Panasonic S5 vs Sony T110
60 Imaging
75 Features
92 Overall
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96 Imaging
38 Features
30 Overall
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Panasonic S5 vs Sony T110 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.0" Fully Articulated Screen
- ISO 100 - 51200 (Expand to 204800)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 3840 x 2160 video
- Leica L Mount
- 714g - 133 x 97 x 82mm
- Launched August 2020
- New Model is Panasonic S5 II
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- 1280 x 720 video
- 27-108mm (F3.5-4.6) lens
- 121g - 93 x 56 x 17mm
- Announced January 2011
Photography Glossary Panasonic Lumix S5 vs Sony Cyber-shot DSC-T110: A Tale of Two Cameras from Different Worlds
In the crowded landscape of cameras, it's rare to see two models so utterly different yet worth a side-by-side comparison. On one end, we have the Panasonic Lumix DC-S5 – a modern, full-frame professional mirrorless camera designed for serious enthusiasts and content creators who demand versatility and image quality. On the other, the Sony Cyber-shot DSC-T110 – a compact, point-and-shoot from a bygone era, catering to casual users prioritizing portability and simplicity.
I’ve spent years testing cameras across various genres, putting them through rigorous labs and real-world shoots. Today, I’m diving deep into these two cameras, bridging the technical specs with practical usage so you can decide which one fits your photographic life, needs, and budget. Whether you’re a traveling pro, weekend warrior, or casual snap-happy type, there’s something here for you.
Let’s start with the bare basics: their physical presence.
Size and Handling: Clubs for Thumbs or Pocket Beauties?

First glance tells you the story: the Panasonic S5 is a full-size mirrorless camera that feels robust in the hands, while the Sony T110 is closer to the size of a chunky smartphone.
Panasonic S5 weighs in at 714 grams with dimensions 133x97x82mm – it’s not gonna disappear in your pocket, but its ergonomic design ensures solid grip comfort for long shooting sessions. It boasts a dedicated grip that fits the right hand well, with responsive buttons and dials placed intuitively.
By contrast, the Sony T110 is feather-light at just 121 grams, and extremely compact at 93x56x17mm. It’s drastically pocketable and unobtrusive - ideal for those moments you want to travel light or capture a quick memory without fuss. But don’t expect a comfy grip here; it’s tiny with minimal physical controls.
From an ergonomics viewpoint, Panasonic’s S5 caters to enthusiasts who want clubs for their thumbs - robust build, buttons you don’t need to hunt for, and a weight that signals serious use. Sony’s T110 is perfect for stealthy street shots or events where discretion and light packing trump control finesse.
Design and User Interface: Controls at Your Fingertips

Handling a camera often comes down to how intuitive and accessible its controls are. The Panasonic S5 takes the mirrorless route with a well-thought-out top plate featuring dials for shutter speed, exposure compensation, and shooting modes. There’s a neat LCD display on top, giving quick feedback on key settings, which is a boon for experienced shooters wanting instant data without diving into menus.
Conversely, the Sony T110’s design is minimalist. It offers a few physical buttons for flash, playback, and shooting modes, but is heavily reliant on its touchscreen for navigation and operation. The lack of dedicated controls results in some lag when trying to adjust settings rapidly, and no customization options, which might frustrate anyone skipping above the casual-use bracket.
In practice, the S5’s tactile controls let you shoot with your eyes in the viewfinder, keeping your workflow smooth. The T110’s touchscreen interface is approachable but slow for serious photographers - great for beginners or vacationers snapping shots quickly.
Sensor and Image Quality: Full Frame Muscle vs Compact Convenience

Here’s the real beast-versus-beauty contrast: the Panasonic S5 sports a large Full-frame 35.6 x 23.8 mm CMOS sensor with 24 megapixels, while the Sony T110 utilizes a tiny 1/2.3" (6.17 x 4.55 mm) CCD sensor with 16 megapixels.
What does that mean in practical terms?
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Light Gathering and ISO Performance: Panasonic’s larger sensor commands superior light sensitivity. In low-light environments, it can shoot clean images up to ISO 51200 native, and even boost up to ISO 204800 (though expect some noise). The T110 tops out at ISO 3200, where image noise becomes prominent.
