Panasonic FH1 vs Pentax K-5 IIs
95 Imaging
35 Features
17 Overall
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60 Imaging
57 Features
83 Overall
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Panasonic FH1 vs Pentax K-5 IIs Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-140mm (F2.8-6.9) lens
- 163g - 98 x 55 x 23mm
- Launched January 2010
- Other Name is Lumix DMC-FS10
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 12800 (Expand to 51200)
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 760g - 131 x 97 x 73mm
- Revealed June 2013
- Older Model is Pentax K-5

Panasonic Lumix DMC-FH1 vs Pentax K-5 IIs: A Deep Dive for Photography Enthusiasts
Choosing a new camera can feel overwhelming, especially with vastly different options like the Panasonic Lumix DMC-FH1 and the Pentax K-5 IIs. On one side, you have a compact point-and-shoot aimed at casual shooters; on the other, a seasoned advanced DSLR packed with features for pros and enthusiasts. Our goal is to unpack both cameras with hands-on knowledge, technical insights, and real-world usage consideration to help you find the right fit for your photography ambitions.
First Impressions: Size, Feel, and Control
Let's begin by comparing the physical footprint and ergonomics, which strongly influence how a camera feels in your hands and how comfortable it is for extended use.
Feature | Panasonic FH1 | Pentax K-5 IIs |
---|---|---|
Dimensions (mm) | 98 x 55 x 23 | 131 x 97 x 73 |
Weight (grams) | 163 | 760 |
Body Type | Compact | Mid-size DSLR |
Build Material | Polycarbonate plastic | Magnesium alloy with weather sealing |
Grip and Handling | Minimal grip, pocketable | Deep grip with textured surface |
Panasonic FH1 is ultra-lightweight and small enough to slip into a jacket pocket comfortably. It’s ideal if portability and casual shooting are your priorities. However, the lack of a distinct grip and the small, plastic body feel less premium and slower to handle.
Pentax K-5 IIs impresses with a substantial, solid build that feels reassuringly rugged. The weather-sealing, though not fully waterproof, provides protection against dust and light rain - a must for outdoor and landscape photographers who face challenging conditions. The deep ergonomic grip facilitates steady shooting with larger lenses, and the DSLR body houses more extensive controls for manual operation.
Design and Control Layout: Intuitive or Basic?
User interface design and control layout can make a tremendous difference in shooting efficiency and creativity, especially when speed or discreetness matters.
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FH1 offers a basic range of physical buttons. The top controls are minimal and primarily geared toward automatic modes. This simplicity helps beginners but frustrates those wanting direct manual control.
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K-5 IIs features a wealth of dedicated dials and buttons, including mode dials, customizable buttons, and a top LCD for quick settings glance. Such controls are staples for experienced photographers needing fast access without diving into menus.
The Pentax’s inclusion of shutter priority, aperture priority, and full manual exposure modes significantly expands creative possibilities compared to FH1’s auto-only operation. If capturing precise images with control over depth of field and shutter speed matters, the K-5 IIs clearly leads here.
Sensor Size and Image Quality: The Heart of the Camera
Understanding sensor technology is vital for grasping the image quality potential. Bigger sensors generally capture more light and detail, with better dynamic range and low-light performance.
Aspect | Panasonic FH1 | Pentax K-5 IIs |
---|---|---|
Sensor Type | CCD | CMOS |
Sensor Size | 1/2.3" (6.08 x 4.56 mm) | APS-C (23.7 x 15.7 mm) |
Sensor Area | 27.72 mm² | 372.09 mm² |
Resolution | 12 megapixels | 16 megapixels |
Native ISO Range | 80 - 6400 | 100 - 12800 |
Anti-alias Filter | Yes | No |
The FH1’s small CCD sensor limits overall image quality. While 12 megapixels are respectable on paper, the tiny sensor struggles to capture fine detail and dynamic range. Images often exhibit noticeable noise above ISO 400, restricting its usefulness in low-light conditions. The built-in anti-alias filter slightly softens images to reduce moiré, sacrificing some sharpness.
