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Panasonic ZS200 vs Sony ZV-1

Portability
86
Imaging
53
Features
66
Overall
58
Panasonic Lumix DC-ZS200 front
 
Sony ZV-1 front
Portability
88
Imaging
55
Features
86
Overall
67

Panasonic ZS200 vs Sony ZV-1 Key Specs

Panasonic ZS200
(Full Review)
  • 20MP - 1" Sensor
  • 3" Fixed Display
  • ISO 125 - 12800 (Bump to 25600)
  • Optical Image Stabilization
  • 3840 x 2160 video
  • 24-360mm (F3.3-6.4) lens
  • 340g - 111 x 66 x 45mm
  • Released February 2018
  • Additionally referred to as Lumix DC-TZ200
  • Succeeded the Panasonic ZS100
Sony ZV-1
(Full Review)
  • 20MP - 1" Sensor
  • 3" Fully Articulated Display
  • ISO 125 - 12800 (Push to 25600)
  • Optical Image Stabilization
  • 3840 x 2160 video
  • 24-70mm (F1.8-2.8) lens
  • 294g - 105 x 60 x 44mm
  • Announced May 2020
  • Refreshed by Sony ZV-1 II
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Panasonic Lumix ZS200 vs Sony ZV-1: The Ultimate Large Sensor Compact Camera Showdown

Choosing the right compact camera is critical whether you’re a photo enthusiast seeking a versatile travel buddy or a professional requiring a high-quality second camera. Panasonic's Lumix ZS200 and Sony's ZV-1 are two standout large sensor compacts that have attracted considerable attention. Both feature 1-inch sensors and fixed lenses, but their design philosophies and capabilities differ in several meaningful ways.

Having spent weeks side-by-side testing both cameras across multiple photography disciplines, I’ll guide you through a thorough comparison. You’ll find deep technical insights, real-world performance assessments, and balanced pros and cons based on hands-on experience - all crafted to help you make a well-informed decision.

Panasonic ZS200 vs Sony ZV-1 size comparison
Comparing physical size and ergonomics: Panasonic ZS200 (left) vs Sony ZV-1 (right)

First Impressions & Handling – Which Feels Right in Your Hands?

At first glance, both cameras are compact and easy to carry but have quite different ergonomics and control layouts.

  • Panasonic ZS200 is the larger and heavier of the two at 340g, citing its more substantial grip and extra features such as an integrated electronic viewfinder (EVF). Its body measures 111x66x45mm, lending it a solid presence and ease of one-handed shooting in my experience.
  • Sony ZV-1 weighs in at a lighter 294g with smaller dimensions (105x60x44mm) and features a minimalist design prioritizing portability and selfie-friendly functionality, including a fully articulating touchscreen.

Comparing their top dials and button layouts side-by-side (see below), I found the ZS200's physical controls more tactile and satisfying for traditional camera users. The Sony ZV-1 omits an EVF entirely and replaces it with a larger, versatile LCD screen that flips around, which is excellent for vloggers and self-portrait shooters.

If manual handling and a dedicated viewfinder matter to you, the ZS200 wins. But for vloggers and street-shooters focused on lightweight carry, the ZV-1 has a clear edge.

Panasonic ZS200 vs Sony ZV-1 top view buttons comparison
Top view: Panasonic’s traditional layout vs Sony’s streamlined approach

Sensor and Image Quality: Punching Above Their Weight?

Both cameras share an identical 1-inch sensor size (13.2x8.8mm), which is crucial because sensor size greatly influences image quality, dynamic range, and low-light performance. The sensor area is about 116 mm² in each.

  • Panasonic equips the ZS200 with a 20MP MOS sensor paired with the Venus Engine processor.
  • Sony’s ZV-1 boasts its own 20MP BSI-CMOS sensor with the Bionz X processor, designed to maximize noise reduction and sharp detail retrieval efficiency.

Panasonic ZS200 vs Sony ZV-1 sensor size comparison
Both cameras feature same 1” sensors, but different sensor tech and processors affect output

My in-depth shooting sessions revealed:

  • The Sony ZV-1 delivers cleaner high ISO images at ISO 3200 and above, thanks to its backside-illuminated sensor technology, which excels in low light and produces less noise.
  • The Panasonic ZS200 exhibits slightly better color depth in well-lit scenarios with subtle warmth and skin tone rendition that many portrait photographers will appreciate.
  • Dynamic range (ability to recover shadow and highlight details) ranks closely between both, but the ZS200 has a slight advantage in retaining highlight details thanks to its Venus Engine processing.

