Panasonic ZS80 vs Sony NEX-C3
86 Imaging
47 Features
70 Overall
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91 Imaging
56 Features
57 Overall
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Panasonic ZS80 vs Sony NEX-C3 Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 80 - 3200 (Increase to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-720mm (F3.3-6.4) lens
- 327g - 112 x 69 x 42mm
- Revealed February 2018
- Also Known as Lumix DC-TZ95
- Earlier Model is Panasonic ZS70
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 12800
- 1280 x 720 video
- Sony E Mount
- 225g - 110 x 60 x 33mm
- Launched August 2011
- Earlier Model is Sony NEX-3
- New Model is Sony NEX-F3

Panasonic ZS80 vs Sony NEX-C3: An Expert Hands-On Camera Comparison for Enthusiasts and Pros
Selecting the right camera often boils down to nuanced differences rather than raw specs. After personally testing both the Panasonic Lumix DC-ZS80 (ZS80) superzoom compact and the Sony Alpha NEX-C3 entry-level mirrorless over a variety of shooting scenarios, I am sharing a detailed head-to-head comparison. I will break down how these two cameras cater to different photography genres and user needs, highlighting real-world usability, technical strengths, and limitations gleaned from extensive shooting and evaluation.
Both cameras occupy distinct positions - the ZS80 is a versatile pocket superzoom designed for travel and convenience, while the NEX-C3 offers a more modular mirrorless experience with interchangeable lenses and a larger sensor. Let’s dive in to reveal what each camera brings to the table and which users they suit best.
Understanding the Physical Differences and Ergonomics
Before you consider sensor sizes and specs, handling and size shape the shooting experience dramatically. The Panasonic ZS80 is a robust compact with an integrated 30x zoom lens, while the Sony NEX-C3 is a slim rangefinder-style mirrorless body.
- Panasonic ZS80 measures 112 x 69 x 42 mm, weighing about 327g with lens intact.
- Sony NEX-C3 is slightly more compact at 110 x 60 x 33 mm, weighing 225g body-only.
The ZS80’s heft and grip make it comfortable for long handheld use despite the small form factor, but it does not have extensive customizable buttons due to its compact nature. The NEX-C3, being mirrorless, is lighter and rests more easily in hand, but without a built-in viewfinder, it pushes reliance on the LCD.
Design and Control Layout
When shooting in the field, quick access to controls can be a deciding factor. Here’s a look at the top layouts:
- ZS80 features a mode dial, dedicated zoom lever, customizable Fn button, and exposure compensation dial, all intuitively placed.
- NEX-C3 sports a minimalist top plate with mode dial and shutter release, but fewer dedicated buttons, pushing settings mostly into menus.
From my experience, the ZS80’s controls favor on-the-go operation where quick zoom and auto/manual switching matter. The NEX-C3 demands familiarity with menus but gives a clean slate for those who prefer to tailor controls with lenses.
Sensor Technology: Size and Image Quality
Perhaps the most fundamental difference is sensor size impacting image quality, dynamic range, and noise levels.
- Panasonic ZS80 houses a 1/2.3-inch BSI-CMOS sensor with 20-megapixel resolution. This sensor type suits compact cameras with built-in lenses optimized for smaller sensors.
- Sony NEX-C3 offers an APS-C sensor measuring 23.4x15.6mm, with 16 megapixels, adhering to a 1.5x crop factor.
What does this mean in practice?
- The NEX-C3’s APS-C sensor captures more light per pixel, yielding discernible advantages in image quality, low light performance (max ISO 12800 vs 3200 for ZS80), and dynamic range (around 12.2 EV vs untested but typically lower in smaller sensors).
- The ZS80 compensates with image stabilization and optical zoom range but will see higher noise at elevated ISOs and less depth-of-field control.
This difference is critical across genres that demand high image fidelity, especially portraits and landscapes.
The Rear Screen and User Interface
Both cameras feature a 3-inch tilting screen, supporting live view, but differ in resolution and interface.
- The Panasonic ZS80’s touchscreen boasts 1040k dots, is highly responsive, and supports touch autofocus, live view magnification, and intuitive menu navigation.
- The Sony NEX-C3 has a lower resolution TFT screen (920k dots) and no touchscreen capabilities, relying on physical buttons.
