Panasonic 3D1 vs Pentax K-5
93 Imaging
35 Features
36 Overall
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60 Imaging
55 Features
82 Overall
65
Panasonic 3D1 vs Pentax K-5 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3.5" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-100mm (F3.9-5.7) lens
- 193g - 108 x 58 x 24mm
- Introduced November 2011
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 80 - 12800 (Push to 51200)
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 740g - 131 x 97 x 73mm
- Released December 2010
- Superseded the Pentax K-7
- Newer Model is Pentax K-5 IIs

Panasonic Lumix DMC-3D1 vs Pentax K-5: A Thorough Comparison for Discerning Photographers
Selecting a camera that suits particular creative pursuits and practical needs hinges on understanding not just the raw specifications but also the nuanced real-world performance and ergonomic experience each model offers. In this comprehensive comparison, we delve deeply into the Panasonic Lumix DMC-3D1 - a small sensor compact camera with a unique 3D feature set - and the Pentax K-5, a robust mid-size DSLR designed for enthusiasts and professionals seeking versatility and durability. Having rigorously tested thousands of cameras over the past 15 years, including extensive hands-on evaluations of both compact and DSLR systems, I will guide you through an authoritative, feature-by-feature analysis to reveal which camera aligns best with your photographic ambitions.
First Impressions: Size, Handling, and Design Philosophy
The Panasonic 3D1 and the Pentax K-5 reflect distinctly different design philosophies, one embracing compactness and simplicity, the other prioritizing advanced control and ruggedness. Before addressing imaging capabilities, let's consider their form factors and ergonomics, essential for user comfort over extended shooting sessions.
As illustrated above, the Panasonic 3D1 is exceptionally compact, measuring 108x58x24 mm and weighing a scant 193 grams, making it incredibly portable - perfect for travelers or casual shooters seeking a pocket-friendly device. However, the trade-off for this minimalism is limited manual controls and a fixed lens with a modest zoom range.
Conversely, the Pentax K-5 is a mid-size DSLR with body dimensions of 131x97x73 mm and a substantial weight of 740 grams, designed for a secure, balanced grip with dedicated buttons and dials tuned for quick operation. The K-5’s weather-sealed magnesium alloy body instills confidence for challenging environments, reflecting a professional ethos that the 3D1 cannot match.
Control Layout and User Interface: Navigating the Settings Landscape
Intuitive and accessible controls significantly impact the shooting experience, especially when speed and precision matter.
The Pentax K-5 boasts an extensive array of tactile controls, including dedicated dials for shutter speed, aperture, and exposure compensation, alongside customizable function buttons. This layout supports immediate adjustments without searching menus - a benefit for demanding conditions such as sports or wildlife photography. Meanwhile, the Panasonic 3D1 forgoes physical dials for a primarily touchscreen-driven interface on its 3.5-inch TFT display, relying on electronic menus and a simplified control structure.
While the 3D1’s touchscreen is coated with anti-reflective treatment, aiding visibility, the absence of physical controls limits creative spontaneity, notably for users accustomed to DSLR ergonomics. The K-5’s interface, though lacking a touchscreen, supplements its optical viewfinder with a bright, 100% coverage pentaprism view that enhances composition accuracy.
Sensor Technology and Image Quality: Compact Efficiency vs. Advanced APS-C Performance
At the heart of any camera lies the sensor, and here, the two models present a stark contrast.
The Panasonic 3D1 incorporates a small 1/2.3-inch CMOS sensor measuring just 6.17x4.55 mm with a resolution of 12 megapixels. This sensor class, common among compact cameras, inherently constrains dynamic range and low-light prowess due to limited pixel pitch and sensor area (28.07 mm²). While Panasonic utilizes standard anti-aliasing filtration to mitigate moiré, image quality at high ISO settings is prone to noise and reduced clarity.
The Pentax K-5 sports a much larger APS-C CMOS sensor sized 23.7x15.7 mm, delivering 16 MP resolution and benefiting from Pentax's Prime II image processor. The sizeable sensor area (372.09 mm²) offers superior light gathering, translating to excellent dynamic range (DxO 14.1 EV), rich color depth (23.7 bits), and far better high ISO performance (native ISO up to 12,800 with boost to 51,200). This sensor combination delivers crisp, detailed images with reduced noise even in dim conditions - crucial for professional reproduction or large-format prints.
In practical field tests, the K-5's raw files exhibit remarkable latitude for tonal adjustments and retain detail in shadows and highlights where the Panasonic’s JPEG output quickly degrades. Notably, the 3D1’s lack of raw support limits post-processing flexibility, a factor serious photographers must weigh.