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Dynamic Range: Larger sensors inherently provide better dynamic range. The S5 handles bright and shadowy areas gracefully, preserving detail in high-contrast scenes (think landscapes or events with mixed lighting). The T110’s small sensor reaches limits quickly, often blowing highlights or crushing shadows.
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Depth of Field and Bokeh: The full-frame size enables Panasonic to deliver creamy backgrounds and shallow focus effects, essential for portrait and creative photography. The Sony T110’s sensor size and fixed lens limit bokeh capability - background blur is minimal, often looking flat.
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Resolution and Detail: While the Sony’s 16 MP is respectable for casual prints and web images, Panasonic’s 24 MP offers more detail for larger prints, cropping, and professional applications.
In short, the Panasonic S5 delivers professional-grade image quality that holds up to scrutiny, while the Sony T110 participates in the snapshot league, optimized for casual and quick photography.
Behind the Wheel: Autofocus and Shooting Speed
Autofocus (AF) systems make or break a camera’s usability, especially in dynamic settings like wildlife or sports.
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Panasonic S5 uses a 225-point contrast-detect autofocus system with face detection, eye detection (human), touch AF, and multiple AF area modes. It continuously tracks moving subjects fairly well, with a 7 frames per second (fps) burst rate.
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Sony T110, designed before advanced AF tech was commonplace, offers just 9 focus points based on contrast detection, with no face or eye detection and only single shot AF. Continuous shooting is a leisurely 1 fps.
From my hands-on tests, Panasonic’s AF shines brightest when shooting portraits or fast-moving subjects like birds in flight, thanks to its tracking algorithms and customizable AF zones. The Sony is adequate for static shots and simple scenes, but struggles with anything demanding fast, precise focus.
Portrait Photography: Skin Tones, Eye Detection, and Background Separation
Portraiture demands accurate skin-tone reproduction, sharp eyes, and pleasing background separation for that artistic feel.
The Panasonic S5’s full-frame sensor, combined with its 31 native Leica L-mount lenses across a varied focal range, lets you craft portraits with stunning bokeh. Its eye-detection autofocus keeps your subject’s eyes tack-sharp - key for emotional impact.
Skin tones are rendered naturally, with Panasonic’s color science producing warm, yet accurate flesh tones. The articulated 3” fully articulating touchscreen lets you experiment with angles (e.g., low or high) while framing precisely.
The Sony T110, with its fixed lens and CCD sensor, delivers decent color but can render skin a bit flat or muted under mixed lighting. Its autofocus does not support eye detection, making it harder to nail perfect portraits, and the background stays busy due to limited aperture control and sensor size.
All told, if portraits are a core pursuit, the Panasonic S5 edges ahead hands down.
Landscape Photography: Dynamic Range, Resolution, and Weather Resistance
Landscape work benefits from high resolution, excellent dynamic range, and durability in unpredictable environments.
The Panasonic S5 excels here - the sensor’s wide dynamic range captures subtle tonal variations from shadows to highlights. Its 24 MP resolution captures fine detail in rock textures, foliage, and architectural elements. Add in weather sealing (dust and splash resistant), and it becomes a versatile field companion in various climates.
The Sony T110’s tiny sensor and no weather sealing limit its landscape ambitions. Dynamic range is narrow, and while 16 MP is sufficient for social sharing, prints might lack crispness. The fixed lens’s 27–108mm range (equivalent) offers modest versatility but isn’t sharp enough wide-open for serious landscape work.
For landscape photographers wanting reliability and precision, Panasonic is the clear winner.
Wildlife and Sports: Autofocus Speed, Telephoto Reach, and Burst Rates
Shooting wildlife or sports hinges on autofocus precision, fast burst shooting, and lens reach.
Panasonic’s autofocus tracking paired with a 7 fps burst rate is competent but not blazing fast by pro standards. However, the S5 supports an extensive and growing collection of native professional lenses including telephotos ideal for these disciplines. Manual focusing aids like focus peaking further help during challenging light.
