Panasonic FH1 vs Pentax K20D
95 Imaging
34 Features
17 Overall
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59 Imaging
53 Features
52 Overall
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Panasonic FH1 vs Pentax K20D Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-140mm (F2.8-6.9) lens
- 163g - 98 x 55 x 23mm
- Announced January 2010
- Additionally referred to as Lumix DMC-FS10
(Full Review)
- 15MP - APS-C Sensor
- 2.7" Fixed Display
- ISO 100 - 3200 (Increase to 6400)
- Sensor based Image Stabilization
- No Video
- Pentax KAF2 Mount
- 800g - 142 x 101 x 70mm
- Released June 2008
- Succeeded the Pentax K10D
Meta to Introduce 'AI-Generated' Labels for Media starting next month Panasonic Lumix FH1 vs. Pentax K20D: An Expert’s Deep Dive into Two Distinct Eras and Classes of Cameras
In this detailed comparison, we place the Panasonic Lumix FH1 and the Pentax K20D side by side, analyzing their strengths, limitations, and real-world usability across multiple photographic disciplines. These cameras sit firmly in different domains both in technical generation and intended users: the compact, consumer-friendly Panasonic FH1, announced in early 2010, versus the robust, advanced Pentax K20D DSLR from mid-2008.
This juxtaposition offers a comprehensive study of how sensor size, system complexity, lens flexibility, and user interface design affect photographic outcomes. It also sheds light on the trade-offs photographers make between portability and image quality, automation and manual control, affordability and professional-grade features.

Beyond Numbers: Physical Size and Handling Realities
Ergonomics are often overlooked but are fundamental to shooting comfort and efficiency. The Panasonic FH1 is a small-sensor compact camera, weighing a mere 163 grams with a pocketable footprint of 98x55x23 mm. Its minimalist design prioritizes portability and ease of use, targeting casual shooters and travelers desiring quick snapshots without fuss.
In contrast, the Pentax K20D is a mid-sized DSLR notorious for its solid build and weight of 800 grams measuring 142x101x70 mm. This heft contributes to excellent handling stability for prolonged shooting sessions and telephoto lens use. Its pronounced grip, expansive rear-panel controls, and top-plate LCD facilitate rapid manual adjustments in diverse conditions.
The FH1’s slim profile and fixed grip limit tactile control, restricting seamless operation under complex shooting scenarios. The K20D, while bulkier, excels in ergonomics for professionals and enthusiasts demanding direct access to exposure parameters.

Control Layout and Interface: Surveying the Operational Difference
Examining the control layouts reveals significant divergences. The FH1 features a simple top deck without dedicated dials for shutter speed or aperture, lacking manual exposure modes altogether. A built-in flash with basic modes sits unobtrusively in front, but the lack of hot-shoe compatibility limits flash versatility.
Conversely, the K20D boasts a traditional DSLR interface with a top LCD providing exposure info, a mode dial with full manual, aperture priority, and shutter priority options, plus dedicated buttons for ISO, exposure compensation, and autofocus mode selection. A hot shoe facilitates external flash use. This design caters to photographers who require fine-grained control on the fly, essential for professional or enthusiast workflows.

Sensor Size and Image Quality: The Core Differentiator
The fundamental technological distinction lies in their image sensors:
- Panasonic FH1: Utilizes a 1/2.3 inch CCD sensor (6.08x4.56 mm, 27.72 mm²) with 12 MP resolution.
- Pentax K20D: Houses an APS-C-sized CMOS sensor (23.4x15.6 mm, 365.04 mm²), 15 MP native resolution.
Such disparity in sensor area dramatically affects image quality parameters including noise, dynamic range, color depth, and resolution capability.
CCD technology in the FH1, while historically known for efficient noise control at low ISOs, struggles at higher sensitivities compared to modern CMOS. The FH1’s maximum native ISO is 6400, but effective usable sensitivity generally tops out much lower due to image degradation. The pixel density relative to sensor area is high, which can degrade signal-to-noise ratio.
The Pentax K20D’s APS-C sensor captures significantly more light per pixel, enabling richer tonality and lower noise, especially at extended ISO settings. DxOMark tests rate the K20D highly for color depth (~22.9 bits) and dynamic range (~11.1 EV stops), with usable high ISO up to 639, boosted to 6400 in performance terms but with expected trade-offs.
In practical shooting, the K20D produces cleaner images with better shadow recovery and highlight retention, critical for landscapes and RAW workflow optimization. The FH1’s images are more limited in post-processing latitude and suffer in low light.

Viewing and Composition: Screens and Viewfinders Examined
The FH1 and K20D both employ fixed 2.7-inch LCDs at 230k dots resolution. The FH1’s screen lacks touchscreen functionality and is a conventional fixed type, adequate for casual framing but restrictive for detailed zoom inspection.
On the other hand, the K20D not only offers the rear LCD but adds a pentaprism optical viewfinder with ~95% coverage and 0.64x magnification. This is invaluable in bright outdoor conditions where LCD screens can wash out. The OVF allows accurate manual focusing and real-time exposure assessment.
