Panasonic FH1 vs Panasonic FZ1000
95 Imaging
35 Features
17 Overall
27


55 Imaging
51 Features
80 Overall
62
Panasonic FH1 vs Panasonic FZ1000 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-140mm (F2.8-6.9) lens
- 163g - 98 x 55 x 23mm
- Announced January 2010
- Also referred to as Lumix DMC-FS10
(Full Review)
- 20MP - 1" Sensor
- 3" Fully Articulated Display
- ISO 125 - 12800 (Push to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 25-400mm (F2.8-4.0) lens
- 831g - 137 x 99 x 131mm
- Introduced June 2014
- Refreshed by Panasonic FZ2500

Panasonic Lumix FH1 vs. Lumix FZ1000: A Deep Dive into Two Distinct Eras of Superzoom Photography
When considering a camera purchase, especially within the Panasonic Lumix lineup, it’s crucial to understand not just the headline specifications but also how each model performs across the diverse realities of photographic use. The Panasonic Lumix DMC-FH1 and the Panasonic Lumix DMC-FZ1000 represent two vastly different points in the evolution of consumer bridge cameras and superzoom compacts. While they share the Lumix badge and a commitment to convenience, their release date gap of four years, sensor designs, and feature sets cater to very different user expectations.
This in-depth comparative review draws on extensive real-world testing, technical analysis, and practical use cases to help enthusiasts and professionals alike make an informed choice between these two cameras. Let’s begin by breaking down their fundamental design and hardware distinctions.
Physical Presence and Ergonomics: Size, Weight, and Handling Comfort
At first glance, the Panasonic FH1 and FZ1000 could not be more different physically. The FH1 embodies the classic small sensor compact form factor of its release era (2010), whereas the FZ1000 is a substantial, DSLR-style bridge camera introduced in 2014 with a much larger sensor and advanced control layout.
-
Panasonic FH1: Weighing just 163 grams and measuring a trim 98x55x23mm, this camera fits effortlessly in a jacket pocket or purse, appealing to casual photographers valuing portability or those requiring a truly pocketable superzoom. Its compact size limits physical controls, and it lacks manual exposure modes, making it highly user-friendly for quick point-and-shoot scenarios but less ideal for nuanced control.
-
Panasonic FZ1000: At 831 grams and a notably bulkier 137x99x131mm, the FZ1000 demands a larger bag and carries a weight more typical of DSLR alternatives. This increased girth accommodates a more welcoming handgrip, robust buttons, and control dials, inviting photographers who prioritize ergonomics and manual operability. The heft also aids stability at long focal lengths and during extended shooting sessions.
This difference in form factor underlines two divergent philosophies: the FH1 prioritizes pocketability and casual use, whereas the FZ1000 is designed for enthusiasts seeking DSLR-level control in a fixed-lens camera.
Front and Top Control Architecture: Enabling Intuitive Operation
Expanding on the ergonomic discussion, let’s investigate the cameras’ top panel and button layout, critical indicators of how users interact while shooting.
The FH1, given its size, has a minimalist control scheme with few physical buttons - its top panel includes the shutter release and modest zoom controls, but famously lacks dedicated dials for aperture or shutter speed adjustment. Consequently, reliance on fully automatic shooting modes is expected.
Conversely, the FZ1000 boasts a more mature control setup. You’ll find an exposure compensation dial, dedicated mode dial with manual (M), aperture priority (A), shutter priority (S), and program (P) modes, and a customizable function button. Such features not only encourage creative exploration but also streamline in-depth, professional photographing workflows where rapid settings adjustment is indispensable.
Thus, photographers craving hands-on exposure control with minimal menu diving will naturally gravitate towards the FZ1000.
Sensor and Image Quality: The Core of Photographic Performance
Understanding the sensor specifications and resultant image quality remains one of the most critical differentiators between cameras, directly impacting print quality, dynamic range, and low-light usability.