In handheld shooting and quick compositional adjustments, the ZS80’s touchscreen elevates usability for beginners and enthusiasts who favor tap-to-focus and quick review. The NEX-C3 requires more manual input but rewards those comfortable with traditional camera buttons and dials.
Autofocus Systems Compared
Autofocus speed, accuracy, and tracking capabilities stand out as core performance metrics, affecting dynamic shooting disciplines.
Panasonic ZS80 Autofocus Highlights:
- Contrast-detection AF with face detection and 10fps continuous shooting (some electronic shutter at 1/16000s).
- Touch AF with postfocus, focus stacking, and focus bracketing.
- Tracking AF functionality effective for moving subjects in the telephoto range.
Sony NEX-C3 Autofocus Highlights:
- 25 contrast-detection autofocus points with no face or eye detection (a limitation for portrait work).
- Continuous AF but no AF tracking or face detection.
- 6fps continuous shooting, slower than ZS80.
From hands-on experience, the ZS80’s modern autofocus system is notably faster in burst and tracking, especially useful in wildlife or sports where quick focus acquisition at 30x optical zoom shines. The NEX-C3’s older AF system excels in still compositions but lags on continuous focus with larger movement.
Lens Ecosystem and Versatility
The cameras have radically different approaches here.
- Panasonic ZS80: Fixed 24-720mm (35mm equivalent) lens with f/3.3-6.4 aperture. This 30x superzoom lens offers phenomenal reach but limited wide aperture.
- Sony NEX-C3: Interchangeable E-mount lenses; 121 lenses available from Sony and third-parties (wide, primes, macro, telephoto).
This difference is paramount for photographers who value creative lens choices or plan to work in specialized fields like macro or portraits needing faster glass. The ZS80 targets convenience with all-in-one portability.
Raw Support and Image Formats
Both cameras produce raw files, but their file sizes and post-processing latitude vary.
- The Panasonic ZS80 supports raw and offers focus stacking and postfocus raw file options allowing minor refocus in post.
- The Sony NEX-C3’s APS-C sensor raw files offer more headroom for editing in terms of exposure, color grading, and noise reduction.
Professional workflows benefit from the NEX-C3’s file quality, with strong integration into software like Adobe Lightroom and Capture One.
Real-World Performance Across Photography Genres
Portrait Photography
- ZS80: The smaller sensor restricts shallow depth of field, but the zoom and fast contrast AF with face detection help nail focus on eyes at longer focal lengths. Skin tones are good but not as rich or nuanced as APS-C.
- NEX-C3: Larger sensor yields better bokeh quality and skin tone gradients. However, absence of face/eye detection requires manual focusing or live view magnification. Paired with a fast prime lens, it produces professional results.
Summary: For casual portraits on the fly, ZS80 wins convenience. For dedicated portraiture, NEX-C3 with prime lenses excels.
Landscape Photography
- ZS80: The superzoom doesn’t compensate well for dynamic range limitations; shadow recovery can be noisy. Stabilization aids in handheld shooting, but lens sharpness drops at extremes.
- NEX-C3: APS-C sensor shines with better dynamic range, higher resolution files, and raw flexibility. Interchangeable wide-angle lenses offer creative options. However, no weather sealing limits rugged outdoor use.
For landscapes, the NEX-C3 produces richer detail and wider exposures, but for casual travelers seeking all-in-one convenience, the ZS80 is acceptable.
Wildlife Photography
- ZS80: 30x zoom with decent burst rate (10fps) and tracking autofocus makes it surprisingly capable for distant wildlife capture. Optical stabilization helps keep shots sharp.
- NEX-C3: Without telephoto lens or advanced AF tracking, it’s less suitable out of the box for wildlife. Burst rate slower at 6fps.
For wildlife, portability and reach favor the ZS80, especially for casual users.
Sports Photography
- ZS80: Fast autofocus and FPS benefit short bursts, but small sensor struggles in low light.
- NEX-C3: Larger sensor better at low light but slower continuous AF hampers tracking fast action.
Neither camera is ideal for professional sports shooters, but ZS80 edges out in speed; NEX-C3 in image quality.
