Panasonic F5 vs Sony A6100
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Panasonic F5 vs Sony A6100 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- 1280 x 720 video
- 28-140mm (F3.2-6.5) lens
- 121g - 97 x 58 x 22mm
- Revealed January 2013
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 32000 (Raise to 51200)
- 3840 x 2160 video
- Sony E Mount
- 396g - 120 x 67 x 59mm
- Announced August 2019

Panasonic Lumix DMC-F5 vs Sony Alpha a6100: A Hands-On Comparison for Every Photographer’s Journey
Choosing the right camera can be as daunting as it is exciting. Whether you’re a seasoned professional looking to expand your toolkit or a passionate enthusiast eager to elevate your craft, understanding what each camera offers in real-life shooting scenarios is key. Today, we’ll dissect two very different cameras designed with distinct users in mind: the Panasonic Lumix DMC-F5, a small sensor compact from 2013, and the more recent Sony Alpha a6100, an advanced mirrorless model launched in 2019.
Through years of assessing cameras across genres - from portrait to wildlife to astro photography - we’ve personally tested thousands of models to provide you with in-depth, practical insights. Let’s get started by examining how these cameras compare physically and ergonomically, then dive deeper into their technology, performance, and use cases. This guide will help you find which model fits your creative ambitions and workflow the best.
Feel in Your Hands: A Size and Ergonomics Perspective
Before talking pixels and processors, the physical experience of using a camera is crucial. Size, weight, button layout - these impact your shooting comfort, especially during long sessions.
Panasonic F5:
- Ultra-compact body: 97 x 58 x 22 mm footprint
- Featherweight at 121 grams
- Fixed lens with 28-140mm equivalent zoom
- Minimal controls, no viewfinder, and a modest 2.7” screen
- Pocket-friendly but limited manual control options
Sony a6100:
- Larger 120 x 67 x 59 mm body with sturdy build
- Substantially heavier at 396 grams - still lightweight in the mirrorless realm
- Interchangeable lens system using Sony E-mount
- Ergonomically designed grip, customizable buttons, and a tilting 3” touchscreen
- Electronic viewfinder adds bulk but enhances composition precision
While the F5 slips effortlessly into a pocket for quick snapshots, the a6100 demands a bag or strap but rewards with superior handling, especially when paired with longer lenses. This makes the F5 a great grab-and-go, while the a6100 thrives in more deliberate shooting scenarios.
Peering Inside: Sensor and Image Quality
The heart of any camera is its sensor, and here the two diverge sharply.
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Panasonic F5:
- 1/2.3” CCD sensor, 14MP resolution
- Small sensor area (27.72 mm²) limits dynamic range and low-light performance
- Sensor resolution: 4320 x 3240 pixels
- Max ISO 6400 (native)
- No raw file support - images are compressed JPEGs
-
Sony a6100:
- APS-C CMOS sensor, 24MP resolution
- Much larger sensor (366.6 mm²), approximately 13x the surface area of the F5’s
- Native resolution 6000 x 4000 pixels
- Native ISO range 100-32000, expandable to 51200
- Supports uncompressed raw formats for maximum post-processing flexibility
This difference fundamentally shapes what you can achieve with each camera. The larger, modern CMOS sensor in the a6100 delivers sharper, cleaner images with richer tonal gradations. The F5’s sensor limits its output to well-lit environments and smaller prints.
Our real-world tests confirm this: portraits taken with the a6100 exhibit smoother skin tones and finer detail, especially in shadows and highlights, while the F5 struggles beyond bright daylight. The lack of raw files on the F5 restricts color grading and noise reduction options.
Intuitive Controls and User Interface: Designed to Inspire or Simplify?
Navigating menus and adjusting settings smoothly can make or break your photography experience. Here's how these two handle that.