- Sensor Size and Type: The FH1 is built around a modest 1/2.3" CCD sensor with a 12-megapixel resolution. This small 6.08x4.56mm chip delivers limited dynamic range and poorer noise performance, reflecting propensities toward bright outdoor shooting conditions and casual snapshots.
On the other hand, the FZ1000 incorporates a significantly larger 1" CMOS sensor measuring 13.2x8.8mm, boasting 20 megapixels. The increased sensor area (116.16 mm² versus FH1’s 27.72 mm²) allows for superior image quality - rich tonal gradations, enhanced color depth, and importantly, improved noise control at elevated ISOs. The 1" sensor has been a game-changer in the superzoom bridge camera segment, often rivaling certain entry-level mirrorless cameras in image fidelity.
-
Resolution and Detail: While the FH1 maxes out at a 4000x3000 resolution, the FZ1000 offers up to 5472x3648 pixels, providing more fine detail and cropping flexibility - a substantial advantage for landscape and commercial photographers demanding high-resolution outputs.
-
ISO Performance: The FH1’s maximum native ISO of 6400 is more theoretical than practical, as noise levels become conspicuous beyond ISO 400. The FZ1000’s native ISO range extends from 125 up to 12,800, with ISO 3200 usable in many shooting environments, thanks to advanced sensor technology and image processing. The boosted ISO 25,600, while rarely used, provides added versatility in extreme low-light if combined with post-processing noise reduction.
A genuine step up, the FZ1000 better serves portraits, wildlife, street, and even night/astro photography where low noise at high sensitivity is vital.
LCD Screens, Viewfinders, and User Interface: Real-World Framing and Interaction
User experience during framing and reviewing images hinges significantly on the LCD and viewfinder capabilities. Both differ notably between these two cameras.
-
Panasonic FH1 Screen: A fixed 2.7-inch LCD panel with 230k-dot resolution provides a basic but functional interface for composing and reviewing images. The low resolution limits precision for manual focus checks or procedure refinements. Absence of touchscreen limits menu navigation to button controls - a tolerable compromise on such a compact body.
-
Panasonic FZ1000 Screen and Viewfinder: Featuring a 3-inch fully articulating screen with a detailed 921k-dot display, the FZ1000 excels in offering versatile framing angles, including self-portraits or high- and low-angle shots - a clear benefit for video users and street photographers aiming for discretion.
The electronic viewfinder (EVF) on the FZ1000, with 2.36 million dots, 100% coverage, and 0.7x magnification, satisfies enthusiasts accustomed to optical viewfinders on DSLRs. It presents bright, clear live previews, essential in bright daylight or when precision focusing is necessary.
In contrast, the FH1 lacks any form of viewfinder, limiting its usability in such challenging conditions.
Autofocus Systems and Performance: Capturing the Decisive Moment
A camera’s autofocus (AF) system profoundly influences its behavior across dynamic genres like sports, wildlife, and street photography.
-
FH1 AF System: Utilizes a nine-point contrast-detection system without phase detection or sophisticated tracking capabilities. Single AF mode is the only option; no continuous AF or tracking is available. This limits its ability to capture fast or erratically moving subjects reliably.
-
FZ1000 AF System: Employs a more advanced 49-focus-point contrast-detection AF, supporting continuous AF, face detection, and selective AF modes, with tracking functionality. Although lacking hybrid phase detection or on-sensor phase AF, it nonetheless delivers responsive and accurate performance in varied conditions, effectively addressing wildlife and sports shooting demands where subject movement challenges the autofocus.
Photographers who prioritize speed and precision will find the FZ1000 consistently outperforms the FH1 in acquiring and maintaining focus, especially with moving subjects.
Lens and Zoom Utility: Telephoto Reach and Aperture Considerations
Lens design and focal length coverage define a camera’s shooting versatility, particularly impactful for those shooting diverse genres.
-
Panasonic FH1 Lens: Fixed lens with 5x zoom range equivalent to 28-140mm in 35mm terms, and maximum aperture varying from F2.8 at the wide end to F6.9 at telephoto. While the moderate zoom range is practical for everyday shooting and some casual portraits or landscapes, the narrow aperture at telephoto limits background separation and low-light performance.
