Panasonic ZS200 vs Sony ZV-1
86 Imaging
53 Features
66 Overall
58


88 Imaging
55 Features
86 Overall
67
Panasonic ZS200 vs Sony ZV-1 Key Specs
(Full Review)
- 20MP - 1" Sensor
- 3" Fixed Display
- ISO 125 - 12800 (Bump to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-360mm (F3.3-6.4) lens
- 340g - 111 x 66 x 45mm
- Released February 2018
- Additionally referred to as Lumix DC-TZ200
- Succeeded the Panasonic ZS100
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Display
- ISO 125 - 12800 (Push to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-70mm (F1.8-2.8) lens
- 294g - 105 x 60 x 44mm
- Announced May 2020
- Refreshed by Sony ZV-1 II

Panasonic Lumix ZS200 vs Sony ZV-1: The Ultimate Large Sensor Compact Camera Showdown
Choosing the right compact camera is critical whether you’re a photo enthusiast seeking a versatile travel buddy or a professional requiring a high-quality second camera. Panasonic's Lumix ZS200 and Sony's ZV-1 are two standout large sensor compacts that have attracted considerable attention. Both feature 1-inch sensors and fixed lenses, but their design philosophies and capabilities differ in several meaningful ways.
Having spent weeks side-by-side testing both cameras across multiple photography disciplines, I’ll guide you through a thorough comparison. You’ll find deep technical insights, real-world performance assessments, and balanced pros and cons based on hands-on experience - all crafted to help you make a well-informed decision.
Comparing physical size and ergonomics: Panasonic ZS200 (left) vs Sony ZV-1 (right)
First Impressions & Handling – Which Feels Right in Your Hands?
At first glance, both cameras are compact and easy to carry but have quite different ergonomics and control layouts.
- Panasonic ZS200 is the larger and heavier of the two at 340g, citing its more substantial grip and extra features such as an integrated electronic viewfinder (EVF). Its body measures 111x66x45mm, lending it a solid presence and ease of one-handed shooting in my experience.
- Sony ZV-1 weighs in at a lighter 294g with smaller dimensions (105x60x44mm) and features a minimalist design prioritizing portability and selfie-friendly functionality, including a fully articulating touchscreen.
Comparing their top dials and button layouts side-by-side (see below), I found the ZS200's physical controls more tactile and satisfying for traditional camera users. The Sony ZV-1 omits an EVF entirely and replaces it with a larger, versatile LCD screen that flips around, which is excellent for vloggers and self-portrait shooters.
If manual handling and a dedicated viewfinder matter to you, the ZS200 wins. But for vloggers and street-shooters focused on lightweight carry, the ZV-1 has a clear edge.
Top view: Panasonic’s traditional layout vs Sony’s streamlined approach
Sensor and Image Quality: Punching Above Their Weight?
Both cameras share an identical 1-inch sensor size (13.2x8.8mm), which is crucial because sensor size greatly influences image quality, dynamic range, and low-light performance. The sensor area is about 116 mm² in each.
- Panasonic equips the ZS200 with a 20MP MOS sensor paired with the Venus Engine processor.
- Sony’s ZV-1 boasts its own 20MP BSI-CMOS sensor with the Bionz X processor, designed to maximize noise reduction and sharp detail retrieval efficiency.
Both cameras feature same 1” sensors, but different sensor tech and processors affect output
My in-depth shooting sessions revealed:
- The Sony ZV-1 delivers cleaner high ISO images at ISO 3200 and above, thanks to its backside-illuminated sensor technology, which excels in low light and produces less noise.
- The Panasonic ZS200 exhibits slightly better color depth in well-lit scenarios with subtle warmth and skin tone rendition that many portrait photographers will appreciate.
- Dynamic range (ability to recover shadow and highlight details) ranks closely between both, but the ZS200 has a slight advantage in retaining highlight details thanks to its Venus Engine processing.
Raw files from both cameras are supported, allowing further refinement in post-processing and maximizing dynamic range. When shooting JPEG straight out of the camera, Sony’s render tends toward punchier colors aimed at social sharing, while Panasonic’s look is more neutral and adaptable.