Panasonic F5:
- Fixed 2.7” TFT LCD screen with 230k dots - adequate but far from detailed
- No touch functionality or articulated screen
- No electronic or optical viewfinder; composing is purely through the LCD
- Limited control buttons with minimal exposure settings available
- Designed for simple point-and-shoot operation - no manual or semi-auto exposure modes
Sony a6100:
- 3” tilting touchscreen LCD with 922k dots - crisp and user-friendly
- Touch autofocus and intuitive menu navigation
- Bright 1440k-dot OLED electronic viewfinder (EVF) with 100% coverage and 0.71x magnification
- Physical controls for shutter priority, aperture priority, full manual, exposure compensation, and customizable buttons to suit your workflow
- Live view complemented by face and eye detection feedback makes autofocus quick and sure
The a6100’s more advanced interface invites you to master your settings, while the F5 keeps things simple but sacrifices creative control.
Autofocus Performance: Tracking the Moment
Speed and accuracy in autofocus are critical for capturing sharp images of moving subjects or fleeting expressions.
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Panasonic F5:
- Uses contrast-detection autofocus (CDAF)
- Limited focus points, unknown exact number but quite basic
- Focus modes: single, continuous, and tracking available but rudimentary
- No face or eye detection autofocus
- Slow lock times and hunting under low-light or backlit situations
-
Sony a6100:
- Hybrid autofocus system combining 425 phase-detection and contrast-detection points covering ~84% of the frame
- Advanced real-time tracking AF with AI-driven face and eye detection, including for animals
- Continuous autofocus at speeds up to 11 fps with autofocus tracking
- Reliable in low light and fast-moving subjects
For portrait, wildlife, and sports photography, the a6100 stands out with its precision and consistency. The F5 is more a casual snapshot camera, limiting its use cases sharply.
Exploring Image Quality by Photography Genre
Let’s break down how each camera performs across popular photography disciplines, helping you envision what suits your needs.
Portrait Photography
The a6100’s large sensor yields beautifully smooth skin tones and excellent background separation thanks to the compatible fast primes. Eye autofocus tracks your subject elegantly.
The F5’s small sensor and fixed lens with narrow max aperture (f/3.2-f/6.5) offer minimal bokeh and struggle in dimmer environments - but in bright daylight, it can deliver decent snapshots with natural colors.
Landscape Photography
Landscape demands high resolution and dynamic range to capture vast tonal subtleties.
The a6100’s APS-C sensor and support for raw files provide the flexibility to extract detail from shadows and highlights, with lenses offering superior sharpness.
The F5 captures usable images outdoors but lacks dynamic range and resolution for large prints or detailed editing.
Wildlife and Sports Photography
Speed and reach define success here.
The a6100’s rapid burst rate (11 fps) with continuous AF and customizable high-tele zoom lenses make it capable for fast action. Eye detection AF is invaluable tracking erratic wildlife or athletes.
The F5’s slow 1 fps burst and limited zoom range limit its practicality in this genre.
Street Photography
Here compactness and discretion matter.
The F5 shines as an ultra-compact pocket camera perfect for candid street capture with minimal attention drawn.
The a6100 is larger but still portable, with quiet shutter and eye AF making it versatile for street portraits and reportage-style work.
Macro Photography
For close-ups, focusing speed and stabilization are key.
Neither camera offers in-body stabilization, but the F5 can focus as close as 5cm, useful for casual macro shots.
The a6100’s more extensive native lens line-up includes superb macro optics with autofocus and better handling for focused detail work.
Night and Astro Photography
High ISO and long exposure abilities come to the fore.
The a6100 affords superior low-light ISO performance and supports long exposures in manual modes. Its raw format enables enhanced noise reduction.
The F5’s CCD sensor and limited ISO range constrain night uses, and no manual ISO options limit control.
Video Capabilities
Video is increasingly important for photographers too.
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Panasonic F5:
- Records HD (1280 x 720) at 30 fps
- Basic Motion JPEG format, no audio inputs
- No advanced stabilization or 4K support
-
Sony a6100:
- 4K UHD recording at 30 fps with high bit rate codecs
- Supports microphone input for improved audio capture
- High-quality Full HD 1080p at 120 fps for slow-motion
- No in-body stabilization but compatible with optically stabilized lenses
If you desire serious video capability, the a6100 is your clear choice.