-
Panasonic FZ1000 Lens: This superzoom optics package extends from 25mm wide angle to 400mm telephoto (16x zoom), with a fast-max aperture at F2.8 wide and F4 when fully zoomed in. This bright lens not only offers true flexibility to cover macro, portrait, landscape, wildlife, and sports telephoto needs but also facilitates shallower depth of field, better bokeh rendering, and enhanced low-light usability through a wider aperture.
The shorter macro focus distance (3cm vs. 5cm for the FH1) on the FZ1000 enhances macro photography capabilities, expanding its utility for close-up work.
Burst Rates and Shutter Controls: Catching Action in Motion
Rapid frame capture can be pivotal for sports, wildlife, or decisive street photography moments.
-
FH1 Burst Rate: Limited to 6 frames per second (fps), which is respectable in its compact category but lacks advanced buffer depth or continuous autofocus capabilities. Shutter speed tops out at 1/1600 seconds, restricting its ability to freeze very fast motion fully.
-
FZ1000 Burst Rate: Hits a remarkable 12 fps with continuous autofocus - a notable achievement for a bridge camera of its era, enabling efficient capture of fast-moving subjects. Its shutter speeds extend to 1/4000 seconds, providing flexibility in both exposure control and motion freezing.
The superior burst and shutter capabilities of the FZ1000 clearly align it with more serious action-oriented photography.
Build Quality and Environmental Sealing: Durability in Varied Conditions
Neither camera offers extensive weather sealing, dustproofing, or freezeproofing, reflecting their respective market positioning as consumer and enthusiast devices.
-
FH1: Basic plastic compact design with no environmental sealing, typical for a 2010 sub-$200 compact.
-
FZ1000: More robust, SLR-type construction with secure handgrip, though still lacking official weather sealing. Its weight and build meeting enthusiast expectations but not professional ruggedness.
Photographers operating in challenging conditions should employ protective measures or consider higher-tier weather-sealed options.
Video Features: Resolution, Formats, and Usability for Hybrid Shooters
Motion video is now integral to most camera systems, especially bridging still image capture with multimedia content creation.
-
FH1 Video: Records in HD 720p at 30fps using Motion JPEG, an older and inefficient codec resulting in large file sizes and limited editing flexibility.
-
FZ1000 Video: Far more capable, offering true 4K UHD (3840x2160) video at 30fps, plus Full HD 1080p at up to 60fps and logical codec choices including AVCHD and MPEG-4 for better balance of quality and compression. Additionally, it includes time-lapse recording and external microphone input, appealing to multimedia enthusiasts requiring higher quality sound and video.
Despite lacking a headphone jack, the FZ1000’s video-centric features greatly outshine the FH1 and open doors for professional-looking travel vlogs, interviews, and b-roll.
Battery Life and Storage Flexibility
Shooting endurance and flexible media options influence how well a camera fits into travel or prolonged shoots.
-
FH1: Battery specifications are scant; given its compact form and limited electronics demand, expect lower capacity but correspondingly modest power consumption. Uses SD/SDHC/SDXC cards with one slot.
-
FZ1000: Equipped with a robust battery pack (DMW-BLC12PP) rated at approximately 360 shots per charge - well-suited for longer outings and video shooting. Uses a single memory card slot, likely SD compatible but details unspecified.
For enthusiasts demanding higher endurance, the FZ1000’s battery system better addresses active shooting sessions.
Connectivity and Wireless Features: Modern Convenience
Connectivity options support image transfer and remote control flexibility.
-
FH1: Lacks wireless connectivity, NFC, or Bluetooth; USB 2.0 is the sole interface for file transfer.
-
FZ1000: Built-in Wi-Fi and NFC enable wireless image sharing and remote shooting via smartphone apps, enhancing overall convenience in the digital age.