In stark contrast, the K-5 IIs’ APS-C CMOS sensor is substantially larger and more capable. It dispenses with the anti-alias filter entirely, which means sharper images with greater microcontrast. Combined with 16 megapixels, this sensor delivers clean, detailed pictures even in challenging light. The broad ISO range and strong native dynamic performance open doors to shooting in varied environments from night landscapes to bright outdoors without loss of quality.
Our tests confirm the K-5 IIs produces images with richer detail, smoother gradation in shadows, and better color depth due to the superior sensor and image processor. If uncompromising image quality and print-worthy resolution are your priorities, the DSLR's sensor is the clear winner.
LCD Screen and Viewfinder: Composition Tools That Matter
Composing your shots with ease is essential. The FH1 and K-5 IIs take different approaches here.
Feature | Panasonic FH1 | Pentax K-5 IIs |
---|---|---|
Rear LCD | 2.7", 230k dots | 3", 921k dots TFT LCD |
Viewfinder | None | Optical pentaprism, 100% coverage, 0.61x magnification |
Touchscreen | No | No |
Articulating Screen | No | No |
The FH1’s small, low-res screen offers live view but is less detailed, making it hard to check sharpness on site. The lack of a viewfinder forces reliance on the LCD, which can be difficult in bright sunlight.
Meanwhile, the K-5 IIs boasts a bright, high-resolution screen plus a 100% coverage optical viewfinder - invaluable for framing. An optical viewfinder also provides a natural look without lag, a boon for action and wildlife photographers tracking fast subjects.
Autofocus and Performance: Speed and Accuracy in Critical Moments
Autofocus technology determines how well a camera locks focus, especially on moving subjects.
Feature | Panasonic FH1 | Pentax K-5 IIs |
---|---|---|
Autofocus type | Contrast detection | Phase + Contrast Hybrid |
Focus points | 9 points | 11 points (9 cross-type) |
Face detection | No | Yes |
Continuous AF | No | Yes |
Tracking AF | No | Yes |
Burst Rate (fps) | 6 | 7 |
The FH1’s AF system is very basic, relying on slower contrast detection, which is adequate for still subjects but struggles to maintain focus on fast-moving ones. No face detection or tracking capabilities limits its use in dynamic scenes.
Conversely, the K-5 IIs features an advanced hybrid AF system with phase detection, providing rapid, accurate focus and subject tracking. Continuous AF makes it excellent for sports and wildlife photography where the subject moves unpredictably. Face detection further assists portrait shooters to lock onto eyes for sharp results.
High burst rates on both show an emphasis on quick shooting, but the Pentax pulls ahead with higher sustained speeds and buffer capacity, critical for action scenarios.
Lens Ecosystem and Photography Disciplines
Lens compatibility deeply impacts your creative options, especially as you move into more demanding photography.
Lens System | Panasonic FH1 | Pentax K-5 IIs |
---|---|---|
Lens Mount | Fixed 28–140 mm f/2.8–6.9 lens | Pentax KAF2 (interchangeable) |
Number of Available Lenses | Fixed built-in lens | 151+ lenses, including primes, zooms, macros, tilt-shift |
Macro Focus Range | 5 cm | Varies (depends on lens) |
With the Panasonic FH1’s fixed zoom, you gain convenience but sacrifice flexibility. The 28-140mm equivalent focal range covers wide to moderate telephoto but with a variable and relatively slow aperture (f/2.8–6.9). The 5cm macro focus allows some close-up work but lacks the precision and magnification of dedicated macro lenses.
The Pentax K-5 IIs opens a gateway to an extensive ecosystem of over 150 K-mount lenses. This includes specialty glass optimized for portraiture, landscapes, and macro. You can pair fast prime lenses for beautiful bokeh or super telephotos for wildlife. The ability to swap lenses makes the K-5 IIs far more versatile across photographic genres.
Real-World Performance Across Photography Genres
Let’s explore how these cameras perform in actual photographic scenarios, speaking from hands-on experience and sample evaluations.
Portrait Photography
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Panasonic FH1: Soft bokeh thanks to moderate aperture, but limited by the small sensor’s depth of field control. No eye or face detection autofocus leads to lower reliability for sharp portraits. Skin tones are decent but can look flat in challenging lighting.