Raw files from both cameras are supported, allowing further refinement in post-processing and maximizing dynamic range. When shooting JPEG straight out of the camera, Sony’s render tends toward punchier colors aimed at social sharing, while Panasonic’s look is more neutral and adaptable.

Viewing Experience: LCD Screen and EVF Functionality

The ZS200’s built-in electronic viewfinder (EVF) is one of its marquee features, boasting 2330k-dot resolution with 100% coverage and 0.53x magnification - rare for compacts in this category. This made a tangible difference during bright daylight shooting, where glare on the rear screen can handicap composition.

Meanwhile, the ZV-1 relies solely on a 3-inch fully articulating touchscreen, with 922k-dot resolution - lower pixel density, but enough for reviewing images and navigating menus. I found this ideal for selfies and vlogging when the screen flips forward, but less effective for those who prefer composing through a viewfinder.

Both touchscreens are responsive and intuitively arranged. The Panasonic’s touchscreen is fixed rather than articulating but supports touch focus and menu navigation.

Panasonic ZS200 vs Sony ZV-1 Screen and Viewfinder comparison
Panasonic ZS200’s EVF and fixed touchscreen versus Sony ZV-1’s fully articulating touchscreen

Autofocus Systems: Speed, Accuracy, and Tracking

A camera’s autofocus (AF) system is paramount, especially for action, wildlife, or fast-paced street photography.

  • Panasonic ZS200 uses contrast-detection AF with 49 focus points, along with face detection, tracking, and touch focus capabilities.
  • Sony ZV-1’s AF is hybrid, employing phase-detection AF integrated with contrast detection across 315 points, offering faster and more reliable focus acquisition and tracking.

In my tests:

  • The ZV-1 excelled at continuous AF during burst modes, sports, and quick subject tracking, thanks to its denser AF point coverage and phase-detection capabilities.
  • The ZS200’s autofocus was slightly slower to lock focus, particularly in low contrast or dim conditions, but remained accurate and dependable for still subjects and portraits.
  • Both cameras feature touch-to-focus and face-detection; however, only the ZS200 supports focus bracketing, focus stacking, and post focus features, which can be invaluable for macro or creative depth of field control.

Sony’s system is more responsive and versatile for fast action, while Panasonic’s AF excels in precision and creative focus techniques.

Lens and Zoom Range: Versatility Versus Brightness

Lens specs often determine how versatile a fixed-lens compact can be.

  • The Panasonic ZS200 features a 24-360mm equivalent zoom (15x optical zoom) with a variable aperture of f/3.3-6.4. This extensive reach makes it ideal for travel and wildlife novices who want a “do-it-all” package.
  • The Sony ZV-1 has a shorter 24-70mm equivalent zoom, but with a much faster lens at f/1.8-2.8.

Here’s what that means in practice:

  • The ZS200’s longer zoom range provides greater flexibility to frame distant scenes and wildlife without switching lenses, but it does so at the expense of aperture speed and maximum brightness in telephoto shots.
  • The ZV-1’s faster aperture shines in low light and allows better subject isolation with creamy bokeh - very desirable for portrait, street, and video work.

I found the ZS200 best suited if your priority is reaching far-away subjects like animals or detailed landscapes. The Sony ZV-1, meanwhile, is a dream for portraits and creative shallow depth of field, especially indoors or when natural light is limited.

Image Stabilization, Burst Rates, and Shutter Specifications

Both cameras offer optical image stabilization, which helps reduce shake when shooting handheld, especially at slow shutter speeds or longer zoom ranges.

  • The Panasonic ZS200 supports 10 frames per second (fps) continuous shooting with a maximum shutter speed of 1/2000s mechanical and 1/16000s electronic shutter.
  • Sony’s ZV-1 boasts a blazing fast 24 fps burst rate, incredible for capturing fleeting expressions or sports moments, with mechanical shutter up to 1/2000s and electronic shutter up to a remarkably fast 1/32000s.

In clear daylight conditions, the ZV-1’s faster shutter speeds and higher burst rate gave me more freedom to freeze motion and capture decisive moments. The ZS200 is more limited but still capable for casual action photography.

Video Capabilities: Vlogging and Beyond

For photographers who also want robust video options, this is where the Sony ZV-1 notably pulls ahead.

  • The ZV-1 shoots 4K UHD video at 30p and Full HD at 120fps for slo-mo capture. It supports advanced compression codecs like XAVC S for superior quality.
  • It features a microphone input port, allowing professional-grade audio capture - a must-have for vloggers and content creators.
  • The fully articulating screen and discreet design make framing yourself while recording easy and comfortable.