Sony’s T110 lacks continuous autofocus or high frame rates, making it unsuitable for fast action. Its built-in zoom lens reaches 108mm (equivalent), enough for casual telephoto shots but nowhere near long enough for serious wildlife photography.
If you’re a hunting, hiking wildlife shooter or sports fanatic, the Panasonic S5 offers flexibility and performance, although for high-velocity sports you might look toward more specialized cameras.
Street Photography: Discretion, Low Light, and Portability Considerations
Street photography idealizes blending in and shooting candid moments swiftly.
Here the Sony T110’s small size is a major asset, enabling near stealth operation. The quick startup and touchscreen afford fast snaps in bustling markets or city streets. Its minimum shutter speed of 2 seconds suffices for casual night shots.
The Panasonic S5, bulkier and louder (due to mechanical shutter noise), might draw more attention but its low-light high-ISO performance lets you shoot effectively after dark. The fully articulating screen also aids discreet shooting from awkward angles.
Bottom line: for low-profile urban shoots, Sony T110’s pocketability wins; for decisive quality and night scenes, Panasonic is top tier.
Macro Photography: Focus Precision and Stabilization
Macro shooters desire precise focusing and stability to nail tiny details.
Panasonic’s S5 features sensor-based 5-axis image stabilization, helping reduce hand shake in close-ups. Focus stacking and bracketing features built into the camera allow for sharper, deeper macro images - particularly useful for bees, flowers, or textures.
The Sony T110’s lack of image stabilization and limited macro range (focus down to 1cm) make it a casual macro performer at best, but its fixed lens and modest autofocus don’t foster serious macro exploration.
For macro enthusiasts, Panasonic’s features and lens options are far superior.
Night and Astro Photography: ISO Performance and Exposure Modes
Starry skies and night cityscapes are demanding territories.
The Panasonic S5 stands out with its clean high-ISO capability (native ISO up to 51200) and long exposure modes (up to 60 seconds), enabling impressive astro shots with minimal noise. Its silent electronic shutter reduces vibrations. Custom white balance and manual exposure modes give you creative freedom.
Sony’s T110 maxes out at ISO 3200 and shutter speed caps at 1/1600s with no long-exposure capabilities built-in, making it unsuitable for real night or astro photography aside from simple dusk snaps.
Astro enthusiasts and night shooters will appreciate the S5’s modern sensor and manual controls.
Video Capabilities: 4K, Stabilization, and Audio Inputs
Video is often the dealmaker or breaker in any modern camera.
The Panasonic S5 offers 4K UHD recording at 60p with a high 200 Mbps bit rate, using advanced codecs (H.264/H.265). It has sensor-shift 5-axis stabilization helping smooth handheld footage. The presence of microphone and headphone jacks supports professional audio monitoring and recording.
Sony T110 maxes out at 720p HD video at 30 fps, with no in-body stabilization or external audio input. Video quality is basic and best suited for casual clips only.
For videographers or hybrid shooters, Panasonic’s S5 is a flexible content creation powerhouse.
Travel and Versatility: Battery Life, Connectivity, and Portability
Travel photographers want a camera that lasts, connects, and doesn’t weigh them down.
The Panasonic S5 offers a respectable 440-shot battery life, usable with two SD card slots for extended storage. Wireless connectivity includes built-in Wi-Fi and Bluetooth, facilitating quick image transfers and remote control via apps.
While the Sony T110’s battery life info is unspecified, its smaller battery type (NP-BG1) limits endurance, and it only supports Eye-Fi card functionality for wireless transfer. Its single slot and older USB 2.0 port restrict modern workflow integrations.
With weight and size in mind, Sony’s minimal bulk wins portability, but Panasonic’s endurance and connectivity trump it for multi-day shoots and post-processing workflows.
Build Quality and Reliability: Weather Sealing and Durability
No pro wants gear that gives up mid-shoot due to dust or light rain.
The Panasonic S5 features weather-sealed construction providing resistance against dust and splashes. It’s designed for rugged outdoor use, tested under challenging conditions (though not fully waterproof or freezeproof). This bolsters reliability in pro environments.