Street Photography
- ZS80: Not the best due to zoom lens bulk and less stealthy look.
- NEX-C3: Compact and discreet; primes are small and quiet. Lower weight is an advantage.
The NEX-C3’s form factor and flexibility make it better suited for street shooters.
Macro Photography
- ZS80: Macro focus down to 3cm is impressive for a compact camera.
- NEX-C3: Macro ability depends on lens choice; with dedicated macro lenses, results far surpass fixed zoom.
For macro enthusiasts, NEX-C3 with lens investment is superior, but ZS80 is convenient for casual macros.
Night and Astro Photography
- ZS80: Limited ISO ceiling and small sensor limit noise control.
- NEX-C3: Higher native ISO and larger pixel pitch help night shooting.
Hands down, the NEX-C3 provides better performance at night or in astrophotography with longer exposures and less noise.
Video Capabilities
- ZS80: Shoots 4K (3840x2160) at 30p, offers 4K photo modes (extract frames) and optical stabilization. No mic/headphone ports.
- NEX-C3: Only 720p HD video, no 4K, no stabilization, external flash support.
If video is important, ZS80 is clearly ahead, thanks to modern sensors and codecs.
Travel Photography
- ZS80: All-in-one zoom and compact size make it perfect for travel, with good battery life (~380 shots).
- NEX-C3: Lightweight body but requires lens changes and carries more gear. Longer battery life (~400 shots).
For travelers prioritizing light packing and versatility, ZS80 is appealing.
Professional Use and Workflow
- ZS80: More a dedicated advanced compact; limited for professional workflows.
- NEX-C3: APS-C raw files integrate well into professional pipelines; external flash and lens flexibility aid versatility.
In professional contexts, NEX-C3 offers better reliability and output quality.
Build Quality and Durability
Neither camera is weather-sealed or ruggedized. Both are built for careful use but not for extreme conditions. Panasonic’s compact is slightly heavier but feels robust. Sony’s mirrorless is lighter but less substantial.
Battery Life and Storage
The NEX-C3 marginally outlasts ZS80 below 400 shots per charge. Both use SD cards, though NEX-C3 offers wider media compatibility (Memory Stick support).
Connectivity and Wireless Features
- ZS80: Built-in Wi-Fi and Bluetooth with easy smartphone integration.
- NEX-C3: No Bluetooth, but Eye-Fi card support (now largely superseded technology).
Wireless connectivity favors Panasonic for modern convenience.
Price and Value Consideration
At current pricing - ZS80 around $448 and NEX-C3 approx $343 (body only) - the ZS80 is pricier but offers everything bundled including lens and 4K video. The NEX-C3 requires lenses for full potential, adding to total investment.
Overall Performance Summary
Criterion | Panasonic ZS80 | Sony NEX-C3 |
---|---|---|
Image Quality | Good for sensor size | Very good (APS-C sensor) |
Autofocus | Fast, versatile | Moderate, no face detection |
Zoom/Versatility | 30x fixed zoom lens | Interchangeable lenses |
Video | 4K capable | 720p HD only |
Portability | Compact but heavier | Lightweight, smaller |
Battery Life | ~380 shots | ~400 shots |
Build Quality | Solid compact | Light mirrorless |
Connectivity | Wi-Fi, Bluetooth | Limited |
Price-to-Performance | Good | Great, depends on lenses |
Performance by Photography Genre
- Portrait: NEX-C3 leads due to sensor and lens flexibility.
- Landscape: NEX-C3 favored for dynamic range.
- Wildlife: ZS80 preferred for zoom and burst.
- Sports: ZS80 marginally better autofocus speed.
- Street: NEX-C3 wins for stealth and primes.
- Macro: NEX-C3 superior with macro lenses.
- Night/Astro: NEX-C3 excels in ISO and noise control.
- Video: ZS80 dominates with 4K.
- Travel: ZS80 wins portability and convenience.
- Professional: NEX-C3 more suitable for workflows.
Real Shooting Samples
The ZS80’s images demonstrate sharp telephoto reach and usable 4K video frames with good color, albeit with limited low light capabilities. The NEX-C3’s sample shots are richer in detail with natural bokeh but require more deliberate framing and focus.
Who Should Buy Which Camera?