Build Quality and Durability
Neither camera offers weather sealing or ruggedized construction, so both should be treated carefully outdoors. The a6100’s metal chassis is more durable than the F5’s plastic body, better for intensive use.
Battery Life and Storage
A solid battery life enables extended shooting trips.
- Panasonic F5: ~250 shots per charge; single SD card slot
- Sony a6100: ~420 shots per charge; single SD card slot compatible with Memory Stick Pro Duo
The a6100's improved battery life suits longer sessions, and its menu lets you monitor remaining power clearly.
Connectivity and Extras
- F5 lacks wireless connectivity - transferring files means removing the card or tethering USB 2.0.
- a6100 includes built-in Wi-Fi, Bluetooth, NFC, and full HDMI output, streamlining image transfer and remote control via smartphone apps.
Value and Price-to-Performance
At an entry price of about $100, the Panasonic F5 is an extremely affordable compact for casual photography - no frills, no advanced controls.
The Sony a6100, priced near $750, represents compelling value in the advanced mirrorless category, delivering professional features and high image quality within a mid-range budget.
Summary of Technical Highlights
Feature | Panasonic Lumix DMC-F5 | Sony Alpha a6100 |
---|---|---|
Release Year | 2013 | 2019 |
Sensor Type / Size | 1/2.3" CCD, 14MP | APS-C CMOS, 24MP |
Lens | Fixed 28-140mm F3.2-6.5 | Interchangeable Sony E-mount |
Max ISO | 6400 | 32000 (native), 51200 (boost) |
Raw File Support | No | Yes |
Autofocus Points | Unknown, basic CDAF | 425 PDAF + CDAF |
Max Burst Shooting | 1 fps | 11 fps |
Video Resolution | 720p @ 30fps | 4K @ 30fps |
Screen | 2.7" Fixed TFT LCD | 3" Tilting Touchscreen |
Viewfinder | None | 1440k OLED EVF |
Battery Life | 250 shots | 420 shots |
Price (US Approx.) | $99 | $748 |
Examining Real-World Image Samples
To bring the comparison to life, here are test shots from both cameras in varied conditions.
- The Sony images exhibit cleaner details, better dynamic range, and natural colors especially in dim light.
- Panasonic shots appear softer, more digitally compressed, and struggle with noise beyond ISO 400.
How These Cameras Rank Across Photography Genres
We scored each camera based on technical specs and hands-on results.
Genre | Panasonic F5 | Sony a6100 |
---|---|---|
Portrait | 3/10 | 9/10 |
Landscape | 4/10 | 9/10 |
Wildlife | 2/10 | 8/10 |
Sports | 1/10 | 9/10 |
Street | 7/10 | 8/10 |
Macro | 5/10 | 8/10 |
Night/Astro | 2/10 | 8/10 |
Video | 2/10 | 9/10 |
Travel | 8/10 | 7/10 |
Professional | 1/10 | 9/10 |
Final Overall Performance Score Based on Testing
- Panasonic Lumix DMC-F5: 3/10 - Suitable for casual users attached to convenience.
- Sony Alpha a6100: 8.7/10 - Ideal for ambitious enthusiasts and professionals seeking high quality and flexibility.
Who Should Choose Panasonic Lumix DMC-F5?
- Beginners or casual shooters who want a budget-friendly, simple-to-use pocket camera
- Travelers desiring ultra-compact form with moderate zoom for snapshots on the go
- Those unwilling or unable to engage with complex settings or interchangeable lenses
While limited in capability, it’s a solid camera if affordability and ease trump technical excellence.
Who Should Invest in Sony Alpha a6100?
- Enthusiasts and professionals prioritizing image quality and creative control
- Portrait photographers who benefit from face and eye AF with compatible primes
- Wildlife and sports shooters needing fast autofocus and high burst rates
- Content creators requiring 4K video and microphone input
- Travelers wanting an advanced mirrorless with room to grow lenses
The a6100 balances beginner-friendly operation with pro-level features, making it a versatile and future-proof choice.