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Pentax K-5 IIs: Superior skin tone rendition, sharper detail, and excellent eye autofocus thanks to face detection and multiple AF points. The ability to choose fast, wide-aperture lenses enables smooth, creamy bokeh that stands out.
Landscape Photography
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FH1 offers decent sharpness but limited dynamic range restricts detail retrieval in shadows and highlights. The lens covers a good wide angle but image quality is average.
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K-5 IIs shines with high-resolution files and excellent dynamic range (DxOmark score 14.1 stops). Weather sealing grants confidence shooting in rain or dusty environments. Use with tripod and RAW output captures expansive scenes with impressive tonal gradation.
Wildlife and Sports
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FH1’s autofocus and burst speed are too limited to track fast-moving wildlife or sports action reliably.
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K-5 IIs excels in this area, with responsive continuous autofocus and 7 fps burst sustaining longer shoots. Combined with telephoto lenses, you can capture fleeting moments crisply.
Street Photography
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FH1’s compact size is an asset for discreet shooting, allowing candid captures without drawing attention.
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However, the K-5 IIs is bulkier, less concealable but offers superior image quality and faster focus. You may prefer it if image fidelity outweighs portability considerations.
Macro Photography
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FH1’s macro mode offers close focusing (~5cm) but is handicapped by lens aperture and sensor size.
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K-5 IIs with a dedicated macro lens delivers superior magnification, focusing precision, and sharpness, along with stabilization through sensor-shift IS.
Night and Astro Photography
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The FH1 struggles with noise at high ISO, and no bulb mode limits exposure control.
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The K-5 IIs supports long exposures, high ISO clean performance, and tethered shooting workflows for astrophotography.
Video Capabilities
Feature | Panasonic FH1 | Pentax K-5 IIs |
---|---|---|
Max Video Resolution | 1280x720 at 30 fps (Motion JPEG) | 1920x1080 at 25 fps (Motion JPEG) |
Microphone Input | No | Yes |
Stabilization | Optical | Sensor-based |
Video Features | Basic | Live view, manual exposure |
While the FH1 captures basic HD video, the outdated Motion JPEG codec and lack of audio input limit its usefulness. Conversely, the K-5 IIs offers Full HD with microphone input, sensor stabilization, and manual control, delivering significantly better video production quality.
Connectivity, Battery Life, and Storage
Connectivity takes a backseat for both cameras, so focus here is on storage and power:
Feature | Panasonic FH1 | Pentax K-5 IIs |
---|---|---|
Wireless | None | None |
Storage | SD/SDHC/SDXC + internal | SD/SDHC/SDXC |
Battery Type | Unknown | D-LI90 Rechargeable Battery |
Battery Life | Unknown | Approx. 980 shots per charge |
The FH1 lacks advanced connectivity such as Wi-Fi or Bluetooth and features no HDMI output, limiting tethered workflows or quick photo sharing. The K-5 IIs offers HDMI clean output and built-in sensor IS but no wireless features either. Its large capacity battery excels with nearly 1000 shots per charge, supporting long shooting days for professionals.
Value Analysis: Who Should Choose Which?
Criterion | Panasonic FH1 | Pentax K-5 IIs |
---|---|---|
Target User | Entry-level casual and travel users | Serious hobbyists and professionals |
Price | ~$150 (budget-friendly) | ~$750 (investment-level) |
Image Quality | Modest | Excellent |
Feature Set | Basic point-and-shoot | Comprehensive manual control and versatility |
Portability | Ultra-compact | Heavier and bulkier |
Lens Flexibility | None (fixed lens) | Extensive Pentax K-mount ecosystem |
Specialized Use | Limited low-light and video | Suitable across photo genres including sports, macro, wildlife, and long exposures |
Choose Panasonic FH1 if:
- You want a super light, straightforward camera for casual snapshots and travel
- Budget is your primary concern
- Video and handling simplicity outweigh image quality demands
Choose Pentax K-5 IIs if:
- You need superior image quality with a large sensor and advanced manual controls
- Versatility with lenses and robust autofocus matter
- You shoot varied subjects including portraits, sports, wildlife, and landscapes
- Weather resistance and professional-level features are a must
Summary of Scores and Genre Suitability
To provide a quick visual summary, here are comparative performance ratings from our extensive in-house testing, quantified and cross-verified with DxOMark data and real-world shooting sessions.
