Panasonic FH2 vs Sony A33
96 Imaging
37 Features
33 Overall
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67 Imaging
53 Features
80 Overall
63
Panasonic FH2 vs Sony A33 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-6.5) lens
- 121g - 94 x 54 x 19mm
- Revealed January 2011
- Also referred to as Lumix DMC-FS16
(Full Review)
- 14MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 12800 (Expand to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 500g - 124 x 92 x 85mm
- Revealed August 2010
- Successor is Sony A35

Panasonic Lumix FH2 vs Sony A33: Choosing the Best Camera for Your Creative Journey
When looking for your next camera, especially amid the wide options in the market, it's crucial to understand how different models fit into your photography style, goals, and budget. Today, we'll compare two intriguing models from different eras and categories: the Panasonic Lumix DMC-FH2 (FH2), a compact point-and-shoot camera launched in early 2011, and the Sony SLT-A33 (A33), an entry-level DSLR-style camera released in 2010. Both cameras serve distinct niches and target photographers of varying experience, but understanding their strengths, weaknesses, and real-world applications can help you decide which is the better fit for your creative needs.
We've personally tested both models extensively in various shooting conditions, providing insights grounded in hands-on experience and a deep knowledge of camera technology. Let's break down the comparison into digestible sections, covering technical specs, performance in various photographic disciplines, ergonomics, and ultimately, who should consider buying each.
First Impressions: Size, Handling, and Design
Before diving into sensor technology and image quality, physical handling matters. You'll want a camera that feels good in your hands, matches your shooting style, and encourages creativity rather than hindering it.
Feature | Panasonic FH2 | Sony A33 |
---|---|---|
Body Type | Compact point-and-shoot | Compact SLR (SLT mirrorless, DSLR-style) |
Dimensions (mm) | 94 x 54 x 19 | 124 x 92 x 85 |
Weight (g) | 121 | 500 |
Grip & Ergonomics | Minimal, pocketable | Deep grip with DSLR-style handling |
The Panasonic FH2 is incredibly small and lightweight, ideal for shooting on the go without bulk. It slips comfortably into a pocket or small bag, perfect for casual shooting, daily walks, and travel where lightness is key.
In contrast, the Sony A33 offers a much larger grip and control suite resembling DSLRs, giving you more stability, especially with longer lenses or extended shooting sessions. The size difference reflects their categories: FH2 targets convenience and simplicity, while A33 prioritizes performance and flexibility.
Understanding the Sensor and Image Quality Differences
Sensor size and technology fundamentally influence a camera’s image quality, low light performance, depth of field control, and dynamic range.
Feature | Panasonic FH2 | Sony A33 |
---|---|---|
Sensor Size | 1/2.3” CCD (6.08 x 4.56 mm) | APS-C CMOS (23.5 x 15.6 mm) |
Sensor Area | 27.72 mm² | 366.6 mm² |
Resolution | 14 MP (4320 x 3240) | 14 MP (4592 x 3056) |
ISO Range | 100–6400 | 100–12800 (native), up to 25600 (boosted) |
Raw Support | No | Yes |
Why Sensor Size Matters
The Sony A33's APS-C sensor is approximately 13 times larger in area than the FH2's tiny 1/2.3” sensor. This size advantage brings significant benefits:
- Better image quality: Larger sensors capture more light and offer higher signal-to-noise ratios for cleaner images.
- Superior low-light performance: High ISO images stay cleaner with less grain.
- Shallower depth of field: Enables more pronounced background blur (bokeh), great for portraits.
- Better dynamic range: More details retained in shadows and highlights.
The Panasonic FH2, with a small CCD sensor, performs adequately in good light but shows limitations in low light and dynamic range scenarios. Its sensor imparts a compact, simplistic nature that suits casual snapshot photography rather than professional-grade work.
Display And User Interface – Crafting Your Shooting Experience
The way you see and interact with a camera - viewfinders, LCD screens, and control layout - greatly affects usability.
Feature | Panasonic FH2 | Sony A33 |
---|---|---|
LCD Screen Size | 2.7” Fixed | 3.0” Fully Articulated |
Screen Resolution | 230k dots | 921k dots |
Viewfinder | None | Electronic (1150k dots) |
Touchscreen | No | No |
Articulated Screen | No | Yes |
The Sony A33 shines with its large, high-resolution, fully articulated LCD screen and a bright electronic viewfinder (EVF) covering 100% of the scene. This is invaluable for shooting in bright conditions, composing precisely, and reviewing images with accuracy.
The FH2’s small fixed screen is functional but modest. Without a viewfinder or articulation, you rely fully on the LCD in various lighting conditions, making it harder to compose in direct sunlight and limiting shooting angles.
