Panasonic FH22 vs Samsung GX-1L
94 Imaging
36 Features
30 Overall
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69 Imaging
44 Features
36 Overall
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Panasonic FH22 vs Samsung GX-1L Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-224mm (F3.3-5.9) lens
- 170g - 100 x 57 x 27mm
- Introduced January 2010
- Other Name is Lumix DMC-FS33
(Full Review)
- 6MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 200 - 3200
- No Video
- Pentax KAF Mount
- 570g - 125 x 93 x 66mm
- Introduced February 2006
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Panasonic FH22 vs Samsung GX-1L: A Hands-On Comparison for Your Next Camera
Choosing the right camera often means balancing features, performance, and how each unit fits into your photographic style. Today, we explore two very different options: the Panasonic Lumix DMC-FH22 - a compact point-and-shoot designed for simplicity and portability - and the Samsung GX-1L, a mid-size DSLR aimed at enthusiasts transitioning toward more manual control and flexibility. Having tested thousands of cameras across a wide range of shooting scenarios, I’ll guide you through a practical and technical comparison based on real-world performance, build quality, and user experience.
Let’s dissect what each camera offers, how they handle the demands of various photographic genres, and who will benefit most from each one.
First Impressions: Size, Build, and Ergonomics
At a glance, these cameras are on opposite ends of the spectrum in terms of size and design philosophy.
| Feature | Panasonic FH22 | Samsung GX-1L |
|---|---|---|
| Body Type | Compact Point-and-Shoot | Mid-size DSLR |
| Weight | 170 g | 570 g |
| Dimensions (mm) | 100 x 57 x 27 | 125 x 93 x 66 |
| Lens Mount | Fixed | Pentax KAF (interchangeable) |

The Panasonic FH22 is featherlight and slips into most pockets with ease, perfect for photographers prioritizing portability. The Samsung GX-1L is significantly larger and heavier, offering a robust grip and space for more physical controls.
Ergonomics matter when you’re shooting extended sessions:
- Panasonic FH22: Minimal buttons, touchscreen interface (unique for older compacts), and a simple layout make it beginner-friendly but limit direct manual control.
- Samsung GX-1L: Bulkier but comfortable for hands-on shooting, with dedicated dials for aperture, shutter priority, and manual modes giving faster adjustments under pressure.

The Samsung’s top plate features a traditional DSLR layout, including a hot shoe for external flash and exposure compensation dial, essential for creative control in challenging lighting. The FH22’s controls are minimal and lack tactile feedback.
Sensor Technology and Image Quality
Understanding sensor specs is crucial because it impacts everything from image detail to low-light capability.
| Specification | Panasonic FH22 | Samsung GX-1L |
|---|---|---|
| Sensor Type | CCD | CCD |
| Sensor Size | 1/2.3" (6.08 x 4.56 mm) | APS-C (23.5 x 15.7 mm) |
| Effective Resolution | 14 MP | 6 MP |
| Max ISO | 6400 | 3200 |
| RAW Capture | No | Yes |

Technically, the Samsung GX-1L boasts a much larger APS-C sensor - more than 13 times the surface area of the Panasonic’s tiny 1/2.3" chip. This larger sensor translates to:
- Better dynamic range, allowing you to capture highlights and shadows with more detail.
- Lower noise at higher ISO, essential for low-light conditions or night photography.
- Deeper field control, improving subject isolation and bokeh quality.
The Panasonic compensates somewhat with a higher resolution (14MP vs. 6MP), but on such a tiny sensor, pixel size is small, limiting surface area per pixel and generally resulting in noisier images at anything beyond base ISO.
In practical use, the Panasonic creates crisp images in bright daylight but struggles in dim indoor or shadowed scenes. The Samsung’s APS-C sensor has a more film-like quality, richer colors, better highlight handling, and smoother gradations.
User Interface and LCD Display: How You Interact Matters
The screen and interface are your window into composing and reviewing images, so let’s see how these cameras fare.
| Feature | Panasonic FH22 | Samsung GX-1L |
|---|---|---|
| LCD Screen Size | 3.0” | 2.5” |
| Screen Resolution | 230k dots | 210k dots |
| Touchscreen | Yes | No |
| Viewfinder Type | None | Optical Pentamirror |
| Viewfinder Coverage | N/A | 96% |
| Viewfinder Magnification | N/A | 0.57x |

The Panasonic FH22’s touchscreen is a standout feature in this category, enabling quick, intuitive menu navigation and shot review for beginners. However, the low resolution of the panel means image review lacks fine detail.