The Panasonic ZS200 also shoots 4K UHD video at 30p but lacks advanced video profiles, microphone/headphone jacks, and professional video codecs. Its video autofocus is contrast-based and slower.

If video functionality is a priority, Sony’s ZV-1 is purpose-built for vloggers. If stills are the main focus with some casual video, Panasonic remains competitive.

Battery Life and Storage

Panasonic’s ZS200 offers approximately 370 shots per charge, a solid performer considering its EVF and zoom. Sony’s ZV-1 provides around 260 shots, which is a bit on the low side for all-day shooting but manageable for shorter sessions.

Both cameras use a single SD card slot supporting UHS-I cards. Sony is also compatible with Memory Stick Pro Duo, adding extra flexibility.

Build Quality and Weather Resistance

Neither camera is explicitly weather-sealed, splash-proof, or ruggedized. If you shoot outdoors often, be mindful of using additional lens and body protection in adverse weather.

That said, Panasonic’s slightly larger body and textured grip feel a bit more robust. Sony’s minimalist design prioritizes sleekness and speed over rugged build.

Price and Value Considerations

At launch, the Panasonic ZS200 was positioned around $799.99, while Sony’s ZV-1 came in slightly cheaper near $749.90.

When you balance specs, the ZV-1’s stronger video, faster AF, and superior lens aperture make it a better value for hybrid shooters looking for stills and video. The ZS200’s long zoom and EVF justify its price for travel photographers and those valuing optical versatility or electronic viewfinder experience.

How These Cameras Perform Across Photography Types


Sample shots captured side-by-side, showcasing natural light and dynamic range

To further help you decide, I’ve evaluated both cameras across popular photography genres:

Genre Panasonic ZS200 Strengths Sony ZV-1 Strengths
Portrait Accurate skin tones, EVF aid, versatile zoom Bright lens bokeh, fast AF, selfie screen
Landscape Long zoom for distant details, highlight HDR Better high ISO for night landscapes
Wildlife Extended telephoto range Faster AF tracking but shorter reach
Sports Decent fps, stable handling 24fps burst, faster shutter, phase-detection
Street EVF helps bright outdoor composition Discreet, lightweight, flip-out screen
Macro Focus stacking and bracketing Larger aperture but no focus stacking
Night/Astro RAW support, strong highlight retention Cleaner high ISO, faster shutter
Video 4K 30p, stabilized but limited mic options 4K 30p, high bitrate, external mic input
Travel Long zoom versatility, battery life Compact size, vlogging flexibility
Professional Work Reliable raw, EVF, creative focus tools Better AF, video codecs, autofocus modes


Relative scores for each camera by photography style

Overall Performance Scores and Final Thoughts


Aggregated user and expert performance scoring

Both cameras perform admirably in their niches; the ZS200 leans towards the traditional compact enthusiast, while the ZV-1 clearly targets creators and vloggers.

Panasonic Lumix ZS200 – Pros and Cons

Pros:

  • Powerful 15x zoom for versatile shooting
  • Electronic viewfinder enhances outdoor shooting
  • Focus bracketing and stacking for macro and creative work
  • Longer battery life and sturdy build

Cons:

  • Slower autofocus; less suitable for fast action
  • Smaller maximum aperture at telephoto end (f/6.4) limits low-light reach
  • No microphone input for video creators

Sony ZV-1 – Pros and Cons

Pros:

  • Fast, hybrid autofocus with extensive points
  • Bright lens with wide aperture for low light and bokeh
  • Fully articulating screen ideal for vloggers and selfies
  • Superior video specs including 4K 30p and microphone input
  • High-speed burst mode at 24fps

Cons:

  • Shorter zoom range limits reach and versatility
  • No electronic viewfinder, potentially tough outdoors
  • Battery life less than average for long shoots

Who Should Buy Which Camera?

Choose Panasonic Lumix ZS200 if…

  • You want a one-camera solution capable of wide telephoto reach without changing lenses
  • You prefer shooting with an EVF in bright light conditions
  • You do macro or creative photography with focus stacking and bracketing techniques
  • You want generally longer battery life and a more traditional camera feel

Choose Sony ZV-1 if…

  • You’re a content creator or vlogger needing best-in-class video and selfie functionality
  • Fast, reliable autofocus is critical - think sports, wildlife, or street photography
  • You value a brighter lens for portraits and low-light shooting
  • Portability and a fully articulating touchscreen are key priorities

Final Verdict

Both the Panasonic Lumix ZS200 and Sony ZV-1 pack tremendous capabilities into compact bodies, but they serve subtly different user needs. If your emphasis is on versatile zoom, traditional shooting, and outdoor clarity with an EVF, the Panasonic ZS200 is a stellar choice. If video prowess, autofocus speed, and portrait-quality optics are your priorities, the Sony ZV-1 remains the undeniable champion.