Value Assessment: Price vs. Performance Trade-Offs
With the FH1 retailing around $150 new and the FZ1000 at approximately $800, the FZ1000 commands a premium reflective of its advanced sensor, optics, and features.
While the FH1 offers undeniable value for casual users needing a pocket-friendly zoom shooter, the FZ1000’s superior image quality, manual control, and versatility justify its price for serious enthusiasts and prosumers.
Versatility across Photography Genres: Who is Each Camera For?
Employing a genre-specific lens clarifies situational strengths and weaknesses.
Portrait Photography
- FH1: Limited by small sensor size and slow telephoto aperture, with no eye or face detection autofocus. Bokeh is shallow and less creamy.
- FZ1000: Large sensor and faster lens deliver better skin tone reproduction, accurate face detection AF, and aesthetically pleasing bokeh. Recommended for portraits.
Landscape Photography
- FH1: Modest dynamic range restricts highlight/shadow detail recovery. Lower resolution limits large print quality.
- FZ1000: Superior dynamic range, higher resolution, and articulating screen aid composition. Useful for detailed landscapes.
Wildlife Photography
- FH1: Modest zoom and slow AF render it unsuitable for fast wildlife subjects.
- FZ1000: 400mm reach, fast 12fps burst, continuous AF, making it a competitive choice for entry-level wildlife shooters.
Sports Photography
- FH1: Inadequate AF tracking and shutter ceiling limit capturing action.
- FZ1000: Fast burst, improved AF, and shutter speed make it capable for moderate sports shooting.
Street Photography
- FH1: Small, pocketable, discreet but limited low light autofocus.
- FZ1000: Bulkier and less discreet, yet superior low light performance and articulating screen can aid street candids.
Macro Photography
- FH1: Macro focus at 5cm with limited magnification.
- FZ1000: Closer 3cm focus and high-res sensor improve close-up detail.
Night and Astrophotography
- FH1: Excessive noise at high ISO, no manual modes.
- FZ1000: Low noise at raised ISO, manual exposure supports night/astro creativity.
Video Capabilities
- FH1: Basic HD video, no external mic.
- FZ1000: 4K recording, external mic support, advanced codecs.
Travel Photography
- FH1: Lightweight, pocket-friendly, suited for casual travelers.
- FZ1000: Versatile zoom, advanced features ideal for enthusiast travel photographers willing to carry more gear.
Professional Work
- FH1: Insufficient for professional needs.
- FZ1000: Reliable raw support, manual controls, and video make it a viable backup or secondary professional camera.
Summary Recommendations and Closing Thoughts
After rigorous evaluation and hands-on experience with the Panasonic Lumix FH1 and FZ1000, their distinct niches become manifestly clear.
The Panasonic Lumix FH1 thrives as a lightweight, easy-to-use, entry-level compact suited for newcomers or casual photographers valuing simplicity and portability over technical refinement. It's perfect for snapshots, holiday pictures, or street photography where size and stealth matter most. However, its small sensor, lack of manual control, modest zoom, and subdued video features limit creative versatility.
In contrast, the Panasonic Lumix FZ1000 emerges as a formidable superzoom bridge camera that bridges the gap between compacts and interchangeable-lens systems. Its advanced 1" sensor delivers superior image quality, and the bright 16x zoom lens covers a vast focal range for diverse photography needs. Robust manual controls, a responsive autofocus system, and comprehensive video features respond to the demands of enthusiasts and hybrid shooters seeking creative freedom and professional-grade output without swapping lenses.
In conclusion, photographers whose priorities lie in portability and straightforward operation may find the FH1 appealing for its user-friendliness and affordable price. However, for those aspiring to achieve higher image quality, manual control, or video versatility - in travel, wildlife, portrait, or professional hybrid applications - the FZ1000 represents a substantially more capable, albeit heavier and costlier, investment.
We hope this meticulous comparison assists you in navigating your Lumix purchase with confidence, tailored to your unique photographic ambitions.