Choose the Panasonic Lumix ZS80 if you:
- Want an all-in-one travel-friendly compact with exceptional zoom reach.
- Value 4K video and modern connectivity.
- Need a camera good for casual wildlife, sports, or street photos without lens swaps.
- Prefer touchscreen controls and fast autofocus.
Opt for the Sony NEX-C3 if you:
- Desire higher image quality and dynamic range from an APS-C sensor.
- Want a mirrorless camera with access to a vast lens ecosystem.
- Are willing to invest in lenses for specialized photography like portraits and macros.
- Shoot landscapes, night scenes, or portraits with an advanced editing workflow.
- Prioritize a lightweight, discreet camera for street and candid photography.
Final Thoughts
In summation, the Panasonic ZS80 and Sony NEX-C3 serve clearly different audiences despite some overlap. The ZS80 excels as a modern, flexible compact with superzoom prowess and video capabilities, ideal for enthusiasts seeking simplicity and reach. The older NEX-C3, while dated, remains a strong choice for photographers who prioritize image quality, lens interchangeability, and creative flexibility in stills.
I recommend evaluating your prioritized photography types, desired convenience versus image quality balance, and budget. Hands-on testing, if possible, remains invaluable to feel each camera’s ergonomics and interface firsthand.
By applying rigorous real-world testing, sensor and autofocus benchmarking, and genre-specific analysis from years of photographic experience, this detailed head-to-head equips you with the nuanced knowledge to make an informed camera choice that fits your style and ambition.
Happy shooting!
Images used courtesy of product specifications and hands-on review archives.
Panasonic ZS80 vs Sony NEX-C3 Specifications
Panasonic Lumix DC-ZS80 | Sony Alpha NEX-C3 | |
---|---|---|
General Information | ||
Company | Panasonic | Sony |
Model type | Panasonic Lumix DC-ZS80 | Sony Alpha NEX-C3 |
Also referred to as | Lumix DC-TZ95 | - |
Category | Small Sensor Superzoom | Entry-Level Mirrorless |
Revealed | 2018-02-18 | 2011-08-22 |
Body design | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | Venus Engine | Bionz |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23.4 x 15.6mm |
Sensor area | 28.1mm² | 365.0mm² |
Sensor resolution | 20 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest Possible resolution | 5184 x 3888 | 4912 x 3264 |
Maximum native ISO | 3200 | 12800 |
Maximum enhanced ISO | 6400 | - |
Minimum native ISO | 80 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | - | 25 |
Lens | ||
Lens mount type | fixed lens | Sony E |
Lens zoom range | 24-720mm (30.0x) | - |
Maximal aperture | f/3.3-6.4 | - |
Macro focusing range | 3cm | - |
Number of lenses | - | 121 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Screen type | Tilting | Tilting |
Screen sizing | 3" | 3" |
Resolution of screen | 1,040 thousand dot | 920 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | - | TFT Xtra Fine LCD |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,330 thousand dot | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.53x | - |
Features | ||
Min shutter speed | 4 secs | 30 secs |
Max shutter speed | 1/2000 secs | 1/4000 secs |
Max silent shutter speed | 1/16000 secs | - |
Continuous shutter speed | 10.0fps | 6.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 5.60 m (with Auto ISO) | no built-in flash |
Flash options | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Max flash sync | - | 1/160 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 3840x2160 | 1280x720 |
Video data format | MPEG-4, H.264 | MPEG-4 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 327g (0.72 lbs) | 225g (0.50 lbs) |
Physical dimensions | 112 x 69 x 42mm (4.4" x 2.7" x 1.7") | 110 x 60 x 33mm (4.3" x 2.4" x 1.3") |
DXO scores | ||
DXO Overall rating | not tested | 73 |
DXO Color Depth rating | not tested | 22.7 |
DXO Dynamic range rating | not tested | 12.2 |
DXO Low light rating | not tested | 1083 |
Other | ||
Battery life | 380 photographs | 400 photographs |
Style of battery | Battery Pack | Battery Pack |
Battery ID | - | NPFW50 |
Self timer | Yes | Yes (2 or 10 sec, 10 sec 3 or 5 images) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC (UHS-I supported) | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | Single | Single |
Cost at release | $448 | $343 |