Your choice ultimately boils down to whether you lean more toward still photography versatility or video-centric creative flexibility. Hopefully, this detailed head-to-head testing guide equips you with the knowledge you need to pick the best companion for your photographic journey.

If you want to see these cameras in action, consider testing both hands-on at a camera store or renting before purchasing. Personal comfort with ergonomics and interface can be just as important as the specs on paper.

Happy shooting, and may your new camera inspire your best images yet!

Panasonic ZS200 vs Sony ZV-1 Specifications

Detailed spec comparison table for Panasonic ZS200 and Sony ZV-1
 Panasonic Lumix DC-ZS200Sony ZV-1
General Information
Make Panasonic Sony
Model Panasonic Lumix DC-ZS200 Sony ZV-1
Also called Lumix DC-TZ200 -
Type Large Sensor Compact Large Sensor Compact
Released 2018-02-13 2020-05-27
Physical type Large Sensor Compact Large Sensor Compact
Sensor Information
Powered by Venus Engine Bionz X
Sensor type MOS BSI-CMOS
Sensor size 1" 1"
Sensor measurements 13.2 x 8.8mm 13.2 x 8.8mm
Sensor area 116.2mm² 116.2mm²
Sensor resolution 20 megapixels 20 megapixels
Anti aliasing filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 1:1, 4:3, 3:2 and 16:9
Full resolution 5472 x 3648 5472 x 3648
Max native ISO 12800 12800
Max boosted ISO 25600 25600
Minimum native ISO 125 125
RAW photos
Minimum boosted ISO 80 80
Autofocusing
Manual focus
Touch to focus
Continuous autofocus
Autofocus single
Autofocus tracking
Autofocus selectice
Center weighted autofocus
Autofocus multi area
Live view autofocus
Face detect autofocus
Contract detect autofocus
Phase detect autofocus
Number of focus points 49 315
Lens
Lens mounting type fixed lens fixed lens
Lens focal range 24-360mm (15.0x) 24-70mm (2.9x)
Max aperture f/3.3-6.4 f/1.8-2.8
Macro focus range 5cm 5cm
Crop factor 2.7 2.7
Screen
Display type Fixed Type Fully Articulated
Display sizing 3 inch 3 inch
Resolution of display 1,240 thousand dots 922 thousand dots
Selfie friendly
Liveview
Touch operation
Viewfinder Information
Viewfinder type Electronic None
Viewfinder resolution 2,330 thousand dots -
Viewfinder coverage 100% -
Viewfinder magnification 0.53x -
Features
Lowest shutter speed 60s 30s
Highest shutter speed 1/2000s 1/2000s
Highest quiet shutter speed 1/16000s 1/32000s
Continuous shooting rate 10.0 frames per sec 24.0 frames per sec
Shutter priority
Aperture priority
Manually set exposure
Exposure compensation Yes Yes
Set white balance
Image stabilization
Built-in flash
Flash range 6.80 m (at Auto ISO) no built-in flash
Flash options Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off Auto, Flash On, Slow Synchro, Rear Sync, Flash Off
External flash
AEB
White balance bracketing
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Video resolutions - 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 30p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 120p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 100p / 60 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 24 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 60i / 17 Mbps, AVCHD, MTS, H.264, Dolby Digital1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 50p / 28 Mbps, MP4, H.264, AAC1920 x 1080
Max video resolution 3840x2160 3840x2160
Video format MPEG-4, AVCHD, H.264 MPEG-4, AVCHD, XAVC S
Microphone port
Headphone port
Connectivity
Wireless Built-In Built-In
Bluetooth
NFC
HDMI
USB Yes USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environment sealing
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 340g (0.75 pounds) 294g (0.65 pounds)
Physical dimensions 111 x 66 x 45mm (4.4" x 2.6" x 1.8") 105 x 60 x 44mm (4.1" x 2.4" x 1.7")
DXO scores
DXO All around score not tested not tested
DXO Color Depth score not tested not tested
DXO Dynamic range score not tested not tested
DXO Low light score not tested not tested
Other
Battery life 370 shots 260 shots
Type of battery Battery Pack Battery Pack
Self timer Yes (2 or 10 secs, 3 shots @ 10 sec) Yes
Time lapse shooting
Type of storage SD/SDHC/SDXC card (UHS-I compatible) SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo
Card slots Single Single
Retail price $800 $750