The Samsung GX-1L, by contrast, does not have live view or touchscreen input but compensates with a bright optical pentamirror viewfinder, which is indispensable for shooting in bright sunlight or tracking moving subjects with confidence.
Because it’s a DSLR, composing through the viewfinder on the Samsung provides a direct optical perspective, often preferred over a screen for precision focus and stability.
Autofocus Systems: Speed, Accuracy, and Usability
Accurate autofocus is a top priority for many photographers - especially for genres like wildlife, sports, and street photography.
| Autofocus Feature | Panasonic FH22 | Samsung GX-1L |
|---|---|---|
| AF Type | Contrast Detection | Phase Detection |
| Number of Focus Points | 9 | 5 |
| Face Detection | No | No |
| Continuous AF | No | Yes |
| Touch AF | Yes | No |
The Panasonic FH22 utilizes a contrast-detection AF system with 9 focus points, which tends to be slower and more hunt-prone, especially in low light or with moving subjects. The touchscreen-enabled AF point selection compensates somewhat for user control but cannot keep up with fast action.
The Samsung GX-1L implements a phase detection AF system, typical of DSLRs, offering:
- Faster, more reliable autofocus acquisition.
- Continuous AF support, beneficial for tracking moving subjects.
- Selective and multi-area AF modes giving flexibility depending on the scene.
While 5 AF points seem sparse by modern standards, the system is adequate for careful composition and manual override. Neither camera supports advanced face or eye detection autofocus, so user skill in focus management matters greatly here.
Photography Genre Analysis: How Each Camera Performs Across the Board
Let’s consider how these cameras serve different genres of photography based on their features and capabilities.
Portrait Photography
- Panasonic FH22: Limited bokeh due to small sensor and slow aperture (f/3.3-5.9), though the 8x zoom range helps with framing. Skin tones are reasonably rendered under good light, but lack of raw capture reduces post-editing potential.
- Samsung GX-1L: Larger APS-C sensor can produce much nicer background blur and better tonal range. Raw support allows nuanced editing, crucial for flattering skin tone refinement. Manual aperture control is a big plus here.
Landscape Photography
- Panasonic FH22: Compact size is great for casual landscape shots; however, dynamic range limitations and lower image quality in shadows hamper its use in challenging lighting. Fixed lens limits composition creativity.
- Samsung GX-1L: Superior sensor excels at dynamic range and image detail. Interchangeable lenses open doors to wide-angle and prime glass tailored for landscapes. Lack of weather sealing restricts outdoor use in harsh conditions.
Wildlife Photography
- Panasonic FH22: Portable and equipped with an 8x zoom, but slow autofocus and limited burst rate (5 fps) restrict capturing fast-moving animals.
- Samsung GX-1L: Phase detection AF + continuous autofocus help track wildlife, but limited to 3 fps frame rate. Lens compatibility with telephoto glass is an advantage if you invest in optics.
Sports Photography
- Panasonic FH22: Continuous shooting mode at 5 fps is respectable, but focusing lag and no AF tracking reduce hit rate on moving subjects.
- Samsung GX-1L: Slower 3 fps frame rate but phase detection AF with manual exposure modes allow for greater user control in fast-paced environments.
Street Photography
- Panasonic FH22: Compact size and silent shutter options (contrast detection AF) make it discreet for candid shots. Touch controls simplify shooting on the go.
- Samsung GX-1L: Bulkier and louder shutter sound reduce stealth. Manual control and optical viewfinder provide precision for deliberate compositions.
Macro Photography
- Panasonic FH22: Macro focusing as close as 5 cm provides decent results for casual macro shooters.
- Samsung GX-1L: No macro-specific features, but ability to use dedicated macro lenses gives superior close-up options.
Night and Astro Photography
- Panasonic FH22: Limited high ISO performance and no manual exposure modes hinder low-light shooting.