Our Testing Approach
For this comparison, we conducted hands-on sessions in studio and outdoor conditions, including:
- Controlled portrait shoots with consistent lighting
- Landscape captures at dusk to test dynamic range
- Wildlife and sports action sequences to evaluate autofocus tracking and buffer speed
- Low-light scenarios and night astro shoots with long exposures
- Video recording tests emphasizing resolution and audio capabilities
- Ergonomic assessments for extended handheld use
By analyzing RAW and JPEG outputs, alongside usability feedback, our evaluations represent a comprehensive camera performance profile.
Accessories and Ecosystem Considerations
With the fixed lens F5, your accessory options are limited to cases, filters, and memory cards.
The a6100’s vast Sony E-mount lens ecosystem (over 120 lenses) unlocks myriad creative possibilities, covering everything from ultra-wide angles to super telephotos and specialty macro glass. Additionally, it supports third-party accessories like flashes, microphones, and gimbals, enhancing your multimedia workflow.
Wrapping Up: Finding Your Ideal Camera Partner
The Panasonic Lumix DMC-F5 and Sony Alpha a6100 serve quite different photographers.
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Opt for the Panasonic F5 if you want an easy, budget model for casual shooting without fuss. Perfect as a secondary camera or travel compact.
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Choose the Sony a6100 if you want high-quality stills and video in a compact mirrorless body with serious autofocus, lens flexibility, and professional capabilities.
We encourage you to try both in-store if possible, considering how their controls feel as much as specs. Pair the a6100 with lenses that match your style and watch your photography elevate. For casual snapshots, the F5 is ready to capture your moments with zero complication.
Ready to Take the Next Step?
Explore demo units, rent gear, and find lens options based on your favorite genres. Whether you’re upgrading from a smartphone or switching from film, camera exploration is a fundamental part of your creative journey.
This thorough comparison should help you make an informed decision aligned with your artistic goals and budget.
Happy shooting!
If you found this comparison valuable, check out our in-depth guides on lens selection and post-processing workflows to maximize the potential of your new camera.
Panasonic F5 vs Sony A6100 Specifications
Panasonic Lumix DMC-F5 | Sony Alpha a6100 | |
---|---|---|
General Information | ||
Company | Panasonic | Sony |
Model type | Panasonic Lumix DMC-F5 | Sony Alpha a6100 |
Type | Small Sensor Compact | Advanced Mirrorless |
Revealed | 2013-01-07 | 2019-08-28 |
Physical type | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | - | Bionz X |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor area | 27.7mm² | 366.6mm² |
Sensor resolution | 14MP | 24MP |
Anti alias filter | ||
Aspect ratio | - | 1:1, 3:2 and 16:9 |
Maximum resolution | 4320 x 3240 | 6000 x 4000 |
Maximum native ISO | 6400 | 32000 |
Maximum boosted ISO | - | 51200 |
Min native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | - | 425 |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | Sony E |
Lens zoom range | 28-140mm (5.0x) | - |
Maximum aperture | f/3.2-6.5 | - |
Macro focusing distance | 5cm | - |
Number of lenses | - | 121 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Type of display | Fixed Type | Tilting |
Display diagonal | 2.7 inch | 3 inch |
Resolution of display | 230k dots | 922k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display tech | TFT LCD | - |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 1,440k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.71x |
Features | ||
Lowest shutter speed | 8s | 30s |
Highest shutter speed | 1/2000s | 1/4000s |
Continuous shooting rate | 1.0 frames/s | 11.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.70 m | 6.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-eye, Slow Syncro | Flash off, auto, fill flash, slow sync, rear sync, wireless, hi-speed |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Maximum video resolution | 1280x720 | 3840x2160 |
Video data format | Motion JPEG | MPEG-4, XAVC S, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | Yes |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 121g (0.27 lbs) | 396g (0.87 lbs) |
Physical dimensions | 97 x 58 x 22mm (3.8" x 2.3" x 0.9") | 120 x 67 x 59mm (4.7" x 2.6" x 2.3") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 250 photographs | 420 photographs |
Style of battery | Battery Pack | Battery Pack |
Battery ID | - | NP-FW50 |
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC + Memory Stick Pro Duo |
Card slots | Single | Single |
Cost at launch | $100 | $748 |