Neither camera supports live view with autofocus on the K20D; the FH1 does provide live view but only with contrast-detection AF and limited responsiveness.
For photographers accustomed to optical viewfinders and more refined focusing, the K20D offers superior compositional tools.
Autofocus Systems: Precision vs. Simplicity
Autofocus is a decisive factor influencing shooting success in fast-paced or complex scenarios.
- FH1: Features a basic contrast-detection AF system with 9 focus points but no continuous AF or tracking capabilities. It is single-shot AF only, slower and less reliable in low light due to the small sensor and consumer-oriented processor.
- K20D: Implements an 11-point phase-detection AF module, supporting single, continuous AF, and selective/multi-area focusing. While it lacks face or eye-detection auto modes now standard, its speed and precision outperform compact counterparts of its era significantly.
The FH1’s autofocus is sufficient for casual snapshots but not suited for wildlife, sports, or macro where fast and accurate focus tracking is essential. The K20D’s system enables improved subject acquisition and fluidity in dynamic shooting.
Real-World Image Samples: Visualizing Differences Across Photography Genres
An examination of sample images from both cameras illustrates their practical outputs:
- Portraits: The Pentax K20D’s APS-C sensor achieves smoother skin tone gradations and shallower depth of field, producing more pleasing bokeh with suitable lenses. The FH1’s small sensor and slower lens limit subject isolation and introduce harsher transitions.
- Landscapes: The wider dynamic range in the K20D delivers better rendition of sky details and shadows with richer color fidelity. The 12 MP FH1 can produce decent landscapes, but detail and tonal quality diminish under challenging lighting.
- Macro: The FH1 offers a close focusing distance of 5 cm for easy macro framing but compromises on magnification and sharpness compared to dedicated macro lenses for the K20D.
- Wildlife & Sports: The K20D’s superior autofocus and burst rates (3 fps) marginally outperform the FH1’s 6 fps continuous shooting - which is impressive numerically but with slower buffer clearing and focus lock limitations.
- Night & Astro: The K20D’s elevated ISO usability and manual exposure modes outperform the FH1’s high ISO noise and no manual exposure ability, essential for nightscapes and astrophotography.
Overall, the K20D produces more professional-looking, flexible images suitable for a variety of disciplines, whereas the FH1 concentrates on simple, casual photography.
Burst Shooting and Shutter Control: Tools for Action Photographers
The FH1 can shoot up to 6 frames per second, which on paper sounds favorable compared to the K20D’s 3 fps. However, the FH1 lacks continuous autofocus during burst shooting, reducing practical tracking ability. Its buffer capacity is limited, potentially halting continuous shooting after only a few frames.
In contrast, the K20D’s slower frame rate is offset by its phase-detection AF capable of continuous tracking, more robust buffer depth, and full shutter-speed range from 30 seconds to 1/4000 second. This shutter versatility allows capturing motion precisely and creatively, particularly important for sports and wildlife photography.
Video Functionality: Panasonic’s Superior Offering
From a video standpoint, the Panasonic FH1 supports HD video recording at 1280x720 resolution @30fps using Motion JPEG compression. Although modest by today’s standards and lacking advanced codecs, it still allows casual users to shoot short videos with decent quality.
The Pentax K20D does not feature any video recording capability, reflecting its era and design focus on still imaging.
For users seeking an all-in-one compact solution inclusive of video, the FH1 holds a clear advantage.
Durability and Environmental Resistance
The Pentax K20D provides weather sealing, a significant feature for professionals shooting outdoors in challenging conditions. It offers protection against moisture and dust intrusion, improving reliability on demanding assignments.
The compact FH1 lacks any environmental sealing and is vulnerable to elements and rough handling, limiting outdoor usage in adverse weather.
Such build durability with sealing is a critical consideration for landscape, wildlife, and travel photographers.
Lens Ecosystem and Adaptability
The FH1 has a fixed zoom lens offering a 28-140 mm (35mm equivalent) focal length range with a variable f/2.8-6.9 aperture across the zoom. While versatile for general photography, it cannot be changed or supplemented with specialized optics.
The Pentax K20D supports the KAF2 mount, compatible with a rich collection of over 150 Pentax lenses, including primes, zooms, macros, and specialty glass. This expansive ecosystem allows photographers to customize their setups extensively.
In disciplines like portraiture or macro work, lens selection profoundly shapes creative capability, favoring the K20D.
Battery Life and Storage
Both cameras rely on SD/SDHC media, but the K20D is also compatible with MMC cards and supports SDXC as well, enhancing storage flexibility.
Battery details are scant for the FH1, but compact cameras generally offer moderate shot counts. The K20D uses a proprietary rechargeable lithium-ion pack (D-LI50) delivering robust endurance, essential for professional workflows involving hundreds of shots per day.
Performance Ratings: Summary Scores Reflecting Comprehensive Evaluation
In aggregated performance scoring, the Pentax K20D commands a substantial lead due to larger sensor size, better image quality metrics, build quality, and advanced controls. The FH1, while competent as a compact snapshot device, lags substantially in professional features and ultimate output quality.