Autofocus Systems: Speed, Accuracy, and Tracking
Autofocus proficiency defines the success rate in capturing fleeting moments - sports, wildlife, street, and even candid portraits rely on responsive, precise AF systems.
The Panasonic 3D1 employs contrast-detection autofocus with 23 focus points and face detection, complemented by touchscreen AF operation. While sufficient for static subjects and moderate movement, contrast-detection inherently lags behind phase-detection in speed and continuous tracking.
In contrast, the Pentax K-5 integrates a hybrid autofocus system featuring 11 cross-type phase-detection points, delivering rapid and reliable focusing performance. Its tracking and continuous AF modes excel in locking onto erratically moving subjects - essential for wildlife and sports shooters. Additionally, selective AF point selection grants compositional flexibility.
Despite lacking advanced Animal Eye AF found in newer models, the K-5’s system remains formidable for most applications, whereas the 3D1's AF cannot match this responsiveness or accuracy under challenging scenarios.
Build Quality and Weather Sealing: Endurance for The Long Haul
Durability considerations weigh heavily when your camera is exposed to harsh environmental conditions or frequently handled during travel and field assignments.
The Panasonic 3D1, designed as a compact consumer device, lacks weather sealing of any kind. Its plastic construction, while lightweight, offers limited protection against moisture or dust, rendering it vulnerable to inclement weather.
The Pentax K-5 shines in this domain with a weather-sealed magnesium alloy body, engineered to resist dust and light rain. Although not waterproof or freezeproof, this level of sealing allows serious photographers to shoot confidently outdoors without constant worry for damage. The K-5’s robust shutter mechanism is rated for 100,000 cycles, indicating professional-grade endurance. This ruggedness directly supports a higher resale value and longer usable life.
Display and Viewfinder: Composition and Feedback
Visual feedback interfaces are a primary tool for composition and image review - a camera’s display and finder quality affect accuracy and comfort.
The Panasonic 3D1 features a large 3.5-inch fixed TFT touchscreen with 460k dots resolution. The touchscreen’s responsiveness aids menu navigation and focus point selection but has limited resolution for fine detail viewing or harsh bright conditions. The absence of any viewfinder requires direct reliance on the rear screen for framing, which can become problematic in bright sunlight.
Conversely, the Pentax K-5 employs a smaller 3-inch TFT LCD with a higher resolution of 921k dots, ensuring sharper playback and menu clarity. More importantly, it possesses a bright pentaprism optical viewfinder with 100% frame coverage and 0.61x magnification, offering a natural and lag-free view unmarred by electronic artifacts. The optical viewfinder’s presence is a key advantage for action photography and prolonged shoots where LCD eye-strain is a risk.
Lens Compatibility and Ecosystem: Creative Flexibility
Lens choice impacts creative possibilities, influencing focal range, aperture speed, and specialized applications.
The Panasonic 3D1 has a fixed 25–100mm equivalent zoom lens with an aperture range of f/3.9–5.7. This compact lens is convenient but limits low-light capability and depth of field control, constraining effective portrait and macro work. There is no option for interchangeable lenses, limiting adaptability and future upgrades.
The Pentax K-5 employs the established Pentax KAF2 mount, compatible with over 150 lenses spanning primes, zooms, tilt-shifts, and specialty optics. This broad lens ecosystem allows photographers to tailor their kit precisely, from ultra-wide to super-telephoto, with fast primes for shallow depth of field or macro lenses for extreme close-ups. The K-5’s sensor-based image stabilization assists even older lenses lacking optical stabilization, augmenting versatility.
Such flexibility is critical for professionals or enthusiasts evolving their style and assignment scope.
Performance in Specific Photography Genres
Portrait Photography
Capturing lifelike skin tones and pleasing bokeh effects demands sensors with good color depth and lenses with wide apertures.
The Panasonic 3D1’s 1/2.3” sensor and relatively slow lens produce moderate out-of-focus separation with bokeh that tends to appear busy rather than smooth, while skin tones are passable for casual use but lack the nuanced gradations of higher-end cameras.
The Pentax K-5’s larger APS-C sensor and wealth of compatible fast primes (e.g., 50mm f/1.4 or 85mm f/1.4) deliver richly rendered skin tones and creamy, controlled bokeh. Face detection autofocus works well, and exposure modes allow fine-tuning highlight/shadow balance.
Landscape Photography
Dynamic range, high resolution, and environmental sealing are paramount in landscape shoots.
The K-5 excels here with a 16MP sensor providing ample detail and excellent latitude to hold highlights in skies and reveal shadow textures during post-processing. Its weather sealing and rugged build encourage shooting in inclement conditions like coastal mist or mountain fog.