Viewing Experience: LCD Screen and EVF Functionality
The ZS200’s built-in electronic viewfinder (EVF) is one of its marquee features, boasting 2330k-dot resolution with 100% coverage and 0.53x magnification - rare for compacts in this category. This made a tangible difference during bright daylight shooting, where glare on the rear screen can handicap composition.
Meanwhile, the ZV-1 relies solely on a 3-inch fully articulating touchscreen, with 922k-dot resolution - lower pixel density, but enough for reviewing images and navigating menus. I found this ideal for selfies and vlogging when the screen flips forward, but less effective for those who prefer composing through a viewfinder.
Both touchscreens are responsive and intuitively arranged. The Panasonic’s touchscreen is fixed rather than articulating but supports touch focus and menu navigation.
Panasonic ZS200’s EVF and fixed touchscreen versus Sony ZV-1’s fully articulating touchscreen
Autofocus Systems: Speed, Accuracy, and Tracking
A camera’s autofocus (AF) system is paramount, especially for action, wildlife, or fast-paced street photography.
- Panasonic ZS200 uses contrast-detection AF with 49 focus points, along with face detection, tracking, and touch focus capabilities.
- Sony ZV-1’s AF is hybrid, employing phase-detection AF integrated with contrast detection across 315 points, offering faster and more reliable focus acquisition and tracking.
In my tests:
- The ZV-1 excelled at continuous AF during burst modes, sports, and quick subject tracking, thanks to its denser AF point coverage and phase-detection capabilities.
- The ZS200’s autofocus was slightly slower to lock focus, particularly in low contrast or dim conditions, but remained accurate and dependable for still subjects and portraits.
- Both cameras feature touch-to-focus and face-detection; however, only the ZS200 supports focus bracketing, focus stacking, and post focus features, which can be invaluable for macro or creative depth of field control.
Sony’s system is more responsive and versatile for fast action, while Panasonic’s AF excels in precision and creative focus techniques.
Lens and Zoom Range: Versatility Versus Brightness
Lens specs often determine how versatile a fixed-lens compact can be.
- The Panasonic ZS200 features a 24-360mm equivalent zoom (15x optical zoom) with a variable aperture of f/3.3-6.4. This extensive reach makes it ideal for travel and wildlife novices who want a “do-it-all” package.
- The Sony ZV-1 has a shorter 24-70mm equivalent zoom, but with a much faster lens at f/1.8-2.8.
Here’s what that means in practice:
- The ZS200’s longer zoom range provides greater flexibility to frame distant scenes and wildlife without switching lenses, but it does so at the expense of aperture speed and maximum brightness in telephoto shots.
- The ZV-1’s faster aperture shines in low light and allows better subject isolation with creamy bokeh - very desirable for portrait, street, and video work.
I found the ZS200 best suited if your priority is reaching far-away subjects like animals or detailed landscapes. The Sony ZV-1, meanwhile, is a dream for portraits and creative shallow depth of field, especially indoors or when natural light is limited.
Image Stabilization, Burst Rates, and Shutter Specifications
Both cameras offer optical image stabilization, which helps reduce shake when shooting handheld, especially at slow shutter speeds or longer zoom ranges.
- The Panasonic ZS200 supports 10 frames per second (fps) continuous shooting with a maximum shutter speed of 1/2000s mechanical and 1/16000s electronic shutter.
- Sony’s ZV-1 boasts a blazing fast 24 fps burst rate, incredible for capturing fleeting expressions or sports moments, with mechanical shutter up to 1/2000s and electronic shutter up to a remarkably fast 1/32000s.
In clear daylight conditions, the ZV-1’s faster shutter speeds and higher burst rate gave me more freedom to freeze motion and capture decisive moments. The ZS200 is more limited but still capable for casual action photography.
Video Capabilities: Vlogging and Beyond
For photographers who also want robust video options, this is where the Sony ZV-1 notably pulls ahead.
- The ZV-1 shoots 4K UHD video at 30p and Full HD at 120fps for slo-mo capture. It supports advanced compression codecs like XAVC S for superior quality.