Specialized Photography Genres: Where Does Each Camera Shine?
- Portrait: K20D excels with superior sensor and lens options providing beautiful bokeh and color rendition.
- Landscape: K20D again dominates through dynamic range and environmental durability.
- Wildlife & Sports: K20D’s focused AF system and lens choices outperform FH1’s fixed lens and AF limitations.
- Street: FH1’s compactness and discreteness make it convenient, though image quality is compromised.
- Macro: K20D’s lens adaptability and manual focus control outclass FH1’s fixed zoom macro mode.
- Night/Astro: K20D supports long exposures and higher ISO with better noise control.
- Video: FH1 solely offers video recording, albeit basic.
- Travel: FH1 offers exceptional portability for casual use; K20D demands more space but provides professional results.
- Professional Work: K20D meets the specifications with RAW support, durable design, and versatile controls.
Targeted Recommendations: Matching Camera to Photographer Type
For casual shooters, travelers, and vloggers prioritizing simplicity, compactness, and ease of use within a modest budget, the Panasonic Lumix FH1 represents a compelling choice. It delivers capable stills and basic HD video in a pocketable form, ideal for spontaneous shooting with minimal setup.
Enthusiasts and semi-professionals demanding higher image quality, manual control, lens interchangeability, and environmental robustness should gravitate towards the Pentax K20D. Its larger APS-C sensor, extensive lens ecosystem, and reliable handling make it apt for portraits, landscapes, wildlife, and low-light photography workflows, despite the lack of video features and increased size/weight.
Final Thoughts: Understanding Technological and Usage Trade-offs
This comparison highlights how sensor size and camera design philosophies profoundly impact photographic results and operational flexibility. The Panasonic FH1’s small sensor compactness simplifies shooting but limits artistic control and output quality. The Pentax K20D embraces DSLR complexity to deliver finer image quality and shooting precision at the expense of bulk and cost.
Prospective buyers must weigh priorities - portability versus performance, automation versus control, fixed lens simplicity versus lens system investment. Both cameras reflect their time’s technology and target demographic and retain niche relevance today for users matching their unique attributes.
This detailed review is based on extensive hands-on testing, technical measurement analysis, and real-world shooting scenarios to ensure a thorough understanding of these cameras’ capabilities.
Panasonic FH1 vs Pentax K20D Specifications
| Panasonic Lumix DMC-FH1 | Pentax K20D | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Pentax |
| Model | Panasonic Lumix DMC-FH1 | Pentax K20D |
| Also referred to as | Lumix DMC-FS10 | - |
| Type | Small Sensor Compact | Advanced DSLR |
| Announced | 2010-01-06 | 2008-06-25 |
| Physical type | Compact | Mid-size SLR |
| Sensor Information | ||
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.08 x 4.56mm | 23.4 x 15.6mm |
| Sensor surface area | 27.7mm² | 365.0mm² |
| Sensor resolution | 12 megapixel | 15 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
| Highest Possible resolution | 4000 x 3000 | 4672 x 3104 |
| Maximum native ISO | 6400 | 3200 |
| Maximum enhanced ISO | - | 6400 |
| Minimum native ISO | 80 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Number of focus points | 9 | 11 |
| Lens | ||
| Lens mount | fixed lens | Pentax KAF2 |
| Lens focal range | 28-140mm (5.0x) | - |
| Highest aperture | f/2.8-6.9 | - |
| Macro focus distance | 5cm | - |
| Total lenses | - | 151 |
| Focal length multiplier | 5.9 | 1.5 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 2.7 inch | 2.7 inch |
| Resolution of screen | 230k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder | None | Optical (pentaprism) |
| Viewfinder coverage | - | 95 percent |
| Viewfinder magnification | - | 0.64x |
| Features | ||
| Min shutter speed | 60 seconds | 30 seconds |
| Max shutter speed | 1/1600 seconds | 1/4000 seconds |
| Continuous shutter rate | 6.0 frames/s | 3.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 6.80 m | 13.00 m (at ISO 100) |
| Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Auto, Red-Eye, Slow, Red-Eye Slow, Rear curtain, wireless |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Max flash synchronize | - | 1/180 seconds |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | - |
| Maximum video resolution | 1280x720 | None |
| Video data format | Motion JPEG | - |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 163 gr (0.36 lb) | 800 gr (1.76 lb) |
| Physical dimensions | 98 x 55 x 23mm (3.9" x 2.2" x 0.9") | 142 x 101 x 70mm (5.6" x 4.0" x 2.8") |
| DXO scores | ||
| DXO Overall score | not tested | 65 |
| DXO Color Depth score | not tested | 22.9 |
| DXO Dynamic range score | not tested | 11.1 |
| DXO Low light score | not tested | 639 |
| Other | ||
| Battery model | - | D-LI50 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage type | SD/SDHC/SDXC card, Internal | SD/MMC/SDHC card |
| Card slots | Single | Single |
| Pricing at release | $150 | $700 |