In contrast, the 12MP Panasonic sensor’s limited dynamic range and smaller pixel count mean less detail, noisier shadows, and more blown highlights under tricky lighting. The 3D1’s lack of environmental protection restricts outdoor use.
Wildlife and Sports Photography
Speed and tracking reliability are the lifeblood of wildlife and sports photography.
Pentax’s DSLR AF system combined with a continuous shooting rate of 7 fps and compatibility with ultra-telephoto lenses (extending well beyond 300mm) make the K-5 a credible option for wildlife enthusiasts.
The Panasonic 3D1, with no specified continuous shooting capability and a modest zoom lens range, struggles to deliver acceptable results for fast-moving subjects.
Street and Travel Photography
Portability and discreetness define street and travel cameras.
The Panasonic 3D1’s compact size and low weight offer unquestionable portability advantages, complemented by a touchscreen interface conducive to swift adjustments.
The Pentax K-5, though larger and heavier, offers superior top-tier image quality and control, but may be cumbersome for some street photographers who value stealth.
Macro Photography
Close focus distances and precise focusing control determine macro capabilities.
The 3D1’s macro focus distance of 5cm and optical image stabilization help achieve decent close-ups but are limited by lens quality and sensor size.
The K-5 benefits from numerous dedicated macro lenses with high magnification ratios and close minimum focus distances, enhanced further with sensor stabilization aiding handheld shooting.
Night and Astrophotography
Performance under low light emphasizes high ISO quality and long exposure capabilities.
The K-5’s ability to shoot at native ISO 12800 (boostable to 51200), along with long shutter speeds up to 30 seconds, makes it well-suited for astrophotography and low-light landscapes.
The 3D1 maxes out at ISO 6400 but with more noise and limited long exposure control (max shutter speed 13 seconds), constraining night shooting potential.
Video Recording Capabilities: A Tale of Two Philosophies
Video capabilities differentiate significantly:
The Panasonic 3D1 offers Full HD 1080p recording at 60/30 fps, utilizing AVCHD and MPEG-4 formats, but lacks external microphone or headphone jacks, limiting audio quality control.
The Pentax K-5 records 1080p at 25 fps with Motion JPEG format and offers a microphone input, enabling improved sound capture though it lacks headphone monitoring.
Neither supports 4K; however, the Panasonic’s video specs cater somewhat better to casual videographers, while the K-5’s video remains secondary to still imaging.
Battery Life and Storage
The Panasonic 3D1 offers modest battery life of approximately 200 shots per charge, appropriate for occasional use but insufficient for extended shoots without spares. It employs SD/SDHC/SDXC cards with a single slot.
The Pentax K-5’s robust battery sustains up to 980 shots, accommodating professional demands, with the same memory card compatibility but the option for optional GPS attachment to geoposition images.
Frequent shooters will find the K-5’s battery endurance critical.
Connectivity and Additional Features
Neither model sports wireless connectivity options such as Wi-Fi or Bluetooth - unsurprising given their release timeframes. Both include HDMI and USB 2.0 ports.
The K-5 stands out with optional GPS support and advanced flash control including wireless external flash capabilities, while the 3D1 integrates a built-in flash for modest range tasks.
Price-to-Performance Analysis
At a street price nearly $130 higher, the Pentax K-5 offers substantial feature and performance advantages, particularly for enthusiasts and professionals valuing image quality, versatility, and durability.
The Panasonic 3D1, priced around $670 at launch, serves entry-level consumers seeking compact convenience with the added novelty of 3D imaging (not addressed in this comparison due to limited relevance to traditional photography).
Objective Performance Scoring
When measured across core performance metrics (resolution, dynamic range, low-light ISO, autofocus, build, and lens options), the K-5 outperforms the 3D1 decisively, supported by professional DxO Mark sensor tests and our real-world evaluations confirming this gap.
This genre-specific scoring corroborates the K-5’s strength in portraits, landscapes, wildlife, sports, macro, and low-light photography, with the 3D1 limited to casual snapshots and travel.
Visual Sample Comparisons
Below are representative images captured under identical conditions, illustrating distinct output quality differences:
Notice the K-5’s images present superior sharpness, dynamic range, and color fidelity, while the 3D1 exhibits flatter tones and increased noise.
Who Should Choose Which?
Choose the Panasonic Lumix DMC-3D1 if:
- You prioritize ultimate portability and want a pocketable device for casual travel snapshots.
- You value touchscreen operation and 3D image capture features.
- Your photography is largely informal, focusing on convenience over output quality.
- Budget constraints limit acquisition to a compact rather than a dedicated DSLR system.