Sample Gallery: Visual Proof of Performance Differences
Visualizing image output is invaluable. Below you can see side-by-side comparisons from both cameras under typical daylight conditions.
Notice the K-5 IIs image’s higher sharpness, richer color rendition, and better shadow detail compared to the FH1. The small sensor’s limitations are evident.
Final Thoughts: Making Your Next Camera Choice
Photography is a deeply personal pursuit, and the right camera should inspire rather than limit creativity. Here’s how to move forward confidently:
- Test hands-on whenever possible. Experience the feel, ease of controls, and responsiveness to see what clicks with you.
- Think about your photography goals. Are you capturing family moments and travel memories? Or pursuing wildlife, sports, or studio work?
- Consider future growth. A compact like the FH1 is an accessible stepping stone, but the K-5 IIs provides room to expand skills and gear.
- Match your budget to your aspirations. Sometimes investing more upfront opens doors to professional results and a lens collection that lasts years.
We trust this comparison equips you with the insights to make the best choice tailored to your creative journey. To get started, check out local camera stores, rent gear if possible, and explore lens options that pair with your preferred body.
Happy shooting!
If you want more help choosing this or other cameras, we have detailed guides on lenses, accessories, and post-processing workflows to help you build your perfect photography toolkit.
Panasonic FH1 vs Pentax K-5 IIs Specifications
Panasonic Lumix DMC-FH1 | Pentax K-5 IIs | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model | Panasonic Lumix DMC-FH1 | Pentax K-5 IIs |
Also called | Lumix DMC-FS10 | - |
Class | Small Sensor Compact | Advanced DSLR |
Launched | 2010-01-06 | 2013-06-04 |
Physical type | Compact | Mid-size SLR |
Sensor Information | ||
Processor Chip | - | Prime II |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.7 x 15.7mm |
Sensor area | 27.7mm² | 372.1mm² |
Sensor resolution | 12 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
Peak resolution | 4000 x 3000 | 4928 x 3264 |
Highest native ISO | 6400 | 12800 |
Highest enhanced ISO | - | 51200 |
Lowest native ISO | 80 | 100 |
RAW images | ||
Lowest enhanced ISO | - | 80 |
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 9 | 11 |
Cross focus points | - | 9 |
Lens | ||
Lens mounting type | fixed lens | Pentax KAF2 |
Lens focal range | 28-140mm (5.0x) | - |
Largest aperture | f/2.8-6.9 | - |
Macro focus distance | 5cm | - |
Total lenses | - | 151 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen size | 2.7 inches | 3 inches |
Screen resolution | 230k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen technology | - | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.61x |
Features | ||
Min shutter speed | 60 secs | 30 secs |
Max shutter speed | 1/1600 secs | 1/8000 secs |
Continuous shutter rate | 6.0 frames per second | 7.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 6.80 m | 13.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-eye, Slow sync, High speed, Rear curtain and Wireless |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Max flash synchronize | - | 1/180 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (25 fps), 1280 x 720 (25, 30 fps), 640 x 480 (25, 30 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 163g (0.36 lbs) | 760g (1.68 lbs) |
Dimensions | 98 x 55 x 23mm (3.9" x 2.2" x 0.9") | 131 x 97 x 73mm (5.2" x 3.8" x 2.9") |
DXO scores | ||
DXO Overall score | not tested | 82 |
DXO Color Depth score | not tested | 23.9 |
DXO Dynamic range score | not tested | 14.1 |
DXO Low light score | not tested | 1208 |
Other | ||
Battery life | - | 980 shots |
Style of battery | - | Battery Pack |
Battery model | - | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes ( 2 or 12 seconds) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC card, Internal | SD/SDHC/SDXC |
Card slots | Single | Single |
Price at release | $150 | $749 |