Appendix: Technical Specifications at a Glance
Specification | Panasonic Lumix FH1 | Panasonic Lumix FZ1000 |
---|---|---|
Sensor Type | 1/2.3" CCD | 1" CMOS |
Megapixels | 12 | 20 |
Lens Focal Range | 28-140mm (5x zoom) | 25-400mm (16x zoom) |
Max Aperture | F2.8-6.9 | F2.8-4.0 |
Screen Size & Type | 2.7", Fixed LCD, 230k dots | 3", Fully Articulated LCD, 921k dots |
Viewfinder | None | 2.36M-dot EVF, 100% coverage |
ISO Range | 80-6400 | 125-12,800 (25,600 boosted) |
Burst Shooting Speed | 6 fps | 12 fps |
Video Recording | 720p@30fps, Motion JPEG | 4K@30fps, Full HD@60fps, AVCHD/MPEG-4 |
Autofocus Points | 9-point contrast detection | 49-point contrast detection with tracking |
Exposure Modes | Auto only | Manual, Aperture priority, Shutter priority |
Connectivity | USB 2.0 only | Wi-Fi, NFC, USB 2.0, HDMI |
Weight | 163 grams | 831 grams |
Price (approx.) | $150 | $800 |
By sharing top-tier hands-on experience and exhaustive technical insight, this article endeavors to reinforce your understanding of these Panasonic Lumix cameras and guide your next purchase decision with confidence and clarity.
Panasonic FH1 vs Panasonic FZ1000 Specifications
Panasonic Lumix DMC-FH1 | Panasonic Lumix DMC-FZ1000 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-FH1 | Panasonic Lumix DMC-FZ1000 |
Also called | Lumix DMC-FS10 | - |
Class | Small Sensor Compact | Large Sensor Superzoom |
Announced | 2010-01-06 | 2014-06-12 |
Body design | Compact | SLR-like (bridge) |
Sensor Information | ||
Processor | - | Venus Engine |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1" |
Sensor measurements | 6.08 x 4.56mm | 13.2 x 8.8mm |
Sensor surface area | 27.7mm² | 116.2mm² |
Sensor resolution | 12 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4000 x 3000 | 5472 x 3648 |
Maximum native ISO | 6400 | 12800 |
Maximum enhanced ISO | - | 25600 |
Minimum native ISO | 80 | 125 |
RAW format | ||
Minimum enhanced ISO | - | 80 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 9 | 49 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-140mm (5.0x) | 25-400mm (16.0x) |
Maximal aperture | f/2.8-6.9 | f/2.8-4.0 |
Macro focus distance | 5cm | 3cm |
Crop factor | 5.9 | 2.7 |
Screen | ||
Range of display | Fixed Type | Fully Articulated |
Display diagonal | 2.7 inch | 3 inch |
Display resolution | 230 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Min shutter speed | 60 secs | 60 secs |
Max shutter speed | 1/1600 secs | 1/4000 secs |
Continuous shutter speed | 6.0 frames/s | 12.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 6.80 m | 13.50 m (at Auto ISO) |
Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, Forced Off |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840x2160 (30p), 1920 x 1080 (60p, 60i, 30p, 24p) 1280x720 (30p), 640 x 480 (30p) |
Maximum video resolution | 1280x720 | 3840x2160 |
Video format | Motion JPEG | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 163 grams (0.36 pounds) | 831 grams (1.83 pounds) |
Physical dimensions | 98 x 55 x 23mm (3.9" x 2.2" x 0.9") | 137 x 99 x 131mm (5.4" x 3.9" x 5.2") |
DXO scores | ||
DXO Overall score | not tested | 64 |
DXO Color Depth score | not tested | 22.1 |
DXO Dynamic range score | not tested | 11.7 |
DXO Low light score | not tested | 517 |
Other | ||
Battery life | - | 360 shots |
Battery form | - | Battery Pack |
Battery model | - | DMW-BLC12PP |
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC card, Internal | - |
Storage slots | Single | Single |
Pricing at release | $150 | $800 |