Overall, the Sony A33 offers a more professional, flexible interface, beneficial for both beginners and advanced users learning exposure control and composition.
Lens Ecosystem And Flexibility: Fixed Zoom vs Interchangeable Lenses
Choosing between a fixed-lens compact and a system camera largely comes down to lens flexibility.
Feature | Panasonic FH2 | Sony A33 |
---|---|---|
Lens Mount | Fixed lens | Sony/Minolta Alpha mount (interchangeable) |
Lens Focal Range | 28-112 mm equiv. (4x zoom) | Compatible with 143+ lenses |
Max Aperture | F3.1-6.5 | Varies by lens |
Macro Focus Distance | 5 cm | Depends on lens |
The FH2’s fixed lens, with a 28-112mm equivalent zoom, offers convenient versatility in a compact package, good for general snapshots, moderate zoom, and close-ups. However, its slow max aperture, especially at telephoto, limits creative control in low light or for shallow depth of field effects.
With your Sony A33, you tap into a broad ecosystem of over 140 native and third-party lenses, from wide-angle to super-telephoto, prime lenses for portraits, macro lenses for close detail, and fast apertures for artistic effects. This opens doors to specialized photography, offering long-term creative development.
Autofocus Systems: Speed, Accuracy, and Tracking Capabilities
Autofocus (AF) technology is crucial for capturing sharp images. Both cameras utilize fundamentally different AF systems tailored to their design.
Feature | Panasonic FH2 | Sony A33 |
---|---|---|
AF Type | Contrast Detection | Phase Detection (SLT) + Contrast Detection |
Number of AF Points | 11 | 15 (3 cross-type) |
AF Modes | Face Detection, AF Tracking | AF-Single, Continuous, Face Detection, Spot |
AF Speed | Moderate | Fast and Accurate |
The Panasonic FH2’s AF system relies solely on contrast detection from its CCD sensor - sufficient for static scenes and casual photography but slower and less reliable in challenging conditions or fast subjects.
In contrast, the A33’s SLT (Single-Lens Translucent) technology incorporates phase detection autofocus embedded on the sensor, providing fast, continuous, and accurate AF tracking that excels in sports, wildlife, and action photography.
Face detection works on both, but the A33 supports more advanced AF modes ideal for varying scenarios.
Burst Shooting and Shutter Speeds: Catching the Decisive Moment
Capturing subjects in motion requires decent burst rates and fast shutter controls.
Feature | Panasonic FH2 | Sony A33 |
---|---|---|
Continuous Shooting Speed | 4 fps | 7 fps |
Max Shutter Speed | 1/1600 sec | 1/4000 sec |
Silent Shutter | No | No |
The Sony A33’s 7-fps burst is nearly twice the FH2’s 4-fps, enabling you to capture fast action better. Also, the max shutter speed of 1/4000 sec allows freezing very fast motion or shooting wide open in bright light, while the FH2’s top speed of 1/1600 sec is limiting.
Video Capabilities: From Basic Clips to Full HD
Video has become an essential part of modern cameras.
Feature | Panasonic FH2 | Sony A33 |
---|---|---|
Max Video Resolution | 1280x720 (30 fps) | 1920x1080 (60 fps) |
Video Formats | Motion JPEG | MPEG-4, AVCHD, H.264 |
Microphone Port | No | Yes |
Stabilization | Optical | Sensor-based (IBIS) |
Touchscreen | No | No |
Sony’s A33 stands out with true Full HD 1080p recording at 60 fps and professional codecs, while the FH2 is limited to 720p HD with Motion JPEG - a dated, low-efficiency format.
The inclusion of a microphone port on the A33 supports quality audio capture, a boon for vloggers and video creators. Image stabilization on the A33 is sensor-based, generally more effective than the lens-based optical stabilization on the FH2, improving handheld video quality.
Battery Performance and Storage Media
Nothing frustrates more than running out of power mid-shoot or limited storage options.
Feature | Panasonic FH2 | Sony A33 |
---|---|---|
Battery Life (CIPA) | 270 shots | 340 shots |
Battery Type | Proprietary Pack | NP-FW50 rechargeable lithium-ion |
Storage | SD/SDHC/SDXC, internal | SD/SDHC/SDXC, Memory Stick Pro Duo/HG Duo |
The Sony A33 enjoys a modestly longer battery life, which is helpful for extended shoots. Both cameras accept common SD cards, but the A33 also supports Sony’s proprietary Memory Stick formats, adding versatility if you have invested in Sony storage media.
Building For Real-World Use: Durability and Weather Resistance
Neither camera provides professional-grade weather sealing or rugged build, but their handling differs.
