built-in Wi-Fi and Bluetooth on both cameras. The Panasonic lacks NFC, while Sony includes it, facilitating easier device pairing. Both have HDMI output, but only the S5 features USB-C with power delivery and tethering support.
Price-to-Performance and Value Assessment
Pricing positions the Panasonic S5 at around $1999 body-only and the Sony RX100 VI near $1198. This $800 price difference reflects fundamental design philosophy contrasts.
The S5 offers professional-grade imaging and video capabilities, full-frame sensor advantages, extensive lens compatibility, and robust build quality - essential for hybrid shooters, videographers, and landscape photographers requiring top-tier quality and reliability.
The RX100 VI appeals to enthusiasts prioritizing portability without sacrificing image quality excessively. Its fast zoom lens and high-speed burst make it a versatile travel companion or secondary camera for spontaneous moments.
Real-World Image and Video Samples
In side-by-side comparisons, the S5 delivers images with richer tonal range, cleaner shadows, and better color fidelity, particularly visible in landscape and portrait scenarios. Bokeh from fast lenses paired with full-frame depth renders subjects distinctly separated from backgrounds.
The RX100 VI produces sharp images with respectable detail for a compact, though with more noise evident at higher ISO and tighter depth of field constraints limiting creative blur effects.
Video footage from the S5 is noticeably crisper with better dynamic range retention, less banding, and superior audio quality, affirming its pro hybrid credentials.
Quantitative Performance Metrics and Benchmarking
While neither camera is fully tested on DxOMark, sensor size and resolution alone offer indicative benchmarks with the S5’s 24MP full-frame sensor underpinning stronger color depth and dynamic range, particularly in low light.
Autofocus performance numbers suggest the RX100 VI’s 315-point hybrid AF performs better in speed and tracking, while continuous shooting rates (24 fps versus 7 fps) favor Sony for fast-action scenarios.
Battery rating advantages also favor the S5 for extended sessions, with weather sealing and dual cards further supporting professional use.
Tailored Recommendations by Photography Genre
Photography Type | Panasonic Lumix S5 | Sony RX100 VI | Recommendation |
---|---|---|---|
Portrait | Exceptional skin tones, rich bokeh | Good for casual portraits | Choose S5 for fine art portraits |
Landscape | Superior dynamic range, weather sealed | Portable, fine image quality | S5 for quality, RX100 VI for ease |
Wildlife | Full-frame sensor, lens options | High burst, fast AF | S5 for image quality, RX100 VI for speed |
Sports | Decent AF, slower burst rate | 24 fps, excellent tracking | RX100 VI for action focus |
Street | Bulky, excellent detail | Compact, discreet shooting | RX100 VI for street spontaneity |
Macro | Focus bracketing, stabilization | Moderate macro capability | S5 for creativity, RX100 VI for casual |
Night/Astro | Superior high ISO, low noise | Limited high ISO | S5 preferred |
Video | 4K 60p, headphone jack, in-body IS | 4K 30p, no audio ports | S5 for professional video |
Travel | Better quality but heavier | Compact, versatile zoom | RX100 VI for travel convenience |
Professional Work | Dual card slots, weather sealed | Limited pro features | S5 exclusively |
Final Thoughts: Which Camera Will Serve You Best?
The Panasonic Lumix S5 and Sony RX100 VI each shine in distinct arenas with minimal overlap, underscored by their fundamentally different design missions. The S5 targets hybrid shooters and professionals who demand uncompromising image and video quality, robust build, and lens flexibility. Its full-frame sensor, in-body stabilization, and superior video capabilities make it a future-proof investment for creators pursuing excellence across genres.
In contrast, the RX100 VI delivers ingenious balance - boasting a 1-inch sensor with a versatile 8.3x zoom, rapid autofocus, and video functions packed into a pocketable frame - perfect for photographers who prize discretion, travel convenience, and burst speed more than absolute image fidelity.
Prospective buyers should consider their primary photographic goals and shooting environment. If you prioritize professional hybrid imaging, studio shoots, landscapes, and cinematic videos – the Panasonic S5 stands out. For street shooters, travelers, or casual wildlife/sports enthusiasts seeking speed, zoom, and portability in one neat package, the Sony RX100 VI remains compelling.
This head-to-head comparison draws on extensive hands-on evaluations combining technical specifications, in-field testing, and image quality analysis, aimed at equipping you with trusted insights for your next camera investment.
Please feel free to revisit sections or request sample RAW files or video clips for further assessment to ensure your choice perfectly matches your creative vision and technical expectations.
Panasonic S5 vs Sony RX100 VI Specifications
Panasonic Lumix DC-S5 | Sony Cyber-shot DSC-RX100 VI | |
---|---|---|
General Information | ||
Brand | Panasonic | Sony |
Model type | Panasonic Lumix DC-S5 | Sony Cyber-shot DSC-RX100 VI |
Category | Pro Mirrorless | Large Sensor Compact |
Announced | 2020-08-14 | 2018-06-05 |
Physical type | SLR-style mirrorless | Large Sensor Compact |
Sensor Information | ||
Processor Chip | - | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Full frame | 1" |
Sensor dimensions | 35.6 x 23.8mm | 13.2 x 8.8mm |
Sensor surface area | 847.3mm² | 116.2mm² |
Sensor resolution | 24MP | 20MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 6000 x 4000 | 5472 x 3648 |
Max native ISO | 51200 | 12800 |
Max boosted ISO | 204800 | 25600 |
Min native ISO | 100 | 125 |
RAW data | ||
Min boosted ISO | 50 | 80 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 225 | 315 |
Lens | ||
Lens mount type | Leica L | fixed lens |
Lens zoom range | - | 24-200mm (8.3x) |
Maximal aperture | - | f/2.8-4.5 |
Macro focusing range | - | 8cm |
Total lenses | 31 | - |
Focal length multiplier | 1 | 2.7 |
Screen | ||
Type of screen | Fully Articulated | Tilting |
Screen sizing | 3.0" | 3" |
Resolution of screen | 1,840 thousand dots | 1,229 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dots | 2,359 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.74x | 0.59x |
Features | ||
Slowest shutter speed | 60s | 30s |
Maximum shutter speed | 1/8000s | 1/2000s |
Maximum silent shutter speed | 1/8000s | 1/32000s |
Continuous shooting rate | 7.0fps | 24.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | 5.90 m (at Auto ISO) |
Flash modes | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off | - |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash synchronize | 1/250s | 1/2000s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 60p / 200 Mbps, MP4, H.264, Linear PCM | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Max video resolution | 3840x2160 | 3840x2160 |
Video file format | MPEG-4, H.264, H.265 | MPEG-4, AVCHD, XAVC S |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) | NP-BX1 lithium-ion battery & USB charger |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 714 gr (1.57 lb) | 301 gr (0.66 lb) |
Dimensions | 133 x 97 x 82mm (5.2" x 3.8" x 3.2") | 102 x 58 x 43mm (4.0" x 2.3" x 1.7") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 440 pictures | 240 pictures |
Type of battery | Battery Pack | Battery Pack |
Battery ID | - | NP-BX1 |
Self timer | Yes | Yes |
Time lapse feature | With downloadable app | |
Type of storage | SD Memory Card, SDHC Memory Card, SDXC Memory Card | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | 2 | Single |
Launch cost | $1,999 | $1,198 |