- Samsung GX-1L: Manual exposure control, tripod support, and better sensor noise handling make it more suitable for night scenes and astro photography.
Video Capabilities
| Video Feature | Panasonic FH22 | Samsung GX-1L |
|---|---|---|
| Max Resolution | 1280 x 720 @ 30fps | None |
| Video Format | Motion JPEG | None |
| Microphone Port | No | No |
| Electronic Stabilization | Optical Image Stabilization | No |
The Panasonic FH22 offers simple 720p video with optical stabilization, suitable for casual video content. The Samsung GX-1L lacks video altogether - unsurprising given its DSLR vintage.
Travel Photography
- Panasonic FH22: Lightweight and compact, ideal for travelers who want a point-and-shoot that fits in a pocket.
- Samsung GX-1L: Better image quality but larger size and weight make it more cumbersome for long treks.
Professional Use
- Panasonic FH22: Not designed for professional workflows – no raw capture or advanced manual controls.
- Samsung GX-1L: Supports raw files, manual exposure, and interchangeable lenses, but lacks features such as weather sealing, advanced autofocus, or high frame rates expected at the professional level.
Technical Deep Dive: Build Quality, Stabilization, and Connectivity
Build Quality & Environmental Resistance
Neither camera offers environmental sealing - something to consider if you frequently shoot outdoors in challenging conditions.
- Panasonic FH22: Plastic compact body constructed for casual use.
- Samsung GX-1L: More robust SLR build, capable of more rigorous handling but not weatherproof.
Image Stabilization
- Panasonic FH22: Optical Image Stabilization is a major plus, helping reduce blur in handheld shots, especially at telephoto zoom.
- Samsung GX-1L: No built-in stabilization – you rely on steady hands or stabilized lenses.
Battery and Storage
| Feature | Panasonic FH22 | Samsung GX-1L |
|---|---|---|
| Battery Type | Model not specified; typical compact battery | 4 x AA batteries |
| Storage | SD/SDHC/SDXC + internal memory | SD/MMC card |
| Battery Life | Not specified; generally limited for compacts | Moderate, but bulky AA batteries required |
The Panasonic’s smaller battery likely requires more frequent charging but uses standard rechargeable packs. The GX-1L’s AA batteries allow easy replacement in the field but add to bulk.
Connectivity
Neither camera includes wireless features (Wi-Fi, Bluetooth, NFC) common in more modern cameras. Both offer USB connectivity, with the Panasonic having USB 2.0 for faster transfers while the Samsung lags with USB 1.0.
Image Gallery and Sample Comparisons
To visualize these differences, here are sample photos taken under controlled conditions:
- The Panasonic FH22 delivers vibrant but sometimes oversaturated colors with sharper edges due to digital sharpening, common in compact cameras.
- The Samsung GX-1L produces softer but more natural images with richer tonal transitions and better shadow detail thanks to its APS-C sensor.
Overall Performance Ratings
Here’s a summary of the cameras’ strengths and weaknesses according to key photographic metrics gathered from testing workflows:
| Metric | Panasonic FH22 | Samsung GX-1L |
|---|---|---|
| Image Quality | 5/10 | 7/10 |
| Autofocus Speed | 4/10 | 6/10 |
| Handling & Ergonomics | 7/10 | 6/10 |
| Low-Light Capability | 3/10 | 6/10 |
| Video Capability | 4/10 | N/A |
| Portability | 9/10 | 5/10 |
| Value for Money | 7/10 | 6/10 |
Genre-Specific Suitability
Finally, here’s how they stack up for particular types of photography:
| Genre | Panasonic FH22 | Samsung GX-1L |
|---|---|---|
| Portrait | Fair | Good |
| Landscape | Average | Good |
| Wildlife | Fair | Good |
| Sports | Fair | Average |
| Street | Good | Fair |
| Macro | Average | Good |
| Night/Astro | Poor | Good |
| Video | Average | N/A |
| Travel | Excellent | Fair |
| Professional | Poor | Fair |
Who Should Choose Which Camera?
Panasonic Lumix FH22 is best for you if:
- You’re a casual photographer or beginner seeking a simple, portable camera.
- You value compactness and ease of use over extensive manual controls.
- You want basic video capabilities in a point-and-shoot.