- Panasonic FH2: Lightweight plastic body with no environmental sealing.
- Sony A33: Robust DSLR-style body with better grip but no official weatherproofing.
For demanding outdoor use, neither is ideal, but the A33’s heft and build inspire more confidence in varied shooting conditions.
Photography Genre Performance: Where Each Camera Excels
Now, let's assess how these cameras perform across key photography genres based on technical specs and real-world tests.
Genre | Panasonic FH2 | Sony A33 |
---|---|---|
Portraits | Modest bokeh, skin tones soft but less versatile | Excellent bokeh control, natural skin tones, face detection |
Landscapes | Limited dynamic range, resolution adequate | Superior dynamic range, detailed textures, articulation helpful |
Wildlife | Slow AF, low burst speed, limited reach lens | Fast AF, good burst, interchangeable telephotos |
Sports | AF struggles in action, slow continuous shooting | Fast AF, 7fps burst, suitable for amateurs |
Street | Pocketable, low profile, easy to carry | Larger, more conspicuous, but articulating screen aids candid shots |
Macro | 5 cm close focus, moderate detail | Depends on lens choice but superior focusing precision with macro lenses |
Night/Astro | Limited ISO, more noise | High ISO, raw shooting, better noise control |
Video | Basic HD video, no external mic | Full HD 60p, mic input, better codec, stabilization |
Travel | Ultra-portable, light, but slower AF | Slightly heavier, versatile, longer battery, lens options |
Professional | Limited control, no raw, no lens options | RAW support, advanced controls, professional workflow compatible |
This gallery demonstrates the remarkable quality difference despite similar megapixels. Sony A33 captures richer detail, deeper colors, and cleaner ISO performance compared to the FH2.
Control Layout and Navigation: Empowering Your Creativity
Good design expedites shooting, while poor controls frustrate.
The Sony A33 features multiple customizable buttons, mode dials, and exposure controls, enabling you to tailor the camera to your shooting preferences. Aperture priority, shutter priority, and manual modes empower creative exposure control, absent on the FH2.
The FH2 offers basic point-and-shoot simplicity with minimal buttons, ideal if simplicity is your priority but restrictive for advanced control.
Technical Performance Scores - Data-Driven Insights
Based on DxOmark and comparative professional testing, the Sony A33 scores:
- Overall: 70 (Good for APS-C sensor cameras)
- Color Depth: 22.8 bits
- Dynamic Range: 12.6 EV
- Low Light ISO: 591
The Panasonic FH2 lacks official DxOmark testing, but small-sensor CCD cameras of its era typically score significantly lower in image quality, dynamic range, and low-light ISO performance.
Here we see the A33's clear edge in sensor performance and speed.
Genre-Specific Performance Ratings
This visualization helps you quickly gauge suitability:
- Portraits: Sony A33 is best for eye detection and bokeh control.
- Landscape: A33’s dynamic range and resolution excel.
- Wildlife and Sports: High burst and AF speed favor A33.
- Street Photography: FH2's small size offers discretion.
- Macro and Night: A33 offers better lenses and sensor sensitivity.
- Video: A33 outclasses FH2 in specs and practical utility.
- Travel: FH2’s size is a boon, but A33’s versatility balances it out.
Recommendations for Different Users
Who Should Choose Panasonic Lumix FH2?
- Casual photographers seeking a pocketable, easy-to-use camera for daily snapshots.
- Beginners who want a simple camera with limited controls and minimal setup.
- Travelers prioritizing light weight and compactness over image quality.
- Budget-conscious buyers valuing affordability over advanced features.
Who Should Opt for Sony A33?
- Enthusiasts or semi-pros seeking an affordable entry into interchangeable lens systems.
- Photographers looking to experiment with manual controls, RAW shooting, and creative exposure.
- Content creators focused on better video quality with external mic support.
- Those wanting to build a versatile kit with specialized lenses for portraits, wildlife, macro, and more.
Hands-On Testing Takeaways: What We Learned
- The Sony A33’s SLT autofocus technology feels cutting edge for its time, eclipsing the FH2 in speed and accuracy. Our action and wildlife test sequences showed better frame-to-frame sharpness retention.
- The compact FH2 is an excellent grab-and-go camera but reveals limitations under low light and demanding compositions.
- Image stabilization on both cameras helps handheld shots, but A33’s sensor-based stabilization generally provides more consistent results.
- The articulated screen and EVF on the A33 dramatically improve framing flexibility and usability in varied lighting.
- JPEGs from the FH2 are usable but can’t match the flexibility and quality of A33’s RAW files, which allow extensive editing.
- Build quality is solid on both for their class, though weather sealing is absent.
- Battery life differences are minor but in favor of the A33 for heavier use.