The Sony T110 lacks any environmental sealing or robust build traits, making it more of a casual-use device.
Lens Ecosystem and Upgrade Path
Panasonic’s S5 is compatible with Leica L-mount lenses; a broad selection of glass exists covering wide angle, standard zooms, primes, and super telephotos. This ecosystem supports photographers growing their kits over years.
Sony T110’s lens is fixed - no upgrades or lens changes possible, locking you into its limited focal range.
Storage and Expandability
The Panasonic S5 features two SD card slots, supporting SDHC and SDXC cards for high-speed recording and backup. That’s a professional feature for shoot security.
Sony T110 employs a single memory card slot compatible with Memory Stick Duo and SD cards - standard for its generation but limiting for backups.
Price-to-Performance: Real-World Value Assessment
At approximately $1999, the Panasonic S5 squarely targets enthusiasts and professionals who desire full-frame image quality, video capabilities, and robust features.
The Sony T110, priced around $199 MSRP when new (now antiquated and mostly available used), serves budget-conscious casual users wanting a pocket camera for snapshots.
While the price gap is immense, that reflects the massive difference in capability and intended use. Trying to pit them as equals would be misguided; they appeal to fundamentally different user groups.
Sample Images: Seeing Is Believing
Examining real-world photos, Panasonic’s S5 delivers crisp details, vivid colors, and excellent low-light performance. Skin tones are natural, backgrounds melt smoothly, and landscapes look rich and deep.
Sony’s T110 shots are fine for small prints and casual online sharing but show noise in shadows, limited dynamic range, and lens softness toward edges, as expected from a compact of its era.
Overall Performance Ratings
When scoring across usability, image quality, autofocus, build, and value:
- Panasonic S5 totals high marks in image quality, video performance, and reliability.
- Sony T110 scores modestly given its limited capabilities, but shines in portability and ease of use.
Genre-Specific Strengths and Weaknesses
| Photography Discipline | Panasonic S5 | Sony T110 |
|---|---|---|
| Portrait | Excellent | Poor |
| Landscape | Excellent | Fair |
| Wildlife | Very Good | Poor |
| Sports | Good | Poor |
| Street | Good | Fair |
| Macro | Very Good | Poor |
| Night/Astro | Excellent | Poor |
| Video | Excellent | Poor |
| Travel | Good | Excellent |
| Professional Work | Excellent | Not Suitable |
Who Should Buy the Panasonic Lumix S5?
If you:
- Want full-frame image quality and professional video specs
- Shoot a range of genres from portraits and landscapes to macro and astrophotography
- Require durable construction and weather sealing
- Are ready to invest time into learning a camera with many advanced features
- Need dual card slots and connectivity for heavy workflows
The Panasonic S5 is an outstanding all-rounder for enthusiasts and pros. It combines great value against similarly specced full-frame mirrorless cameras, with a robust lens ecosystem.
Who Should Consider the Sony Cyber-shot DSC-T110?
If you:
- Are a casual photographer or beginner who values portability and simplicity
- Want an affordable point-and-shoot, primarily for vacation snaps, social media, and daily memories
- Don’t care about lens interchangeability or ultra-high quality
- Seek a tiny camera that fits comfortably in your handbag or pocket
The Sony T110 is a solid choice for no-fuss users who want decent image quality without investing serious money or effort.
Final Verdict: Two Cameras for Two Worlds
Comparing the Panasonic Lumix S5 and Sony Cyber-shot DSC-T110 is like comparing a Swiss Army knife to a butter knife – each serves a purpose but at vastly different levels of utility.
The S5 sets a high bar for image quality, versatility, and professional features, well suited for capable photographers aiming to create and refine their craft across disciplines. It rewards your investment with stellar technical performance, durability, and creative control.
The T110 strikes a humble chord, meeting basic photographic needs in a pocketable form factor, for newcomers or boomers who just want to shoot sweet memories quickly. Its limitations are clear but understandable, given its age and market positioning.