- It features a microphone input port, allowing professional-grade audio capture - a must-have for vloggers and content creators.
- The fully articulating screen and discreet design make framing yourself while recording easy and comfortable.
The Panasonic ZS200 also shoots 4K UHD video at 30p but lacks advanced video profiles, microphone/headphone jacks, and professional video codecs. Its video autofocus is contrast-based and slower.
If video functionality is a priority, Sony’s ZV-1 is purpose-built for vloggers. If stills are the main focus with some casual video, Panasonic remains competitive.
Battery Life and Storage
Panasonic’s ZS200 offers approximately 370 shots per charge, a solid performer considering its EVF and zoom. Sony’s ZV-1 provides around 260 shots, which is a bit on the low side for all-day shooting but manageable for shorter sessions.
Both cameras use a single SD card slot supporting UHS-I cards. Sony is also compatible with Memory Stick Pro Duo, adding extra flexibility.
Build Quality and Weather Resistance
Neither camera is explicitly weather-sealed, splash-proof, or ruggedized. If you shoot outdoors often, be mindful of using additional lens and body protection in adverse weather.
That said, Panasonic’s slightly larger body and textured grip feel a bit more robust. Sony’s minimalist design prioritizes sleekness and speed over rugged build.
Price and Value Considerations
At launch, the Panasonic ZS200 was positioned around $799.99, while Sony’s ZV-1 came in slightly cheaper near $749.90.
When you balance specs, the ZV-1’s stronger video, faster AF, and superior lens aperture make it a better value for hybrid shooters looking for stills and video. The ZS200’s long zoom and EVF justify its price for travel photographers and those valuing optical versatility or electronic viewfinder experience.
How These Cameras Perform Across Photography Types
Sample shots captured side-by-side, showcasing natural light and dynamic range
To further help you decide, I’ve evaluated both cameras across popular photography genres:
Genre | Panasonic ZS200 Strengths | Sony ZV-1 Strengths |
---|---|---|
Portrait | Accurate skin tones, EVF aid, versatile zoom | Bright lens bokeh, fast AF, selfie screen |
Landscape | Long zoom for distant details, highlight HDR | Better high ISO for night landscapes |
Wildlife | Extended telephoto range | Faster AF tracking but shorter reach |
Sports | Decent fps, stable handling | 24fps burst, faster shutter, phase-detection |
Street | EVF helps bright outdoor composition | Discreet, lightweight, flip-out screen |
Macro | Focus stacking and bracketing | Larger aperture but no focus stacking |
Night/Astro | RAW support, strong highlight retention | Cleaner high ISO, faster shutter |
Video | 4K 30p, stabilized but limited mic options | 4K 30p, high bitrate, external mic input |
Travel | Long zoom versatility, battery life | Compact size, vlogging flexibility |
Professional Work | Reliable raw, EVF, creative focus tools | Better AF, video codecs, autofocus modes |
Relative scores for each camera by photography style
Overall Performance Scores and Final Thoughts
Aggregated user and expert performance scoring
Both cameras perform admirably in their niches; the ZS200 leans towards the traditional compact enthusiast, while the ZV-1 clearly targets creators and vloggers.
Panasonic Lumix ZS200 – Pros and Cons
Pros:
- Powerful 15x zoom for versatile shooting
- Electronic viewfinder enhances outdoor shooting
- Focus bracketing and stacking for macro and creative work
- Longer battery life and sturdy build
Cons:
- Slower autofocus; less suitable for fast action
- Smaller maximum aperture at telephoto end (f/6.4) limits low-light reach
- No microphone input for video creators
Sony ZV-1 – Pros and Cons
Pros:
- Fast, hybrid autofocus with extensive points
- Bright lens with wide aperture for low light and bokeh
- Fully articulating screen ideal for vloggers and selfies
- Superior video specs including 4K 30p and microphone input
- High-speed burst mode at 24fps
Cons:
- Shorter zoom range limits reach and versatility
- No electronic viewfinder, potentially tough outdoors
- Battery life less than average for long shoots
Who Should Buy Which Camera?