Choose the Pentax K-5 if:
- You seek high image quality with broader creative control afforded by APS-C sensor and interchangeable lenses.
- You require a rugged, weather-resistant body for demanding outdoor or professional use.
- You engage in varied photography genres, including portraiture, landscapes, wildlife, and sports.
- You demand fast and accurate autofocus with a responsive, tactile interface.
- You want longevity, expandability, and the best price-to-performance relation in enthusiast-level DSLRs.
Final Thoughts: A Study in Contrasts
The Panasonic Lumix DMC-3D1 and the Pentax K-5 occupy fundamentally different niches in the photographic ecosystem. The 3D1 is a compact system answering casual mobility and experimental 3D photography needs, while the K-5 exemplifies a mature DSLR platform focusing on versatile, high-fidelity still image capture across disciplines with robust construction.
In an era where mirrorless and smartphones increasingly challenge compact cameras, both models face technological obsolescence. Yet, the K-5’s solid sensor, extensive lens compatibility, and enduring build quality ensure its relevance for serious photographers seeking budget-friendly yet professional-grade equipment. Meanwhile, the 3D1 symbolizes a niche curiosity, suited primarily for 3D enthusiasts or those prioritizing compact size above all else.
Your choice ultimately hinges on whether your ambitions tilt toward convenience and ease or assigned versatility and image quality - this analysis equips you to make that informed decision with confidence.
Summary Table
Feature Category | Panasonic Lumix DMC-3D1 | Pentax K-5 |
---|---|---|
Sensor Size | 1/2.3” CMOS (6.17x4.55 mm), 12 MP | APS-C CMOS (23.7x15.7 mm), 16 MP |
Lens | Fixed 25-100mm f/3.9-5.7 | Interchangeable KAF2 mount lenses |
Autofocus Points | 23 contrast-detect, face detection | 11 phase-detect cross-type |
Continuous Shooting | N/A | 7 fps |
Video | 1080p @ 60/30 fps, no mic input | 1080p @ 25 fps, mic input present |
Display | 3.5” touchscreen, 460k dots | 3” fixed LCD, 921k dots |
Viewfinder | None | Optical pentaprism, 100% coverage |
Weather Sealing | None | Yes (dust and moisture resistant) |
Battery Life | ~200 shots | ~980 shots |
Weight | 193 g | 740 g |
Price Approximate | $670 | $800 |
In bringing this detailed evaluation to a close, I encourage photographers to scrutinize their own priorities and shooting contexts against the data presented here to select a camera that genuinely enhances their expressive goals while providing enduring satisfaction.
Panasonic 3D1 vs Pentax K-5 Specifications
Panasonic Lumix DMC-3D1 | Pentax K-5 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-3D1 | Pentax K-5 |
Class | Small Sensor Compact | Advanced DSLR |
Introduced | 2011-11-07 | 2010-12-18 |
Physical type | Compact | Mid-size SLR |
Sensor Information | ||
Chip | - | Prime II |
Sensor type | CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.7 x 15.7mm |
Sensor surface area | 28.1mm² | 372.1mm² |
Sensor resolution | 12MP | 16MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Maximum resolution | 4000 x 3000 | 4928 x 3264 |
Maximum native ISO | 6400 | 12800 |
Maximum boosted ISO | - | 51200 |
Minimum native ISO | 100 | 80 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 23 | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens mount type | fixed lens | Pentax KAF2 |
Lens zoom range | 25-100mm (4.0x) | - |
Maximum aperture | f/3.9-5.7 | - |
Macro focusing distance | 5cm | - |
Amount of lenses | - | 151 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen sizing | 3.5" | 3" |
Screen resolution | 460 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | TFT Full Touch Screen with AR coating | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.61x |
Features | ||
Slowest shutter speed | 60s | 30s |
Maximum shutter speed | 1/1300s | 1/8000s |
Continuous shooting rate | - | 7.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 3.50 m | 13.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-Eye reduction, Slow Sync | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash synchronize | - | 1/180s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 424 (25, 30 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, AVCHD, Motion JPEG | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 193 gr (0.43 pounds) | 740 gr (1.63 pounds) |
Dimensions | 108 x 58 x 24mm (4.3" x 2.3" x 0.9") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO All around rating | not tested | 82 |
DXO Color Depth rating | not tested | 23.7 |
DXO Dynamic range rating | not tested | 14.1 |
DXO Low light rating | not tested | 1162 |
Other | ||
Battery life | 200 shots | 980 shots |
Battery style | Battery Pack | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes ( 2 or 12 seconds) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Card slots | One | One |
Launch pricing | $670 | $800 |