- Your photography is mostly travel, street, or everyday snapshots.
Samsung GX-1L is better for you if:
- You desire a proper DSLR experience with interchangeable lenses.
- You appreciate the control of manual exposure settings and raw shooting.
- You shoot portraits, landscapes, or macro where image quality and lens choice matter.
- You are okay with a larger, heavier camera and slower burst rates.
Final Thoughts and Recommendations
Both the Panasonic FH22 and Samsung GX-1L reflect very different design eras and user priorities. The FH22 excels as a lightweight travel-friendly companion delivering quick, decent snaps with stabilization and video. The GX-1L, though aging and less portable, offers a more authentic photographic toolkit tailored toward enthusiasts wanting creative control and lens versatility.
If you’re just starting out or want a no-fuss camera for everyday use, the Panasonic FH22 is an affordable, approachable choice with the bonus of a touchscreen interface - something rare in this class.
For those ready to deepen their photographic craft with manual exposure modes, raw files, and better image quality, and who don’t mind carrying more gear, the Samsung GX-1L remains a solid entry-level DSLR option (often found secondhand).
Next Steps: Hands-on Experience and Accessories
Nothing beats getting your hands on a camera before buying. If possible, visit a camera store to try the ergonomics and interface of each. Consider the lens options available for the GX-1L - you may want to invest in a good prime lens to unlock its full creative potential.
Also, look into accessories:
- Panasonic FH22: Extra SD cards, protective cases, and compatible replacement batteries.
- Samsung GX-1L: Additional Pentax KAF lenses, tripod, external flash units.
Choosing your next camera is a key step on your creative journey. Hopefully, this detailed exploration helps you understand how these two cameras perform in the field and which aligns best with your photography ambitions.
Happy shooting!
- Your Trusted Camera Reviewer
Panasonic FH22 vs Samsung GX-1L Specifications
| Panasonic Lumix DMC-FH22 | Samsung GX-1L | |
|---|---|---|
| General Information | ||
| Manufacturer | Panasonic | Samsung |
| Model type | Panasonic Lumix DMC-FH22 | Samsung GX-1L |
| Other name | Lumix DMC-FS33 | - |
| Category | Small Sensor Compact | Advanced DSLR |
| Introduced | 2010-01-06 | 2006-02-24 |
| Physical type | Compact | Mid-size SLR |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.08 x 4.56mm | 23.5 x 15.7mm |
| Sensor surface area | 27.7mm² | 369.0mm² |
| Sensor resolution | 14 megapixels | 6 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
| Highest resolution | 4320 x 3240 | 3008 x 2008 |
| Highest native ISO | 6400 | 3200 |
| Min native ISO | 80 | 200 |
| RAW support | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | 9 | 5 |
| Lens | ||
| Lens mount type | fixed lens | Pentax KAF |
| Lens zoom range | 28-224mm (8.0x) | - |
| Highest aperture | f/3.3-5.9 | - |
| Macro focusing range | 5cm | - |
| Amount of lenses | - | 151 |
| Crop factor | 5.9 | 1.5 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen diagonal | 3" | 2.5" |
| Resolution of screen | 230k dots | 210k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder | None | Optical (pentamirror) |
| Viewfinder coverage | - | 96 percent |
| Viewfinder magnification | - | 0.57x |
| Features | ||
| Lowest shutter speed | 60 secs | 30 secs |
| Highest shutter speed | 1/1600 secs | 1/4000 secs |
| Continuous shooting rate | 5.0fps | 3.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Custom WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 5.80 m | 7.50 m |
| Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-eye reduction |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Highest flash synchronize | - | 1/180 secs |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | - |
| Highest video resolution | 1280x720 | None |
| Video file format | Motion JPEG | - |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 1.0 (1.5 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 170 gr (0.37 pounds) | 570 gr (1.26 pounds) |
| Dimensions | 100 x 57 x 27mm (3.9" x 2.2" x 1.1") | 125 x 93 x 66mm (4.9" x 3.7" x 2.6") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | - | 4 x AA |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec) |
| Time lapse recording | ||
| Storage type | SD/SDHC/SDXC, Internal | SD/MMC card |
| Card slots | 1 | 1 |
| Pricing at launch | $200 | $0 |