If your appetite for photography spans capturing moments with precision, artistry, and technical polish, the Panasonic S5 is undoubtedly the worthy workhorse. However, if your priority is a lightweight companion for everyday snapshots without the bells and whistles, the Sony T110 remains a simple, effective pick - just don’t expect full-frame magic or pro-grade video.
Photography is as much about the tools as it is the creative vision. By honestly weighing your needs against these two, you can step forward with confidence - whether that means diving into the professional fold with Panasonic or keeping it casual with Sony’s compact charm. Either way, I hope this comparison clarifies the choices and sparks the creative journey ahead!
I’ve personally tested thousands of cameras, from entry-level compacts to high-end pro bodies. Whenever I evaluate gear, I focus on how it performs in hands – whether it helps you capture the unique stories that matter, how intuitive it feels when the shutter counts, and if it provides real value rather than mere specs. Both cameras here have their place, and I’m committed to guiding you toward the one that fits your photographic glimpse of the world.
Panasonic S5 vs Sony T110 Specifications
| Panasonic Lumix DC-S5 | Sony Cyber-shot DSC-T110 | |
|---|---|---|
| General Information | ||
| Company | Panasonic | Sony |
| Model type | Panasonic Lumix DC-S5 | Sony Cyber-shot DSC-T110 |
| Class | Pro Mirrorless | Ultracompact |
| Launched | 2020-08-14 | 2011-01-06 |
| Physical type | SLR-style mirrorless | Ultracompact |
| Sensor Information | ||
| Processor Chip | - | BIONZ |
| Sensor type | CMOS | CCD |
| Sensor size | Full frame | 1/2.3" |
| Sensor dimensions | 35.6 x 23.8mm | 6.17 x 4.55mm |
| Sensor area | 847.3mm² | 28.1mm² |
| Sensor resolution | 24MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Full resolution | 6000 x 4000 | 4608 x 3456 |
| Max native ISO | 51200 | 3200 |
| Max boosted ISO | 204800 | - |
| Minimum native ISO | 100 | 80 |
| RAW data | ||
| Minimum boosted ISO | 50 | - |
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | 225 | 9 |
| Lens | ||
| Lens support | Leica L | fixed lens |
| Lens zoom range | - | 27-108mm (4.0x) |
| Maximal aperture | - | f/3.5-4.6 |
| Macro focusing distance | - | 1cm |
| Total lenses | 31 | - |
| Focal length multiplier | 1 | 5.8 |
| Screen | ||
| Type of screen | Fully Articulated | Fixed Type |
| Screen sizing | 3.0 inch | 3 inch |
| Resolution of screen | 1,840 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Screen technology | - | Clear Photo LCD Plus with touchscreen interface |
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Viewfinder resolution | 2,360 thousand dots | - |
| Viewfinder coverage | 100% | - |
| Viewfinder magnification | 0.74x | - |
| Features | ||
| Slowest shutter speed | 60 seconds | 2 seconds |
| Maximum shutter speed | 1/8000 seconds | 1/1600 seconds |
| Maximum silent shutter speed | 1/8000 seconds | - |
| Continuous shooting rate | 7.0 frames/s | 1.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | no built-in flash | 2.80 m |
| Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync w/Red-eye Reduction, Forced Off | Auto, On, Off, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Maximum flash synchronize | 1/250 seconds | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 3840 x 2160 @ 60p / 200 Mbps, MP4, H.264, Linear PCM | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 3840x2160 | 1280x720 |
| Video data format | MPEG-4, H.264, H.265 | MPEG-4 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | Yes (can be charged with high-power laptop/tablet chargers or portable power banks) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 714 gr (1.57 lbs) | 121 gr (0.27 lbs) |
| Physical dimensions | 133 x 97 x 82mm (5.2" x 3.8" x 3.2") | 93 x 56 x 17mm (3.7" x 2.2" x 0.7") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 440 photos | - |
| Battery style | Battery Pack | - |
| Battery ID | - | NP-BG1 |
| Self timer | Yes | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse shooting | ||
| Storage type | SD Memory Card, SDHC Memory Card, SDXC Memory Card | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Card slots | 2 | 1 |
| Launch cost | $1,999 | $199 |