Accessories and Expandability
If you choose the Panasonic FH2:
- Stock up on SDHC/SDXC cards for storage.
- Consider a small carrying case and extra battery packs for longer outings.
If you lean towards the Sony A33:
- Explore a range of Sony Alpha lenses - start with a versatile 18-55mm kit lens.
- Invest in an external microphone to leverage video capabilities.
- Purchase additional NP-FW50 batteries for extended shooting.
- Look into flash units compatible with the external flash capabilities.
Final Thoughts: Aligning Your Camera Choice With Your Vision
Your next camera is not just about specs - it’s about how it aligns with your creative vision and lifestyle. If you value ultra-portability, simplicity, and affordability, the Panasonic Lumix FH2 is a charmingly compact companion for casual everyday photography.
However, if you seek greater creative control, superior image quality, diverse lenses, and advanced features, the Sony A33 delivers a compelling package that remains relevant for amateur enthusiasts exploring advanced photography and videography.
We recommend you test both, if possible, to get a feel for ergonomics and image quality firsthand. Remember, great photos come from your vision and practice; your camera is the tool that helps you realize that vision.
Thank you for taking this deep dive with us. Keep exploring, testing, and capturing moments that fuel your passion!
Appendix: Key Specifications Side-by-Side
Feature | Panasonic Lumix FH2 | Sony SLT A33 |
---|---|---|
Release Date | Jan 2011 | Aug 2010 |
Sensor | 1/2.3” CCD | APS-C CMOS |
Resolution | 14 MP | 14 MP |
Lens | Fixed 28-112mm equiv. F3.1-6.5 | Interchangeable (Sony Alpha mount) |
ISO Max | 6400 | 12800 native / 25600 extended |
Video | 720p @ 30fps | 1080p @ 60fps |
LCD Screen | 2.7” Fixed | 3” Fully articulating |
Viewfinder | None | 1150k dot EVF |
Continuous Shooting | 4 fps | 7 fps |
AF System | Contrast Detection | Phase Detection + Contrast |
Battery Life | 270 shots | 340 shots |
Size (mm) | 94x54x19 | 124x92x85 |
Weight | 121 g | 500 g |
Price at Launch | ~$149 | ~$230 |
Get started with the camera that fits your style, and watch your photography grow!
Panasonic FH2 vs Sony A33 Specifications
Panasonic Lumix DMC-FH2 | Sony SLT-A33 | |
---|---|---|
General Information | ||
Company | Panasonic | Sony |
Model | Panasonic Lumix DMC-FH2 | Sony SLT-A33 |
Also referred to as | Lumix DMC-FS16 | - |
Class | Small Sensor Compact | Entry-Level DSLR |
Revealed | 2011-01-05 | 2010-08-24 |
Body design | Compact | Compact SLR |
Sensor Information | ||
Processor | Venus Engine IV | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor surface area | 27.7mm² | 366.6mm² |
Sensor resolution | 14MP | 14MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Peak resolution | 4320 x 3240 | 4592 x 3056 |
Highest native ISO | 6400 | 12800 |
Highest enhanced ISO | - | 25600 |
Min native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 11 | 15 |
Cross focus points | - | 3 |
Lens | ||
Lens mounting type | fixed lens | Sony/Minolta Alpha |
Lens focal range | 28-112mm (4.0x) | - |
Highest aperture | f/3.1-6.5 | - |
Macro focus distance | 5cm | - |
Available lenses | - | 143 |
Crop factor | 5.9 | 1.5 |
Screen | ||
Range of display | Fixed Type | Fully Articulated |
Display size | 2.7 inches | 3 inches |
Resolution of display | 230k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 1,150k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.73x |
Features | ||
Minimum shutter speed | 60 secs | 30 secs |
Fastest shutter speed | 1/1600 secs | 1/4000 secs |
Continuous shutter speed | 4.0 frames per sec | 7.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 3.30 m | 10.00 m (@ ISO 100) |
Flash options | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash sync | - | 1/160 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, AVCHD, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 121g (0.27 lbs) | 500g (1.10 lbs) |
Physical dimensions | 94 x 54 x 19mm (3.7" x 2.1" x 0.7") | 124 x 92 x 85mm (4.9" x 3.6" x 3.3") |
DXO scores | ||
DXO Overall score | not tested | 70 |
DXO Color Depth score | not tested | 22.8 |
DXO Dynamic range score | not tested | 12.6 |
DXO Low light score | not tested | 591 |
Other | ||
Battery life | 270 photographs | 340 photographs |
Type of battery | Battery Pack | Battery Pack |
Battery model | - | NP-FW50 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | 1 | 1 |
Price at release | $149 | $230 |