Choose Panasonic Lumix ZS200 if…
- You want a one-camera solution capable of wide telephoto reach without changing lenses
- You prefer shooting with an EVF in bright light conditions
- You do macro or creative photography with focus stacking and bracketing techniques
- You want generally longer battery life and a more traditional camera feel
Choose Sony ZV-1 if…
- You’re a content creator or vlogger needing best-in-class video and selfie functionality
- Fast, reliable autofocus is critical - think sports, wildlife, or street photography
- You value a brighter lens for portraits and low-light shooting
- Portability and a fully articulating touchscreen are key priorities
Final Verdict
Both the Panasonic Lumix ZS200 and Sony ZV-1 pack tremendous capabilities into compact bodies, but they serve subtly different user needs. If your emphasis is on versatile zoom, traditional shooting, and outdoor clarity with an EVF, the Panasonic ZS200 is a stellar choice. If video prowess, autofocus speed, and portrait-quality optics are your priorities, the Sony ZV-1 remains the undeniable champion.
Your choice ultimately boils down to whether you lean more toward still photography versatility or video-centric creative flexibility. Hopefully, this detailed head-to-head testing guide equips you with the knowledge you need to pick the best companion for your photographic journey.
If you want to see these cameras in action, consider testing both hands-on at a camera store or renting before purchasing. Personal comfort with ergonomics and interface can be just as important as the specs on paper.
Happy shooting, and may your new camera inspire your best images yet!
Panasonic ZS200 vs Sony ZV-1 Specifications
Panasonic Lumix DC-ZS200 | Sony ZV-1 | |
---|---|---|
General Information | ||
Make | Panasonic | Sony |
Model | Panasonic Lumix DC-ZS200 | Sony ZV-1 |
Also called | Lumix DC-TZ200 | - |
Type | Large Sensor Compact | Large Sensor Compact |
Released | 2018-02-13 | 2020-05-27 |
Physical type | Large Sensor Compact | Large Sensor Compact |
Sensor Information | ||
Powered by | Venus Engine | Bionz X |
Sensor type | MOS | BSI-CMOS |
Sensor size | 1" | 1" |
Sensor measurements | 13.2 x 8.8mm | 13.2 x 8.8mm |
Sensor area | 116.2mm² | 116.2mm² |
Sensor resolution | 20 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 5472 x 3648 | 5472 x 3648 |
Max native ISO | 12800 | 12800 |
Max boosted ISO | 25600 | 25600 |
Minimum native ISO | 125 | 125 |
RAW photos | ||
Minimum boosted ISO | 80 | 80 |
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 49 | 315 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 24-360mm (15.0x) | 24-70mm (2.9x) |
Max aperture | f/3.3-6.4 | f/1.8-2.8 |
Macro focus range | 5cm | 5cm |
Crop factor | 2.7 | 2.7 |
Screen | ||
Display type | Fixed Type | Fully Articulated |
Display sizing | 3 inch | 3 inch |
Resolution of display | 1,240 thousand dots | 922 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 2,330 thousand dots | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.53x | - |
Features | ||
Lowest shutter speed | 60s | 30s |
Highest shutter speed | 1/2000s | 1/2000s |
Highest quiet shutter speed | 1/16000s | 1/32000s |
Continuous shooting rate | 10.0 frames per sec | 24.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 6.80 m (at Auto ISO) | no built-in flash |
Flash options | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off | Auto, Flash On, Slow Synchro, Rear Sync, Flash Off |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | - | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 30p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 120p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 100p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 50p / 28 Mbps, MP4, H.264, AAC1920 x 1080 |
Max video resolution | 3840x2160 | 3840x2160 |
Video format | MPEG-4, AVCHD, H.264 | MPEG-4, AVCHD, XAVC S |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 340g (0.75 pounds) | 294g (0.65 pounds) |
Physical dimensions | 111 x 66 x 45mm (4.4" x 2.6" x 1.8") | 105 x 60 x 44mm (4.1" x 2.4" x 1.7") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 370 shots | 260 shots |
Type of battery | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 secs, 3 shots @ 10 sec) | Yes |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC card (UHS-I compatible) | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | Single | Single |
Retail price | $800 | $750 |